Wikipedia

Coade stone

Coade stoneorLithodipyraorLithodipra(Ancient Greek:λίθος/δίς/πυρά,lit. 'stone fired twice') isstonewarethat was often described as anartificial stonein the late 18th and early 19th centuries. It was used for mouldingneoclassicalstatues, architectural decorations andgarden ornamentsof the highest quality that remain virtually weatherproof today.

TheSouth Bank Lion,onWestminster Bridge.Modelled byWilliam F. Woodingtonand Grade II* listed byEnglish Heritage.(See "South Bank Lion" section below)

Twickenham StadiumLion gate, (R.F.U.)
Originally paired with the "South Bank Lion"at theLion Breweryon the Lambeth bank of the River Thames.
(See "Twickenham Stadium Lion" below)

Admiral Lord Nelson'sPediment,Old Royal Naval College, Greenwich.
(See "Nelson Pediment" section below)

Eleanor Coade's home,Belmont House,inLyme Regis,Dorset,with Coade stone ornamental façade.
(See "Belmont House" section below)

Coade and Sealy's Gallery of Sculpture,
Westminster Bridge, 1799.
(See adjacent "Coade and Sealy gallery section" )

Coade stone features were producedby appointment toGeorge IIIand thePrince RegentforSt George's Chapel, Windsor;The Royal Pavilion, Brighton;Carlton House, London;theRoyal Naval College, Greenwich;and refurbishment ofBuckingham Palacein the 1820s.[1][2]

Coade stone was prized by the most important architects such as:John Nash-Buckingham Palace;Sir John Soane-Bank of England;Robert Adam-Kenwood House;andJames Wyatt-Radcliffe Observatory.[3]

The product (originally known asLithodipyra) was created around 1770 byEleanor Coade,who ran Coade's Artificial Stone Manufactory, Coade and Sealy, and Coade in Lambeth, London, from 1769 until her death in 1821.[1]It continued to be manufactured by her last business partner, William Croggon, until 1833.[1][4]

History

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Main article:Eleanor Coade

In 1769, Mrs Coade[a][b][c][d]bought Daniel Pincot's struggling artificial stone business at Kings Arms Stairs, Narrow Wall,Lambeth,a site now under theRoyal Festival Hall.[2][7]This business developed into Coade's Artificial Stone Manufactory with Coade in charge, such that within two years (1771) she fired Pincot for "representing himself as the chief proprietor".[1][2][8]

Coade did not invent artificial stone. Various lesser-qualityceramicprecursors to Lithodipyra had been both patented and manufactured over the forty (or sixty)[4]years prior to the introduction of her product. She was, however, probably responsible for perfecting both the clay recipe and the firing process. It is possible that Pincot's business was a continuation of that run nearby by Richard Holt, who had taken out two patents in 1722 for a kind of liquid metal or stone and another for making china without the use of clay, but there were many start-up artificial stone businesses in the early 18th century of which only Coade's succeeded.[7][9][10]

The company did well and boasted an illustrious list of customers such asGeorge IIIand members of theEnglishnobility.[e]In 1799, Coade appointed her cousin John Sealy (son of her mother's sister, Mary), already working as a modeller, as a partner in her business.[10]The business then traded as Coade and Sealy until his death in 1813, when it reverted to Coade.

In 1799, she opened a showroom, Coade and Sealy's Gallery of Sculpture, on Pedlar's Acre at the Surrey end ofWestminster Bridge Road,to display her products.[1][2][12][13](See adjacent "Coade and Sealy gallery" image)

In 1813, Coade took on William Croggan fromGrampoundin Cornwall, a sculptor and distant relative by marriage (second cousin once removed). He managed the factory until her death eight years later in 1821[13]whereupon he bought the factory from the executors for c. £4000. Croggan supplied a lot of Coade stone forBuckingham Palace;however, he went bankrupt in 1833 and died two years later. Trade declined, and production came to an end in the early 1840s.

Material

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Lion Gate (above), an entrance intoKew Gardens,with its Coade stone lion statue on top. Coade stone unicorn statue (below) atop Unicorn Gate, another entrance.
(See "Kew Lion and Unicorn gates" below)

Description

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Coade stone is a type ofstoneware.Mrs Coade's own name for her products wasLithodipyra,a name constructed from ancient Greek words meaning 'stone-twice-fire' (λίθος/δίς/πυρά), or 'twice-fired stone'. Its colours varied from light grey to light yellow (or evenbeige) and its surface is best described as having amatte finish.

The ease with which the product could be moulded into complex shapes made it ideal for largestatues,sculpturesand sculptural façades.One-offcommissions were expensive to produce, as they had to carry the entire cost of creating a mould. Whenever possible moulds were kept for many years of repeated use.

Formula

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The recipe for Coade stone is claimed to be used today by Coade Ltd.

Its manufacture required extremely careful control and skill inkilnfiring over a period of days, difficult to achieve with its era's fuels and technology. Coade's factory was the only really successful manufacturer.

