Indian cultureis theheritageofsocial normsandtechnologiesthat originated in or are associated with the ethno-linguistically diverse India, pertaining to theIndian subcontinentuntil 1947 and theRepublic of Indiapost-1947. The term also applies beyond India to countries and cultures whose histories are strongly connected to India by immigration, colonisation, or influence, particularly inSouth AsiaandSoutheast Asia.India'slanguages,religions,dance,music,architecture,food,and customs differ from place to place within the country.
Indian culture, often labelled as a combination of several cultures, has been influenced by a history that is several millennia old, beginning with theIndus Valley Civilizationand other early cultural areas.[1][2]
Many elements of Indian culture, such asIndian religions,mathematics,philosophy,cuisine,languages,dance,music,andmovieshave had a profound impact across theIndosphere,Greater India,and the world. TheBritish Rajfurther influenced Indian culture, such as through the widespread introduction of theEnglish language,which resulted in a local Englishdialectandinfluenceson the Indian languages.[3]
Religious culture
editIndian-origin religionsHinduism,Jainism,Buddhism,andSikhism,[4]are all based on the concepts ofdharmaandkarma.Ahimsa,the philosophy ofnonviolence,is an important aspect of native Indian faiths whose most well-known proponent wasShri Mahatma Gandhi,who used civil disobedience to unite India during theIndian independence movement– this philosophy further inspiredMartin Luther King Jr.andJames Bevelduring the Americancivil rights movement.Foreign-origin religion, includingAbrahamic religions,such as Judaism, Christianity and Islam, are also present in India,[5]as well asZoroastrianism[6][7]andBaháʼí Faith[8][9]bothescaping persecution by Islam[10][11][12]have also found shelter in India over the centuries.[13][14]
India has 28statesand 8union territorieswith different cultures and is the most populated country in the world.[15]The Indian culture, often labeled as an amalgamation of several various cultures, spans across theIndian subcontinentand has been influenced and shaped by a history that is several thousand years old.[1][2]Throughout the history of India, Indian culture has been heavily influenced byDharmicreligions.[16]Influence from East/Southeast Asian cultures onto ancient India and early Hinduism, specifically viaAustroasiatic groups,such as earlyMundaandMon Khmer,but alsoTibeticand otherTibeto-Burmesegroups, had noteworthy impact on local Indian peoples and cultures. Several scholars, such as Professor Przyluski, Jules Bloch, and Lévi, among others, concluded that there is a significant cultural, linguistic, and political Mon-Khmer (Austroasiatic) influence on early India, which can also be observed by Austroasiatic loanwords within Indo-Aryan languages andrice cultivation,which was introduced by East/Southeast Asian rice-agriculturalists using a route from Southeast Asia through Northeast India into the Indian subcontinent.[17][18]They have been credited with shaping much of Indianphilosophy,literature,architecture,artandmusic.[19]Greater Indiawas the historical extent of Indian culture beyond theIndian subcontinent.This particularly concerns the spread ofHinduism,Buddhism,architecture,administrationandwriting systemfrom India to other parts ofAsiathrough theSilk Roadby the travelers and maritime traders during the early centuries of theCommon Era.[20][21]To the west,Greater Indiaoverlaps withGreater Persiain theHindu KushandPamir Mountains.[22]Over the centuries, there has been a significant fusion of cultures betweenBuddhists,Hindus,Muslims,Jains,Sikhsand various tribal populations in India.[23][24]
India is the birthplace ofHinduism,Buddhism,Jainism,Sikhism,andother religions.They are collectively known as Indian religions.[25]Indian religions are a major form of world religions along withAbrahamicones. Today, Hinduism and Buddhism are the world's third and fourth-largest religions respectively, with over 2 billion followers altogether,[26][27][28]and possibly as many as 2.5 or 2.6 billion followers.[26][29]Followers of Indian religions – Hindus, Sikhs, Jains and Buddhists make up around 80–82% population of India.
Indiais one of the most religiously and ethnically diverse nations in the world, with some of the most deeply religious societies and cultures. Religion plays a central and definitive role in the lives of many of its people. Although India is a secularHindu-majoritycountry, it has alarge Muslimpopulation. Except forJammu and Kashmir,Punjab,Meghalaya,Nagaland,MizoramandLakshadweep,Hindus form the predominant population in all 28 states and 8 union territories. Muslims are present throughout India, with large populations inUttar Pradesh,Bihar,Maharashtra,Kerala,Telangana,Andhra Pradesh,West BengalandAssam;while onlyJammu and KashmirandLakshadweephave majority Muslim populations.Christiansare other significant minorities of India.
Because of the diversity of religious groups in India, there has been a history of turmoil and violence between them. India has been a theatre for violent religious clashes between members of different religions such asHindus,Christians,Muslims,andSikhs.[30]Several groups have founded various national-religious political parties, and in spite of government policies minority religious groups are being subjected to prejudice from more dominant groups in order to maintain and control resources in particular regions of India.[30]
According to the 2011 census, 79.8% of thepopulation of IndiapracticeHinduism.Islam(14.2%),Christianity(2.3%),Sikhism(1.7%),Buddhism(0.7%) andJainism(0.4%) are the other major religions followed by the people of India.[31]Manytribal religions,such asSarnaism,are found in India, though these have been affected by major religions such as Hinduism, Buddhism, Islam and Christianity.[32]Jainism,Zoroastrianism,Judaism,and theBaháʼí Faithare also influential but their numbers are smaller.[32]Atheismandagnosticsalso have visible influence in India, along with a self-ascribed tolerance to other faiths.[32]
Atheismandagnosticismhave a long history in India and flourished withinŚramaṇa movement.TheCārvākaschool originated in India around the 6th century BCE.[33][34]It is one of the earliest form ofmaterialisticandatheisticmovement in ancient India.[35][36]Sramana,Buddhism,Jainism,Ājīvikaand some schools ofHinduismconsider atheism to be valid and reject the concept ofcreator deity,ritualismandsuperstitions.[37][38][39]India has produced some notableatheist politiciansandsocial reformers.[40]According to the 2012 WIN-Gallup Global Index of Religion and Atheism report, 81% of Indians were religious, 13% were not religious, 3% were convincedatheists,and 3% were unsure or did not respond.[41][42]
Philosophy
edit
|
Indian philosophy comprises the philosophical traditions of theIndian subcontinent.There are six schools of orthodoxHindu philosophy—Nyaya,Vaisheshika,Samkhya,Yoga,MīmāṃsāandVedanta—and fourheterodoxschools—Jain,Buddhist,ĀjīvikaandCārvāka– last two are also schools of Hinduism.[44][45]However, there are other methods of classification; Vidyarania for instance identifies sixteen schools of Indian philosophy by including those that belong to theŚaivaandRaseśvaratraditions.[46]Sincemedieval India(ca.1000–1500), schools of Indian philosophical thought have been classified by the Brahmanical tradition[47][48]as either orthodox or non-orthodox –āstika or nāstika– depending on whether they regard theVedasas an infallible source of knowledge.[42]
The main schools of Indian philosophy were formalized chiefly between 1000 BCE to the early centuries of theCommon Era.According to philosopherSarvepalli Radhakrishnan,the earliest of these, which date back to the composition of theUpanishadsin thelater Vedic period (1000–500 BCE),constitute "the earliest philosophical compositions of the world."[49]Competition and integration between the various schools were intense during their formative years, especially between 800 BCE and 200 CE. Some schools like Jainism, Buddhism, Śaiva, andAdvaita Vedantasurvived, but others, likeSamkhyaandĀjīvika,did not; they were either assimilated or became extinct. Subsequent centuries produced commentaries and reformulations continuing up to as late as the 20th century. Authors who gave contemporary meaning to traditional philosophies includeShrimad Rajchandra,Swami Vivekananda,Ram Mohan Roy,andSwami Dayananda Saraswati.[50]
