This project, based on OpenStreetMap, looks great:
OpenFreeMap lets you display custom maps on your website and apps for free.
You can either self-host or use our public instance.
I’m going to try it out on The Session once there’s documentation for using this with Leaflet.
I really, really like Paul’s idea of splitting up the indie web principles into one opinionated nerdy list of dev principles, and a separate shorter list of core principles for everyone:
- Own your identity An independent web presence starts with an online identity you own and control. The most reliable way to do this today is by having your own domain name.
- Own your content You should retain control of the things you make, and not be subject to third-parties preventing access to it, deleting it or disappearing entirely. The best way to do this is by publishing content on your own website.
- Have fun! When the web took off in the 90’s people began designing personal sites with garish backgrounds and animated GIFs. It may have been ugly but it was fun. Let’s keep the web weird and interesting.
If you start with a high-quality, legible, free typeface and experiment with size, weight, colour, line height, and (subtle) letter spacing, you might find these free options will get you further than you’d think. These are professional fonts crafted and maintained by experts and they can help your content land the way it deserves to.
This anthology of Steve Jobs interviews, announcements and emails is available to read for free as a nicely typeset web book.
I hadn’t come across this before: a barebones blogging tool with built-in fediverse support—neat!
I believe strongly in the indieweb principles of distributed ownership, control, and independence. For me, the important thing is that this is how we get to a diverse web. A web where everyone can define not just what they write but how they present is by definition far more expressive, diverse, and interesting than one where most online content and identities must be squished into templates created by a handful of companies based on their financial needs. In other words, the open web is far superior to a medium controlled by corporations in order to sell ads. The former encourages expression; the latter encourages consumerist conformity.
The slides from Tess’s presentation on the W3C’s ethical web principles—there’s a transcript too.
I love this: Terence takes eleven years to reflect on a comment I made on stage at an event here in Brighton. It’s all about the longevity of the web compared to native apps:
If you wrote an app for an early version of iOS or Android, it simply won’t run on modern hardware or software. APIs have changed, SDKs weren’t designed with forward compatibility, and app store requirements have evolved.
The web has none of that. The earliest websites are viewable on modern browsers.
As wrote at the time, I may have been juicing things up for entertainment:
Now here’s the thing when it comes to any discussion about mobile or the web or anything else of any complexity: an honest discussion would result in every single question being answered with “it depends”. A more entertaining discussion, on the other hand, would consist of deliberately polarised opinions. We went for the more entertaining discussion.
But I think this still holds true for me today:
The truth is that the whole “web vs. native” thing doesn’t interest me that much. I’m as interested in native iOS development as I am in native Windows development or native CD-ROM development. On a timescale measured in years, they are all fleeting, transient things. The web abides.
At its very core, the rules of the web are different than those of “real” markets. The idea that ownership fundamentally means that nobody else can have the same thing you have just doesn’t apply here. This is a world where anything can easily be copied a million times and distributed around the globe in a second. If that were possible in the real world, we’d call it Utopia.
Don’t see making your own web page as a nostalgia, don’t participate in creating the netstalgia trend. What you make is a statement, an act of emancipation. You make it to continue a 25-year-old tradition of liberation.
This font is a crossover of different font types: it is semi-condensed, semi-rounded, semi-geometric, semi-din, semi-grotesque. It employs minimal stoke thickness variations and a semi-closed aperture.
The annual day-long online accessibility event is back on September 23rd.
No sign-up. No registration. All sessions are streamed live and publicly on the Inclusive Design 24 YouTube channel.
Having only the content I want to see only be shown when I want to see it with the freedom to jump between readers as I please, all with no ads? For me, no other service comes close to the flexibility, robustness, and overall ease-of-use that RSS offers.
This looks like it’ll be a good event: a keynote from Vint Cerf and talks from Val Head, Rachel Andrew, Sara Soueidan, and others.
Best of all, it’s free!
A people’s history of copying, from art to software.
Designers copy. We steal like great artists. But when we see a copy of our work, we’re livid.
Here are 8 original visions of Africanfuturism: science fiction stories by both emerging and seasoned African writers staking a claim to Africa’s place in the future. These are powerful visions focused on the African experience and hopes and fears, exploring African sciences, philosophies, adaptations to technology and visions of the future both centred on and spiralling out of Africa. You will find stories of the near and almost-present future, tales set on strange and wonderful new planets, stories of a changed Earth, stories that dazzle the imagination and stimulate the mind. Stories that capture the essence of what we talk about when we talk about Africanfuturism.
Eight sci-fi stories gathered together by the European Astrobiology Institute. This free book is also available as .mobi and .epub.
The parallels between Alex Garland’s Devs and Tom Stoppard’s Arcadia.
I had the great pleasure of visiting the Museum Plantin-Moretus in Antwerp last October. Their vast collection of woodblocks are available to dowload in high resolution (and they’re in the public domain).
14,000 examples of true craftmanship, drawings masterly cut in wood. We are supplying this impressive collection of woodcuts in high resolution. Feel free to browse as long as you like, get inspired and use your creativity.
While we’re all confined to quarters during The Situation, Gary Hustwit is offering one of his films for free every week. The fantastic Helvetica is just about to finish its run, but every one of Gary’s films is worth watching (and rewatching): Helvetica, Objectified, Urbanized, and Rams.
Filmmaker Gary Hustwit is streaming his documentaries free worldwide during the global COVID crisis. Each week we’ll be posting another film here. We hope you enjoy them, and please stay strong.