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Dinosaur Jr.

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Dinosaur Jr.is an Americanrockband formed inAmherst, Massachusetts,in 1984. Originally calledDinosaur,the band was forced to change their name because oflegal issues.

Dinosaur Jr.
Dinosaur Jr. in Stockholm, Sweden, in June 2008 (Left to right: J Mascis, Murph, Lou Barlow)
Dinosaur Jr. in Stockholm, Sweden, in June 2008 (Left to right:J Mascis,Murph,Lou Barlow)
Background information
Also known asDinosaur (1984–1987)
OriginAmherst, Massachusetts,U.S.
Genres
DiscographyDinosaur Jr. discography
Years active
  • 1984–1997
  • 2005–present
Labels
Spinoffs
Spinoff ofDeep Wound
Members
Past members
Websitedinosaurjr.com

The band was founded byJ Mascis(guitar, vocals, primary songwriter),Lou Barlow(bass, vocals), andMurph(drums). After three albums onindependent labels,the band earned a reputation as one of the formative influences on Americanalternative rock.[1][2]Creative tension led to Mascis firing Barlow, who later formedSebadohandFolk Implosion.His replacement,Mike Johnson,came aboard for three major-label albums. Murph eventually quit, with Mascis taking over drums on the band's albums before the group disbanded in 1997. The original lineup reformed in 2005, releasing five albums thereafter.[3]

Mascis's drawling vocals and distinct guitar sound, harking back to 1960s and 1970sclassic rockand characterized by extensive use offeedbackanddistortion,were highly influential in the alternative rock movement of the 1990s.[4]

History

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Formation

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Mascis and Barlow played together, on drums and guitar respectively, in thehardcore punkbandDeep Wound,formed in 1982 while the pair were attending high school in westernMassachusetts.[5]After high school, they began exploring slower yet still aggressive music likeBlack Sabbath,the Replacements,andNeil Young.Mascis's college friendGerard Cosloyintroduced him to psychedelic-influenced pop bands likeDream Syndicate,which Mascis in turn showed to Barlow. Barlow explained, "We lovedspeed metal... and we loved wimpy-janglystuff ".[6]

Deep Wound broke up in mid-1984. Cosloy had dropped out of theUniversity of Massachusetts Amherstto focus on running his independent record label,Homestead Records.He promised Mascis that if he were to make a record, Homestead would release it. Mascis wrote a number of songs by himself and showed them to Barlow, to whom he offered the bassist position. Barlow described the songs as "...fucking brilliant...They were so far beyond. I was still into two-chord songs and basic stuff like 'I'm so sad.' While I was really into my own little tragedy, J was operating in this whole other panorama."[citation needed]Mascis enlisted vocalist Charlie Nakajima, also formerly of Deep Wound, and drummer Emmett Patrick Murphy (otherwise known as Murph) to complete the band. Mascis explained the concept behind the group as "ear-bleeding country."[7]

The band was initially named Mogo, and they played their first show on the University of Massachusetts Amherst campus in the first week of September 1984. However, Nakajima used the performance to launch an extended anti-police tirade. Mascis was so appalled by Nakajima's behavior at the show that he disbanded the group the next day. A few days later, Mascis invited Barlow and Murph to form a new band without telling Nakajima. "I was kind of like too wimpy to kick him out, exactly," Mascis later admitted. "Communicating with people has been a constant problem in the band." The trio named themselves Dinosaur, and Mascis and Barlow took over lead vocal duties.[8]

Dinosaur

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Mascis took Cosloy up on his offer to release an album on Homestead, and Dinosaur recorded their debut album for $500 at a home studio in the woods outsideNorthampton, Massachusetts.[9]Their debut albumDinosaurwas released in 1985, for which Mascis wrote all of the songs. The vocals were done by Mascis in his trademark nasal drawl, which was often compared to singer Neil Young.[10]Mascis would sing most or all of the lead vocals on all of their subsequent releases. The album did not make much of an impact commercially or critically. It sold only about 1,500 copies in its first year and was largely ignored by the majority of the music press.[10]

After the record's release, Dinosaur would often drive to New York City to perform shows. The New York-based alternative rock bandSonic Youthwas unimpressed by the first Dinosaur performance they saw, but after watching them play several months later, they approached the band declaring themselves fans.[11]Sonic Youth invited Dinosaur to join them on tour in the American Northeast and northern Midwest in September 1986.