Family structure and wedding
editFor generations, India has had a prevailing tradition of thejoint family system.It is when extended members of a family – parents, children, the children's spouses, and their offspring, etc. – live together. Usually, the oldest male member is the head of the joint Indian family system. He mostly makes all important decisions and rules, and other family members are likely to abide by them. With the current economy, lifestyle, and cost of living in most of the metro cities are high, the population is leaving behind the joint family model and adapting to thenuclear familymodel. Earlier living in a joint family was with the purpose of creating love and concern for the family members. However, now it's a challenge to give time to each other as most of them are out for survival needs.[51]Rise in the trends of nuclear family settings has led to a change in the traditional family headship structure and older males are no longer the mandated heads of the family as they mostly live alone during old age and are far more vulnerable than before.[52]
In a 1966 study, Orenstein and Micklin analysed India's population data and family structure. Their studies suggest that Indian household sizes had remained similar over the 1911 to 1951 period. Thereafter, with urbanisation and economic development, India has witnessed a break up of traditional joint family into more nuclear-like families.[53][54] Sinha, in his book, after summarising the numerous sociological studies done on the Indian family, notes that over the last 60 years, the cultural trend in most parts of India has been an accelerated change from joint family to nuclear families, much like population trends in other parts of the world. The traditionally large joint family in India, in the 1990s, accounted for a small percent of Indian households, and on average had lower per capita household income. He finds that joint family still persists in some areas and in certain conditions, in part due to cultural traditions and in part due to practical factors.[53] Youth in lower socio-economic classes are more inclined to spend time with their families than their peers due to differing ideologies in rural and urban parenting.[55]With the spread of education and growth of economics, the traditional joint-family system is breaking down rapidly across India and attitudes towards working women have changed.
Arranged marriage
edit
|
|
Arranged marriageshave long been the norm in Indian society. Even today, the majority of Indians have their marriages planned by their parents and other respected family members. In the past, the age of marriage was young.[56]The average age of marriage for women in India has increased to 21 years, according to the 2011 Census of India.[57]In 2009, about 7% of women got married before the age of 18.[58]
In most marriages, the bride's family provides adowryto the bridegroom. Traditionally, the dowry was considered a woman's share of the family wealth, since a daughter had no legal claim on her natal family's real estate. It also typically included portable valuables such as jewelry and household goods that a bride could control throughout her life.[59]Historically, in most families the inheritance of family estates passed down the male line. Since 1956, Indian laws treat males and females as equal in matters of inheritance without a legal will.[60]Indians are increasingly using a legal will for inheritance and property succession, with about 20 percent using a legal will by 2004.[61]
In India, the divorce rate is low — 1% compared with about 40% in the United States.[62][63]These statistics do not reflect a complete picture, though. There is a dearth of scientific surveys or studies on Indian marriages where the perspectives of both husbands and wives weresolicitedin-depth. Sample surveys suggest the issues with marriages in India are similar to trends observed elsewhere in the world. The divorce rates are rising in India. Urban divorce rates are much higher. Women initiate about 80 percent of divorces in India.[64]
Opinion is divided over what the phenomenon means: for traditionalists, the rising numbers portend the breakdown of society while, for some modernists, they speak of healthy new empowerment for women.[65]
Recent studies suggest that Indian culture is trending away from traditional arranged marriages.Banerjeeet al. surveyed 41,554 households across 33states and union territories in Indiain 2005. They find that the marriage trends in India are similar to trends observed over the last 40 years inChina,Japan,and other nations.[66]The study found that fewer marriages are purely arranged without consent and that the majority of surveyed Indian marriages are arranged with consent. The percentage of self-arranged marriages (called love marriages in India) was also increasing, particularly in the urban parts of India.[67]
Wedding rituals
editWeddings are festive occasions in India with extensive decorations, colors, music, dance, costumes and rituals that depend on the religion of the bride and the groom, as well as their preferences.[68]The nation celebrates about 10 million weddings per year,[69]of which over 80% areHindu weddings.
While there are many festival-related rituals in Hinduism,vivaha(wedding) is the most extensive personal ritual an adult Hindu undertakes in his or her life.[70][71]Typical Hindu families spend significant effort and financial resources to prepare and celebrate weddings. The rituals and processes of a Hindu wedding vary depending on the region of India, local adaptations, family resources and preferences of the bride and the groom. Nevertheless, there are a fewkey ritualscommon inHindu weddings–Kanyadaan,Panigrahana,andSaptapadi;these are respectively, gifting away of daughter by the father, voluntarily holding hand near the fire to signify impending union, and taking seven circles before firing with each circle including a set of mutual vows.Mangalsutranecklace of bond a Hindu groom ties with three knots around the bride's neck in a marriage ceremony. The practice is integral to a marriage ceremony as prescribed inManusmriti,the traditional law governing Hindu marriage. After the seventh circle and vows ofSaptapadi,the couple is legally husband and wife.[71][72][73]Sikhs get married through a ceremony calledAnand Karaj.The couple walks around the holy book, the Guru Granth Sahib four times. Indian Muslims celebrate a traditionalIslamic weddingfollowing customs similar to those practiced in theMiddle East.The rituals includeNikah,payment of financial dower calledMahrby the groom to the bride, signing of a marriage contract, and a reception.[74]IndianChristian weddingsfollow customs similar to those practiced in the Christian countries in the West in states like Goa but have more Indian customs in other states.
Festivals
edit-
Srivari Brahmotsavamsis the most significant annual fête celebrated at theVenkateswara TempleinTirumala,Tirupati district,Andhra.
-
Procession of the famous “Lalbaug cha Raja”Ganeshaidol during theGanesh Chaturthifestival inMumbai,Maharashtra
-
Vallamkalisnakeboat races are a part ofOnamfestival tradition.
-
Dahi Handi, aKrishna Janmashtamifestive tradition, in progress nearAdi ShankaracharyaRoad,Mumbai, India
-
Durga Pujais a multi-day festival in Eastern India that features elaborate temple and stage decorations (pandals), scripture recitation, performance arts, revelry, and processions.[76]
-
TheHornbill Festival,Kohima,Nagaland. The festival involves colourful performances, crafts, sports, food fairs, games and ceremonies.[77]
-
Rath Yatracelebration a major festival inPuri.
