Cutout animationis a form ofstop-motion animationusing flat characters,propsand backgrounds cut from materials such aspaper,card, stifffabricorphotographs.The props would be cut out and used as puppets for stop motion. The world's earliest known animated feature films were cutout animations (made inArgentinabyQuirino Cristiani),[1]as is the world's earliest surviving animated featureDie Abenteuer des Prinzen Achmed(1926) byLotte Reiniger.[citation needed]

Video about making cutout animation, in Spanish with English subtitles

The technique of most cutout animation is comparable to that ofshadow play,but with stop motion replacing the manual or mechanical manipulation of flat puppets. Some films, includingDie Abenteuer des Prinzen Achmed,also have much of their silhouette style in common with shadow plays. Cutout animation pioneer Lotte Reiniger studied the traditions of shadow play and created several shadow play film sequences, including a tribute toFrançois Dominique SéraphininJean Renoir's filmLa Marseillaise(1938).[2]

While sometimes used as a relatively simple and cheap animation technique in children's programs (for instance inIvor the Engine), cutout animation has also often been used as a highly artistic medium that distinguishes itself more clearly from hand-drawn animation.

Cutout animation can be made with figures that have joints made with a rivet or pin or, when simulated on a computer, an anchor. These connections act asmechanical linkage,which have the effect of a specific, fixed motion. Similar flat, jointed puppets have been in use inshadow playsfor many centuries, such as in the Indonesianwayangtradition and in the "ombres chinoises" that were especially popular in France in the 18th and 19th century. The subgenre ofsilhouette animationis more closely related to these shadow shows and to the silhouette cutting art that has been popular in Europe especially in the 18th and 19th centuries.

While many cutout animation puppets and other material is often purposely-made for films, ready-made imagery has also been heavily used in collage/photomontagestyles, for instance inTerry Gilliam's famous animations forMonty Python's Flying Circus(1969-1975).

Lotte Reiniger, and movies likeTwice Upon a Time(1983), used backlit animation, where the source of light comes from below. Animators like Terry Gilliam use light coming from above.[3][4]

Cutout techniques were relatively often used in animated films until cel animation became the standard method (at least in the United States). Before 1934, Japanese animation mostly used cutout techniques rather than cel animation, because celluloid was too expensive.[5][6]

Today, cutout-style animation is frequently produced usingcomputers,with scanned images orvector graphicstaking the place of physically cut materials.South Parkis a notable example of the transition, since itspilot episodewas made with paper cutouts before switching tocomputer software.

Short films

edit

Feature films

edit
An example of cutout animation, produced at the UK'sNational Media Museum

Television series

edit

Music videos

edit

Jim Blashfieldused cutout animation in his music videos forTalking Heads'And She Was(1985),Paul Simon'sBoy in the Bubble,Michael Jackson'sLeave Me Alone(1989, winning a Grammy Award, a Cannes Golden Lion and an MTV Award),Tears for Fears'Sowing the Seeds of Love(1989, winning two MTV Awards) and others.

The video forRöyksopp'sEple(2003), features a specific kind of cutout animation, continuously zooming out and panning through many old (still) pictures that are seamlessly combined. The technique is a variation of theKen Burns effect,which has often been used in documentary films to add motion to still imagery, but rarely as a standalone animated production.

Other music videos featuring cutout animation includeSkindred's "Pressure"(2006),[citation needed]Serj Tankian's "Lie Lie Lie"(2007),[citation needed]B.o.B's "Nothing on You"(2009), andRedbone's "Come and Get Your Love".

Internet

edit

Video games

edit

See also

edit

References

edit
  1. ^Bendazzi, Giannalberto."Quirino Cristiani, The Untold Story of Argentina's Pioneer Animator".Animation World Network.Retrieved19 October2018.
  2. ^abc"Lotte Reiniger – Women Film Pioneers Project".wfpp.columbia.edu.Retrieved2020-12-31.
  3. ^Frame-By-Frame Stop Motion: The Guide to Non-Puppet Photographic Animation Techniques
  4. ^Cinefamily resurrects Lucasfilm's “Twice Upon A Time” (1983)
  5. ^Sharp, Jasper (2009). "The First Frames of Anime".The Roots of Japanese Anime,official booklet, DVD.
  6. ^Sharp, Jasper (September 23, 2004)."Pioneers of Japanese Animation (Part 1)".Midnight Eye.RetrievedDecember 10,2009.
  7. ^Salt, Barry (1992).Film Style and Technology: History and Analysis.Starword. p. 48.ISBN978-0-9509066-2-1.Retrieved1 February2024.
  8. ^Armen Boudjikanian (February 26, 2008)."Early Japanese Animation: As Innovative as Contemporary Anime".Frames Per Second Magazine. Archived fromthe originalon September 28, 2017.Retrieved2008-05-05.
  9. ^McLaren, Norman (1958)."Le merle".NFB.ca.National Film Board of Canada.Retrieved2009-08-31.
  10. ^https://cartoonresearch.com/index.php/paramount-cartoons-1960-1961/
  11. ^The Miracle of Flighton YouTube
  12. ^"A 30-Year-Old Mystery Put to Rest: Holy Grail," Clock Man ", Has Been Found!".Zack Banack.Retrieved2020-12-04.
  13. ^"Perníkový dědek | Moderní animovaná pohádka | HD".YouTube.5 August 2022.
  14. ^"Toonhound - Alexander the Mouse (1958)".www.toonhound.com.Retrieved2020-12-31.
  15. ^Bresson (2017-11-14)."Animated Spotlight: Smallfilms".The Avocado.Retrieved2020-12-31.
  16. ^Malbus Moma (2015-11-25),Terry Gilliam explains Monty Python animations,archivedfrom the original on 2021-12-21,retrieved2019-07-23