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Federico Borromeo

Federico Borromeo(Italian:[fedeˈriːkoborroˈmɛːo];18 August 1564 – 21 September 1631) was an ItaliancardinalandArchbishop of Milan,a prominent figure ofCounter-Reformation in Italy.[1]Federico was a hero of theplague of 1630,described inAlessandro Manzoni'shistorical novel,The Betrothed.He was a greatpatron of the artsand founded theBiblioteca Ambrosiana,one of the first free public libraries in Europe. In 1618 he added a picture gallery, donating his own considerable collection of paintings. His published works, mainly in Latin, number over 100. They show his interest in ecclesiastical archaeology, sacred painting, and collecting.

His Eminence

Federico Borromeo
Cardinal,Archbishop of Milan
Portrait byGiulio Cesare Procaccini,1610
ChurchCatholic Church
ArchdioceseMilan
Appointed24 April 1595
Term ended21 September 1631
PredecessorGaspare Visconti
SuccessorCesare Monti
Other post(s)Cardinal-Priest of Santa Maria degli Angeli
Orders
Consecration11 June 1595
byClement VIII
Created cardinal18 December 1587
bySixtus V
Personal details
Born18 August 1564
Milan,Duchy of Milan
Died21 September 1631(1631-09-21)(aged 67)
Milan, Duchy of Milan
BuriedMilan Cathedral
ParentsGiulio Cesare Borromeo
Margherita Borromeo
Alma materUniversity of Pavia

Early life

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Federico Borromeo was born inMilanas the second son of Giulio Cesare Borromeo, Count ofArona,and Margherita Trivulzio. The family was influential in both the secular and ecclesiastical spheres and Federico was cousin of SaintCharles Borromeo,the latter previous Archbishop of Milan and a leading figure during theCounter-Reformation.[2]

He studied inBolognawith CardinalGabriele Paleottiand in 1580, at the age of 16, he asked to become aJesuit.His cousin Charles Borromeo dissuaded him and sent him to theCollegio Borromeoof Pavia where he remained for five years.[3][4]In May 1585 he earned a doctorate in theology at theUniversity of Pavia.Following the death of his cousin Charles, he was sent to Rome for higher studies, where he was strongly influenced byPhilip Neri,Joseph Calasanz,Caesar BaroniusandRobert Bellarmine.[5]Federico Borromeo was created cardinal byPope Sixtus Von 18 December 1587, at the age of only 23 years.[1]

As cardinal, he participated in thepapal conclavesof 1590, 1591, 1592, 1605 and 1623 (he was absent from the election of 1621). His attendance in the first conclave of 1590 at the age of 26 made him one of the youngest Cardinals to participate in the election of a pontiff.

In Rome, Federico was not particularly interested in political issues, but he focused on scholarship and prayer. He collaborated on the issuing of theSixto-Clementine Vulgateand to the publication of the acts of theCouncil of Trent.[3]He served as the first cardinal protector of his friendFederico Zuccari'sAccademia di San Luca.[6]

Archbishop of Milan

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The Biblioteca Ambrosiana in Milan, founded in 1609 by Cardinal Federico Borromeo

On 24 April 1595Pope Clement VIIIappointed FedericoArchbishop of Milan,and consecrated him bishop on 11 June 1595 in Rome.[7]He followed the example of his elder cousin in promoting the discipline of the clergy, founding churches and colleges at his own expense, and applying everywhere the reformed principles set by theCouncil of Trent.He held a provincial council and 14diocesan synodsand made regular visits to theparishesof the diocese.[5]Under his leadership, the city underwent more than three decades of renewed spiritual energy and significant cultural flourishing.[8]Borromeo was both aclassicalandoriental scholar.Through himErycius Puteanuswas appointed professor of Latin at thePalatine School of Milanfrom 1600 to 1606.[9]

In 1609 he founded theBiblioteca Ambrosiana,a Catholic study centre with permanent research posts.[10]Intended as a weapon in the Catholic response to the Protestant offensive intheologyandbiblical scholarship,the library was opened to the public. In Borromeo's time, the Ambrosiana also included anart academy(formally founded in 1620, but active from about 1613). Students were to be no older than twenty-four; masters were to be men expert in their art and also capable of discussing and teaching it. Among the first were the painterGiovanni Battista Crespi,called Cerano, the sculptor Andrea Biffi and the architectsCarlo BuzziandFabio Mangone.[11]Cardinal Borromeo donated his collection of paintings and drawings to the library, too.[12]The donation lists 184 paintings, which were displayed in the Pinacoteca. ThePinacoteca Ambrosianais one of the most famous art collections in Italy, including masterpieces such asLeonardo'sPortrait of a Musician,Caravaggio'sBasket of Fruit,Raphael's preparatory cartoon forThe School of Athens,Titian'sAdoration of the Magi,theMadonna del PadiglionebyBotticelliand numerous examples of the famous vases of flowers painted byJan Brueghel,Borromeo's lifelong friend.