-
Carnival in GoaorViva Carnivalis a Celebration prior to fasting season of Lent. It refers to the festival ofcarnival,orMardi Gras,in the Indian state ofGoa.
-
Gommateshwara statueduring the Grand ConsecrationMahamastakabhishekain August 2018 atShravanabelagola,Karnataka.Mahamastakabhishekais held every 12 years and is considered one ofJainism's most auspicious celebrations.
India, being a multi-cultural, multi-ethnic and multi-religious society, celebrates holidays and festivals of various religions. The threenational holidays in India,theIndependence Day,theRepublic Dayand theGandhi Jayanti,are celebrated with zeal and enthusiasm across India. In addition, manyIndian statesand regions have local festivals depending on prevalent religious and linguistic demographics. Popular religious festivals include the Hindu festivals ofChhath,Navratri,Janmashtami,Diwali,Maha Shivratri,Ganesh Chaturthi,Durga Puja,Holi,Rath Yatra,Ugadi,Vasant Panchami,Rakshabandhan,andDussehra.Severalharvest festivalssuch asMakar Sankranti,Sohrai,Pusnâ,Hornbill,Chapchar Kut,Pongal,OnamandRaja sankaranti swinging festivalare also fairly popular.
India celebrates a variety of festivals due to the large diversity of India. Many religious festivals like Diwali (Hindu) Eid (Muslim) Christmas (Christian), etc. are celebrated by all. The government also provides facilities for the celebration of all religious festivals with equality and grants road bookings, security, etc. providing equality to the diverse religions and their festivals.
The Indian New Year festival is celebrated in different parts of India with a unique style at different times.Ugadi,Bihu,Gudhi Padwa,Puthandu,Vaisakhi,Pohela Boishakh,VishuandVishuva Sankrantiare the New Year festival of different part of India.
Certain festivals in India are celebrated by multiple religions. Notable examples includeDiwali,which is celebrated by Hindus, Sikhs, Buddhists, and Jains across the country andBuddha Purnima,Krishna Janmashtami,Ambedkar Jayanticelebrated by Buddhists and Hindus. Sikh festivals, such asGuru Nanak Jayanti,Baisakhiare celebrated with full fanfare by Sikhs and Hindus ofPunjabandDelhiwhere the two communities together form an overwhelming majority of the population. Adding colours to the culture of India, theDree Festivalis one of the tribal festivals of India celebrated by the Apatanis of the Ziro valley ofArunachal Pradesh,which is the easternmost state of India.Nowruzis the most important festival among the Parsi community of India.
Islam in Indiais the second largest religion with over 172 million Muslims, according to India's 2011 census.[31]The Islamic festivals which are observed and are declared public holiday in India are;Eid al-Fitr,Eid al-Adha(Bakri Eid),Milad-un-Nabi,MuharramandShab-e-Barat.[78]Some of the Indian states have declared regional holidays for the particular regional popular festivals; such asArba'een,Jumu'ah-tul-WidaandShab-e-Qadar.
Christianity in Indiais the third-largest religion with over 27.8 million Christians, according to India's 2011 census.[79]With over 27.8 million Christians, of which 17 million are Roman Catholics, India is home to many Christian festivals. The country celebratesChristmasandGood Fridayas public holidays.[78]
Regional and community fairs are also a common festivals in India. For example,Pushkar Fairof Rajasthan is one of the world's largest markets of cattle and livestock.
The women lift & carry other women at many festivals.
Greetings
editIndian greetings are based onAñjali Mudrā,includingPranāmaandPuja.
Greetings includeNamaste (Hindi,Sanskrit and Kannada),NômôskarinOdia,Khulumkha(Tripuri),Namaskar(Marathi),Namaskara(Kannada and Sanskrit),Paranaam(Bhojpuri),Namaskaram(Telugu,Malayalam),Vanakkam(Tamil),Nômôshkar(Bengali),Nomoskar(Assamese),Aadab(Urdu), andSat Shri Akal(Punjabi). All these are commonly spoken greetings or salutations when people meet and are forms of farewell when they depart. Namaskar is considered slightly more formal than Namaste but both express deep respect. Namaskar is commonly used in India andNepalbyHindus,Jains and Buddhists, and many continue to use this outside theIndian subcontinent.In Indian andNepali culture,the word is spoken at the beginning of written or verbal communication. However, the same hands folded gesture may be made wordlessly or said without the folded hand gesture. The word is derived fromSanskrit(Namah): tobow,reverentialsalutation,andrespect,and (te): "to you". Taken literally, it means "I bow to you".[80]In Hinduism it means "I bow to the divine in you."[81][82]In most Indian families, younger men and women are taught to seek the blessing of their elders by reverentially bowing to their elders. This custom is known asPranāma.
Other greetings includeJai Jagannath(used inOdia)Ami Aschi(used inBengali),Jai Shri Krishna(inGujaratiand theBraj BhashaandRajasthanidialects ofHindi),Ram Ram/(Jai) Sita Ram ji(AwadhiandBhojpuridialects ofHindiand otherBihari dialects), andSat Sri Akal(Punjabi;used by followers ofSikhism),As-salamu alaykum(Urdu;used by follower ofIslam),Jai Jinendra(a common greeting used by followers ofJainism),Jai Bhim(used by followers ofAmbedkarism),Namo Buddhay(used by followers ofBuddhism),Allah Abho(used by followers of theBaháʼí Faith),Shalom aleichem(used by followers ofJudaism),Hamazor Hama Ashobed(used by followers ofZoroastrianism),Sahebji(PersianandGujarati;used by theParsipeople),Dorood(PersianandGujarati;used by theIranipeople),Om Namah Shivaya/Jai BholenathJaidev (used inDogriandKashmiri,also used in the city ofVaranasi),Jai Ambe Maa/Jai Mata di(used inEastern India),Jai Ganapati Bapa(used inMarathiandKonkani), etc.
