Wikipedia

Bruce Gilbert

Bruce Clifford Gilbert(born 18 May 1946) is an English musician. One of the founding members of the influential and experimentalart punkbandWire,[1]he branched out into electronic music, performance art, music production, and DJing during the band's extended periods of inactivity. He left Wire in 2004, and has since been focusing on solo work and collaborations with visual artists and fellow experimental musicians.

Bruce Gilbert
Birth nameBruce Clifford Gilbert
Born(1946-05-18)18 May 1946(age 78)
Watford,Hertfordshire, England
OccupationMusician
InstrumentGuitar
LabelsMute Records
Editions Mego
Touch Music

Education and early career

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Gilbert studiedgraphic designatLeicester Polytechnicuntil 1971; he then became an abstract painter,[2]taking on part-time jobs to help support himself.[3]In 1975, he was hired as an audio-visual aids technician and slide-photography librarian at Watford College of Art and Design.[3]Borrowing oscillators from the Science department, Gilbert started experimenting with tape loops and delays at the recording studio set up by his predecessor.[3]Together withColin NewmanandAngela Conway,who were students at Watford at the time, Gilbert formed a short-lived group called Overload.[3]Newman and Gilbert were joined byGraham LewisandRobert Gotobedin the summer of 1976, and started practising and performing asWire.[4]

Gilbert, who always considered Wire a living sculpture rather than a musical project,[5]fondly recalls early punk gigs as events where the audience, far from being mere consumers, became part of a shared dynamic experience: "I viewed it as a bit of a laboratory, not musically but culturally, because the people were experimenting with themselves: with their behaviour, their appearance and their clothes. Everything was up for grabs."[6]

Wire released three albums between 1976 and 1979,Pink Flag,Chairs Missingand154,before temporarily disbanding after a show atLondon'sElectric Ballroomat the start of 1980. At this time, Gilbert formed a series of bands/projects with Wire's bassist, Graham Lewis, including Cupol,Dome,P'o, and Duet Emmo.[1]Gilbert's collaborations with Lewis were experimental, featuringambient musicandfound sounds.[7]Dome performed atart gallerieswith visual displays that allowed audience interactivity. Gilbert and Lewis performed with tubes made of paper over their heads, thus restricting their vision. ArtistRussell Millsfrequently collaborated with Dome.[8]In 1980, Gilbert and Lewis producedThe The's debut single "Black & White/Controversial Subject" for4AD,as well as the single "Drop/So" byA.C. Mariasfor their own Dome label.[9]Between 8 and 31 August 1981, Gilbert, Lewis, and Mills took over London's Waterloo Gallery and produced MZUI, an interactive audio-visual installation where visitors were encouraged to play a number of instruments created by the artists from objects found on the site.[10][11]TheMZUIalbum, released byCherry Redin May 1982, contains two untitled pieces based on recordings from the venue, finishing with the looped and distorted voice ofMarcel Duchamp,[10][11]whom Gilbert considers a key influence.[12]Gilbert's experimental piece "Children", released in 1983 byTouch,features his parents talking about significant events from their childhood.[13]

Later career

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Between 1984 and 1991, Gilbert was commissioned to create music for a variety of film and modern dance projects,[7]by, among others,Michael Clark,Aletta Collins, andAshley Page,[14]with excerpts appearing on his albumsThis Way(1984),The Shivering Man(1987) (both combined on CD asThis Way to the Shivering Man),Insiding(1991) andMusic for Fruit(1991).[7]

Wire re-entered the public arena on 7 June 1985 with a performance at theMuseum of Modern Art, Oxford,[11][15]and Gilbert contributed sounds, lyrics, and occasional vocals to the various albums, EPs, and singles released by the band between November 1986 and February 1993.[12]

In 1987, he was credited on guitar as B.C. Gilbert on the albumBring on the Dirtby Ear Trumpet.[16] In 1989, Gilbert co-produced the A.C. Marias albumOne of Our Girls (Has Gone Missing),sharing author credits with Angela Conway for 10 original songs (the album also contains a cover version ofCanned Heat's "Time Was", first released in 1988 as a single featuring Conway, Gilbert,Barry AdamsonandRowland S. Howard).[17]