The Ambrosiana was, after theBodleianatOxford,the first genuinelypublic libraryin Europe.[13]The library was open not merely to members of the college, which was part of the endowment, but also to citizens of Milan and to all strangers who came to study there. Using his personal funds, Cardinal Borromeo sent scholars all over Italy and the rest of Europe to purchase 30,000 books and 15,000 manuscripts. He sent out agents across theMediterraneanto findGreekmanuscriptsfor the new foundation, with large numbers coming fromCorfu,Chios,Thessaly,andVenice.A learned Hebrew convert, Domenico Gerolimitano, obtained manuscripts for him inHebrew.Antonio Olgiati,the Cardinal's librarian and first Prefect of the Ambrosiana, was sent in search of Latin manuscripts to purchase insouth Germany,theSouthern NetherlandsandFrance.Francesco Bernardino Ferrari,later Olgiati's successor as Prefect, went throughSpainon the same mission.[14]Some major acquisitions of complete libraries were the manuscripts of the Benedictinemonastery of Bobbio(1606) and the library of the PaduanVincenzo Pinelli,whose more than 800 manuscripts filled 70 cases when they were sent to Milan and included the famousIliad,theIlias Picta.Aprinting presswas attached to the library and a school for instruction in the classical languages.

Luigi Pellegrini Scaramuccia,Federico Borromeo visits the leper house during the Plague of 1630,Milan, Biblioteca Ambrosiana

A patron of the arts, Federico had the famousColossus of St. Charles Borromeoerected inArona,[15]supported the development of theSacro Monte of Varese(today aWorld Heritage Site), and participated in the embellishment of theDuomo di Milanowhere he is buried. Borromeo was also the patron ofManfredo Settala(1600–1680), son of the famous physicianLudovico Settala,who was compiling his famous museum of natural and scientific curiosities in his family palace on the Via Pantano in Milan. After Manfredo's death in 1680, the museum stayed in the Settala family for several generations, ultimately passing in 1751 to the Biblioteca Ambrosiana.[16]

He is most notable for his efforts to feed the poor of Milan during the greatfamineof 1627–1628. He was Milan's Archbishop during theGreat Plague of 1630.Within the city, an average of eight out of every nine of the parish priests died of the plague, and Federico Borromeo lost almost the whole of his personal household. Nevertheless, he emulated the example of St. Charles and refused to leave the city for the relative safety of one of his country estates. Instead, he continued to issue orders to his clergy, personally visit thelazzarettosand in the words of Ripamonti 'sought out the pestilence and lived in its midst.'

Federico Borromeo took part in eightPapal conclaves.At thepapal conclave of August 1623,he received 18 votes but was opposed by the Spanish party.[17]He died in Milan on 21 September 1631 at the age of 67.

Works

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Gratia de' principi,1632

Federico Borromeo was a prolific writer, to the extent that he can be considered the most important Milanese writer of the first half of the seventeenth century, alongsideGiuseppe Ripamonti.[18]He composed some 71 printed and 46 manuscript books written mostly inLatinthat discuss various ecclesiastical issues.[4]His better known works areMeditamenta litteraria(1619),De gratia principum(1625),De suis studiis commentarius(1627),De ecstaticis mulieribus et illusis(1616),De acquirendo contemplationis habitu,De assidua oratione,De naturali ecstasi(1617),De vita Catharinae Senensis monacae conversae(1618 on SuorCaterina Vanniniof Siena),Tractatus habiti ad sacras virgines(1620–1623),De cognitionibus quas habent daemones(1624), andDe linguis, nominibus et numero angelorum(1628).[3]His writings are listed byCesare Cantù.[19]

