Wikipedia

Little Women(1933 film)

Little Womenis a 1933 Americanpre-Codedrama filmdirected byGeorge Cukor,and starringKatharine Hepburn,Joan Bennett,Frances Dee,andJean Parker.The screenplay, written bySarah Y. MasonandVictor Heerman,is based on the 1868-1869 two-volume novelof the same namebyLouisa May Alcott.

Little Women
Theatrical release poster
Directed byGeorge Cukor
Written byDavid Hempstead
Screenplay by
Based onLittle Women
1868 novel
byLouisa May Alcott
Produced byMerian C. Cooper
Starring
CinematographyHenry W. Gerrard
Edited byJack Kitchin
Music byMax Steiner
Production
company
Distributed byRKO Radio Pictures
Release date
  • November 16, 1933(1933-11-16)(United States)
Running time
115 minutes
CountryUnited States
LanguageEnglish
Budget$424,000[1][2]
Box office$2,070,000 (worldwide rentals)[1][2]

This is the third screen adaptation of the book. It follows twosilent versions:thefirstreleased in 1917 withMinna Grey,and thesecondin 1918 withDorothy Bernard.After this 1933 sound version came the 1949Little Women,withJune Allyson,Elizabeth Taylor,andPeter Lawford,the 1994 filmLittle Women,starringWinona Ryder,and the 2019 filmLittle Women,featuringSaoirse Ronan.

Plot

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Set inConcord, Massachusettsduring and after theAmerican Civil War,the film is a series ofvignettesfocusing on the struggles and adventures of the four March sisters and their mother, affectionately known as Marmee, while they await the return of their father, a colonel and a chaplain in theUnion Army.SpiritedtomboyJo, who caters to the whims of their well-to-do Aunt March, dreams of becoming a famous author, and she writes plays for her sisters to perform for the local children. Amy is pretty but selfish, Meg works as a governess and sensitive Beth practices on herclavichord.

The girls meet Laurie, who has come to live with his grandfather, Mr. Laurence, the Marches' wealthy next-door neighbor. The Laurences invite them to a lavish party where Meg meets Laurie's tutor John Brooke. During the next several months, John courts Meg, Jo's first short story becomes published and Beth often takes advantage of Mr. Laurence's offer for her to practice on his piano.

Marmee learns that her husband is recuperating in a hospital in Washington, D.C. after an injury, so she travels there to care for him. During her absence, Beth contractsscarlet feverfrom a neighbor's baby. She recovers, but is in a weakened condition. The March parents return, and Meg marries John. Laurie confesses his love to Jo, who rejects him. When he snubs her in return, Jo moves to New York City to pursue her writing career, and she lives in aboarding house.There she meets Professor Bhaer, an impoverished Germanlinguist.With his help and encouragement, Jo improves her writing, and she resolves her confused feelings about Laurie.

Beth is near to death, so Jo returns to Concord to be with her family. After Beth dies, a grieving Jo learns that Amy, who accompanied Aunt March to Europe, has fallen in love with Laurie and accepted his proposal. Upon the return of Laurie and Amy, who are now married, Jo is happy for them. Professor Bhaer arrives from New York City and brings Jo's manuscript forLittle Women,which is soon to be published. He confesses his love to Jo and proposes. Jo accepts, welcoming him to the family.

Cast

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Production

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Katharine Hepburn as Jo from the trailer forLittle Women(1933)

AlthoughDavid O. Selznickreceived no screen credit, he returned toRKOfromMGMto supervise the production as the last film left in his contract with the studio.[3]

"When I directedLittle WomenI had to develop a new technique to ensure the best results from the collaboration of Miss Hepburn and myself...a fine actress, Katharine Hepburn is more than a personality. She is a human dynamo. Without meaning to be, and simply because of the vigor of her own mind and the intensity of her attitude toward her own work, she can be, if given the chance, what I would call an artistic bully...I do not say that had I decided to “lie down” to her from the start, a less good picture would have resulted. But a director with a conscience will fight tooth and nail to get the picture as he wants it. Let me hasten to say that Miss Hepburn and I did not fight at all. I confess freely that I used many weapons in dealing with her -simulated rage, ridicule and good-humored cajolery. She has a great sense of humor, and is capable of directing it against herself. - DirectorGeorge Cukor,fromBehind the Screen,1938.[4]

The prime goal of directorGeorge Cukorwas to emphasize the juxtaposition between sacrifice and family life inLittle Women.[5]

At Hepburn's request,costume designerWalter Plunkettcreated a dress for her character based on one worn by her maternal grandmother in atintypephoto. Plunkett needed to redesign several ofJoan Bennett's costumes to conceal her advancing pregnancy, a condition that Bennett intentionally had not mentioned to Cukor when he cast her in the film.[6]Plunkett designed all of the costumes very thoughtfully, purposely shuffling clothing items among the March sisters in different scenes to emphasize the family bond.[5]

