Christmas musiccomprises a variety ofgenresof music regularly performed or heard around theChristmas season.Music associated withChristmasmay be purelyinstrumental,or in the case ofcarols,may employ lyrics aboutthe nativityofJesus Christ,traditions such asgift-giving and merrymaking, cultural figures such asSanta Claus,or other topics. Many songs simply have a winter or seasonal theme, or have been adopted into the canon for other reasons.
While most Christmas songs before the 20th century were of atraditional religious character,theGreat Depressionbrought a stream of U.S. songs that did not explicitly mention the Christian nature of the holiday, but rather the more secular traditionalWesternthemes and customs associated with it. These included songs aimed at children such as "Santa Claus Is Comin' to Town"and"Rudolph the Red-Nosed Reindeer",as well as sentimental ballad-type songs performed by famouscroonersof the era, such as "Have Yourself a Merry Little Christmas"and"White Christmas",the latter of which remained thebest-selling single of all timeas of 2024.[1][2]Elvis' Christmas Album(1957) byElvis Presleyis thebest-selling Christmas album of all time,having sold more than 20 million copies worldwide.[3]
Performances of Christmas music at publicconcerts,in churches, at shopping malls, on city streets, and in private gatherings are a staple of the Christmas season in many cultures across the world. Many radio stations convert to a 24/7 Christmas music format leading up to the holiday, though the standard for most stations in the US is on or nearVeterans Day,[4]some stations adopt the format as early as the day afterHalloween(or, exceptionally rarely, even sooner)[5][6]as part of a phenomenon known as "Christmas creep[7]".Liturgically, Christmas music traditionally ceases to be performed at the arrival ofCandlemas,the traditional end of theChristmas-Epiphanytideseason.[8]
History
editEarly music
editMusic associated with Christmas is thought to have its origins in 4th-centuryRome,in Latin-languagehymnssuch asVeni redemptor gentium.[9]By the 13th century, under the influence ofFrancis of Assisi,the tradition of popular Christmas songs in regional native languages developed.[10]Christmas carols in the English language first appear in a 1426 work ofJohn Awdlay,an English chaplain, who lists twenty five "caroles of Cristemas",probably sung by groups ofwassailerswho would travel from house to house.[11]In the 16th century, various Christmas carols still sung to this day, including "The 12 Days of Christmas","God Rest You Merry, Gentlemen",and"O Christmas Tree",first emerged.[12]
Music was an early feature of theChristmas seasonand its celebrations. The earliest examples are hymnographic works (chantsandlitanies) intended for liturgical use in observance of both the Feast of the Nativity and Theophany, many of which are still in use by the Eastern Orthodox Church. The 13th century saw the rise of thecarolwritten in the vernacular, under the influence ofFrancis of Assisi.
In theMiddle Ages,the English combined circle dances with singing and called them carols. Later, the word carol came to mean a song in which a religious topic is treated in a style that is familiar or festive. From Italy, it passed to France and Germany, and later to England. Christmas carols in English first appear in a 1426 work ofJohn Audelay,aShropshirepriest and poet, who lists 25 "caroles of Cristemas", probably sung by groups ofwassailers,who went from house to house.[13]Music in itself soon became one of the greatest tributes to Christmas, and Christmas music includes some of the noblest compositions of the great musicians.Martin Luther,the father ofLutheran Christianity,encouraged congregational singing during theMass,in addition to spreading the practice of caroling outside the liturgy.[14]
Puritan prohibition
editDuring theCommonwealth of Englandgovernment underCromwell,theRump Parliamentprohibited the practice of singing Christmas carols asPaganand sinful. Like other customs associated with Christianity of theCatholicandMagisterial Protestanttraditions, it earned the disapproval ofPuritans.[15]Famously, Cromwell's interregnum prohibited all celebrations of the Christmas holiday. This attempt to ban the public celebration of Christmas can also be seen in the early history ofFather Christmas.
The PuritanWestminster Assembly of Divinesestablished Sunday as the only holy day in theliturgical calendarin 1644. The new liturgy produced for the English church recognized this in 1645, and so legally abolished Christmas. Its celebration was declared an offense by Parliament in 1647.[16]There is some debate as to the effectiveness of this ban, and whether or not it was enforced in the country.[16]During the years that the Puritan ban on Christmas was in place in England, semi-clandestine religious services marking Christ's birth continued to be held, and people sang carols in secret.[15]
Puritans generally disapproved of the celebration of Christmas—a trend that continually resurfaced in Europe and the US through the eighteenth, nineteenth and twentieth centuries.[17]
Royal restoration
editWhen in May 1660Charles IIrestored theStuartsto the throne, the people of England once again practiced the public singing of Christmas carols as part of the revival of Christmas customs, sanctioned by the king's own celebrations.[15][16]
TheVictorian Erasaw a surge of Christmas carols associated with a renewed admiration of the holiday, including "Silent Night","O Little Town of Bethlehem",and"O Holy Night".The first Christmas songs associated withSaint Nicholasor other gift-bringers also came during 19th century, including "Up on the Housetop"and"Jolly Old St. Nicholas".[18]Many older Christmas hymns were also translated or had lyrics added to them during this period, particularly in 1871 whenJohn Stainerpublished a widely influential collection entitled "Christmas Carols New & Old".[18]William Sandys'sChristmas Carols Ancient and Modern(1833), contained the first appearance in print of many now-classic English carols, and contributed to the mid-Victorian revival of the holiday.[19]Singing carols in church was instituted on Christmas Eve 1880 (Nine Lessons and Carols) inTruro Cathedral,Cornwall, England, which is now seen in churches all over the world.[20]
According to one of the only observational research studies of Christmas caroling, Christmas observance and caroling traditions vary considerably between nations in the 21st century, while the actual sources and meanings of even high-profile songs are commonly misattributed, and the motivations for carol singing can in some settings be as much associated with family tradition and national cultural heritage as with religious beliefs.[21]Christmas festivities, including music, are also celebrated in a more secular fashion by such institutions as theSanta Claus Village,inRovaniemi,Finland.[22]
Alms
editThe tradition of singing Christmas carols in return foralmsor charity began in England in the seventeenth century after theRestoration.Town musicians or 'waits' were licensed to collect money in the streets in the weeks preceding Christmas, the custom spread throughout the population by the eighteenth and nineteenth centuries up to the present day. Also from the seventeenth century, there was the English custom, predominantly involving women, of taking awassailbowl to their neighbors to solicit gifts, accompanied by carols. Despite this long history, many Christmas carols date only from the nineteenth century onwards, with the exception of songs such as the "Wexford Carol","God Rest You Merry Gentlemen","As I Sat on a Sunny Bank ","The Holly and the Ivy",[23]the "Coventry Carol"and"I Saw Three Ships".The practice of ordinary Christian church members of various denominations going door to door and singing carols continues in many parts of the world, such as in India; residents give money to the carolers, which churches distribute to the poor.[24][25]
Church feasts
editThe importance ofAdventand the feast ofChristmastidewithin the church year means there is a large repertoire of music specially composed for performance in church services celebrating the Christmas story. Various composers from theBaroque erato the 21st century have writtenChristmas cantatasandmotets.Some notable compositions include:
- Thomas Tallis:Mass "Puer natus est nobis"(1554)
- Giovanni Pierluigi da Palestrina:O magnum mysterium(1569)
- Orlande de Lassus:Resonet in laudibus(1569)
- Heinrich Schütz:Weihnachtshistorie(1664)
- Johann Sebastian Bach:severalcantatasforChristmas to EpiphanyandChristmas Oratorio(1734)
- Jakub Jan Ryba:Czech Christmas Mass"Hey, Master!"(1796)
- Anton Bruckner:Virga Jesse floruit(1885)
Classical music
editMany large-scale religious compositions are performed in a concert setting at Christmas. Performances ofGeorge Frideric Handel'soratorioMessiahare a fixture of Christmas celebrations in some countries,[26]and although it was originally written for performance atEaster,it covers aspects of the Biblical Christmas narrative.[27][28]InformalScratch Messiahperformances involving public participation are very popular in the Christmas season.[29]Johann Sebastian Bach'sChristmas Oratorio(Weihnachts-Oratorium,BWV 248), written for Christmas 1734, describes thebirth of Jesus,the annunciation to the shepherds, theadoration of the shepherds,thecircumcision and naming of Jesus,the journey of theMagi,and the adoration of the Magi.[30]Antonio Vivaldicomposed the Violin Concerto RV270 "Il Riposo per il Santissimo Natale"(" For the Most Holy Christmas ").Arcangelo Corellicomposed theChristmas Concertoin 1690.Peter Corneliuscomposed a cycle of six songs related to Christmas themes he calledWeihnachtslieder.Setting his own poems for solo voice and piano, he alluded to older Christmas carols in the accompaniment of two of the songs.
Other classical works associated with Christmas include:
- Marc-Antoine Charpentier,9 vocal settings and 2 instrumental settings:
- Messe de MinuitH.9 for soloists, choir, flûtes, strings and bc (1690)
- In nativitatem Domini canticumH.314 for 4 voices, 2 flutes, 2 violins and bc (1670)
- Canticum in nativitatem DominiH.393 for 3 voies, 2 treeble instruments and bc (1675)
- Pastorale de NoëlH.414 for soloists, choir, 2 treeble instruments and bc (1683–85)
- Oratorio de NoëlH.416 for soloists, choir, flutes, strings and bc (1690)
- Dialogus inter angelos et pastores Judae in nativitatem DominiH.420 for soloists, choir, flutes, strings and bc (1695?)
- In nativitate Domini Nostri Jesu Christi canticumH.421 for 3 voices and bc (1698–99)
- Pastorale de NoëlH.482 for soloists, choir, 2 treeble viols and bc (1683–85)
- Pastorale de NoëlH.483 H.483 a H.483 b for soloists, choir, 2 flutes, 2 treeble viols and bc (1683–85)
- Noël pour les instrumentsH.531 for flutes, strings and bc (1688?)
- Noël sur les instrumentsH.534 for flutes, strings and bc (1698)
- Christus(1847) an unfinished oratorio byFelix Mendelssohn
- L'enfance du Christ(1853–54) byHector Berlioz
- Oratorio de Noël(1858) byCamille Saint-Saëns
- The Nutcracker(1892) byPyotr Ilyich Tchaikovsky[31]
- Fantasia on Christmas Carols(1912) andHodie(1954), both byRalph Vaughan Williams
- A Ceremony of Carols(1942) byBenjamin Britten.