These traditional forms of greeting may be absent in the world of business and in India's urban environment, where a handshake is a common form of greeting.[83]
Animals
edit
|
The varied and richwildlife of Indiahas a profound impact on the region's popular culture. Common name for wilderness in India isjunglewhich was adopted byBritons living in Indiato the English language. The word has been also made famous inThe Jungle BookbyRudyard Kipling.India's wildlife has been the subject of numerous other tales and fables such as thePanchatantraand theJataka tales.[84]
In Hinduism, the cow is regarded as a symbol ofahimsa(non-violence),mother goddessand bringer of good fortune and wealth.[85]For this reason, cows are revered in Hindu culture and feeding a cow is seen as an act of worship. This is why beef remains a taboo food in mainstream Hindu and Jain society.[86]
The Article 48 of theConstitution of Indiais one of theDirective Principleswhich directs that the state shall endeavor to prohibit slaughtering and smuggling ofcattle,calvesand othermilchanddraught cattle.[87][88]As of January 2012, cow remains a divisive and controversial topic in India. Several states of India have passed laws to protect cows, while many states have no restrictions on the production and consumption of beef. Some groups oppose the butchering of cows, while other secular groups argue that what kind of meat one eats ought to be a matter of personal choice in a democracy.Madhya Pradeshenacted a law in January 2012, namely the Gau-Vansh Vadh Pratishedh (Sanshodhan) Act, which makes cow slaughter a serious offence.[89]
Gujarat, a western state of India, has the Animal Preservation Act, enacted in October 2011, that prohibits the killing of cows along with buying, selling and transport of beef. In contrast, Assam and Andhra Pradesh allow butchering of cattle with a fit-for-slaughter certificate. In the states of West Bengal and Kerala, consumption of beef is not deemed an offence. Contrary to stereotypes, a sizeable number of Hindus eat beef, and many argue that their scriptures, such as Vedic and Upanishadic texts do not prohibit its consumption. In southern Indian state Kerala, for instance, beef accounts for nearly half of all meat consumed by all communities, including Hindus. Sociologists theorise that the widespread consumption of cow meat in India is because it is a far cheaper source of animal protein for the poor than mutton or chicken, which retail at double the price. For these reasons, India's beef consumption post-independence in 1947 has witnessed a much faster growth than any other kind of meat; currently, India is one of the five largest producers and consumers of cattle livestock meat in the world. A beef ban has been made in Maharashtra and other states as of 2015. While states such as Madhya Pradesh are passing local laws to prevent cruelty to cows, other Indians are arguing "If the real objective is to prevent cruelty to animals, then why single out the cows when hundreds of other animals are maltreated?"[90][91][92]
Cuisine
editIndian food is as diverse as India. Indian cuisines use numerous ingredients, deploy a wide range of food preparation styles, cooking techniques, and culinary presentations. From salads to sauces, from vegetarian to meat, from spices to sensuous, from bread to desserts, Indian cuisine is invariably complex. Harold McGee, a favourite of many Michelin-starred chefs, writes "for sheer inventiveness with the milk itself as the primary ingredient, no country on earth can match India."[93]
I travel to India at least three to four times a year. It's always inspirational. There is so much to learn from India because each and every state is a country by itself and each has its own cuisine. There are lots of things to learn about the different cuisines – it just amazes me. I keep my mind open and like to explore different places and pick up different influences as I go along. I don't actually think that there is a single state in India that I haven't visited. Indian food is a cosmopolitan cuisine that has so many ingredients. I don't think any cuisine in the world has got so many influences on the way that Indian food has. It is a very rich cuisine and is very varied. Every region in the world has its own sense of how Indian food should be perceived.
... it takes me back to the first Christmas I can remember, when the grandmother I hadn't yet met, who was Indian and lived in England, sent me a box. For me it still carries the taste of strangeness and confusion and wonder.
According toSanjeev Kapoor,a member ofSingapore Airlines' International Culinary Panel, Indian food has long been an expression of world cuisine. Kapoor claims, "if you looked back in India's history and study the food that our ancestors ate, you will notice how much attention was paid to the planning and cooking of a meal. Great thought was given to the texture and taste of each dish."[96]One such historical record isMānasollāsa,(Sanskrit:मानसोल्लास,The Delight of Mind), written in the 12th century. The book describes the need to change cuisine and food with seasons, various methods of cooking, the best blend of flavours, the feel of various foods, planning and style of dining amongst other things.[97]
India is known for its love of food and spices. Indian cuisine varies from region to region, reflecting the local produce, cultural diversity, andvaried demographicsof the country. Generally, Indian cuisine can be split into five categories –northern,southern,eastern, western, and northeastern. The diversity of Indian cuisine is characterised by the differing use of manyspicesand herbs, a wide assortment of recipes and cooking techniques. Though a significant portion of Indian food isvegetarian,many Indian dishes also include meats likechicken,mutton,beef(both cow and buffalo),porkand fish, egg and other seafood. Fish-based cuisines are common in eastern states of India, particularlyWest Bengaland the southern states ofKeralaandTamil Nadu.[98]
Despite this diversity, some unifying threads emerge. Varied uses of spices are an integral part of certain food preparations and are used to enhance the flavour of a dish and create unique flavours and aromas. Cuisine across India has also been influenced by various cultural groups that entered India throughout history, such as theCentral Asians,Arabs,Mughals,andEuropean colonists.Sweets are also very popular among Indians, particularly inWest Bengalwhere bothBengali HindusandBengali Muslimsdistribute sweets to mark joyous occasions. There is specifically evidence for early influences from East and Southeast Asian-derived cultural areas, primarily viaAustroasiatic(Mon Khmer) groups during theNeolithic period,on certain cultural and political elements ofAncient India,and which may have arrived together with the spread ofrice cultivationfromMainland Southeast Asia.A significant number of ethnic minorities incentral,easternandnortheasternIndia are Austroasiatic language speakers, most notably theMundaandKhasic.[100][101][102][103][104]
Indian cuisine is one of the most popular cuisines across the globe.[105]In most Indian restaurants outside India, the menu does not do justice to the enormous variety of Indian cuisine available – the most common cuisine served on the menu would bePunjabi cuisine(chicken tikka masalais a very popular dish in the United Kingdom). There do exist some restaurants serving cuisines from other regions of India, although these are few and far between. Historically, Indian spices and herbs were one of the most sought after trade commodities. Thespice tradebetween India and Europe led to the rise and dominance of Arab traders to such an extent that European explorers, such asVasco da GamaandChristopher Columbus,set out to find new trade routes with India leading to theAge of Discovery.[106]The popularity ofcurry,which originated in India, across Asia has often led to the dish being labeled as the "pan-Asian" dish.[107]
Regional Indian cuisine continues to evolve. A fusion of East Asian and Western cooking methods with traditional cuisines, along with regional adaptations of fast food are prominent in major Indian cities.[108]
The cuisine ofAndhra PradeshandTelanganaconsists of theTelugu cuisine,of theTelugu peopleas well asHyderabadi cuisine(also known as Nizami cuisine), of theHyderabadi Muslim community.[109][110]Hyderabadi foodis based heavily on non-vegetarian ingredients while,Telugu foodis a mix of both vegetarian and non-vegetarian ingredients. Telugu food is rich in spices and chillies are abundantly used. The food also generally tends to be more on the tangy side with tamarind and lime juice both used liberally as souring agents. Rice is the staple food of Telugu people. Starch is consumed with a variety of curries and lentilsoupsorbroths.[111][112]Vegetarian and non-vegetarian foods are both popular. Hyderabadi cuisine includes popular delicacies such asBiryani,Haleem,Baghara bainganandKheema,while Hyderabadi day to day dishes see some commonalities with Telanganite Telugu food, with its use of tamarind, rice, and lentils, along with meat.[111]Yogurtis a common addition to meals, as a way of temperingspiciness.[113]
Clothing
editTraditional clothing in India greatly varies across different parts of the country and is influenced by local culture, geography, climate, and rural/urban settings. Popular styles of dress include draped garments such assariandmekhela sadorfor women and thekurta,dhotiorlungior panche (in Kannada) for men. Stitched clothes are also popular such aschuridarorsalwar-kameezfor women, withdupatta(long scarf) thrown over shoulder completing the outfit. The salwar is often loose fitting, while churidar is a tighter cut.[114]Thedastar,a headgear worn bySikhsis common inPunjab.