List of works

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  • Archiepiscopalis fori Sanctae Mediolanensis Ecclesiae taxae(in Latin). Milano: eredi Pacifico Da Ponte. 1624.
  • Federico Borromeo (1630).De vita contemplativa, sive de valetudine ascetica libri duo(in Latin). Milano: typographia Collegij Ambrosiani.
  • Federico Borromeo (1632).De christianae mentis iucunditate libri tres(in Latin). Milano: typographia Collegij Ambrosiani.
  • Federico Borromeo (1632).De sacris nostrorum temporum oratoribus libri quinque(in Latin). Milano: typographia Collegij Ambrosiani.
  • Federico Borromeo (1632).De concionante episcopo libri tres(in Latin). Milano: typographia Collegij Ambrosiani.
  • Federico Borromeo (1632).Il libro intitulato la gratia de' principi.Milano: Stamperia del Collegio Ambrosiano.
  • Federico Borromeo (1632).I tre libri delle laudi divine.Milano: Stamperia del Collegio Ambrosiano.
  • Federico Borromeo (1633) [1619].Meditamenta litteraria(in Latin) (2 ed.). Milano: typographia Collegij Ambrosiani.
  • Federico Borromeo (1756) [1618].I tre libri della vita della venerabile madre suor Caterina Vannini sanese monaca convertita(3 ed.). Padova: Giuseppe Comino.

Legacy

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Costanzo Corti (1824-1873), Monument to Cardinal Federico Borromeo in Piazza San Sepolcro (1865)

Federico Borromeo appears as a character inAlessandro Manzoni's 1827 novelThe Betrothed(I promessi sposi), in which he is characterized as an intelligenthumanistand saintly servant of Christ, serving the people of Milan unselfishly during the 1630 plague; in the novel he is calledFederigoBorromeo, from the Spanish. In 1865 the citizens of Milan erected a marble statue of him next to the gates of the Biblioteca Ambrosiana.[4]The monument was realized by Costanzo Corti. It stands inPiazza San Sepolcro,in front of the former main façade of Ambrosiana, currently being its back façade. On one side of thepedestalof the statue is the phrase from Manzoni'sI Promessi Sposi:"He was one of those men rare in every age, who employed extraordinary intelligence, the resources of an opulent condition, the advantages of privileged stations, and an unflinching will in the search and practice of higher and better things". On the other side are the words: "He conceived the plan of the Ambrosian Library, which he built at great expense, and organized in 1609 with an equal activity and prudence".

While at the service of Federico Borromeo,Aquilino Coppinipublished in 1607 his book of sacredmadrigalswithcontrafactatexts prepared by him, based on works byClaudio Monteverdiand others. Borromeo was the dedicatee of the first of Coppini's three collections ofcontrafacta.[20]

The effort tocanonizeFederico began soon after his death, and documents in support of his case were still being collected in the 1690s, but the process was never institutionalized by Church authorities due to the opposition of the Spanish crown.[21]

References

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Notes

  1. ^abDavid Cheney."Federico Cardinal Borromeo (Sr.)".Catholic-Hierarchy.org.Retrieved20 October2012.
  2. ^Cazzani, Eugenio (1996).Vescovi e arcivescovi di Milano(in Italian). Milano: Massimo. pp. 233–236.ISBN88-7030-891-X.
  3. ^abcProdi 1971.
  4. ^abcShahan, Thomas (1913)."Federico Borromeo".In Herbermann, Charles (ed.).Catholic Encyclopedia.New York: Robert Appleton Company.
  5. ^abMols 2003,p. 541.
  6. ^Jones 1988,p. 261.
  7. ^Miranda, Salvador."BORROMEO, seniore, Federico (1564-1631)".The Cardinals of the Holy Roman Church.Florida International University.OCLC53276621.
  8. ^D'Amico 2012,p. 113.
  9. ^Simar, Théophile (1913)."Erycius Puteanus".In Herbermann, Charles (ed.).Catholic Encyclopedia.New York: Robert Appleton Company.
  10. ^Van Liere, Katherine;Ditchfield, Simon;Louthan, Howard, eds. (2012).Sacred History. Uses of the Christian Past in the Renaissance World.Oxford University PressOxford. p. 19.ISBN9780191626746.
  11. ^Paredi 1983,p. 25.
  12. ^In his bookDe pictura sacra(1624) Borromeo explains that the gallery was intended as a public resource in line with the Council of Trent's call for the faithful to be educated through images as well as words.
  13. ^Israel, Jonathan Irvine(2001).Radical Enlightenment: Philosophy and the Making of Modernity, 1650-1750.Oxford University Press.p. 121.ISBN9780198206088.
  14. ^Hobson, Anthony (1970).Great libraries.Weidenfeld & Nicolson.p. 189.ISBN9780297000990.
  15. ^"The Colossus of Saint Charles in Arona".ambrosiana.it.
  16. ^Findlen, Paula(1994).Possessing Nature: Museums, Collecting, and Scientific Culture in Early Modern Italy.University of California Press.p. 34.
  17. ^Mols 2003,p. 542.
  18. ^Zaggia 2014,p. 195.
  19. ^La Lombardia nel secolo XVII(Milan 1832, appendix D).
  20. ^Lewis, Susan; Acuña, Maria Virginia (2018).Claudio Monteverdi: A Research and Information Guide.Routledge.ISBN978-1135042929.
  21. ^D'Amico 2012,p. 115.