Christmas carols
editThis sectionneeds additional citations forverification.(October 2021) |
Songs which are traditional, even some without a specific religious context, are often calledChristmas carols.Each of these has a rich history, some dating back many centuries.
Standards
editA popular set of traditional carols that might be heard at any Christmas-related event include:[32] [33][34]
- "Angels We Have Heard on High"(in the UK the text of"Angels from the Realms of Glory"is sung to this tune)
- "Away in a Manger"
- "Deck the Halls"
- "Ding Dong Merrily on High"
- "The First Noel"
- "Go Tell It on the Mountain"
- "God Rest You Merry, Gentlemen"
- "Good King Wenceslas"
- "Hark! The Herald Angels Sing"
- "I Saw Three Ships"
- "It Came Upon the Midnight Clear"
- "Joy to the World"
- "O Christmas Tree"(O Tannenbaum)
- "O Come, All Ye Faithful"(Adeste Fideles)
- "O come, O come, Emmanuel"
- "O Holy Night"(Cantique de Noël)
- "O Little Town of Bethlehem"
- "Once in Royal David's City"
- "Silent Night"(Stille Nacht, heilige Nacht)
- "The Twelve Days of Christmas"
- "We Three Kings of Orient Are"
- "We Wish You a Merry Christmas"
- "What Child Is This?"
- "While Shepherds Watched Their Flocks"
These songs hearken from centuries ago, the oldest ( "Wexford Carol" ) originating in the 12th century. The newest came together in the mid- to late-19th century. Many began in non-English speaking countries, often with non-Christmas themes, and were later converted into English carols with English lyrics added—not always translated from the original, but newly created—sometimes as late as the early 20th century.[citation needed]
Early secular Christmas songs
editAmong the earliest secular Christmas songs was "The Twelve Days of Christmas",which first appeared in 1780 in England (its melody would not come until 1909); the English West Country carol"We Wish You a Merry Christmas"has antecedents dating to the 1830s but was not published in its modern form until Arthur Warrell introduced it to a wider audience in 1935. As the secular mythos of the holiday (such asSanta Clausin his modern form) emerged in the 19th century, so too did secular Christmas songs.Benjamin Hanby's "Up on the House Top"andEmily Huntington Miller's "Jolly Old Saint Nicholas"were among the first explicitly secular Christmas songs in the United States, both dating to the 1860s; they were preceded by"Jingle Bells",written in 1857 but not explicitly about Christmas, and"O Christmas Tree,"written in 1824 but only made about a Christmas tree after being translated from its original German.
Published Christmas music
editChristmas music has been published assheet musicfor centuries. One of the earliest collections of printed Christmas music wasPiae Cantiones,a Finnish songbook first published in 1582 which contained a number of songs that have survived today as well-known Christmas carols. The publication of Christmas music books in the 19th century, such asChristmas Carols, New and Old(BramleyandStainer,1871), played an important role in widening the popular appeal of carols.[36]In the 20th century,Oxford University Press(OUP) published some highly successful Christmas music collections such asThe Oxford Book of Carols(Martin Shaw,Ralph Vaughan WilliamsandPercy Dearmer,1928), which revived a number of early folk songs and established them as modern standard carols.[35][37]This was followed by the bestsellingCarols for Choirsseries (David Willcocks,Reginald JacquesandJohn Rutter), first published in 1961 and now available in a five volumes. The popular books have proved to be a popular resource for choirs and church congregations in the English-speaking world, and remain in print today.[38]
- Christmas Carols, New and Old(1871)
- Oxford Book of Carols(1928)
- Carols for Choirs(1961)
- New Oxford Book of Carols(1992)
- A Shorter New Oxford Book of Carols(1992)
Choirmasters poll
editIn 2008,BBC Music Magazinepublished a poll of the "50 Greatest Carols", compiled from the views of choral experts and choirmasters in the UK and the US. The resulting list of the top ten favored Christmas carols andmotetswas:[39][40][41]
- "In the Bleak Midwinter"–Harold Darke
- "In Dulci Jubilo"– traditional
- "A Spotless Rose"–Herbert Howells
- "Bethlehem Down"–Peter Warlock
- "Lully, Lulla"– traditional
- "Tomorrow Shall Be My Dancing Day"
- "There Is No Rose"- traditional (15th c.)
- "O Come, All Ye Faithful"
- "Of the Father's Heart Begotten"
- "What Sweeter Music" –John Rutter
Popular Christmas songs
editUnited States
editThis sectionneeds additional citations forverification.(December 2020) |
According to theAmerican Society of Composers, Authors and Publishers(ASCAP) in 2016, "Santa Claus Is Comin' to Town",written byFred Cootsand Haven Gillespie in 1934, is the most played holiday song of the last 50 years. It was first performed byEddie Cantor,live, on his radio show in November 1934.Tommy Dorseyand his orchestra recorded their version in 1935, followed later by a range of artists including Frank Sinatra in 1948,The Supremes,The Jackson 5,The Beach Boys,andGlenn Campbell.Bruce Springsteenrecorded a rock rendition in December 1975.
Long-time Christmas classics from prior to the "rock era"[42]still dominate the holiday charts – such as "Let It Snow! Let It Snow! Let It Snow!","Winter Wonderland","Sleigh Ride"and"Have Yourself a Merry Little Christmas".Songs from the rock era to enter the top tier of the season's canon[citation needed]include "Wonderful Christmastime"byPaul McCartney,"All I Want for Christmas Is You"byMariah CareyandWalter Afanasieffand "Last Christmas"byWham!Radio industry writer Sean Ross noted after the 2004 holiday season that it usually takes about ten years for a song to become a Christmas standard.[43]
The most popular set of these titles—heard over airwaves, on the Internet, in shopping malls, in elevators and lobbies, even on the street during the Christmas season—have been composed and performed from the 1930s onward. (Songs published before 1929 are all out of copyright, are no longer subject to ASCAP royalties and thus do not appear on their list.) In addition to Bing Crosby, major acts that have popularized and successfully covered a number of the titles in the top 30 most performed Christmas songs in 2015 include Frank Sinatra, Elvis Presley, Andy Williams, and the Jackson 5.
Since the mid-1950s, much of the Christmas music produced for popular audiences has explicitly romantic overtones, only using Christmas as a setting. The 1950s also featured the introduction ofnovelty songsthat used the holiday as a target for satire and source for comedy. Exceptions such as "The Christmas Shoes"(2000) have re-introduced Christian themes as complementary to the secular Western themes, and myriad traditional carolcover versionsby various artists have explored virtually allmusic genres.The 1980s and 1990s saw a revival of interest in instrumental Christmas music, including theNew AgesynthpopofMannheim Steamrollerand thesymphonic metalofTrans-Siberian Orchestra,particularly among older listeners.[43]
Most-performed Christmas songs
edit"The world may have changed profoundly over the last 50 years, but these songs have been part of the holiday spirit for generations. Part of the wonder of music is how it helps us continue to create real memories and traditions. These treasured songs are very special to so many people and are a beloved part of ASCAP's repertoire."
Paul Williams,President and chairman,American Society of Composers, Authors and Publishers(ASCAP)
The top thirty most-played holiday songs for the 2015 holiday season are ranked here, all titles written or co-written by ASCAP songwriters and composers.[44]
Most of these songs in some way describe or are reminiscent of Christmas traditions, howWestern Christiancountries tend to celebrate the holiday, i.e., with caroling,mistletoe,exchanging of presents, a Christmas tree, feasting, jingle bells, etc. Celebratory or sentimental, and nostalgic in tone, they hearken back to simpler times with memorable holiday practices—expressing the desire either to be with someone or at home for Christmas. The winter-related songs celebrate the climatic season, with all its snow, dressing up for the cold, sleighing, etc.
Many titles help define the mythical aspects of modern Christmas celebration:Santa Clausbringing presents, coming down the chimney, being pulled byreindeer,etc. New mythical characters are created, defined, and popularized by these songs; "Rudolph the Red-Nosed Reindeer",adapted from a major retailer's promotional poem, was introduced to radio audiences byGene Autryin 1949. His follow-up a year later introduced "Frosty the Snowman",the central character of his song. Though overtly religious, and authored (at least partly) by a writer of many church hymns, no drumming child appears in any biblical account of the Christian nativity scene. This character was introduced to the tradition by Katherine K. Davis in her"The Little Drummer Boy"(written in 1941, with a popular version being released in 1958).Loretta Lynnintroduced "Shadrack, the Black Reindeer"in 1974.[45]
The list does not include songs written before 1929 nor songs written solely by songwriters from other guilds such asBMIandSESAC.
The above-ranking results from an aggregation of performances of all different artist versions of each cited holiday song, across all forms of media, from January 1, 2015, through December 31, 2015.[44]
- Of the top 30 most performed Christmas songs in 2015, 13 (43%) were written in the 1930s or 1940s and 12 (40%) were written in the 1950s and 1960s; only five (17%) were written from the 1970s on, two (7%) were from after 1990, and none after 1995.[citation needed]
- The newest song in the top 30 most performed Christmas songs – "All I Want for Christmas is You", co-written and performed by Mariah Carey in 1994 – entered the list for the first time in 2015; the song hit theBillboardHot 100top 10 for the first time in 2017,[46]and was named "the UK's favourite Christmas song" the same year byThe Independent.[47]Troy Powers and Andy Stone wrote a songwith the same titleand theme,[48]which Stone's bandVince Vance & the Valiantsrecorded in 1989 and independently became popular at the same time as Carey's song. The melody is similar toBobby Vinton's "My Heart Belongs to Only You".[49]Stone has made multiple attempts to sue Carey over the similarity in name.[50][51]
- Johnny Marks wrote three songs that appear in these most-performed Christmas songs in 2015: "Rudolph the Red-Nosed Reindeer", "Holly Jolly Christmas", and "Rockin' Around the Christmas Tree". Irving Berlin wrote two: "White Christmas" and "Happy Holiday". These are the only songwriters to appear on the list more than once – and both are non-Christian.[52]
- Gene Autry was the first to sing three songs on the list of top 30 most performed Christmas songs in 2015 – "Rudolph the Red-Nosed Reindeer", "Frosty the Snowman", and "Here Comes Santa Claus (Right Down Santa Claus Lane)" – co-writing the latter song.
- Two of the songs, "Carol of the Bells" and "Christmas Eve/Sarajevo 12/24", rely on the same melody,Mykola Leontovych's "Shchedryk",which was published in 1918 and is thus out of copyright, no longer subject to ASCAP royalties. The lyrics to" Carol of the Bells "are still under copyright. The copyright on" Christmas Eve/Sarajevo 12/24 "extends only to thearrangement.