Louise Closser Halewas originally scheduled to portray Aunt March, but after her death on July 26, 1933,Edna May Oliverassumed the role.[7]

Cukor impulsively decided on Bennett for the role of Amy March after meeting her at a party while she was slightly inebriated, making her the second billed actress in the cast.[8]

The film was budgeted at $1 million, and 4,000 people worked on it during the year-long production schedule. Approximately 3,000 items, including costumes, furnishings and household appliances, were authenticated by researchers. Hobe Erwin, a former artist and interior decorator, was hired to oversee theset decoration,and he modeled the interior of the March home afterOrchard House,Louisa May Alcott's Massachusetts home.[7]Exteriors were filmed at Lancaster's Lake inSunland,Providencia Ranchin theHollywood Hillsand theWarner Bros. RanchinPasadena.[9]Original prints of the film employed the use of hand-coloring for fireplaces and candles.[10]

Release

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Advertisement from 1933

The film opened on November 16, 1933 atRadio City Music Hall,and despite fact that it was the coldest November 16 in the past 50 years, the film broke opening-day records with 23,073 people attending.[11]It earned more than $100,000 during its first week of release.[7]A record 451,801 people attended the three-week run at Radio City Music Hall before the film was moved to RKO'sCenter Theatre,where a further 250,000 people attended over the course of four weeks.[11]

RKO may have benefited from the fact thatDepression-era audiences were especially receptive of the film's evocation of life in a simpler and more innocent world. In addition, as the film business had come under fire in 1932 and 1933 for violent and sexual themes, many valued the film's conservative nature.[12]

During its initial release,Little Womenearned totaltheater rentalsof $2,000,000, with $1,397,000 from the U.S. and Canada and $663,000 from other countries. A 1938 rerelease earned an additional $70,000 in total rentals, resulting in an overall profit of $849,000.[1][2]It was among the most popular films at the American box office in 1933.[13][14]

Home media

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The film was released on DVD for Region 1 markets (U.S., Canada and American territories) on November 6, 2001 byWarner Home Video.It was released on Blu-ray in Region A on August 29, 2023 as part of theWarner Archive Collection.[15]

Reception

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Critical reception

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Lobby card

The film was overwhelmingly praised by critics upon its release.Mordaunt HallofThe New York Timeswrote "The easy-going fashion in which George Cukor, the director, has set forth the beguiling incidents in pictorial form is so welcome after thestereotypedtales with stuffed shirts. It matters not that this chronicle is without a hero, or even a villain, for the absence of such worthies, usually extravagantly drawn, causes one to be quite contented to dwell for the moment with human hearts of the old-fashioned days. The film begins in a gentle fashion and slips away smoothly without any forced attempt to help the finish to linger in the minds of the audience. "[16]

Varietycalled it "a superbly human document, sombre in tone, stately and slow in movement, but always eloquent in its interpretations."[17]John MosherofThe New Yorkerdeclared it "an amazing triumph", and "a picture more intense, wrought with more feeling, than any other we are likely to see for a long time to come."[18]

TheNew York World-Telegramcredited the film "a stunningly clever job of recapturing on the screen all the simplicity and charm of its author", and wrote that Hepburn gave "an unforgettably brilliant performance and that once and for all she definitely proves how unlimited and effortless an actress she really is."[19]

TheNew York Americanwrote "It is possible that with the passage of months the memory of Katharine Hepburn's portrayal of the sensitive, fiery Jo will be dimmed a bit, or somewhat superseded by later displays of histrionic genius. But at the moment, and for days, weeks, months to come, Miss Hepburn's characterization will stand alone on a pedestal of flaming brilliance."[19]

TV Guiderated the film four stars, calling it "unabashedly sentimental" and "an example of Hollywood's best filmmaking." It added "The sets, costumes, lighting, and direction by George Cukor all contribute greatly to this magnificent film, but the performances, especially Hepburn's, are what make the simple story so moving. There are laughs and tears aplenty in this movie, which presents a slice of American history in a way that children will find palatable. Released during the depths of theDepression,Little Womenbuoyed Americans' spirits. It still does. "[20]

Little Womenhas an approval rating of 89% onreview aggregatorwebsiteRotten Tomatoes,based on 18 reviews, and an average rating of 8.4/10.[21]Metacriticassigned the film a weighted average score of 92 out of 100, based on 7 critics, indicating "universal acclaim".[22]

Little Womenwas voted one of the ten best pictures of 1934 byFilm Daily's annual poll of critics.[23]

The film was included by the Vatican ina list of important filmscompiled in 1995, under the category of "Art".[24]