Indian women perfect their sense of charm and fashion with makeup and ornaments.Bindi,mehendi,earrings,banglesand other jewelry are common. On special occasions, such as marriage ceremonies and festivals, women may wear cheerful colours with various ornaments made with gold, silver or other regional stones and gems.Bindiis often an essential part of a Hindu woman's make up. Worn on their forehead, some consider thebindias an auspicious mark. Traditionally, the red bindi was worn only by married Hindu women, and coloured bindi was worn by single women, but now all colours and glitter have become a part of women's fashion. Some women wearsindoor– a traditional red or orange-red powder (vermilion) in the parting of their hair (locally calledmang). Sindoor is the traditional mark of a married woman for Hindus. Single Hindu women do not wearsindoor;neither do over 1 million Indian women from religions other than Hindu and agnostics/atheists who may be married.[114]The make up and clothing styles differ regionally between the Hindu groups, and also by climate or religion, with Christians preferring Western and Muslim preferring the Arabic styles.[115]For men, stitched versions includekurta-pyjamaand European-style trousers and shirts. In urban and semi-urban centres, men and women of all religious backgrounds, can often be seen in jeans, trousers, shirts, suits, kurtas and variety of other fashions.[116]
-
TheDidarganj Yakshi(3rd century BCE) depicting thedhotiwrap
-
Achkansherwaniandchuridar(lower body) worn byArvind Singh Mewarand his kin during aHindu weddinginRajasthan, India
-
Indian actressShriya Saranin woman'skameezwithdupattadraped over the neck and decorativebindion the centre of her forehead
-
J. L. NehruwearingNehru jacketand Chooridar.
-
Maharani Gayatri Devi,in Nivi sari. The Nivi style drape was created during thecolonial eraofIndian historyin order to create a fashion style which would conform to theVictorian-erasensibilities
Languages and literature
editHistory
edit
|
|
The Sanskrit language, whatever be its antiquity, is of a wonderful structure; more perfect than the Greek, more copious than the Latin, and more exquisitely refined than either, yet bearing to both of them a stronger affinity, both in the roots of verbs and the forms of grammar, than could possibly have been produced by accident; so strong indeed, that no philologer could examine them all three, without believing them to have sprung fromsome common source,which, perhaps, no longer exists; there is a similar reason, though not quite so forcible, for supposing that both the Gothic and the Celtic, though blended with a very different idiom, had the same origin with the Sanskrit...
— Sir William Jones, 1786[118]
TheRigvedicSanskritis one of the oldest attestations of anyIndo-Aryan languages,and one of the earliest attested members of theIndo-European languages.The discovery of Sanskrit by early European explorers of India led to the development of comparative Philology. The scholars of the 18th century were struck by the far-reaching similarity of Sanskrit, both in grammar and vocabulary, to the classical languages of Europe. Intensive scientific studies that followed have established that Sanskrit and many Indian derivative languages belong to the family which includes English, German, French, Italian, Spanish, Celtic, Greek, Baltic, Armenian, Persian, Tocharian, and other Indo-European languages.[119]
Tamil,one of India's major classical language, descends fromProto-Dravidianlanguages spoken around the third millennium BCE in peninsular India. The earliest inscriptions of Tamil have been found on pottery dating back to 500 BC.Tamil literaturehas existed for over two thousand years[120]and the earliestepigraphicrecords found date from around the 3rd century BCE.[121]
The evolution of language within India may be distinguished over three periods: old, middle and modern Indo-Aryan. The classical form of old Indo-Aryan wasSanskritmeaning polished, cultivated and correct, in distinction toPrakrit– the practical language of the migrating masses evolving without concern to proper pronunciation or grammar, the structure of language changing as those masses mingled, settled new lands and adopted words from people of other native languages.Prakritabecame middle Indo-Aryan leading toPali(the language of early Buddhists and Ashoka era in 200–300 BCE),Prakrit(the language of Jain philosophers) andApabhramsa(the language blend at the final stage of middle Indo-Aryan). It isApabhramsa,scholars claim,[119]that flowered into Hindi, Gujarati, Bengali, Marathi, Punjabi, and many other languages now in use in India's north, east and west. All of these Indian languages have roots and structures similar to Sanskrit, to each other and to other Indo-European languages. Thus we have in India three thousand years of continuous linguistic history recorded and preserved in literary documents. This enables scholars to follow language evolution and observe how, by changes hardly noticeable from generation to generation, an original language alters into descendant languages that are now barely recognisable as the same.[119]
Sanskrit has had a profound impact on the languages and literature of India.Hindi,India's most spoken language, is a "Sanskritised register" of theDelhi dialect.In addition, all modern Indo-Aryan languages,Munda languagesandDravidian languages,have borrowed many words either directly from Sanskrit (tatsamawords), or indirectly via middle Indo-Aryan languages (tadbhavawords).[124]Words originating in Sanskrit are estimated to constitute roughly fifty percent of the vocabulary of modern Indo-Aryan languages,[125]and the literary forms of (Dravidian)Telugu,MalayalamandKannada.Tamil,although to a slightly smaller extent, has also been significantly influenced by Sanskrit.[124]Part of theEastern Indo-Aryan languages,theBengali languagearose from the easternMiddle Indic languagesand its roots are traced to the 5th-century BCEArdhamagadhilanguage.[126][127]
Another major Classical Dravidian language,Kannadais attested epigraphically from the mid-1st millennium AD, and literaryOld Kannadaflourished in the 9th- to 10th-centuryRashtrakuta Dynasty.Pre-old Kannada (orPurava Hazhe-Gannada) was the language ofBanavasiin the early Common Era, theSatavahanaandKadambaperiods and hence has a history of over 2000 years.[128][129][130][131]TheAshoka rock edictfound atBrahmagiri(dated 230 BCE) has been suggested to contain a word in identifiable Kannada.[132]Odiais India's 6th classical language in addition to Sanskrit, Tamil, Telugu, Kannada, and Malayalam.[133]It is also one of the 22 official languages in the 8th schedule of Indian constitution. Odia's importance to Indian culture, from ancient times, is evidenced by its presence in Ashoka's Rock Edict X, dated to the 2nd century BC.[134][135]
The language with the largest number of speakers in India isHindiand its various dialects. Early forms of present-dayHindustanideveloped from theMiddle Indo-Aryanapabhraṃśavernacularsof present-dayNorth Indiain the 7th–13th centuries. During the time ofIslamic rule in parts of India,it became influenced byPersian.[136]The Persian influence led to the development ofUrdu,which is more Persianized and written in thePerso-Arabic script.Modernstandard Hindihas a lesser Persian influence and is written in theDevanagari script.