- "Tony Springer" was a pseudonym forPhilip Springer.As Springer was a member of BMI at the time, he used the first name Tony as alegal fictionto allow himself to collaborate with ASCAP members Javits and Ebb.[53]
Christmas song surveys
editIn 2007 surveys of United States radio listeners by two different research groups,[54]the most liked songs were standards such asBing Crosby's "White Christmas"(1942),Nat King Cole's "The Christmas Song"(1946), andBurl Ives' "A Holly Jolly Christmas"(1965). Other favorites like"Rockin' Around the Christmas Tree"(Brenda Lee,1958), "Jingle Bell Rock"(Bobby Helms,1957) andJohn LennonandYoko Ono's "Happy Xmas"(1971), scored well in one study. Also" loved "wereJohnny Mathis's "Do You Hear What I Hear?"andHarry Simeone Chorale's "Little Drummer Boy"(1958).
Among the most-hated Christmas songs, according to Edison Media Research's 2007 survey, areBarbra Streisand's "Jingle Bells?",theJackson 5's "Santa Claus Is Comin' to Town",Elmo & Patsy's "Grandma Got Run Over by a Reindeer",and"O Holy Night"as performed by cartoon characters fromComedy Central'sSouth Park.The "most-hated Christmastime recording" is a rendition of "Jingle Bells" byCarl Weissmann's Singing Dogs,a revolutionary novelty song originally released in 1955, and re-released as an edited version in 1970.[54]A 2004 focus group from Edison, conducted solely among thekey demographicof women age 30 to 49, listed "Jingle Bells?," the Singing Dogs "Jingle Bells," theSouth Park"O Holy Night" rendition, aGuidoparody of "The Twelve Days of Christmas," and "Blue Christmas"as performed byPorky Pigimpersonator Seymour Swine.[43]
Rolling Stonemagazine rankedDarlene Love's version of "Christmas (Baby Please Come Home)" (1963) first on its list of The Greatest Rock and Roll Christmas Songs in December 2010.[55]Carey's "All I Want for Christmas Is You", co-written by Carey and Walter Afanasieff, was No. 1 onBillboard's Holiday Digital Songs chart in December 2013.[56]"Fairytale of New York"byThe Poguesis cited as the best Christmas song of all time in various television, radio and magazine related polls in the United Kingdom and Ireland.[57]
A 2021YouGovsurvey of 1,000 adults ranked the most hated Christmas songs, counting only those songs that a majority of those polls recognized and listing the songs independent of any artist who may have recorded them. "Santa Baby"ranked atop the list; a side note from a news article covering the list noted that much of that hatred came from theMadonnacover version fromA Very Special Christmas,which gets more airplay thanEartha Kitt's original. Other songs that ranked high in terms of listener revulsion included "I Saw Mommy Kissing Santa Claus,""Grandma Got Run Over by a Reindeer "and"Wonderful Christmastime".[58]
Pinnacle Media Worldwide survey
editThe Pinnacle Media Worldwide survey divided its listeners into music-type categories:
- "Adult contemporary" listeners ratedBrenda Lee's "Rockin' Around the Christmas Tree"best.
- "Adult Top 40" fans likedBobby Helms' "Jingle Bell Rock".
- "Hip-hop/R&B" fans liked theJackson 5's "Santa Claus Is Comin' to Town".
- "Country" listeners rankedBurl Ives' "A Holly Jolly Christmas"No. 1.
- "Smooth jazz" fans liked "The Christmas Song"as sung byNat King Cole.
United Kingdom and Ireland
editMost played songs
editA collection of chart hits recorded in a bid to be crowned the UKChristmas No. 1 singleduring the 1970s and 1980s have become some of the most popular holiday tunes in the United Kingdom.Band Aid's 1984 song "Do They Know It's Christmas?"is thesecond-best-selling single in UK Chart history."Fairytale of New York",released byThe Poguesin 1987, is regularly voted the British public's favourite-ever Christmas song. It is also the most-played Christmas song of the 21st century in the UK.[59][60][61]Britishglam rockbands had major hit singles with Christmas songs in the 1970s. "Merry Xmas Everybody"bySlade,"I Wish It Could Be Christmas Everyday"byWizzard,and "Lonely This Christmas"byMudall remain hugely popular.[62]
In four out of the five years between 2008 and 2012,PRS for Music(who collect and pay royalties to its 75,000 song-writing and composing members) conducted a survey of the top ten most played Christmas songs in the UK over the past year, and published a top-ten list for each year except 2011 (the 2008 list was for the previous five years, and the 2009 measured the entire previous decade):[63][64]
The best Christmas song "to get adults and children in the festive spirit for the party season in 2016" was judged by theDaily Mirrorto be "Fairytale of New York".[65]Mariah Carey's "All I Want For Christmas is You" was declared "the UK's favourite Christmas song", narrowly beating out "Fairytale of New York" according to a "points system" created byThe Independentin 2017. Both score well ahead of all others on the list of top twenty Christmas songs in the UK.[47]
"The Christmas song is a genre in its own right.. More than any other type of music, it spans and links generations with disparate musical taste buds."[66]
Ellis Rich, Chairman of PRS for Music
Christmas Number Ones
editThe "Christmas Number One" – songs reaching the top spot on either theUK Singles Chart,theIrish Singles Chart,or occasionally both, on the edition preceding Christmas – is considered a major achievement in the United Kingdom and Ireland. The Christmas number one benefits from broad publicity, so much so that thesongs that attempt but fail to achieve the honor and finish secondalso get widespread attention.Social mediacampaigns have been used to try to encourage sales of specific songs so that they could reach number one.[67][68][69]
These songs develop an association with Christmas or the holiday season from their chart performance, but the association tends to be shorter-lived than for the more traditionally-themed Christmas songs. Notable longer-lasting examples includeBand Aid's "Do They Know It's Christmas?"(No. 1, 1984, the second-biggest selling single in UK Chart history; two re-recordings also hit No. 1 in 1989 and 2004),Slade's "Merry Xmas Everybody"(No. 1, 1973), andWham!'s "Last Christmas"(No. 2, 1984).Last Christmaswould go on to hold the UK record for highest-selling single not to reach No. 1, until it finally topped the chart on January 1, 2021, helped by extensive streaming in the final week of December 2020; it eventually reached Christmas number one in 2023.[70]
The Beatles,Spice Girls,andLadBabyare the only artists to have achieved consecutive Christmas number-one hits on theUK Singles Chart,with LadBaby having the longestwinning streakat five years. The Beatles won annually between 1963 and 1965 (with a fourth in 1967), the Spice Girls between 1996 and 1998, and LadBaby between 2018 and 2022 (all five of LadBaby's Christmas number-ones wereparodiesof other popular songs that included arunning gagmentioningsausage rolls). "Bohemian Rhapsody"is the only recording to have ever been Christmas number one twice, in both 1975 and 1991.[71]Three of the four different Band Aid recordings of "Do They Know It's Christmas?"have been number one in Christmas week.
At the turn of the 21st century, songs associated withreality showsbecame a frequent source of Christmas number ones in the UK. In 2002,Popstars: The Rivalsproduced the top three singles on the British Christmas charts. The "rival" groups produced by the series—thegirl groupGirls Aloudand theboy bandOne True Voice—finished first and second respectively on the charts. Failed contestantsThe Cheeky Girlscharted with a novelty hit, "Cheeky Song (Touch My Bum)",at third. BritonWill Young,winner of the firstPop Idol,charted at the top of the Irish charts in 2003.
The X Factoralso typically concluded in December during its run; the winner's debut single earned the Christmas number one in at least one of the two countries every year from 2005 to 2014, and in both countries in five of those ten years. Each year since 2008 has seen protest campaigns to outsell theX Factorsingle (which benefits from precisely-timed release and corresponding media buzz) and prevent it from reaching number one. In 2009, as the result of a campaign intended to counter the phenomenon,Rage Against the Machine's 1992 single "Killing in the Name"reached number one in the UK instead of that year'sX Factorwinner,Joe McElderry.[72]In 2011, "Wherever You Are",the single from a choir of military wives assembled by the TV seriesThe Choir,earned the Christmas number-one single in Britain—upsettingX FactorwinnersLittle Mix.[73]With the Military Wives Choir single not being released in Ireland, Little Mix won Christmas number-one in Ireland that year.[citation needed]
Australia
editSituated in thesouthern hemisphere,where seasons are reversed from the northern, the heat of early summer in Australia affects the way Christmas is celebrated and hownorthern hemisphereChristmas traditions are followed.Australiansgenerally spend Christmas outdoors, going to the beach for the day, or heading to campgrounds for a vacation. International visitors to Sydney atChristmastimeoften go toBondi Beachwhere tens of thousands gather on Christmas Day.
The tradition of an Australian Christmas Eve carol service lit by candles, started in 1937 by Victorian radio announcerNorman Banks,has taken place inMelbourneannually since then.Carols by Candlelightevents can be "huge gatherings.. televised live throughout the country" or smaller "local community and church events."Carols in the Domainin Sydney is now a "popular platform for the stars of stage and music."