The formula used was:

This mixture was also referred to as "fortified clay", which was kneaded before insertion into a 1,100 °C (2,000 °F) kiln for firing over four days[11]– a production technique very similar tobrickmanufacture.

Depending on the size and fineness of detail in the work, a different size and proportion of Coade grog was used. In many pieces a combination of grogs was used, with fine grogged clay applied to the surface for detail, backed up by a more heavily grogged mixture for strength.

Durability

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One of the more striking features of Coade stone is its high resistance to weathering, with the material often faring better than most types of natural stone in London's harsh environment.[citation needed]Prominent examples listed below have survived without apparent wear and tear for 150 years. There were, however, notable exceptions.[f]A few works produced by Coade, mainly dating from the later period, have shown poor resistance to weathering due to a bad firing in the kiln where the material was not brought up to a sufficient temperature.[citation needed]

Demise

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Coade stone was only superseded after Mrs Coade's death in 1821, by products using naturallyexothermicPortland cementas a binder. It appears to have been largely phased out by the 1840s.

Not entirely however: there are interesting examples of its continued use for architectural embellishments as late as 1887, in some grand Domestic Revival-style houses, built by the architect Frank H. Humphreys, on Pevensey Road, St Leonards-on-Sea, UK.[citation needed]

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Examples

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Over 650 pieces are still in existence worldwide.[18][19]

Metropolitan Museum of Art
The Met-New York City
Faith- 'Overpainted Coade stone'
byJohn Bacon the Elder.1791
(See Metropolitan Museum section)
Frankland Monument,Stanmer ParkBrighton
Croome Court,Upton-upon-Severn. South staircase guarded by two Coade stonesphinxes.

"Statue of Hygieia",St Bernard's Well, by theWater of Leith,Edinburgh
Memorial to Frances Brown, daughter in law of Lancelot "Capability" Brown. (Fenstanton)

Father Thames,byJohn Bacon,in the grounds ofHam House
The Gibberd Garden, Harlow, Essex, created by SirFrederick Gibberd

TheMedici Vase,Kew Gardens,from a pair ordered byGeorge IV.

George IIIatLincoln Castle

1802 statue byCharles Rossi-BritanniaorMinervaatop Liverpool Town Hall.
(SeeLiverpool Town Hall)
  • LiverpoolTown Hall. 1802 statue by Charles Rossi -BritanniaorMinervaatop Liverpool Town Hall. Minerva, the goddess of wisdom, or Britannia. She is holding a spear, which is a common replacement for Britannia's trident, but that is usually in her right hand. Minerva is commonly depicted with an owl, but she is also the goddess of strategic warfare, so a spear makes sense. Both wear Corinthian helmets. Who is it? - Neither Rossi's own list of commissions, nor a (non-existent) Royal Academy contemporary list of his worksare available, so both Historic England and Pevsner hedge their bets saying "Britannia or Minerva".

Portobello Beach, three Coade Stone columns in the community garden at 70 Promenade (John Street), rescued from the garden of Argyle House

Lord Hill's Column,Shrewsbury. A 17 ft (5.2 m) tall statue of GeneralRowland Hill, 1st Viscount Hill,modelled in Coade stone byJoseph Panzetta

- The lion which originally stood over one of the brewery gates is now painted gold and located at the west-gate entrance ofTwickenham Stadium,the home of English rugby.(See Twickenham Stadium Lion section below)
- The lion from the roof of the brewery, now known as the "South Bank Lion", was moved to Station ApproachWaterloo,placed on a high plinth, and painted red as the symbol ofBritish Rail.When removed, the initials of the sculptorWilliam F. Woodingtonand the date, 24 May 1837, were discovered under one of its paws.[4]In 1966,[89]it was moved from outside Waterloo station to the south end ofWestminster bridge.[90](51°30′03″N0°07′10″W/ 51.500836°N 0.119581°W/51.500836; -0.119581(South Bank Lion at the south end of Westminster Bridge)),(See South Bank Lion image at Top of article)
Captain William Bligh's Tombsurmounted by an eternal flame. Church of St Mary-at-Lambeth, (now theGarden Museum).

- 'The Oxford Gates'.[97]The central piers were designed byWilliam Kentin 1731[98]Pavilions at either end were added in the 1780s to the design of the architectVincenzo Valdrè.The piers have coats of arms in Coade stone.
Stowe Park
'The Cobham Monument'
The plinth is surmounted by Coade stone lions holding shields. (1778)
- 'The Gothic Cross' erected in 1814 from Coade stone on the path linking the Doric Arch to the Temple of Ancient Virtue. It was erected by the 1st Duke of Buckingham and Chandos as a memorial to his mother Lady Mary Nugent. It was demolished in the 1980s by a falling elm tree. The National Trust rebuilt the cross in 2017 using several of the surviving pieces of the monument.
- 'The Cobham Monument' is the tallest structure in the gardens. It incorporates a square plinth with corner buttresses surmounted by Coade stone lions holding shields added in 1778.[99]
- 'The Gothic Umbrello' also called the Conduit House a small octagonal pavilion dating from the 1790s. The coat of arms of theMarquess of Buckingham,dated 1793, made from Coade stone are placed over the entrance door.