During the 19th and 20th centuries,Indian English literaturedeveloped during theBritish Raj,pioneered byRabindranath Tagore,Mulk Raj AnandandMunshi Premchand.[137]
In addition to Indo-European and Dravidian languages, Austro-Asiatic and Tibeto-Burman languages are in use in India.[138][139]The 2011 Linguistic Survey of India states that India has over 780 languages and 66 different scripts, with its state ofArunachal Pradeshwith 90 languages.[140]
Epics
editTheMahābhārataand theRāmāyaṇaare the oldest preserved and well-known epics of India. Versions have been adopted as the epics of Southeast Asian countries like Philippines, Thailand, Malaysia and Indonesia. The Ramayana consists of 24,000 verses in seven books (kāṇḍas) and 500cantos(sargas),[141]and tells the story of Rama (an incarnation orAvatarof the Hindu preserver-godVishnu), whose wifeSitais abducted by thedemonking ofLanka,Ravana.This epic played a pivotal role in establishing the role ofdhármaas a principal ideal guiding force for Hindu way of life.[142]The earliest parts of the Mahabharata text date to 400 BC[143]and is estimated to have reached its final form by the earlyGupta period(c. 4th century AD).[144]Other regional variations of these, as well as unrelated epics include the TamilRamavataram,AssameseSaptakanda Ramayana,KannadaPampa Bharata,HindiRamacharitamanasa,and MalayalamAdhyathmaramayanam.In addition to these two great Indian epics, there areThe Five Great Epics of Tamil Literaturecomposed in classicalTamil language—Manimegalai,Cīvaka Cintāmaṇi,Silappadikaram,ValayapathiandKundalakesi.
-
A manuscript illustration of theBattle of Kurukshetra,fought between theKauravasand thePandavas,recorded in the Mahābhārata
-
TheBattle at Lanka, RamayanabySahibdin.It depicts the monkey army of the protagonist Rama (top left, blue figure) fightingRavana—the demon-king of theLanka—to save Rama's kidnapped wife, Sita. The painting depicts multiple events in the battle against the three-headed demon generalTrisiras,in the bottom left. Trisiras is beheaded by Hanuman, the monkey-companion of Rama.
Performing arts
editDance
editLet drama and dance (Nātya, नाट्य) be the fifth vedic scripture. Combined with an epic story, tending to virtue, wealth, joy and spiritual freedom, it must contain the significance of every scripture, and forward every art.
India has had a long romance with the art of dance. The Hindu Sanskrit textsNatya Shastra(Science of Dance) andAbhinaya Darpana(Mirror of Gesture) are estimated to be from 200 BCE to early centuries of the 1st millennium CE.[147][148][149]
The Indian art of dance as taught in these ancient books, according to Ragini Devi, is the expression of inner beauty and the divine in man.[150]It is a deliberate art, nothing is left to chance, each gesture seeks to communicate the ideas, each facial expression the emotions.
Indian danceincludes eight classical dance forms, many in narrative forms withmythologicalelements. The eight classical forms accordedclassical dance statusby India'sNational Academy of Music, Dance, and Dramaare:bharatanatyamof the state ofTamil Nadu,kathakofUttar Pradesh,kathakaliandmohiniattamofKerala,kuchipudiofAndhra Pradesh,yakshaganaofKarnataka,manipuriofManipur,odissi(orissi)of the state ofOdishaand thesattriyaofAssam.[151][152]
In addition to the formal arts of dance, Indian regions have a strong free form, folksy dance tradition. Some of thefolk dancesinclude thebhangraofPunjab;thebihuofAssam;the zeliang ofNagaland;theJhumair,Domkach,chhauofJharkhand;theGhumura Dance,Gotipua,Mahari danceandDalkhaiofOdisha;theqauwwalis,birhasandcharkulasofUttar Pradesh;the jat-jatin, nat-natin and saturi ofBihar;theghoomarofRajasthanandHaryana;thedandiyaandgarbaofGujarat;the kolattam ofAndhra PradeshandTelangana;theyakshaganaofKarnataka;lavaniofMaharashtra;DekhnniofGoa.Recent developments include adoption of international dance forms particularly in the urban centres of India, and the extension of Indian classical dance arts by the Kerala Christian community, to tell stories from the Bible.[153]
Drama
edit-
Tholu bommalatais the shadow puppet theatre tradition of the state ofAndhra,with roots dating back to 3rd century BCE.
-
Kathakalione of the classical theatre forms fromKerala, India
-
Rasa lilatheatrical performance inManipuri dance style
-
A street play (nukkad natak) inDharavislums in Mumbai.
-
YakshaganaAn Ancient dance drama ofTulunadu.
-
KoodiyattamperformerKapila Venu
Indian drama and theatre has a long history alongside its music and dance.Kalidasa's plays likeShakuntalaandMeghadootaare some of the older dramas, following those of Bhasa.Kutiyattamof Kerala, is the only surviving specimen of the ancient Sanskrit theatre, thought to have originated around the beginning of theCommon Era,and is officially recognised byUNESCOas aMasterpiece of the Oral and Intangible Heritage of Humanity.It strictly follows theNatya Shastra.[154]NātyāchāryaMāni Mādhava Chākyāris credited for reviving the age old drama tradition from extinction. He was known for mastery ofRasa Abhinaya.He started to perform the Kalidasa plays likeAbhijñānaśākuntala,VikramorvaśīyaandMālavikāgnimitra;Bhasa'sSwapnavāsavadattaandPancharātra;Harsha'sNagananda.[155][156]
Puppetry
editIndiahas a long tradition of puppetry. In the ancient Indian epicMahabharatathere are references to puppets.Kathputli,a form of string puppet performance native toRajasthan,is notable and there are many Indian ventriloquists and puppeteers. The first Indian ventriloquist, ProfessorY. K. Padhye,introduced this form of puppetry to India in the 1920s and his son, Ramdas Padhye, subsequently popularised ventriloquism and puppetry. Ramdas Padhye's son,Satyajit Padhyeis also a ventriloquist and puppeteer. Almost all types of puppets are found in India.
- String puppets
India has a rich and ancient tradition of string puppets or marionettes. Marionettes with jointed limbs controlled by strings allow far greater flexibility and are therefore the most articulate of the puppets. Rajasthan, Orissa, Karnataka and Tamil Nadu are some of the regions where this form of puppetry has flourished. The traditional marionettes of Rajasthan are known asKathputli.Carved from a single piece of wood, these puppets are like large dolls that are colourfully dressed. The string puppets ofOrissaare known asKundhei.The string puppets ofKarnatakaare calledGombeyatta.Puppets fromTamil Nadu,known asBommalattam,combine the techniques of rod and string puppets.
- Rod puppets
Rod puppets are an extension of glove-puppets, but are often much larger and supported and manipulated by rods from below. This form of puppetry now is found mostly inWest BengalandOrissa.The traditional rod puppet form of West Bengal is known asPutul Nautch.They are carved from wood and follow the various artistic styles of a particular region. The traditional rod puppet ofBiharis known asYampuri.
- Glove puppets
Glove puppets are also known as sleeve, hand or palm puppets. The head is made of eitherpapier mâché,cloth or wood, with two hands emerging from just below the neck. The rest of the figure consists of a long, flowing skirt. These puppets are like limp dolls, but in the hands of an able puppeteer, are capable of producing a wide range of movements. The manipulation technique is simple the movements are controlled by the human hand, the first finger inserted in the head and the middle finger and the thumb in the two arms of the puppet. With the help of these three fingers, the glove puppet comes alive.