Some homegrown Christmas songs have become popular.William G. James' six sets ofAustralian Christmas Carols,with words by John Wheeler, include "The Three Drovers", "The Silver Stars are in the Sky", "Christmas Day", "Carol of the Birds" and others. "Light-hearted Australian Christmas songs" have become "an essential part of the Australian Christmas experience."Rolf Harris' "Six White Boomers",Colin Buchanan's "Aussie Jingle Bells", and the "Australian Twelve Days of Christmas",[74]proudly proclaim the differing traditions Down Under. A verse from "Aussie Jingle Bells" makes the point:
Engine's getting hot
Dodge the kangaroos
Swaggieclimbs aboard
He is welcome too
All the family is there
Sitting by the pool
Christmas Day, the Aussie way
By the barbecue![75]
"TheTwelve Days of Christmas"has been revised to fit the Australian context, as an example:" On the twelfth day of Christmas, my true love sent to me: 12 parrots prattling, 11numbatsnagging, 10 lizards leaping, 9wombatsworking, 8dingoesdigging, 7 possums playing, 6brolgasdancing, 5 kangaroos, 4 koalas cuddling, 3kookaburraslaughing, 2 pinkgalahs,and anemuup a gum tree. "[76]
Other popular Australian Christmas songs include: 'White Wine in the Sun "byTim Minchin,"Aussie Jingle Bells" by Bucko & Champs, "Christmas Photo" byJohn Williamson,"Go Santa, Go" byThe Wiggles,and "Six White Boomers" byRussel Coight.[77]
The Australian carols that do exist are mostly novelty re-workings of existing songs with the holly and the ivy replaced by gum trees and wattle. Santa swapping his fur hat for a corkedAkubraand a token Aboriginal word is deemed sufficient to localise the celebration of the day a Middle Eastern tradesman wasn't actually born.[78]
— Ben Anderson,Daily Review
"My Little Christmas Belle" (1909) composed by Joe Slater (1872–1926) to words by Ward McAlister (1872–1928) celebrates eastern Australianfloracoming into bloom during the heat of Christmas.Blandfordia nobilis,also known as Christmas Bells, are the specific subject of the song—with the originalsheet musicbearing a depiction of the blossom.[79]Whereas "The Holly and The Ivy" (1937) by Australian Louis Lavater (1867–1953) mentions northern hemisphere foliage.[80]
Australian singer-songwriterPaul Kellyfirst released "How to Make Gravy"as part of a four-track EP November 4, 1996, throughWhite Label Records.The title track, written by Kelly, tells the story in a letter to his brother from a newly imprisoned man who laments how he will be missing the family Christmas. It received a Song of the Year nomination at the 1998Australasian Performing Right Association(APRA) Music Awards. Kelly's theme reflects a national experience with Christmas:
A lot of the early imagery of Christmas in Australia is related to isolation and distance. You’ve gotthe Sydney Mailin 1879 saying ’The revels of Christmas tide cannot endure the ordeal of immigration’. It's that sense that it's alien here and we’re so conscious of being away from family and that figures very prominently in the imagery of Christmas back in that time.[78]
— Nicholas Brown,Australian National University
Philippines
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The Philippines, a tropical country, has a long tradition of Christmas music influenced by its climate and cultural traditions. Originally building from Spanish and American influences, Filipinos has developed its own Christmas music traditions. These began as far back as 1933, with carols written by Vicente D. Rubil andLevi Celerio.[81]Most Filipino Christmas music is written in theTagaloglanguage, and some in English and otherPhilippine languages.
Most Filipino Christmas songs describe the local Christmas traditions and traditions such as caroling,parol,Simbang Gabi/Misa de Gallo,returning to one's hometown for the holidays and theNochebuena.Songs can be celebratory or sentimental, with the sentimental songs aimed towardoverseas Filipinoswho long for the Christmas season in the Philippines. Other songs describe the Biblical narrative of Christmas or call to love and charity. The most popular Filipino Christmas song isJose Mari Chan's"Christmas in Our Hearts".[82]The success of that song led to a Christmas album from Chan with the same name, which went on to become the best-selling album inOriginal Pilipino Music(OPM) music with more than 800,000 albums sold.
Radio stations in the Philippines usually play Christmas music, both local and foreign, as early as September up to Christmas Day or New Year's Eve, but Philippine radio stations usually do not switch to an all-Christmas format, instead interspersing Christmas music onto their regular music programming.[83]Major television networks in the Philippines also have a tradition of producing Christmas-themedstation IDs,which take the form of promotional music videos, some of which became popular such as "Star ng Pasko"and" Thank You, Thank You, Ang Babait Ninyo "produced forABS-CBN.[81]
Other popular Christmas songs
edit"Jolly Old Saint Nicholas"originated with a poem byEmily Huntington Miller(1833–1913), published as "Lilly's Secret" inThe Little Corporal MagazineDecember 1865. Lyrics have also been attributed toBenjamin Hanby,who wroteUp on the Housetopin 1864, but the words commonly heard today resemble Miller's 1865 poem.James R. Murrayis attributed as composer in the first publication of the music inSchool Chimes, A New School Music BookbyS. Brainard's Sonsin 1874. Early notable recordings were made byRay Smith(1949),Chet Atkins(1961),Eddy Arnold(1962), andAlvin and the Chipmunks(1963).
"I've Got My Love to Keep Me Warm",introduced in the musical filmOn the AvenuebyDick PowellandAlice Fayein 1937, was written by Irving Berlin. "The Little Boy that Santa Claus Forgot"– written byMichael Carr,Tommie Connor,and Jimmy Leach in 1937 – was notably performed byVera LynnandNat King Cole."I'll Be Home for Christmas",by lyricistKim Gannonand composerWalter Kent,was recorded byBing Crosbyin 1943. "Merry Christmas Baby"is credited to Lou Baxter andJohnny Moore,whose group originally recorded it in 1947, featuring singer and pianistCharles Brown.Kay Thompsonintroduced her "The Holiday Season" in 1945, which later became part of a medley byAndy Williams."A Marshmallow World"(sometimes called" It's a Marshmallow World ") was written in 1949 byCarl Sigman(lyrics) andPeter DeRose(music).
More popular songs which reference the Nativity include "I Wonder as I Wander"(1933),"Mary's Boy Child"(1956),"Carol of the Drum" ( "Little Drummer Boy" )(1941), and "Do You Hear What I Hear?"(1962).
Other titles and recordings added to the popular Christmas song canon[citation needed]include:
1950s
edit- 1950: "(Everybody's Waitin' for) The Man with the Bag",written byIrving TaylorandDudley Brooks;popularized byKay Starr.
- 1950: "Dixieland Band from Santa Claus Land" byJimmy Dorseyand his orchestra.
- 1950: "A Marshmallow World", written by Carl Sigman and Peter DeRose; released by Bing Crosby (backed by The Lee Gordon Singers and the Sonny Burke Orchestra).
- 1950: "Mele Kalikimaka";written in 1949 by R. Alex Anderson; released by Bing Crosby andThe Andrews Sistersas a single (with "Poppa Santa Claus" on the reverse side). The title is the closest approximation of the pronunciation of "Merry Christmas" possible in theHawaiian language.
- 1951: "Christmas Choir", released byPatti PageonChristmas with Patti Page.
- 1951: "Suzy Snowflake",written bySid TepperandRoy C. Bennett;released byRosemary Clooneyas a 78 RPM record throughColumbia Records.
- 1953: "Up on the Housetop",written byBenjamin Hanbyin 1864; popularized by Gene Autry.
- 1954: "The Christmas Waltz",written by Sammy Cahn andJule Styne;released byFrank Sinatraon the B-side of his version of "White Christmas"and laterA Jolly Christmas from Frank Sinatra(1957)andThe Sinatra Family Wish You a Merry Christmas(1968).
- 1955: "The First Snowfall" written by Paul Francis Webster, Sonny Burke and recorded byBing Crosbyon November 22, 1955.
- 1956: "I Heard the Bells on Christmas Day",written by Johnny Marks from a Christmas carol based on the 1863 poem" Christmas Bells "byHenry Wadsworth Longfellow;released by Bing Crosby as a single (with "Christmas Is A-Comin' (May God Bless You)" on B-side).
- 1956: "Mary's Boy Child",written byJester Hairston;released byHarry BelafonteonAn Evening with Belafonte.
- 1957: "Mistletoe and Holly"written byFrank Sinatra,Dok Stanford, andHank Sanicola;recorded by Sinatra with orchestra conducted byGordon Jenkins,released as a Capitol 7 "45 single backed with"The Christmas Waltz".Included onA Jolly Christmas From Frank Sinatra.
- 1958: "Run Rudolph Run",written byChuck Berry(thoughJohnny Markssuccessfully took songwriting credit onderivative workgrounds in a lawsuit),[84]released as a single onChess Records.
- 1959: "Caroling, Caroling", written byAlfred Burtin 1953; recorded byFred WaringonThe Sounds of Christmas.
- 1959: "The Secret of Christmas",written by Sammy Cahn andJimmy Van Heusenfor Bing Crosby, first performed in the filmSay One for Me;Crosby recorded the song with an arrangement byFrank DeVolfor a single that year released byColumbia Records.
1960s
edit- 1960: "Caroling, Caroling", written byAlfred Burtin 1953; popularized by Nat King Cole onThe Magic of Christmas.
- 1960: "Please Come Home for Christmas",written byCharles Brownand Gene Redd; released by Brown onCharles Brown Sings Christmas Songs(since becoming associated withthe Eagles' 1978 cover).
- 1960: "Must Be Santa",written by Hal Moore and Bill Fredericks;[85]first released byMitch Miller;[86]Tommy Steele's cover of the song reaching No. 40 on theUK Singles Chartthe same year.[87]
- 1960: "Dominick the Donkey"written by Ray Allen, Wandra Merrell, and Sam Saltzberg; recorded byLou MonteonRoulette Records.The song describes a donkey who helpsSanta Clausbring presents ( "made inBrooklyn") to children in Italy" becausethe reindeercannot climb "Italy's hills.
- 1961: "The Merriest", "Ring a Merry Bell" and "Seven Shades of Snow", all written by Connie Pearce and Arnold Miller; released byJune ChristyonThis Time of Year.
- 1961: "We Wish You the Merriest", written and recorded byLes Brown;released by Frank Sinatra, Bing Crosby, andFred Waring's Pennsylvanians on12 Songs of Christmasin 1964.
- 1963: "Christmas (Baby Please Come Home)",written byEllie Greenwich,Jeff BarrywithPhil Spector;released byDarlene LoveonA Christmas Gift for You from Phil Spector.
- 1963: "Happy Holidays/The Holiday Season "medley byAndy Williamsof Irving Berlin's 1942 classic withKay Thompson's "The Holiday Season" from 1945.
- 1963: "Little Saint Nick",written byBrian WilsonandMike Love;released by theBeach Boysas a single and included onThe Beach Boys' Christmas Albumin 1964.
- 1963: "Pretty Paper"byWillie Nelson;sung byRoy Orbison.Nelson had a hit with his own song in 1978.
- 1964: "Silver and Gold",written by Johnny Marks; sung byBurl Iveson the Rankin-Bass Christmas specialRudolph the Red-Nosed Reindeer.
- 1964: "Toyland"written byVictor HerbertandGlen McDonoughfor theoperettaBabes in Toyland(originally produced in 1903); released byDoris DayonThe Doris Day Christmas Album.
- 1964: "Snowfall",written byClaude Thornhillin 1941, with lyrics later added by his wife, Ruth Thornhill; covered byDoris DayonThe Doris Day Christmas Album.
- 1965: "Christmas Time Is Here",written forA Charlie Brown Christmasanimated TV special; harmonized by the choir of St. Paul's Episcopal Church inSan Rafael, California.
