Bump mapping

Bump mapping^[1]is atexture mappingtechnique incomputer graphicsfor simulating bumps and wrinkles on the surface of an object. This is achieved by perturbing thesurface normalsof the object and using the perturbed normal during lighting calculations. The result is an apparently bumpy surface rather than a smooth surface, although the surface of the underlying object is not changed. Bump mapping was introduced byJames Blinnin 1978.^[2]

Normal mappingis the most common variation of bump mapping used.^[3]

Principles

Bump mapping is limited in that it does not modify the shape of the underlying object. On the left, a mathematical function defining a bump map simulates a crumbling surface on a sphere, but the object's outline and shadow remain those of a perfect sphere. On the right, the same function is used to modify the surface of a sphere by generating anisosurface.This models a sphere with a bumpy surface with the result that both its outline and its shadow are rendered realistically.

Bump mapping is a technique incomputer graphicsto make arenderedsurface look more realistic by simulating small displacements of the surface. However, unlikedisplacement mapping,the surface geometry is not modified. Instead only the surface normal is modified as if the surface had been displaced. The modified surface normal is then used for lighting calculations (using, for example, thePhong reflection model) giving the appearance of detail instead of a smooth surface.

Bump mapping is much faster and consumes fewer resources for the same level of detail compared to displacement mapping because the geometry remains unchanged.

There are also extensions which modify other surface features in addition to increasing the sense of depth.Parallax mappingandhorizon mappingare two such extensions.^[4]

The primary limitation with bump mapping is that it perturbs only the surface normals without changing the underlying surface itself.^[5]Silhouettes and shadows therefore remain unaffected, which is especially noticeable for larger simulated displacements. This limitation can be overcome by techniques including displacement mapping where bumps are applied to the surface or using anisosurface.

Methods

There are two primary methods to perform bump mapping. The first uses aheight mapfor simulating the surface displacement yielding the modified normal. This is the method invented by Blinn^[2]and is usually what is referred to as bump mapping unless specified. The steps of this method are summarized as follows.

Before a lighting calculation is performed for each visible point (orpixel) on the object's surface:

Look up the height in theheightmapthat corresponds to the position on the surface.
Calculate the surface normal of the heightmap, typically using thefinite differencemethod.
Combine the surface normal from step two with the true ( "geometric" ) surface normal so that the combined normal points in a new direction.
Calculate the interaction of the new "bumpy" surface with lights in the scene using, for example, thePhong reflection model.

The result is a surface that appears to have real depth. The algorithm also ensures that the surface appearance changes as lights in the scene are moved around.

The other method is to specify anormal mapwhich contains the modified normal for each point on the surface directly. Since the normal is specified directly instead of derived from a height map this method usually leads to more predictable results. This makes it easier for artists to work with, making it the most common method of bump mapping today.^[3]

Realtime bump mapping techniques

Example of a realtime fake bump mapping.
From left:

surface bitmap, intentionally blurry,
source of light bitmap,
bump mapping effect with light source orbiting $1=x^{2}+y^{2}/x^{2}$ trajectory.

Realtime 3D graphics programmersoften use variations of the technique in order to simulate bump mapping at a lower computational cost.

One typical way was to use a fixed geometry, which allows one to use the heightmap surface normal almost directly. Combined with a precomputedlookup tablefor the lighting calculations, the method could be implemented with a very simple and fast loop, allowing for a full-screen effect. This method was a commonvisual effectwhen bump mapping was first introduced.

References

^"Bump and Environment Mapping"(PDF).ics.uci.edu.
^^a ^bBlinn, James F."Simulation of Wrinkled Surfaces",Computer Graphics, Vol. 12 (3), pp. 286-292SIGGRAPH-ACM (August 1978)
^^a ^bMikkelsen, Morten (2008)."Simulation of Wrinkled Surfaces Revisited"(PDF).p. 7 (Section 2.2).Archived(PDF)from the original on 2019-05-26.Retrieved2011-08-05.
^Lengyel, Eric (July 2019).Foundations of Game Engine Development, Volume 2: Rendering.Terathon Software LLC.ISBN 978-0-9858117-5-4.
^Real-Time Bump Map Synthesis,Jan Kautz¹,Wolfgang Heidrichy²and Hans-Peter Seidel¹,(¹Max-Planck-Institut für Informatik,²University of British Columbia)

External links

Bump shading for volume textures,Max, N.L., Becker, B.G., Computer Graphics and Applications, IEEE, Jul 1994, Volume 14, Issue 4, pages 18 – 20, ISSN 0272-1716
Simple creating vectors per pixel of a grayscale for a bump map to work and more
Bump Mapping example(Java applet)

[1] "Bump and Environment Mapping"(PDF).ics.uci.edu.

[Blinn-2] Blinn, James F."Simulation of Wrinkled Surfaces",Computer Graphics, Vol. 12 (3), pp. 286-292SIGGRAPH-ACM (August 1978)

[Mikkelsen-3] Mikkelsen, Morten (2008)."Simulation of Wrinkled Surfaces Revisited"(PDF).p. 7 (Section 2.2).Archived(PDF)from the original on 2019-05-26.Retrieved2011-08-05.

[4] Lengyel, Eric (July 2019).Foundations of Game Engine Development, Volume 2: Rendering.Terathon Software LLC.ISBN 978-0-9858117-5-4.

[5] Real-Time Bump Map Synthesis,Jan Kautz¹,Wolfgang Heidrichy²and Hans-Peter Seidel¹,(¹Max-Planck-Institut für Informatik,²University of British Columbia)

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