The tradition of glove puppets in India is popular in Uttar Pradesh, Orissa, West Bengal and Kerala. InUttar Pradesh,glove puppet plays usually present social themes, whereas in Orissa such plays are based on stories of Radha and Krishna. InOrissa,the puppeteer plays adholak(hand drum) with one hand and manipulates the puppet with the other. The delivery of the dialogue, the movement of the puppet and the beat of the dholak are well synchronised and create a dramatic atmosphere. InKerala,the traditional glove puppet play is calledPavakoothu.
Shadow play
editShadow puppets are an ancient part of India's culture and art, particularly regionally as thekeelu bommeandTholu bommalataofAndhra Pradesh,theTogalu gombeyaatainKarnataka,thecharma bahuli natyainMaharashtra,theRavana chhayainOdisha,theTholpavakoothuinKeralaand thethol bommalattainTamil Nadu.Shadow puppet play is also found in pictorial traditions in India, such as temple mural painting, loose-leaf folio paintings, and the narrative paintings.[157]Dance forms such as theChhauofOdishaliterally mean "shadow".[158]The shadow theatre dance drama theatre are usually performed on platform stages attached toHindu temples,and in some regions these are calledKoothu MadamsorKoothambalams.[159]In many regions, the puppet drama play is performed by itinerant artist families on temporary stages during major temple festivals.[160]Legends from the Hindu epicsRamayanaand theMahabharatadominate their repertoire.[160]However, the details and the stories vary regionally.[161][162]
During the 19th century and early parts of the 20th century of the colonial era, Indologists believed that shadow puppet plays had become extinct in India, though mentioned in its ancient Sanskrit texts.[160]In the 1930s and thereafter, states Stuart Blackburn, these fears of its extinction were found to be false as evidence emerged that shadow puppetry had remained a vigorous rural tradition in central Kerala mountains, most of Karnataka, northern Andhra Pradesh, parts of Tamil Nadu, Odisha and southern Maharashtra.[160]The Marathi people, particularly of low caste, had preserved and vigorously performed the legends of Hindu epics as a folk tradition. The importance of Marathi artists is evidenced, states Blackburn, from the puppeteers speaking Marathi as their mother tongue in many non-Marathi speaking states of India.[160]
According to Beth Osnes, thetholu bommalatashadow puppet theatre dates back to the 3rd century BCE, and has attracted patronage ever since.[163]The puppets used in atholu bommalataperformance, states Phyllis Dircks, are "translucent, lusciously multicolored leather figures four to five feet tall, and feature one or two articulated arms".[164]The process of making the puppets is an elaborate ritual, where the artist families in India pray, go into seclusion, produce the required art work, then celebrate the "metaphorical birth of a puppet" with flowers and incense.[165]
Thetholu pava koothuof Kerala uses leather puppets whose images are projected on a backlit screen. The shadows are used to creatively express characters and stories in theRamayana.A complete performance of the epic can take forty-one nights, while an abridged performance lasts as few as seven days.[166]One feature of thetholu pava koothushow is that it is a team performance of puppeteers, while other shadow plays such as thewayangof Indonesia are performed by a single puppeteer for the sameRamayanastory.[166]There are regional differences within India in the puppet arts. For example, women play a major role in shadow play theatre in most parts of India, except in Kerala and Maharashtra.[160]Almost everywhere, except Odisha, the puppets are made from tanned deer skin, painted and articulated. Translucent leather puppets are typical in Andhra Pradesh and Tamil Nadu, while opaque puppets are typical in Kerala and Odisha. The artist troupes typically carry over a hundred puppets for their performance in rural India.[160]
Music
editMusic is an integral part of India's culture.Natyasastra,a 2000-year-old Sanskrit text, describes five systems of taxonomy to classify musical instruments.[169]One of these ancient Indian systems classifies musical instruments into four groups according to four primary sources of vibration: strings, membranes, cymbals, and air. According to Reis Flora, this is similar to the Western theory of organology. Archeologists have also reported the discovery of a 3000-year-old, 20-key, carefully shaped polished basalt lithophone in thehighlands of Odisha.[170]
The oldest preserved examples of Indian music are the melodies of theSamaveda(1000 BC) that are still sung in certain VedicŚrautasacrifices; this is the earliest account of Indian musical hymns.[171]It proposed a tonal structure consisting of seven notes, which were named, in descending order, asKrusht,Pratham,Dwitiya,Tritiya,Chaturth,MandraandAtiswār.These refer to the notes of a flute, which was the only fixed frequency instrument. The Samaveda, and otherHindutexts, heavily influencedIndia's classical musictradition, which is known today in two distinct styles:CarnaticandHindustani music.Both the Carnatic music and Hindustani music systems are based on the melodic base (known asRāga), sung to a rhythmic cycle (known asTāla); these principles were refined in thenātyaśāstra(200 BC) and thedattilam(300 AD).[172]
The current music of India includes multiple varieties of religious, classical,folk,filmi, rock and pop music and dance. The appeal of traditional classical music and dance is on the rapid decline, especially among the younger generation.
Prominent contemporary Indian musical forms includedfilmiandIndipop.Filmi refers to the wide range of music written and performed for mainstreamIndian cinema,primarilyBollywood,and accounts for more than 70 percent of all music sales in the country.[173]Indipop is one of the most popular contemporary styles of Indian music which is either a fusion ofIndian folk,classical orSufi musicwith Western musical traditions.[174]
Visual arts
editPainting
edit-
APrehistoriccave painting inBhimbetka rock shelters.
-
TheJataka talesfromAjanta Caves
-
Hinduiconography shown inPattachitra
-
Raja Ravi Varma'sShakuntala(1870); oil on canvas
-
Bharat Mata byAbanindranath Tagore(1871–1951), a nephew of the poetRabindranath Tagore,and a pioneer of theBengal School of Art
-
EmperorJahangirweighs PrinceKhurrambyManohar Das,1610–15, from Jahangir's own copy of theTuzk-e-Jahangiri.The names of the main figures are noted on their clothes, and the artist shown at bottom.
Cave paintings fromAjanta,Bagh,ElloraandSittanavasaland temple paintings testify to a love of naturalism. Most early and medieval art in India is Hindu, Buddhist or Jain. A freshly made coloured floor design (Rangoli) is still a common sight outside the doorstep of many (mostly South Indian) Indian homes.Raja Ravi Varmais one of the classical painters from medieval India.
Pattachitra,Madhubani painting,Mysore painting,Rajput painting,Tanjore paintingandMughal paintingare some notable Genres of Indian Art; whileNandalal Bose,M. F. Husain,S. H. Raza,Geeta Vadhera,Jamini Royand B. Venkatappa[175]are some modern painters. Among the present day artists, Atul Dodiya, Bose Krishnamacnahri,Devajyoti Rayand Shibu Natesan represent a new era of Indian art where global art shows direct amalgamation with Indian classical styles. These recent artists have acquired international recognition.Jehangir Art GalleryinMumbai,Mysore Palacehas on display a few good Indian paintings.