You're Living All Over Me

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Dinosaur recorded much of their second album,You're Living All Over Me,with Sonic Youth engineerWharton Tiersin New York. During the recording process, tension emerged between Mascis and Murph due to Mascis' very specific ideas for the drum parts. Barlow recalled, "J controlled Murph's every drumbeat... And Murph could not handle that. Murph wanted to kill J for the longest time."[12]Gerard Cosloy was excited by the completed album, but was devastated when Mascis told him the band was going to release it on California-basedSST Records.Mascis was reluctant to sign a two-album deal with Homestead, which Cosloy felt betrayed by, "There wasno wayI couldn't take it personally. "[4]After the album's completion, Mascis moved to New York, leaving the rest of the band feeling alienated.[13]

You're Living All Over Mewas released in 1987; early copies of the record in the Boston area were packaged with theWeed Forestin'tape, the first release by Barlow's side projectSebadoh.The album received much more attention in the indie-rock community than the debut. Barlow also composed two songs: the hardcore-influenced "Lose" and an acoustic song entitled "Poledo" that anticipated his work withSebadoh.

Name change

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Immediately following the release ofYou're Living All Over Me,asupergroupcalledDinosaurs(featuring ex-members ofCountry Joe and the Fish,Quicksilver Messenger Service,Hot Tuna,theGrateful Dead,andJefferson Airplane) sued Dinosaur over the use of the name, prompting the addition of "Jr."[14][15][16]

Bugand Barlow's departure

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Dinosaur Jr. had a significant breakthrough in the United Kingdom with their debut single forBlast First,"Freak Scene",in 1988.[17]A version with censored lyrics was issued for radio use, reaching number 4 in the UK independent chart. It stayed on the chart for 12 weeks.[18]The band's third album,Bug,followed shortly afterwards, reaching number 1 on the UK independent chart and spending 38 weeks on the chart.[18]The band's firstUK singles chartplacing came in 1989 with their cover ofThe Cure's"Just Like Heaven".

Bugwas similar in musical style toYou're Living All Over Me,with contrasting distorted instruments and the melodic vocals, as was the band's unique blend of musical influences. However,Bugwas considered to be more melodic, accompanied by more conventional song structures. Barlow's only lead vocal was on the album's final track, featuring an overdriven, noise-rock backing track and Barlow screaming "Why don't you like me?"[citation needed]Mascis took lead vocals on all the other tracks and exhibited even tighter control over the band's sound, composing the parts for Murph and Barlow to play. Yet, he has describedBugas his least favorite of the band's albums, saying in a 2005 interview, "I like some of the songs but, I dunno, I guess I really don't like the vibe of it."[19]

Despite the album's success, tension between Mascis and Barlow began interfering with the band's productivity. In 1989, after touring in support ofBug,Barlow was kicked out of the band. Barlow focused his attention on his former side-projectSebadoh."The Freed Pig", the opening track on 1991'sSebadoh III,documents Barlow's frustration with Mascis and feeling of being treated poorly in Dinosaur Jr.

Meanwhile, the band embarked on an Australian tour withDonna Dreschfilling in for Barlow. In 1990, the band released a new single, "The Wagon",onSub Pop,their first release since Barlow's departure. The single featured a short-lived lineup including guitaristDon Flemingand drummer Jay Spiegel from the bandGumball,in addition to Mascis and Murph.

Major label years

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Despite the ongoing turmoil in their lineup, Dinosaur Jr. signed withSire Recordsin 1990, and made their major-label debut withGreen Mindin 1991.[20]This record heavily featured Mascis, with Murph playing drums on only a few songs, as well as minimal contributions from Fleming and Spiegel, who were out of the band by the time the album was released. Mascis recorded many of the drum parts by himself and layered the various instrumental parts throughoverdubbing.[20]

For touring purposes, Mascis first addedVan Conner,and thenMike Johnsonon bass. Together they embarked on several tours to supportGreen Mind,with support acts that includedNirvana.In 1991, Sire Records released an EP titledWhatever's Cool with Methat featured old B-sides coupled with one new track. In 1992, the band was part of theRollercoaster Tour,a package tour based on the successfulLollapoloozafestival, which featuredThe Jesus and Mary Chain,My Bloody Valentine,andBlur.