Bibliography

  • Rivola, Francesco (1656).Vita di Federico Borromeo.Milan: per Dionisio Gariboldi.
  • Bosca, Pietro Paolo (1723).De origine et statu bibliothecæ Ambrosianæ libri V. in quibus de bibliothecæ conditore, conservatoribus et collegii Ambrosiani doctoribus, ut de illustribus pictoribus, aliisque artificibus, et denique de reditibus ejusdem bibliothecæ agitur.Lugduni Batavorum:Pieter van der Aa.doi:10.11588/diglit.8821.
  • Bascapè, Carlo(1836). "De Federico archiepiscopo et cardinale".Documenti Spettanti Alla Storia della Chiesa Milanese.Como: 43–111.
  • Maiocchi, Roberto; Moiraghi, Attilio (1916).Federico Borromeo studente e gli inizi del collegio.Pavia.{{cite book}}:CS1 maint: location missing publisher (link)
  • Gabrieli, Giuseppe (1933–1934). "Federico Borromeo a Roma".Archivio della Società romana di storia patria.LVI–LVII: 157–217.
  • Coppa, Simonetta (1970). "Federico Borromeo Teorico d'arte: Annotazioni in margine al" De pictura sacra "ed al" Museum "".Arte Lombarda.15(1): 65–70.JSTOR43105602.
  • Prodi, Paolo (1971)."Borromeo, Federico".Dizionario Biografico degli Italiani,Volume 13: Borremans–Brancazolo(in Italian). Rome:Istituto dell'Enciclopedia Italiana.ISBN978-8-81200032-6.
  • Paredi, Angelo (1983).A History of the Ambrosiana.Medieval Institute, University of Notre Dame.ISBN9780268010782.
  • Jones, Pamela M. (1988). "Federico Borromeo as a Patron of Landscapes and Still Lifes: Christian Optimism in Italy ca. 1600".The Art Bulletin.70(2): 261–272.doi:10.2307/3051119.JSTOR3051119.
  • Agosti, Barbara (1992). "Federico Borromeo, le antichità cristiane e i primitivi".Annali della Scuola Normale Superiore di Pisa. Classe di Lettere e Filosofia.III.22(2): 481–493.JSTOR24307845.
  • Pelizzoni, Stefano (1995). "Federico Borromeo e le note di lettura del periodo romano".Aevum.69(3): 641–664.JSTOR20860553.
  • Jones, Pamela M. (1997).Federico Borromeo e l'Ambrosiana: arte e riforma cattolica nel XVII secolo a Milano.Vita e Pensiero.ISBN9788834326695.
  • Ferro, Roberta (2001). "Gli scritti di Federico Borromeo sul metodo degli studi".Aevum.75(3): 737–758.JSTOR20861249.
  • Martini, Alessandro (2002). Burgio, Santo; Ceriotti, Luca (eds.). "La formazione umanistica di Federico Borromeo tra letteratura latina e volgare".Studia Borromaica.16:197–214.
  • Diffley, Paul (2002)."Borromeo, Federico".The Oxford Companion to Italian Literature.Oxford University Press.Retrieved17 February2024.
  • Giombi, Samuele (2005). "Federico Borromeo, vescovo e uomo di cultura".Rivista di storia della Chiesa in Italia.59(1): 143–149.JSTOR43050216.
  • Pasini, Cesare (2005). "Le acquisizioni librarie del cardinale Federico Borromeo e il nascere dell'Ambrosiana".Studia Borromaica.19:461–490.
  • Negruzzo, Simona (2012). "L'educazione intellettuale secondo Federico Borromeo".La formazione delle élites in Europa dal Rinascimento alla Restaurazione. Atti del Convegno internazionale. Foggia 31 marzo - 1º aprile 2011.Rome: Aracne: 115–132.
  • D'Amico, Stefano (2012).Spanish Milan. A City Within the Empire, 1535-1706.Palgrave Macmillan.ISBN9781137309372.
  • Franzosini, Edgardo (2013).Sotto il nome del Cardinale.Milan: Adelphi.ISBN9788845927751.
  • Tom Devonshire Jones; Linda Murray; Peter Murray, eds. (2013)."Borromeo, Saint, Charles, and Cardinal Federigo".The Oxford Dictionary of Christian Art and Architecture(2 ed.). Oxford University Press. pp. 66–67.Retrieved17 February2024.
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