- 1965: "My Favorite Things",written byRichard RodgersandOscar Hammersteinfor the 1959 musical,The Sound of Music;recorded byDiana Ross and the SupremesonMerry Christmas.
- 1965: "Santa Looked a Lot Like Daddy",written byBuck OwensandDon Rich;released by Owens as single with "All I Want for Christmas, Dear, Is You" on theB-side.
- 1966: "We Need a Little Christmas"written byJerry Hermanfor the Broadway musicalMame,and first performed byAngela Lansburyin that 1966 production; popularly covered byPercy Faith& His Orchestra onChristmas Is... Percy Faith.
- 1966: "The Happiest Christmas Tree", written by Cathy Lynn; recorded by Nat King Cole.[88][89]
- 1967: "Snoopy's Christmas",written byGeorge David WeissandHugo & Luigi;released bythe Royal GuardsmenonSnoopy and His Friends.
- 1967: "What Christmas Means to Me"written by Allen Story,Anna Gordy Gaye,and George Gordy; recorded byStevie WonderonSomeday at Christmas.
1970s
edit- 1970: "Give Love on Christmas Day",written byThe Corporation(Berry Gordy,Alphonzo Mizell,Christine Perren,Freddie Perren,andDeke Richards); recorded by theJackson 5forThe Jackson 5 Christmas Album.
- 1970: "Merry Christmas Darling",written byRichard Carpenterwith lyrics byFrank Pooler;released bythe Carpentersas a single (re-released 1974 & 1977); remixed onChristmas Portraitin 1978 with new vocal byKaren Carpenter.
- 1970: "This Christmas",written byDonny Hathaway(as "Donny Pitts" ) and Nadine Theresa McKinnor; recorded by Hathaway and released as a single (with "Be There" on the B-side).
- 1971: "My Christmas Card To You" released bythe Partridge FamilyonA Partridge Family Christmas Card.
- 1971: "River"written byJoni Mitchell;released by her onBlue.
- 1973: "Step into Christmas",written byElton JohnandBernie Taupin;released by John as a stand-alone single (with "Ho! Ho! Ho! (Who'd Be A Turkey At Christmas" on B-side).
- 1974: "I Believe in Father Christmas"written byGreg Lakewith lyrics byPeter Sinfield;released by Lake as a single (with "Humbug" on B-side). Instrumental riff between verses interpolated from "Troika" portion ofSergei Prokofiev'sLieutenant KijéSuite,written for 1934Sovietfilm,Lieutenant Kijé
- 1975: "A Spaceman Came Travelling",written by Christopher Davison; released under Davison's stage nameChris de Burghas a single, taken from his albumSpanish Train and Other Stories.
- 1976: "When a Child is Born"(original melody titled"Soleado"), written byCiro Dammicco(alias "Zacar" ) andDario Baldan Bemboin 1973 (English languagelyrics written later by Fred Jay); released byJohnny Mathisas single entitled "When A Child Is Born (Soleado)" with "Every Time You Touch Me (I Get High)" on the B-side.
- 1977: "Celebrate Me Home",written byKenny LogginsandBob James;recorded by Loggins as title track of his debut solo albumCelebrate Me Home.
- 1977: "Father Christmas",written byRay Davies;released bythe Kinksas a single (with "Prince of the Punks" on B-side).
- 1977: "Peace on Earth/Little Drummer Boy","The Little Drummer Boy "written in 1941 byKatherine Kennicott Davis;"Peace on Earth" written byIan Fraser,Larry Grossman,andAlan Kohan;medley recorded byDavid BowieandBing Crosbyfor the television special,Bing Crosby's Merrie Olde Christmas.(Bowie single released 1982.)
- 1978: "Mary's Boy Child – Oh My Lord",written by Jester Hairston in 1956 with new song byFrank Farian,Fred Jay, and Hela Lorin; medley released byBoney Mas a single.
- 1978: "Please Come Home for Christmas",written by Charles Brown and Gene Redd in 1960; cover released bythe Eaglesas a single (with "Funky New Year" on B-side)
- 1979: "Grandma Got Run Over by a Reindeer";written by Randy Brooks; released byElmo & Patsyas a single (with "Christmas" on B-side).
1980s
edit- 1980: "It Must Have Been The Mistletoe (Our First Christmas)", written by Doug Konecky and Justin Wilde; released byBarbara MandrellonChristmas at Our House.
- 1980: "Same Old Lang Syne",written byDan Fogelberg;released as a single by Folgelberg in 1980 (with "Hearts and Crafts" on B-side). It was included on his 1981 albumThe Innocent Age.
- 1980: "Stop The Cavalry"written byJona Lewie;released by Lewie as a single (with "Laughing Tonight" on B-side).
- 1981: "Christmas is the Time to Say 'I Love You'"written byBilly Squier;released by him by as the B-side of his hit, "My Kinda Lover".
- 1981: "Christmas Wrapping",written byChris Butler;released byThe Waitressesas a single (with "Christmas Fever" byCharlelie Coutureon B-side). Also included in a Christmas compilation album.
- 1982: "Hard Candy Christmas";written byCarol Hallfor themusical,The Best Little Whorehouse in Texas;released byDolly Partonas a single (with "Act Like a Fool" on B-side).
- 1984: "Another Rock and Roll Christmas";written byGary Glitter,Mike Leanderand Edward Seago; released by Gary Glitter as a single, with the instrumental version as the B-side. The song had appeared earlier in the year on his 1984 albumBoys Will Be Boys.
- 1984: "Thank God It's Christmas",written byBrian MayandRoger Taylor;released byQueenas a single (with "Man on the Prowl"and"Keep Passing the Open Windows"on B-side).
- 1984: "Another Lonely Christmas", written byPrince;released byPrince and the Revolutionas a single.
- 1984: "The Power of Love",written byHolly Johnson,Peter Gill,Mark O'Toole,andBrian Nash;released byFrankie Goes to Hollywoodas a single (with "The World Is My Oyster" on B-side).
- 1985: "Merry Christmas Everyone";written byBob Heatlie;released byShakin' Stevensas a single (with "With My Heart" and "Blue Christmas" on B-side).
- 1985: "There's a New Kid in Town", written byDon Cook,Curly Putman,andKeith Whitley.
- 1987: "Christmas in Hollis",written byJoseph Simmons,Darryl McDaniels,andJason Mizell;released byRun D.M.C.on two Christmas compilation albums:A Very Special ChristmasandChristmas Rap,and as a single (with "Peter Piper" on B-side).
- 1988: "Driving Home for Christmas";written byChris Rea;originally released as one of two new songs on Rea's first compilation albumNew Light Through Old Windowsin October, then issued as the fourth single from the album in December.
- 1988: "Mistletoe and Wine",written byJeremy Paul,Leslie StewartandKeith Strachanfor the 1976 musical,Scraps(an adaptation ofHans Christian Andersen's "The Little Match Girl"); released byCliff Richardas a single (with "Marmaduke" on B-side), and on his albumPrivate Collection: 1979–1988.
- 1989: "All I Want for Christmas Is You",written by Troy Powers and Andy Stone; released byVince Vance & The Valiantsas a single.
- 1989: "Merry Christmas (I Don't Want to Fight Tonight)" byThe Ramoneson theirBrain Drainalbum.
1990s
edit- 1990: "Saviour's Day",written byChris Eaton;released byCliff Richardas a single (with "Where You Are" on B-side).
- 1990: "Grown-Up Christmas List",written byDavid Foster,Linda Thompson-Jenner,andAmy Grant;released byDavid FosterwithNatalie Colefor his albumRiver of Love(with a 1992 version byAmy Grant).
- 1991: "Mary, Did You Know?",with lyrics written byMark Lowry(in 1984) and music byBuddy Greene;originally recorded byMichael Englishon a self-titled album (with a 1996 version byKenny RogersandWynona Judd).
- 1992: "All Alone on Christmas",written and arranged bySteve Van Zandt;recorded byDarlene Loveas a single with members ofThe E Street BandandThe Miami Horns.Originally featured onHome Alone 2: Lost in New Yorksoundtrack.
- 1992: "Christmas All Over Again"byTom Petty and the Heartbreakerson the album box setPlayback
- 1993: "Hey Santa!",written (with the help of Jack Kugell) and sung byCarnieandWendy Wilsonon the album of the same name.
- 1994: "The Chanukah Song";written byAdam Sandler,Lewis Morton,andIan Maxtone-Graham;originally performed by Sandler onSaturday Night Live'sWeekend Updatesegment on December 3, 1994. Released as a single by Sandler in 1995 fromWhat the Hell Happened to Me?.
- 1996: "How to Make Gravy"written and performed byPaul Kellyin Australia.
- 1998: "Christmas Canon"by theTrans-Siberian Orchestraon their albumThe Christmas Attic
- 1998: "Merry Christmas, Happy Holidays"byNSYNCfrom the albumsHome for ChristmasandThe Winter Album
2000s
edit- 2000: "My Only Wish (This Year)"byBritney Spearsoff the compilation album,Platinum Christmas
- 2000: "Where Are You, Christmas?"co-written byMariah Carey,James Horner,andWill Jennings,but recorded byFaith Hill.The song was originally recorded by Carey, but because of alegal casewith her ex-husbandTommy Mottola,it could not be released, so it was re-recorded and released by Faith Hill.
- 2002: "Maybe This Christmas" by Ron Sexsmith from the compilation album of the same name.
- 2003: "Christmas Time (Don't Let the Bells End)"byThe Darkness
- 2004: "Believe"written byGlen BallardandAlan SilvestriforJosh Groban
- 2004: "Joseph's Lullaby"byMercyMefrom the albumThe Christmas Sessions
- 2004: "Wizards in Winter",an instrumental written and composed byPaul O'NeillandRobert Kinkel,performed by theTrans-Siberian Orchestra
- 2007: "Mistletoe"written by Stacy Blue andColbie Caillat,and performed by Caillat.
- 2008: "White Is in the Winter Night"byEnyaon the album,And Winter Came...
- 2009: "It Doesn't Often Snow at Christmas"byPet Shop Boys(UK No. 40 hit)
2010s
edit- 2010: "Oh Santa!"byMariah Careyfrom her albumMerry Christmas II You.A new version, featuringAriana GrandeandJennifer Hudson,was released in 2020 for theMariah Carey's Magical Christmas Special'ssoundtrack.