The band found their live shows well received in the changing musical climate of the early 1990s and decided to record new material with the new lineup. This time, the recording sessions included full participation from Murph and Johnson, with the former playing most of the drums and the latter playing all of the bass parts, singing harmony vocals, and even contributing a few guitar solos.[citation needed]This material represented the peak of the band's commercial success, with the singleStart Choppin'reaching the top 20 in the UK, and the album that followed,Where You Been,reaching the UK top 10 and the US top 50. The opening track,Out There,had an accompanying video and was aired onMTVfor a short time on the show120 Minutes.Although their new material was more accessible than the band's 1980s albums, in terms of playing, it represented a partial return to the more unrestrained power-trio sound of the original lineup.

Murph left the band after touring forWhere You Beenand was replaced for the band's live shows by George Berz, leaving Mascis as the sole remaining original member. However, the band's subsequent albums would be recorded mostly by Mascis on his own, playing everything except for the bass and some of the harmony vocals, which continued to be handled by Mike Johnson. The commercial success continued with 1994'sWithout a Sound,which placed well in both the US and UK album charts. After 1997'sHand It Over,Mascis finally retired the Dinosaur Jr. name, with the group's final live performance being an appearance on the American talk showThe Jenny Jones Show.[21]In 2000, Mascis released the first of two solo albums under the nameJ Mascis + The Fog.

2005 reunion and onward

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Mascis and Barlow began to reconcile when Mascis began showing up atSebadohshows. "I think he was kind of aware of how much shit I was talking about him," Barlow noted in a 2005 interview, "but I don't think he really ever pursued any of it. One of the things that really triggered this, for me to finally just go, 'Hey, you know, maybe this could work,' is when I realized that maybe J wasn't really holding any kind of grudge against me because he didn't like me. I was thinking, maybe he just didn't realize what he had done, or maybe he wasn't really aware of how much he'd actually hurt me. And when I started to realize that, he kind of became more human to me."[22]

In 2002, the two shared the stage for two shows in London, with Barlow singing "I Wanna Be Your Dog"along with Mascis,Ron Asheton,Scott AshetonandMike Watt,who had been performingStoogessongs as "Asheton, Asheton, Mascis and Watt".[23]

J Mascis performs with Dinosaur Jr. at The Stone Pony in Asbury Park, NJ on January 24, 2024.

Mascis regained the master rights to the band's first three albums from SST in 2004 and arranged for their reissue onMergein early 2005. Later that year, he and Barlow shared the stage at a benefit show forautismatSmith CollegeinNorthampton, Massachusettsorganized by Barlow's mother, and played together asDeep Woundafter Mascis and Sebadoh had completed their respective sets.[24]

Dinosaur Jr. on stage at the Manchester Ritz during theI Bet on Skytour, February 1, 2013

Following the reissues in 2005, Mascis, Barlow, and Murph finally reunited to play onThe Late Late Show with Craig Fergusonon April 15, 2005. In June that year, they kicked off a tour of Europe. While performing in New York City in 2006, much of the band's equipment was stolen while stored outside their hotel.[25]The band members were later among the curators of 2006'sAll Tomorrow's Partiesfestival.

In 2007, the original members of Dinosaur Jr. releasedBeyondonFat Possum Records,their first album of new material as a trio sinceBugin 1988. It was met with critical acclaim, receiving an 8.4 rating fromPitchfork Media[26]and garnering positive reviews from the music press as a whole. It was considered somewhat of a sonic paradox in that even though it featured the original members who produced "two records so drenched in noise they still sound like aural assaults decades after their original release," sonically it resembled the major label releases of the 1990s in both production values and stylistic range.[27]On the other hand, while the sound was not as extreme as the original lineup's 1980s albums, it did feature a bigger, more unrestrained, and more live-sounding feel than their 1990s albums, though Barlow's bass was noticeably quieter. Barlow made his mark on the music in other ways; for the first time sinceYou're Living All Over Me,he contributed to the songwriting. The album went on to have good commercial success, debuting on theBillboard200 at number 69 its opening week.