Accolades

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Award Category Nominee(s) Result
Academy Awards[25] Outstanding Production Merian C. CooperandKenneth Macgowan Nominated
Best Director George Cukor Nominated
Best Adaptation Victor HeermanandSarah Y. Mason Won
National Board of Review Awards[26] Top Ten Films Selected
Photoplay Awards Medal of Honor Won
Venice International Film Festival[27] Best Foreign Film George Cukor Nominated
Best Actress Katharine Hepburn Won

Historical context

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Little WomenbyLouisa May Alcotttakes place in the midst of theCivil War(during the 1860s). By the time the 1933 film was made the United States was in the midst ofGreat Depressionand would be fighting inWorld War IIin the near future. References that were once meant to be about the Civil War became all too relatable for audiences. Especially at the beginning of the film, the constant emphasis on food, frugality, conservation, activism, social reform, and want for family and morality are just a short list of the ideals that transferred directly from the Civil War era to the mindsets of Americans in the Great Depression. Cukor's focus on hardship and relief partnered with intense familial commitment creates a nostalgic and sentimental picture of joyfulness, moral improvement, and social progression. The 1933 film became a trademark of “an activist spirit grounded in unbreakable ties to family and community” as the March girls represent the hope and determination that was prominent during both the Civil War and the Great Depression.[5]

See also

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Footnotes

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  1. ^abcJewell, Richard B. (1994). "RKO Film Grosses, 1929-1951: the C. J. Tevlin ledger".Historical Journal of Film, Radio and Television.14(1): 37–49.doi:10.1080/01439689400260031.
  2. ^abcJewell, Richard B. (1994). "Appendix 1".Historical Journal of Film, Radio and Television.14(S1): 1–11.doi:10.1080/01439689408604545.
  3. ^Edwards, Anne(1985).A Remarkable Woman: A Biography of Katharine Hepburn.New York: William Morrow & Company. p. 110.ISBN0-688-04528-6.
  4. ^Koszarski, 1976 p. 330-331
  5. ^abcKellett, Katherine (Fall 2002)."Cukor's Little Women and The Great Depression: Sacrifice, Morality, and Familial Bliss".The Oswald Review.9:11–29.ISSN1520-9679.
  6. ^Edwards, p. 109
  7. ^abcLittle Women(1933) profile,tcm.com; accessed June 27, 2017.ArchivedJuly 17, 2010, at theWayback Machine
  8. ^"Little Women (1933) - Toronto Film Society".Retrieved2020-11-23.
  9. ^"Little Women".American Film Institute.RetrievedNovember 12,2023.
  10. ^Maltin, Leonard (August 15, 2017)."Tinted talkies".Leonard Maltin.RetrievedAugust 16,2017.
  11. ^ab"More than 8,000,000 Attended Radio City Houses in First Year".Motion Picture Herald.January 20, 1934. p. 27.RetrievedApril 30,2018.
  12. ^Jewell, Richard B.; Harbin, Vernon (1982).The RKO Story.New York: Arlington House. p. 68.ISBN0-517-54656-6.
  13. ^"Little Women (1933) - IMDb".IMDB.Retrieved2022-07-23.
  14. ^"Best Movies of 1933".Best Movies Of.Retrieved2022-07-23.
  15. ^"Little Women Blu-ray (Warner Archive Collection)".
  16. ^Hall, Mordaunt(November 17, 1933)."Movie Review – Little Women (1933)".The New York Times.RetrievedDecember 9,2014.
  17. ^Greason, Alfred Rushford (November 21, 1933). "Little Women".Variety.New York. p. 14.
  18. ^Mosher, John(November 18, 1933). "The Current Cinema".The New Yorker.p. 83.
  19. ^ab"N.Y. Critics Unanimous in Raves overLittle Women".Motion Picture Daily.New York. November 20, 1933. p. 8.
  20. ^ReviewArchived2012-02-12 at theWayback Machine,tvguide.com; accessed June 27, 2017.
  21. ^"Little Women - Rotten Tomatoes".Rotten Tomatoes.
  22. ^"Little Women".Metacritic.
  23. ^Alicoate, Jack (1935).The 1935 Film Daily Year Book of Motion Pictures, 17th Annual Edition.The Film Daily. p. 59.Retrieved2022-07-23– viaArchive.org.
  24. ^"Vatican Best Films List".Official website of theU.S. Conference of Catholic Bishops.Archived fromthe originalon 2012-04-22.Retrieved2012-04-20.
  25. ^"The 6th Academy Awards (1934) Nominees and Winners".Oscars.org (Academy of Motion Picture Arts and Sciences).Archivedfrom the original on November 11, 2014.RetrievedFebruary 4,2012.
  26. ^"1933 Award Winners".National Board of Review.RetrievedJuly 5,2021.
  27. ^"Venice Film Festival: The 30s".labiennale.org.Retrieved26 June2009.

References

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  • Koszarski, Richard. 1976.Hollywood Directors: 1914-1940.Oxford University Press. Library of Congress Catalog Number: 76-9262.
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