- 2010: "Christmas Lights"byColdplay
- 2010: "Christmas in Harlem"byKanye Westfrom theGOOD Fridaysseries of releases under theGOOD Musiclabel
- 2011: "Mistletoe"byJustin Bieberfrom his albumUnder the Mistletoe
- 2012: "Christmas in the Sand"byColbie Caillatfrom her album of thesame name;meant to conjure up (humorously) what Christmas might be like in Hawaii
- 2013: "Underneath the Tree"byKelly Clarksonon her albumWrapped in Red
- 2013: "One More Sleep"byLeona Lewison her albumChristmas, with Love
- 2013: "Wrapped in Red"written byKelly Clarkson,Ashley Arrison,Aben Eubanks,andShane McAnallyand recorded by Clarkson as the opening track on her sixth studio album,Wrapped in Red
- 2014: "That's Christmas to Me"by a cappella groupPentatonix(No. 2Billboard200,double platinum byRIAA)
- 2014: "Santa Tell Me"byAriana Grandeon her EPChristmas Kisses
- 2015: "Every Day's Like Christmas"byKylie Minogueon her albumKylie Christmas
- 2017: "Santa's Coming for Us"written bySiaandGreg Kurstinand released by Sia onEveryday Is Christmas
- 2017: "Snowman"written bySiaandGreg Kurstinand released by Sia onEveryday Is Christmas
2020s
edit- 2020 "Holiday"byLil Nas X
- 2020: "Christmas Saves the Year"a single written and recorded byTwenty One Pilots;released after aTwitchstream where lead singerTyler Josephplayed in aFortnitetournament sponsored byChipotlein hopes to raise money forMake-A-Wish Foundation.
- 2021: "Merry Christmas"byEd SheeranandElton John
- 2022:Three Lions (It's Coming Home for Christmas)by Baddiel, Skinner & Lightning Seeds; due to the2022 FIFA World Cuptaking place inQatarthe tournament started in November instead of June. As a result,Frank SkinnerandDavid Baddielrecorded a new version of their iconic Three Lions song to make references to both Christmas and the success of theEngland Lionessesin theWomen's Euro 2022.
- 2023: "DJ Play a Christmas Song"byCher[90]
Christmas songs from musicals
edit"I've Got My Love to Keep Me Warm",written by Irving Berlin, was introduced in the musical filmOn the AvenuebyDick PowellandAlice Fayein 1937. "White Christmas"was introduced in the filmHoliday Inn(1942), while "Have Yourself a Merry Little Christmas"was fromMeet Me in St. Louis(1944), and "Silver Bells"The Lemon Drop Kid(1950). The operettaBabes in Toyland(1903) featured the song "Toyland". The 1934 film adaptation, aLaurel and Hardymusical film known by alternative titles, opened with the song. Introducing Christmas-themed songs that have yet to achieve popularity,Scrooge(1970) included "Father Christmas", "December the 25th", and the Academy Award-nominated "Thank You Very Much".
"Mistletoe and Wine" was written for a 1976 musical entitledScraps,which was an adaptation of Hans Christian Andersen's "The Little Match Girl;" it underwent substantial revision for Cliff Richard's 1988 version.[91]"Hard Candy Christmas"was written by Carol Hall for the 1982 musical,The Best Little Whorehouse in Texas,and later released byDolly Parton(who starred in thefilm version) as a single.Tim Burton's The Nightmare Before Christmas(1993) features Christmas-themed songs like "Making Christmas", "What's This?", "Town Meeting Song", and "Jack's Obsession".
Christmas novelty songs
editThis sectionneeds additional citations forverification.(November 2022) |
Musical parodies of the season – comical or nonsensical songs performed principally for their comical effect – are often heard around Christmas. Many novelty songs employ unusual lyrics, subjects, sounds, or instrumentation, and may not even be particularly musical. The term arose in theTin Pan Alleyworld of popular songwriting, with novelty songs achieving great popularity during the 1920s and 1930s.
The Christmas novelty song genre, which got its start with "I Yust Go Nuts at Christmas"written byYogi Yorgessonand sung by him with the Johnny Duffy Trio in 1949, includes such notable titles as:
- "Jingle Bells"bythe Singing Dogswas recorded in 1955 by Don Charles fromCopenhagen;considered the work of Carl Weismann, it was revolutionary in its use of the latest recording technology.[92]
- "Green Chri$tma$",aradio playparody byStan Frebergthat came out in 1958 and satirized commercial advertising.
- "I'm Gonna Spend My Christmas with a Dalek," aDoctor Whospin-off song, released in 1964 byThe Go-Go's(the 1960s British band, not the later American band of the same name). Originally intended to help fuelDalekmania,it tried to turn the sinister Daleks into another version ofThe Chipmunks.[93]
- "Santa Looked a Lot Like Daddy",co-written and recorded byBuck Owensin 1965, has been covered by other country music stars, includingGarth Brooks,Travis Tritt,andBrad Paisley.
In the 1970s comedic singing duoCheech & Chong's debut single in 1971 was "Santa Claus and His Old Lady".The Kinksdid "Father Christmas"in 1977, andElmo & Patsycame out with "Grandma Got Run Over by a Reindeer"in 1979. More recent titles added to the canon include:
- "The Twelve Days of Christmas"parodies (including one byBob and Doug McKenziein 1982)
- "Christmas at Ground Zero"byWeird Al Yankovic(1986)
- "Rusty Chevrolet"byDa Yoopers,a parody of "Jingle Bells"(1987)
- "Christmas in Hollis",a rap single byRun–D.M.C.(1987)
- A Rubber Band Christmas– an entire album featuring traditional and popular Christmas songs played on rubber bands, staplers and other office equipment (1996)
- "Christmas Convoy",asouthern rocksong byPaul Brandt,a parody of theC.W. McCallsong "Convoy"(2006)
Seattle radio personalityBob Riversbecame nationally famous for his line of novelty Christmas songs and released five albums (collectively known as theTwisted Christmasquintilogy, after the name of Rivers' radio program,Twisted Radio) consisting entirely of Christmas parodies from 1987 to 2002. "Don't Shoot Me Santa"was released byThe Killersin 2007, benefiting various AIDS charities. Christmas novelty songs can involvegallows humorand even morbid humor like that found in "Christmas at Ground Zero"and"The Night Santa Went Crazy",both by"Weird Al" Yankovic.The Dan Bandreleased several adult-oriented Christmas songs on their 2007 albumHo: A Dan Band Christmaswhich included "Ho, Ho, Ho" (ho being slang for a prostitute), "I Wanna Rock You Hard This Christmas", "Please Don't Bomb Nobody This Holiday" and "Get Drunk & Make Out This Christmas".
Kristen Bellanda cappellagroupStraight No Chaser"teamed up to poke fun at the modern seasons greeting" with "Text Me Merry Christmas":
- Text me Merry Christmas
- Let me know you care
- Just a word or two
- Of text from you
- Will remind me you're still there
Straight No Chaser singer Randy Stine said of the song: "We wanted a Christmas song that spoke to how informal communication has become."[94]
Juvenile
editChristmas novelty songs include many sung by young teens, or performed largely for the enjoyment of a young audience. Starting with "I Saw Mommy Kissing Santa Claus"sung by 13-year-oldJimmy Boydin 1952, a few other notable novelty songs written to parody the Christmas season and sung by young singers include:
- "I Want a Hippopotamus for Christmas"sung by 10-year-oldGayla Peevey(1953)
- "Nuttin' for Christmas"byArt MooneyandBarry Gordon,who was seven years old when he sang it (1955)
- "¿Dónde Está Santa Claus?(Where is Santa Claus?) "sung by 12-year-old Augie Rios, featuring the Mark Jeffrey Orchestra (1959)
Christmas novelty songs aimed at a young audience include:
- "All I Want for Christmas Is My Two Front Teeth",written byDonald Yetter Gardnerin 1944 and introduced bySpike Jones and his City Slickers(1948)
- "I Saw Mommy Kissing Santa Claus"with music and lyrics by British songwriterTommie Connorwas first recorded by 13-year-oldJimmy Boydin 1952, reaching No. 1 on theBillboardpop singles chart in December of that year.The Jackson 5recorded a popular cover in 1970 with a youngMichael Jacksonsinging lead.
- "The Chipmunk Song",written byRoss Bagdasarian Sr./David Sevilleand performed byAlvin and the Chipmunks(1958)
- "You're a Mean One, Mr. Grinch"originally done for the 1966 cartoon specialHow the Grinch Stole Christmas!;lyrics written byDr. Seuss,music byAlbert Hague,and performed byThurl Ravenscroft
- "Snoopy's Christmas"performed byThe Royal Guardsmenin 1967; a follow-up to their earlier song "Snoopy Vs. The Red Baron"recorded in 1966
- "Santa Claus Is a Black Man"by Akim and the Teddy Vann Production Company (1973)
The number of Christmas novelty songs is so vast that radio hostDr. Dementodevotes an entire month of weekly two-hour episodes to the format each year, and the novelty songs receive frequent requests at radio stations across the country.[citation needed]
Non-Christian writers
editApproximately half of the 30 best-selling Christmas songs by ASCAP members in 2015 were written byJewishcomposers.Johnny Markshas three top Christmas songs, the most for any writer— "Rudolph the Red-Nosed Reindeer","Rockin' Around the Christmas Tree",and"A Holly Jolly Christmas".By far the most recorded Christmas song is"White Christmas"byIrving Berlin(born Israel Isidore Beilin in Russia)—who also wrote "Happy Holiday"—with well over 500 versions in dozens of languages.
Others include:[95][96][97][98]
- "Let It Snow! Let It Snow! Let It Snow!"bySammy Cahn(born Cohen) andJule Styne(who also wrote "The Christmas Waltz"together)
- "Winter Wonderland"(composerFelix Bernardwas born Felix William Bernhardt)
- "The Christmas Song (Chestnuts Roasting on an Open Fire)"byRobert Wells(born Levinson) andMel Tormé
- "Sleigh Ride"(lyricistMitchell Parishwas born Michael Hyman Pashelinsky in Lithuania)
- "It's the Most Wonderful Time of the Year"(composerGeorge Wylewas born Bernard Weissman)
- "Silver Bells"byJay Livingston(born Jacob Levinson) andRay Evans
- "(There's No Place Like) Home for the Holidays"byBob Allen(born Robert Allen Deitcher) andAl Stillman(born Albert Silverman)
- "I'll Be Home for Christmas"byWalter Kent(born Walter Kauffman) andBuck Ram(born Samuel).