Since the 1990s, Gilbert has appeared at London techno clubs under the name DJ Beekeeper, often deejaying inside a garden shed above the dancefloor.[7]He has been quoted saying that being a DJ was just an excuse to "manipulate other people's music"[18]– such projects include remixing "National Grid Pt 1 and 2" by the groupDisinformationfor their double CDAntiphonyreleased onAsh Internationalin 1997.[19]

In March 1996, he releasedAb Ovo,his first solo album not to result from external dance or film commissions. It was described inThe Wireas "a forceful piece of work which sounds like nothing else around."[20]

Wire reconvened in London for a one-off performance of "Drill" to celebrate Gilbert's 50th birthday in May 1996.[20]In January 2000, Gilbert teamed up once more withGraham Lewis,and the duo contributed the sound installationAlarmto theAudible Lightexhibition at the Museum of Modern Art, Oxford.[21]Wire entered their third incarnation on 26 February 2000 with a performance at theRoyal Festival Hall.[22]In 2002, Gilbert wrote and recorded the soundtrack for "London Orbital", a film byChris PetitandIain Sinclairbased on Sinclair's psychogeographical exploration of theM25 motorway.[23]As part of the project, Gilbert and Wire performed live at the premiere of the film and Sinclair's book at theBarbicanon 25 October 2002.[24]Gilbert left Wire in 2004, after the release of theSendalbum, pursuing solo projects and collaborations with visual and sound artists ever since.[25]

Gilbert's 2004 albumOrdieris a collection of excerpts from a 1996 live performance.[26]2006 saw him contribute toSusan Stenger'sSoundtrack for an Exhibitionwithin the eponymous project curated by Mathieu Coupland that brought together artists from the realms of music, fine art, and film at theMusée d'art contemporain de Lyon.[27]In 2009, Gilbert releasedOblivio Agitatum,which he recorded entirely at home.[28]In a review forBrainwashed,music journalist Creaig Dunton concluded that "even with his long silence, Bruce Gilbert is still an expert at shaping mini dramas and landscapes out of the raw clay of electronic music."[29]

Revisiting his collaboration withPan Sonicas IBM in 2001, Gilbert paired up withMika Vainioin May 2011 at the Netaudio London festival for an exclusively commissioned live performance.[30] His 2011 recording, "Monad", was published by Touch as a vinyl-only 7-inch single on 8 August.[31][32]

In October 2011, Gilbert's short story "Sliding Off the World", first released as a spoken-word piece set to atmospheric noise on the CDTouch 25in June 2006,[33]was published in the anthologyMurmurationsbyNicholas Royle(Two Ravens Press,ISBN978-1-906120-59-7).[34]

Gilbert's latest release, Diluvial, was launched at Beaconsfield Art Works in London on 13 September 2013. A collaboration between Gilbert and BAW (sound and visual artists Naomi Siderfin and David Crawforth), Diluvial is a seven-piece reflection on climate change and creation stories.[35][36]

Selected discography

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with Wire

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See:Wire discography

with Cupol

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  • Like This For AgesEP (1980),4AD

Gilbert and Lewis

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  • 3R4mini-LP (1980), 4AD
  • "Ends with the Sea" (1980), 4AD

with Dome

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  • Dome 1(1980), Dome Records
  • Dome 2(1981), Dome Records
  • Dome 3(1981), Dome Records
  • Will You Speak This Word(1982), Unition
  • Yclept(1999), WMO
Compilations & reissues

with A.C. Marias

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  • "Drop/So", single (1980), Dome Records
  • "Just Talk/No Talk", 12 "single (1986), Mute
  • "Time Was/Some Thing", 12 "single (1989), Mute
  • One of Our Girls (Has Gone Missing),album (1989), Mute
  • "One of Our Girls/Vicious", 12 "single (1990), Mute