In February 2009, the band signed with indie labelJagjaguwar.[28]The band's first release on the new label was an album titledFarmwhich was released on June 23, 2009.[29]Murph said the album was recorded at Mascis's home and marks return to the heavier,Where You BeenLP era.[30]The album reached number 29 on theBillboard200, making it the band's highest-charting album in the US.[31]To promote the album, the band playedFarm's lead-off track, "Pieces", onLate Night with Jimmy Fallonon June 25, 2009.[32]

Dinosaur Jr. released their second album for Jagjaguwar,I Bet on Sky,in September 2012, to favourable reviews.[33]

In December 2015, Murph confirmed the band had entered the studio to begin working on their follow up toI Bet on Sky.[34]The albumGive a Glimpse of What Yer Notwas released on August 5, 2016, on Jagjaguwar.[35]

In February 2019, the song "Over Your Shoulder" from the band's 1994 albumWithout a Soundreached number 18 on Japan'sBillboardcharts. The cause is suspected to be the song's use on the Japanese TV show calledGachinko Fight Club.[36]

In February 2021, the band announced their 12th albumSweep It Into Space,which was released on April 23, 2021. The album was originally scheduled for release in mid-2020 but was delayed due to theCOVID-19 pandemic.[37][38]The album was preceded by the single "I Ran Away" on February 23, 2021, with a music video for the song being released on March 3, 2021. The second single, "Garden", was released with a music video on March 31, 2021. The band announced a 2021North Americantour to support the album was planned to begin in September 2021 and would conclude in February 2022.[39]

Musical style and influences

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Dinosaur Jr. has been described asalternative rock[40]indie rock,[40][41][42]noise rock,[43][44]hardcore punk(early albums)[45]andgrunge(early 1990s).[46][47][48]

"Freak Scene"
Sample of "Freak Scene"from the band's third albumBug(1988), a song that features Mascis's distinctive "slacker" vocal drawl and a layered guitar sound.
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Dinosaur Jr. is considered to be an alternative rock band; however, the band's musical style, compared to its underground contemporaries in the 1980s, differed in several ways. This included the influence of classic rock on the band's music, their use of feedback, extreme volume as well as loud-quiet dynamic, combined with Mascis's droning vocals.[49]A characteristic of Mascis's vocal style is frequent use ofvocal fry.Gerald Cosloy, head of Homestead Records, summarized the band's music: "It was its own bizarre hybrid.... It wasn't exactly pop, it wasn't exactly punk rock—it was completely its own thing".[9]

Lou Barlow has described thePhoenix,ArizonabandMeat Puppetsas "the singularly most influential band on both Dinosaur Jr. andSebadoh."[50]Barlow has also highlighted the influence ofNeil Young,Black Sabbath,the Birthday Party,Scratch Acid,andSonic Youthon Dinosaur Jr.[51]

Mascis listened toclassic rockartists such asthe Rolling Stonesandthe Beach Boys,elements of which were incorporated into Dinosaur Jr.'s sound.[52]In addition, Mascis was also a fan of many punk and hardcore bands such asThe Birthday Party,and has frequently notedNick Caveas an influence. Dinosaur Jr. combined elements ofhardcore punkandnoise rockinto their songs, which often featured a large amount of feedback, distortion and extreme volume.[45]When the master tape ofYou're Living All Over Mearrived at SST, the label's production manager noticed the level on the tape was so high it was distorting; however, Mascis confirmed it was the way he wanted the album to sound.[53]

Similar to Mascis's guitar work, Barlow's bass lines with their alternating heavily distorted, fast chords and pulverizing lows, draw heavily from both his hardcore past and musicians such asLemmyandJohnny Ramone.On his influences, Barlow stated that "...Johnny Ramone is my hero. I wanted to make that rhythmic chugging sound like he got playing guitar with the Ramones. And, I found that I got a bigger sound by strumming farther up the neck."[54][55]

Mascis's vocals are another distinctive feature of Dinosaur Jr.'s music. He attributed his "whiny low-key drawl", the opposite of the hardcore punk "bark",[9]to artists such asJohn FogertyandMick Jagger.[56]His style also resembled Neil Young's, but Mascis disputed this and later commented: "That got annoying, being compared all the time."[10]His drawl epitomized the band's slacker ethos and relaxed attitude; authorMichael Azerradsaid "even Mascis seemed removed from the feelings he was conveying in the music."[57]