- "Santa Baby"by Joan Ellen Javits (Zeeman), niece of SenatorJacob Javits,and Philip Springer.[99]
- "Baby, It's Cold Outside"byFrank Loesser
Lyricist Jerome "Jerry" Leiber and composer Mike Stollerwrote "Santa Claus Is Back in Town",whichElvis Presleydebuted on his firstChristmas albumin 1957. "Christmas (Baby Please Come Home)"was written byEllie GreenwichandJeff Barry(withPhil Spector), originally forRonnie SpectorofThe Ronettes.It was made into a hit byDarlene Lovein 1963.
"Peace on Earth" was written byIan Fraser,Larry Grossman,and Alan Kohan as acounterpointto "The Little Drummer Boy"(1941) to makeDavid Bowiecomfortable recording "Peace on Earth/Little Drummer Boy"withBing Crosbyon September 11, 1977 – for Crosby's then-upcoming television special,Bing Crosby's Merrie Olde Christmas.[100]
Adopted Christmas music
editThis sectionneeds additional citations forverification.(October 2021) |
What is known as Christmas music today, coming to be associated with the holiday season in some way, has often been adopted from works initially composed for other purposes. Many tunes adopted into the Christmas canon carry no Christmas connotation at all. Some were written to celebrate other holidays and gradually came to cover the Christmas season.
- "Tempus Adest Floridum",a romantic spring carol with Latin words dating to the 13th-centuryCarmina Buranaand a melody attested no later than 1584, became associated with Christmas afterJohn Mason Nealeset his epic ballad "Good King Wenceslas"to its melody in 1853. Neale's poem does not directly mention Christmas or the nativity but describes Bohemian DukeWenceslas I's journey to aid a poor traveler on a coldSt. Stephen's Day;that day falls on the day after Christmas and within the traditionalTwelve Days of Christmas.
- "Joy to the World",with words written byIsaac Wattsin 1719 and music byLowell Mason(who in turn borrowed liberally from Handel) in 1839, was originally written anticipating theSecond Coming.[101]
- "Jingle Bells", first published under the title "One Horse Open Sleigh" in 1857, was originally associated withThanksgivingrather than Christmas.[102]
- With a Welsh melody dating back to the sixteenth century, and English lyrics from 1862, "Deck the Halls" celebrates thepaganholiday ofYuleand theNew Year,but not explicitly Christmas ( "Troll the ancient Yuletide carol/See the blazing Yule before us/While I tell of Yuletide treasure" ).
"Shchedryk", a Ukrainian tune celebrating the arrival of springtime, was adapted in 1936 with English lyrics to become the Christmas carol "Carol of the Bells" and in 1995 as the heavy-metal instrumental "Christmas Eve/Sarajevo 12/24." "When You Wish Upon a Star",anAcademy Award-winning song about dreams, hope, and magic featured inWalt Disney'sPinocchio(1940). What later became the main theme for Disney studios was sung byCliff Edwards,who voicedJiminy Cricketin the film. In Scandinavian countries and Japan, the song is used in reference to theStar of Bethlehemand the "ask, and it will be given to you" discourse inMatthew 7:7–8;in the movie it is in reference to theBlue Fairy.
Many popular Christmas tunes of the 20th-century mention winter imagery, leading to their being adopted into theChristmas and holiday season.These include:
- "Winter Wonderland" (1934)
- "I've Got My Love to Keep Me Warm" (1937)
- "Baby, It's Cold Outside" (1944)
- "A Marshmallow World" (1949)
- "Jingle Bell Rock" (1957)
- "My Favorite Things" (1959)
"Do You Want to Build a Snowman?"(2013), from the movieFrozen,features lyrics that are more of an illustration of the relationship between the two main characters than a general description of winter or the holidays, but its title rhetoric and the winter imagery used throughout the film have led it to be considered a holiday song.
"Sleigh Ride", composed originally in 1948 as an instrumental byLeroy Anderson,was inspired by a heatwave in Connecticut. The song premiered with theBoston Pops Orchestrain May 1948 with no association with Christmas. The lyrics added in 1950 have "nothing to do with Santa, Jesus, presents or reindeer," but the jingling bells and "sleigh" in the title made it a natural Christmas song. LyricistSammy Cahnand composerJule Stynealso found themselves in a heatwave in July 1945 when they wrote "Let It Snow! Let It Snow! Let It Snow!", inserting no reference to Christmas in the song.[103]"Holiday"(2010) is about the summer holidays, but has been used in some Christmas ad campaigns.
Perry Comofamously sangFranz Schubert's setting of "Ave Maria"in his televised Christmas special each year, including the song onThe Perry Como Christmas Album(1968). The song, a prayer to theVirgin Marysung inLatin,would become a "staple of family holiday record collections."[104]Americana capellagroupPentatonixreleased their version of "Hallelujah",the 1984 song written byLeonard Cohenand covered famously by a number of acts, ontheir Christmas albumshortly before the songwriter's death in 2016. Besides thetitle,and several biblical references, the song contains no connection to Christmas or the holidaysper se.Various versions have been added to Christmas music playlists on radio stations in the United States and Canada.
In the United Kingdom, songs not explicitly tied to Christmas are popularly played during the year-end holidays. "Stop the Cavalry", written and performed by English musicianJona Lewiein 1980, was intended as a war protest, which his record label was unwilling to release in its original form. The label reworked the record, added atubular belland a brass band sound, and built upon a throwaway line about wanting to be "home for Christmas" to make the song a Christmas song.[105][106]
Radio broadcasting of Christmas music
edit"There's no other programming tactic in radio history that consistently delivers ratings increases better than Christmas music. Playing Christmas music is all about having a larger audience after Christmas than you did before. People who find the station often stick around after the holidays and discover a new favorite station."[107]
Darren Davis, Senior V.P.,Clear Channel
In the United States, it is common for localradio stationsto gradually begin adding Christmas music to their regular playlists in late-November, typically afterThanksgiving(which is generally considered the official start of the holiday season), and sometimes culminating with all-Christmas music by Christmas itself.[108]More prominently, some stations temporarily drop their regular musicformatentirely and switch exclusively to Christmas music for the holiday season.[108][109]The latter practice became more widespread in 2001 after theSeptember 11 attacks,as a means of helping improve the morale of listeners.[110]
Although there is a chance that a station's normal audience may be alienated by a switch to all-Christmas music (adult contemporary,country music,andoldiesaudiences are generally the most accepting), these risks are outweighed by the increase inratingsthat such a shift can attract.[107]There is also a chance that after they return to regular programming, a station may be able to retain some of this expanded audience as new, regular listeners.[107]
Arbitron (nowNielsen Audio) reported in 2011 that it was not uncommon for a station's average audience to double after switching to Christmas music, citing several large-market stations in 2010 such as Boston'sWODS,Los Angeles'sKOST,New York'sWLTW,and San Diego'sKYXY.[107]In 2017, Chicago'sWLIT-FMroughly quadrupled its audience share between November (2.8) and December (12.4) after making the switch.[111][112]The practice may not always transition well into financial success, since advertisers do not universally recognize Nielsen's holiday ratings book.[113]
In somemarkets,there may be one dominant broadcaster of Christmas music, but this is not always the case.[111]Perceiving a competitive advantage in being the first in a market to begin playing Christmas music, it is not uncommon for some stations to adopt the format prior to Thanksgiving, or even as early as late-October. The practice has been considered an example ofChristmas creep.[114][109][108]In an extreme example of Christmas creep, at least one station in 2020 (WWIZin theMahoning Valley) flipped to Christmas music in late September, exactly three full months before Christmas; the same station had also been first in the nation in 2019, but had begun two months before Christmas that year, on October 25.[115]WWIZ was the first of many stations in the United States that had flipped to Christmas especially early in 2020, in part to alleviate stress caused by theCOVID-19 pandemic.[116][117]The trend largely halted after the pandemic waned, with stations that traditionally start later increasingly moving their starts up, but the first stations continuing to hold firm at November 1, with a select few stations flipping no sooner than October 31.[118]The choice of November 1 has been regularly promoted byMariah Carey,who regularly releases videos promoting her song "All I Want for Christmas Is You" on the morning of November 1 each year, transitioning from Halloween themes to Christmas settings as Carey declares "It's time!"[119]Carey's song holds a narrow plurality among songs that American Christmas music radio stations use to signal the launch of the all-Christmas format, with five of the 20 stations that had changed before Veterans Day choosing that song and four choosing "It's the Most Wonderful Time of the Year"byAndy Williams(counting all versions of songs, the two are tied, as an additional station choseJohnny Mathis's version of "Most Wonderful..." ).[120]
The typical Christmas music format in the United States carries a mix of approximately 150 recordings, with a heavy focus on vocaladult standardsandMORselections (both formats otherwise being rare on major commercial radio since the early 21st century) from before 1970.[121]Instrumental selections from that era, which generally fall under thebeautiful musiccategory, are rarely heard and unpopular.[43]Rob Lucas, who for 22 years served as music director and morning host forStar 102.5inBuffalo, New York(a station nowrelegated to an automated digital feed), outlined his scheduling formula for that station:[121]
- A wider library of core records—over 250 during the station's last season in existence—with 50 or sopower rotation(the most frequently played) records replayed every four hours and most of the rest played two to three times per day;
- An emphasis on new releases and contemporary and/or upbeat selections, as this not only fit Star's regular format but helped play against the all-Christmas format's reputation of being slow and boring;
- A willingness to play local artists;
- Judicious spacing of similar records (a half-hour between different instrumental records or religious songs, 11⁄2hours betweencover versionsof the same song, and two hours between songs by the same artist or collective—this would include similar-sounding but different groups that appear on the same album, such as selections fromA Christmas Gift for You from Phil Spector);
- The withholding ofnovelty songsand other records that do not withstandrecurrent rotationwithout complaints until later in the Christmas season.[122]
The period from late afternoon Christmas Eve to noon Christmas Day, Lucas reserved for heavy rotation of religious and spiritual records, as a nod to the solemnity of the holiday.[121]
WLIT-FM, which likewise runs a 250-song core playlist and runs the format for longer than usual (traditionally November 2 to December 25), emphasizes the mid-20th-century standards, especially during the early days and weeks of the all-Christmas format, because its listeners expect more familiarity in the format in that time period when such songs have been off the air for several months.[123]
As many Christmas songs contain themes strongly associated with Christmas Day (such as references to figures such asSanta Claus), and popular observance of the Christmas season often ends after December 25 (in contrast to the traditionalTwelve Days of Christmas,which by definition runs untilEpiphanyon January 6), most stations typically end their all-Christmas programming at some point on December 25 or 26. If a station opts to continue playing Christmas songs beyond the date itself, Lucas advises that these songs be removed from the playlist, noting a substantial number of seasonal winter records still remain playable through the weekend following Christmas, or even throughNew Year's Day.[121]
As a stunt format
editChristmas music is a popularstunt formatfor radio stations, either as a "Christmas in July"promotion, or as a buffer period for transitioning from one format to another.