Restored gateway to St Mary's ChurchTremadog

- Sundial, 1825. Thesundialin the grounds of the hall is in Coade stone, and is 1 metre (3 ft 3 in) high. It has a triangular plan with concave sides. At the bottom is aplinthwithmeanderdecoration on a circular base, the sides aremouldedwithfestoonsat the top, in the angles arecaryatids,and at the top is aflutedfriezeand anegg-and-dartcornice.[109](52°41′33″N2°17′04″W/ 52.69258°N 2.28442°W/52.69258; -2.28442(Sundial, Weston Park, Staffordshire))
- Two urns and planting basin, 1825. The urns and planting basin are in Coade stone, and are to the southwest of the 'Temple of Diana'. The basin has a diameter of 2 metres (6 ft 7 in), with a cabled rim to the kerb. The urns are on a base, and each has a short stem, and a wide body withguillochédecoration and carvings of lions' heads.[110](52°41′28″N2°16′55″W/ 52.69121°N 2.28204°W/52.69121; -2.28204(Two urns and planting basin, Weston Park, Staffordshire))
The triumphal arch atPark Crescent, Worthing

Birkbeck Image library

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In 2020, the library ofBirkbeck, University of London,launched the Coade Stone image collection online, consisting of digitised slides of examples of Coade stone bequeathed byAlison Kelly,whose bookCoade Stonewas described byCaroline Stanfordas "the most authoritative treatment on the subject".[3][115]

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Modern replication claims

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The recipe and techniques for producing Coade stone are claimed to have been rediscovered by Coade Ltd. from its workshops inWilton, Wiltshire.In 2000, Coade ltd started producing statues, sculptures andarchitectural ornaments.[citation needed]

See also

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Wikimedia Commons has media related toCoade stone.

Notes

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  1. ^There is some modern confusion between Eleanor and her mother (Eleanor, Elinore), as to which one ran the factory. This is primarily because of Miss Eleanor Coade's customary use of the titleMrsbecause this was a commonplace 'courtesy title' for any unmarried woman in business. However, analysis of the bills shows that Eleanor Coade (daughter) was fully in charge from 1771. (Alison Kelly (art historian),Oxford National Dictionary of Biography (ONDB)).
  2. ^Alison Kelly (art historian)states on page 23 ofMrs Coade's Stone– "Since mother and daughter had the same name, confusion has reigned over the contribution of each of them to the manufactory. The widow Coade was of course Mrs, and it has been assumed that any mention of Mrs Coade must refer to her.Rupert Gunnis,for instance, believed that the widow ran the factory until her death in her late eighties, in 1796. What is not generally realised is that women in business, in Georgian times, had the courtesy title of Mrs so in the Coade records, it normally refers to Miss Coade. Bills were usually headed Eleanor Coade, but two, as early as 1771, forHatfield Priory,Essex, and 1773, for work atBurton upon Trent Town Hall,were made out to Miss Coade, showing that from the early days she was in charge. The only references that specifically concern the mother are the first two entries for the factory in the Lambethpoor ratebooks, when the rate was paid by Widow Coade. "
  3. ^It appears that the modern identity confusion dates from 1951 (or earlier) when Sir Howard Roberts and Walter H. Godfrey published theSurvey of London: volume 23 – Lambeth: South Bank and Vauxhall,and their confusion about the Coade family genealogy led to both gaps and false conclusions. Typically this state of knowledge was then reiterated by Rupert Gunnis in his 1953Dictionary of British Sculptors, 1660–1851.More recently, the 'British History Online' website has given credence to the otherwise-excellent Roberts and GodfreySurvey of London,[5]and some other internet sites have repeated the claims.
  4. ^Her obituary notice was published inThe Gentleman's Magazine,which declared her 'the sole inventor and proprietor of an art which deserves considerable notice'.[1][6]
  5. ^Mrs. Coade sold to "aDebrett'sfull of English lords and Dukes. "[11]
  6. ^Three sources describeRossi'sstatue of George IV erected in theRoyal Crescent, Brightonas "unable to withstand theweatheringeffects of sea-spray and strong wind: such that, by 1807 the fingers on the sculpture's left hand had been destroyed, and soon afterwards the whole right arm dropped off. "[14][15][16] By contrast howeverFashionable Brighton, 1820–1860by Antony Dale (online) describes similar damage as 'wore badly' but does not attribute 'broken fingers, nose, mantle and arm on an unloved statue' to weathering or poor quality Coade stone. In 1819, after considerable complaints, the relic was removed and its present state is undocumented.[17]

References

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Works cited

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  • In 2021Historic Englandlaunched a crowd sourced Enrich the List map of Coade stone in England.
"Eleanor Coade, Pioneer of Coade Stone | Historic England".historicengland.org.uk.Retrieved4 February2022.
Google - My Maps"Coade Stone".Google My Maps.Retrieved4 February2022.

Gallery of images.

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