Legacy

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In aBBCreview of their reissued albumsYou're Living All Over MeandBug,Zoe Street called them "Frighteningly ahead of their time."[58]The Seattle Timescalled them "one ofpost-punk’s most influential bands. "[59]According toMichael Azerrad:[60]

Dinosaur Jr was one of the first, biggest, and best bands among the second generation of indie kids, the ones who tookBlack FlagandMinor Threatfor granted, a generation for whom the Seventies, not the Sixties, was the nostalgic ideal. Their music continued a retrograde stylistic shift in the American underground that the Replacements and other bands had begun: renouncing the antihistorical tendencies of hardcore and fully embracing the music that everyone had grown up on. In particular, Dinosaur singer-guitarist J Mascis achieved the unthinkable inunderground rock—he brought back the extendedguitar solo.

Dinosaur Jr's music has influenced many other musicians such asKurt CobainofNirvana,[61]Billy CorganofThe Smashing Pumpkins,[62]Radiohead,[63]Snow Patrol,[64]Slowdive,[65]Doug MartschofBuilt to Spill,[66]Mudhoney,[67]Tad,[61]Kevin ShieldsofMy Bloody Valentine,[68]Ride,[69]Aidan MoffatofArab Strap,[70]Swervedriver,[71]Uncle Tupelo,[72]Evan DandoofThe Lemonheads,[73]Tom DeLongeofBlink-182,[74]Band of Horses,[75]andKurt Vile.[76]

Their albumYou're Living All Over Mehas been called "the first perfect indie rock album."[77]Spinnamed it one of "The 300 Best Albums of the Past 30 Years (1985–2014)".[78]Pitchforkplaced the album at number 40 on its Top 100 Albums of the 1980s list.[79]

Band members

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Discography

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Main article:Dinosaur Jr. discography

Filmography

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  • 2020Freakscene – The Story of Dinosaur Jr.Documentary. Dir.: Philipp Reichenheim

References

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  2. ^"Why Dinosaur Jr Still, And Always Will, Rule".NME.June 22, 2009.RetrievedMay 7,2021.
  3. ^Garland, Emma (August 18, 2016)."Rank Your Records: J Mascis Rates Dinosaur Jr. Albums from Bummer to Classic".Noisey, Music by Vice Magazine.Vice Media Group (http://www.vice.com).Archivedfrom the original on October 3, 2020.RetrievedFebruary 18,2022.
  4. ^abAzerrad (2001), p. 357.
  5. ^Bevan, David (October 4, 2012)."Dinosaur Jr.: Rediscovering the Gnarl".Spin.
  6. ^Azerrad (2001), p. 350
  7. ^Azerrad (2001), p. 351.
  8. ^Azerrad (2001), p. 352.
  9. ^abcAzerrad (2001), p. 353.
  10. ^abcAzerrad (2001), p. 354.
  11. ^Azerrad (2001), pp. 354–355.
  12. ^Azerrad (2001), p. 356.
  13. ^Azerrad (2001), pp. 358–359.
  14. ^Van Evra, Jennifer (May 23, 2007)."When Dinosaur rocked the Earth".The Globe and Mail.RetrievedJune 22,2020.
  15. ^Wright, William J. (November 24, 2020)."The Real Reason These Bands Were Forced To Change Their Names".Grunge.RetrievedApril 7,2022.
  16. ^"Cease, Desist and Rock Out with a Different Band Name".Paste.March 30, 2015. Archived fromthe originalon April 7, 2022.RetrievedApril 7,2022.
  17. ^Strong, Martin C. (2002), "The Great Rock Discography, 6th edn.", Canongate,ISBN1-84195-312-1.
  18. ^abLazell, Barry: "Indie Hits 1980–1989", 1997, Cherry Red Books,ISBN0-9517206-9-4.
  19. ^"Dinosaur Jr – Interview".Pennyblackmusic.co.uk.Archived fromthe originalon November 20, 2018.RetrievedJuly 14,2021.
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  51. ^Gross, Jason (January 1997)."SEBADOH".Perfect Sound Forever.Archivedfrom the original on July 15, 2024.RetrievedJuly 29,2024.Dinosaur was really influenced byNeil YoungandBlack Sabbathand also a lot of... not exactlyindie rock,since that wasn't around then. There was stuff likethe Birthday Party,Scratch AcidandSonic Youth.
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Sources

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