Gilbert, Lewis and Mills

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  • Mzui (Waterloo Gallery)(1982),Cherry Red
  • Pacific/Specific(1995), WMO

with Duet Emmo

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  • "Or So It Seems", single (1982),Mute
  • Or So It Seems,album (1983), Mute

with P'o

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  • Whilst Climbing Thieves Vie for Attention,album (1983), Court

with Ear Trumpet

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  • Bring on the Dirt,album (1987), DTS/001

Gilbert/Hampson/Kendall

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Orr,album (1996), Mute (Parallel Series)

with Iain Sinclair

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Downriver,CD (1998), King Mob[38]

Bruce Gilbert – Ron West

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"frequency variation", 12 "single (1998),Sähkö Recordings

with rude mechanic

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rude mechanic,2 x CD, (recorded 1996, released 1999), Piano[39][40]

gilbertpossstenger

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manchesterlondon,album (2000), WMO

with IBM

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The Oval Recording,album + 7 "single (2001),Mego

with Souls on Board

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Souls on Board,cassette (2009), The Tapeworm[41]

with Meltaot

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Souls on Board,vinyl LP (2010),Ash International[42]

with BAW (Naomi Siderfin and David Crawforth)

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Diluvial,CD (2013)Touch Music[35][36]

Solo

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Albums

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  • To Speak(1983), Dome
  • This Way(1984), Mute
  • The Shivering Man(1987), Mute
  • Insiding(1991), Mute
  • Music for Fruit(1991), Mute
  • Ab Ovo(1996), Mute
  • In Esse(1997), Mute
  • The Haring(1997), WMO
  • Ordier(2004), Table of the Elements
  • Oblivio Agitatum(2009),Editions Mego
  • Ex Nihilo(2018),Editions Mego
Compilations & reissues
  • This Way to the Shivering Man(1987), Mute
  • Mesmer Variations,2 x CD (1995),Ash International[43]
  • RRR 500,LP (1998),RRRecords[44]
  • Antitrade,CD (1999), Ash International[45]
  • Audible Light,CD (2000), Education and Exhibition Dept. atThe Museum of Modern Art, Oxford.[46]
  • This Way (25th Anniversary Reissue)(2009), Editions Mego
  • The Shivering Man (Enhanced)(2011), Editions Mego

Singles

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  • "Instant Shed Vol. 1" (1995), Sub Pop
  • "Instant Shed Vol. 2" (1996), Ash International
  • "Monad" (2011), Touch