The end of a calendar year is a common time period for format switches, often following an all-Christmas format (either immediately, or with a second stunt occurring directly afterward).[124]However, the transition itself can still occur before the end of the holiday season, such as the sudden transition of country station KMPS in Seattle tosoft adult contemporaryKSWD,after briefly playing an all-Christmas format following the merger ofCBS RadioandEntercom(its country format had been made redundant by its new sister stationKKWF).[125][126]
Playing Christmas music outside of the holiday season, or otherwise implying that the format is permanent, is a more obvious stunt. In April 2008, the new radio stationCFWD-FMinSaskatoonsoft launched with an all-Christmas format in preparation for the station's official launch as a top 40 station.[127][128]
In an extreme case,adult hitsstationWJSRin Lakeside/Richmond, Virginia maintained a Christmas music format from October 13, 2020, all the way through March 4, 2021, after which it flipped toclassic hits;the station had stunted from the beginning of October as "Short Attention Span Radio" before switching to Christmas music.[129][130]Ironically, WJSR's sister station in the same market—WURV—had broadcast a 12-hour block of "inappropriately early" Christmas music on October 7, 2015, as a parody of Christmas creep and stations trying to be the first in their market to play Christmas music.[131][132]
Outside the United States
editChristmas music stations in Canada tend to follow a similar pattern to those in the United States but with the addition ofCanadian content;because of the relative lack of older Christmas music written or recorded in Canada and/or by Canadians, this leads to a more contemporary sound compared to most American stations.[133]
With the growth in digital broadcasting platforms around the world, the opportunity to offer thematic radio formats on a pop-up basis has increased.
In Ireland, a temporary radio station namedChristmas FMbroadcasts on a temporary license inDublinandCorkfrom November 28 to December 26, solely playing Christmas music.
In the UK, theFestive Fiftylist of songs as voted for by listeners is broadcast starting on Christmas Day, originally by DJJohn Peel,and nowadays by Internet radio stationDandelion Radio.
Since the early 2010s, a number of Christmas music stations have broadcast on national and local digital platforms in the United Kingdom, with some also being carried on the FM band. These have included:
- Smooth Christmas, launched by the then-owner ofSmooth Radio,Guardian Media Group, on nationalDigital OneDAB in November/December 2011, with the slot used after Christmas bySmooth 70s.[134]The Christmas station returned around the same timeframe of 2012[135]with this space taken over after Christmas byBauer RadiostationKiss.Following the acquisition of Smooth byGlobaland the addition ofCapital Xtrato national DAB in October 2013, there was not capacity available for Smooth Christmas to run in 2013, but the service was revived by Global to run in 2014[136]and 2015[137]before being superseded by Heart extra Christmas on DAB in subsequent years; the name Smooth Christmas has since been revived as a seasonal pop-up stream within the online Global Player service, playing melodic Christmas hits. Several other streams, such as 'Classic FMChristmas' playing thematically appropriateclassical music,have also appeared on Global Player at the relevant time of year.
- Heart extra Christmas / Heart Christmas – Following the launch of national digital station Heart extra in February 2016, Global would annually flip that service to playing continuous Christmas music during November and December of each year. The service broadcast in mono using the older DAB standard in 2016,[138]2017[139]and 2018;[140]following the transition of Heart extra to broadcast in stereo using the DAB+format earlier in 2019, Heart extra Christmas ran in that format in 2019.[141]Following the cancellation of Heart extra in favour ofHeart UKon national DAB+ in 2020, Heart Christmas ran from October 2020 as a discrete station at the local tier, broadcast in DAB+ in the London area and in standard DAB in a number of other locations, as well as being available nationwide online.[142]
- Pulse Christmas / Signal Christmas / The Wave Christmas - in 2014,Wireless Group(then under the control of UTV Radio) made use of available DAB capacity in three of its FM broadcast areas to launch temporary Christmas stations co-branded with the local FM station names: Pulse Christmas in Bradford/Huddersfield, Signal Christmas in Stoke-on-Trent, and The Wave Christmas in Swansea/southwest Wales. The stations ran annually, appearing each November/December between 2014 and 2019[136][137][138][139][140][141]but ceased thereafter due to the acquisition of Wireless local stations byBauer Radioin 2019 and the absorption of these services into Bauer'sHits RadioandGreatest Hits Radioin 2020. In addition, in 2016[138]and 2017,[139]Wireless additionally ran a similar pop-up Christmas music station, Scottish Sun Christmas, on regional DAB in central Scotland.
- Nation Xmas –Nation Broadcastingran a Christmas station on DAB in several areas of Wales in November/December 2015,[137]and following the festive pop-up these slots were taken by Nation Gold (nowDragon Radio Wales).
- Magic Christmas / Magic 100% Christmas -Bauer Radiolaunched this station, a subsidiary of its mainMagicstation, on nationalDigital OneDAB in late 2017,[139]taking over a slot Bauer had been holding since the summer withKiss Fresh.(After Christmas this slot was taken up byAbsolute Radio 90s,withKisstoryoccupying the slot since February 2019.) During December 2018 and 2019, rather than launching a standalone Christmas station Bauer instead flipped the playlist of the main Magic service – available on 105.4 FM in London in addition to broadcasting nationally on DAB – to Christmas music. In 2020, Bauer launched an online Christmas music stream, as Magic 100% Christmas, through its websites and apps in August,[143]before flipping the main Magic service to play principally Christmas music from November 25. In addition, in December 2018, Bauer launched a temporary Christmas music service, Greatest Hits Christmas, broadcast on 105.2 FM inBirminghamandThe Black Countryduring the period leading up to the relaunch of the frequency asGreatest Hits Radioin January 2019; GHC played Christmas music with announcements regarding the impending new station launch, and information for listeners to the service previously carried on 105.2 FM -Absolute Radio- as to how they could regain access to Absolute by retuning to a digital platform. GHC was not itself broadcast on digital services.
- MincePie NonStop – run byUKRDas a sibling service to York FM/DAB station Minster FM, this station was initially an online-only service, being made available on DAB in 2017,[139]2018[140]and 2019[141]but did not return in 2020 due to the acquisition of UKRD's stations by Bauer Radio, with the conversion of Minster FM toGreatest Hits Radio York and North Yorkshire.UKRD also ran a pop-up Christmas station in Cornwall, Pirate Christmas – a sibling toPirate FM– on DAB in 2018[140]and 2019,[141]freeing space for this with a reduction in the broadcast bitrate of Pirate FM and its sibling services. Although MincePie NonStop no longer broadcasts, listeners in North Yorkshire were able to access a locally programmed Christmas station on DAB in 2020 with community service YorkMix launching XmasMix on the local digital multiplex.
- Several other smaller services have appeared on individual local DAB platforms in recent times, either popping up as self-contained stations (such as Radio Marsden Christmas, which ran in Surrey in 2015[137]and 2017[139]) or as a temporary rebranding of an existing regular station (such asSandgrounder Radiotemporarily renaming as 'Santagrounder' on DAB in 2016[138]and 2017[139]).Radio Exeearned some attention for launching its DAB Christmas service, Radio Exemas, in August 2023.[144]
Christmas music on satellite and Internet radio
editOutside of traditional AM/FM radio,satellite radioproviderSiriusXMtypically devotes multiple channels to different genres of Christmas music during the holiday season.[145]NumerousInternet radioservices also offer Christmas music channels, some of them available year-round.Citadel MediaproducedThe Christmas Channel,a syndicated 24-hour radio network, during the holiday season in past years (though in 2010, Citadel instead included Christmas music on its regular Classic Hits network).Music Choiceoffers nonstop holiday music to itsdigital cable,cable modem,and mobile phone subscribers between November 1 and New Year's Day on its "Sounds of the Seasons" (traditional), "R&B" (soul), "Tropicales" (Latin), and "Soft Rock" (contemporary) channels, as well as a year-round "All Christmas" channel.DMXprovides holiday music as part of its SonicTap music service for digital cable andDirecTVsubscribers, as doesDish Networkvia its in-house Dish CD music channels. Services such asMuzakalso distribute Christmas music toretail storesfor use as in-store background music during the holidays.
The growing popularity of Internet radio has inspired other media outlets to begin offering Christmas music. In 2009Phoenixtelevision stationKTVKlaunched four commercial-free online radio stations including Ho Ho Radio, which streams Christmas music throughout the month of December.
iHeartRadioalso has two-year-round stations that are dedicated to Christmas music. One station, iHeart Christmas, focuses on more contemporary holiday music, while the other, iHeart Christmas Classics, offers seasonal music from past decades.
See also
edit- Best-selling Christmas/holiday singles in the United States
- List of Christmas calypsos
- List of Christmas carols
- List of Christmas hit singles in the United Kingdom
- List of Christmas hit singles in the United States
- List of best-selling Christmas/holiday albums in the United States
- BillboardChristmas Holiday Charts
- Villancico
- Halloween music
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Further reading
edit- "Seasonal Songs With Twang, Funk and Harmony",The New York Times,November 26, 2010.
- Stories Behind The Best-Loved Songs of Christmasby Ace Collins, 160 pages,ISBN0-7624-2112-6,2004.
- The International Book of Christmas Carolsby W. Ehret and G. K. Evans, Stephen Greene Press, Vermont,ISBN0-8289-0378-6,1980.
- Victorian Songs and Musicby Olivia Bailey, Caxton Publishing,ISBN1-84067-468-7,2002.
- Spirit of Christmas: A History of Our Best-Loved Carolsby Virginia Reynolds and Lesley Ehlers,ISBN0-88088-414-2,2000.
- Christmas Music Companion Fact Bookby Dale V. Nobbman,ISBN1-57424-067-6,2000.
- Joel Whitburn presents Christmas in the charts, 1920–2004by Joel Whitburn,ISBN0-89820-161-6,2004.
- Angels We Have Heard: The Christmas Song Storiesby James Richliano,ISBN0-9718810-0-6,2002.
External links
edit- Free Christmas sheet musicin theChoral Public Domain Library(ChoralWiki)