References

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  1. ^abStrong, Martin C. (2003)The Great Indie Discography,Canongate,ISBN1-84195-335-0,p. 180-182
  2. ^Kevin S. Eden (May 1991).Wire... everybody loves a history.SAF. p. 9.ISBN978-0-946719-07-5.
  3. ^abcdKevin S. Eden (May 1991).Wire... everybody loves a history.SAF. p. 10.ISBN978-0-946719-07-5.
  4. ^Kevin S. Eden (May 1991).Wire... everybody loves a history.SAF. p. 11.ISBN978-0-946719-07-5.
  5. ^Wilson Neate & Jon Savage (22 April 2009)."Jon Savage And Wilson Neate Discuss Wire And Punk."The Quietus.
  6. ^The Quietus & Wilson Neate (1 April 2009)."On Wire And Punk: An Extract From The 33 1/3 Book On Pink Flag."The Quietus.
  7. ^abcdMason, Stewart "Bruce Gilbert Biography",Allmusic,retrieved 2 November 2010
  8. ^Kevin S. Eden (May 1991).Wire... everybody loves a history.SAF. pp. 83–116.ISBN978-0-946719-07-5.
  9. ^Kevin S. Eden (May 1991).Wire... everybody loves a history.SAF. p. 116.ISBN978-0-946719-07-5.
  10. ^abKevin S. Eden (May 1991).Wire... everybody loves a history.SAF. pp. 92–96.ISBN978-0-946719-07-5.
  11. ^abcWilson Neate (2011)."MZUI. Bruce Gilbert. Review"allmusic.
  12. ^abBarry Alfonso (2000)."Contemporary Musicians. Wire."eNotes.
  13. ^Kevin S. Eden (May 1991).Wire... everybody loves a history.SAF. pp. 109–110.ISBN978-0-946719-07-5.
  14. ^Kevin S. Eden (May 1991).Wire... everybody loves a history.SAF. pp. 128–130.ISBN978-0-946719-07-5.
  15. ^Kevin S. Eden (May 1991).Wire... everybody loves a history.SAF. pp. 142–143.ISBN978-0-946719-07-5.
  16. ^Ear Trumpet.Bring on the Dirt.[Vinyl album-liner notes]. 1987. DTS/001.
  17. ^Kevin S. Eden (May 1991).Wire... everybody loves a history.SAF. pp. 123–126.ISBN978-0-946719-07-5.
  18. ^Staff (2011)."Us: Bruce Gilbert"Pinkflag.com.
  19. ^Staff (2011)."Bruce Gilbert Discography at Discogs."Discogs.
  20. ^abPaul Lester (2009).Lowdown: The Story of Wire.Omnibus Press. p. 120.ISBN978-0-85712-041-0.
  21. ^Adrian Searle (25 January 2000)."Electric light orchestra",The Guardian.
  22. ^Shannon Zimmerman (15 September 2002)."Wire's Taut Link to the Past; The British Band May Have Left Punk Behind – but Not Its Punch."The Washington Post.
  23. ^Sukhdev Sandhu (9 October 2002)."Film. On the endless road to Essex."The Telegraph.
  24. ^Iain Sinclair (19 October 2002)."On the road."The Guardian.
  25. ^Paul Lester (2009).Lowdown: The Story of Wire.Omnibus Press. pp. 172–174.ISBN978-0-85712-041-0.
  26. ^Staff."Bruce Gilbert Ordier pt. 1 video."Archived22 October 2012 at theWayback MachineNME.
  27. ^Staff (2006)."Soundtrack for an Exhibition.",forma.org.uk.
  28. ^Kiran Sande (10 May 2011)."Bruce Gilbert: shivering man."Fact magazine.
  29. ^Creaig Dunton (18 October 2009)."Bruce Gilbert, “Oblivio Agitatum”. "Brainwashed.
  30. ^Sarah Reed (11 May 2011)."TS12. Make beautiful music together.",New Scientist.
  31. ^Staff (8 August 2011)."TS12. Bruce Gilbert. Monad."Archived30 January 2012 at theWayback Machine,Touch.
  32. ^Mat Smith (2011)."Bruce Gilbert. Monad.",Documentary Evidence.
  33. ^Staff (2006)."Tone 25 – Touch 25."Archived18 January 2012 at theWayback Machine,Touch.
  34. ^Staff (20 September 2011)."Bruce Gilbert contributes to Murmurations story anthology."The Wire.
  35. ^abDaniel Sylvester (3 September 2013)."Bruce Gilbert & BAW – Diluvial",Exclaim!.
  36. ^abEditors (27 August 2013)."Bruce Gilbert releasing Diluvial, a collaboration with BAW artists",The Wire.
  37. ^Greg Barbrick (28 December 2011)."Music Review: Dome – Dome 1-4+5 Box Set",Seattle Post-Intelligencer.
  38. ^Staff."Iain Sinclair – Downriver",Discogs.
  39. ^Staff."rude mechanic – pan sonic/hayley newman/david crawforth",Beaconsfield/Piano.
  40. ^Staff."rude mechanic – rude mechanic",Discogs.
  41. ^The Worm."TTW#07 – Souls on Board",The Tapeworm.
  42. ^Staff."Meltaot • Souls On Board",Discogs.
  43. ^Staff."Ash 1.8CD2 – Mesmer Variations"Archived6 May 2015 at theWayback Machine,Ash International.
  44. ^Staff."Various – RRR 500",Discogs.
  45. ^Staff."Ash 4.1 – Antitrade"Archived5 July 2010 at theWayback Machine,Ash International.
  46. ^Staff."Audible Light",WorldCat.
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