Sculpture
edit-
Woman riding two bulls (bronze), fromKausambi,c. 2000–1750 BCE
-
5th-century Buddha statue inKanheri caves,Mumbai
-
The Colossal 6 metres (20 ft) hightrimurtisculpture at theElephanta Caves
-
The iconic 57 ft high monolithicStatue of Gommateshwara,Shravanabelagola,10th Century
-
The Dhyana Buddha is a statue ofDhyana Buddha statueseated in a meditative posture located inAmaravathiofAndhra
-
Bhutesvara Yakshis,reliefs fromMathura,2nd century CE
-
Intricately carved sculptures on the exterior of one of theKhajuraho Group of Monuments
-
TheThiruvalluvar Statue,or the Valluvar Statue, is a 133-feet (40.6 m) tallstone sculptureof the Tamil poet and philosopherTiruvalluvar
-
TheStatue of Unityis the world'stallest statue,with a height of 182 metres (597 feet), located in the state ofGujarat.It depicts Indian statesman andindependenceactivistVallabhbhai Patel(1875–1950), who was the firstdeputy prime ministerandhome ministerof independent India. It was inaugurated by thePrime Minister of India,Narendra Modi,on 31 October 2018.
The firstsculpturesin India date back to theIndus Valley civilisation,where stone and bronze figures have been discovered. Later, as Hinduism, Buddhism, and Jainism developed further, India produced some extremely intricatebronzesas well as temple carvings. Some huge shrines, such as the one atEllorawere not constructed by using blocks but carved out of solid rock.
Sculptures produced in the northwest, instucco,schist,orclay,display a very strong blend of Indian and ClassicalHellenisticor possibly evenGreco-Romaninfluence. The pinksandstonesculptures ofMathuraevolved almost simultaneously. During theGupta period(4th to 6th centuries) sculpture reached a very high standard in execution and delicacy in modeling. These styles and others elsewhere in India evolved leading to classical Indian art that contributed to Buddhist and Hindu sculptures throughout Southeast Central and East Asia.
Architecture
edit-
North Gate ofDholavira,anIndus valley civilisationarcheological site built around the 3rd Millennium B.C in modern-dayGujarat.
-
Great Stupa ofSanchi,Madhya Pradeshbuilt in the 3rd century BCE.
-
Chennakesava Templeis a model example of theHoysala architecture.
-
Chaturbhuj TempleatOrchha,is noted for having one of thetallest VimanaamongHindu templesstanding at 344 feet. It was the tallest structure in the Indian subcontinent from 1558 CE to 1970 CE.
-
The rock-cutShore Templeof thetemples in Mahabalipuram,Tamil Nadu,700–728. Showing the typicaldravidaform of tower.
-
Considered to be an "unrivalled architectural wonder", theTaj MahalinAgrais a prime example ofIndo-Islamic architecture.One of the world'sseven wonders.[176]
-
Tawang MonasteryinArunachal Pradesh,was built in the 1600s and is the largest monastery in India and second largest in the world after thePotala PalaceinLhasa,Tibet.
-
Thakur Dalan ofItachuna Rajbari,Khanyan
-
Dravidian style in form of Tamil architecture ofMeenakshi Temple
-
TheCharminar,built in the 16th century by theGolconda Sultanate.
-
Pachin Kari orPietra DuraonTomb of I'timād-ud-Daulah
-
The Stone Chariot inHampi
-
The Viceregal Lodge, nowRashtrapati Niwas,inShimladesigned byHenry Irwinin theJacobethanstyle and built in the late 19th century.
-
Fort Dansborg,built by the 17th century Danish admiralOve Gjedde,reminiscences ofDanish India,Tharangambadi,Tamil Nadu
Indian architecture encompasses a multitude of expressions over space and time, constantly absorbing new ideas. The result is an evolving range of architectural production that nonetheless retains a certain amount of continuity across history. Some of its earliest production are found in theIndus Valley civilisation(2600–1900 BC) which is characterised by well-planned cities and houses.Religionand kingship do not seem to have played an important role in the planning and layout of these towns.[177]
During the period of theMauryanandGuptaempires and their successors, several Buddhist architectural complexes, such as the caves ofAjantaandElloraand the monumentalSanchiStupawere built. Later on, South India produced several Hindu temples likeChennakesava TempleatBelur,theHoysaleswara TempleatHalebidu,and theKesava TempleatSomanathapura,Brihadeeswara Temple,Thanjavurbuilt by Raja Raja Chola, theSun Temple,Konark,Sri Ranganathaswamy TempleatSrirangam,and theBuddhastupa(Chinna Lanja dibba and Vikramarka kota dibba) atBhattiprolu.Rajput kingdomsoversaw the construction ofKhajuraho Temple Complex,Chittor FortandChaturbhuj Temple,etc. during their reign.Angkor Wat,Borobudur and otherBuddhistandHindutemples indicate strong Indian influence on South East Asian architecture, as they are built in styles almost identical to traditional Indian religious buildings.
The traditional system ofVaastu Shastraserves as India's version ofFeng Shui,influencing town planning, architecture, and ergonomics. It is unclear which system is older, but they contain certain similarities. Feng Shui is more commonly used throughout the world. Though Vastu is conceptually similar to Feng Shui in that it also tries to harmonise the flow of energy, (also called life-force orPranain Sanskrit andChi/Kiin Chinese/Japanese), through the house, it differs in the details, such as the exact directions in which various objects, rooms, materials, etc. are to be placed.
With the advent of Islamic influence from the west, Indian architecture was adapted to allow the traditions of the new religion, creating theIndo-Islamicstyle of architecture. TheQutb complex,a group of monuments constructed by successive sultanas of theDelhi Sultanateis one of the earliest examples.Fatehpur Sikri,[179]Taj Mahal,[180]Gol Gumbaz,Red Fort of Delhi[181]andCharminarare creations of this era, and are often used as the stereotypical symbols of India.
British colonial rule in India saw the development ofIndo-Saracenicstyle and mixing of several other styles, such as European Gothic. TheVictoria Memorialand theChhatrapati Shivaji Terminusare notable examples.
Indian architecture has influenced eastern and southeastern Asia, due to the spread of Buddhism. A number of Indian architectural features such as the temple mound orstupa,temple spire orshikhara,temple tower orpagodaand temple gate ortorana,have become famous symbols of Asian culture, used extensively inEast AsiaandSouth East Asia.The central spire is also sometimes called avimanam.The southern temple gate, orgopuramis noted for its intricacy and majesty.
ContemporaryIndian architectureis more cosmopolitan. Cities are extremely compact and densely populated. Mumbai'sNariman Pointis famous for itsArt Decobuildings. Recent creations such as theLotus Temple,[182]Golden PagodaandAkshardham,and the various modern urban developments of India likeBhubaneswarandChandigarh,are notable.
Sports and martial arts
editSports
edit
|
|
|
Field hockeywas considered to be the national game of India, but this has been recently denied by theGovernment of India,clarifying on aRight to Information Act (RTI)filed that India has not declared any sport as the national game.[183][184][185]At a time when it was especially popular, theIndia men's national field hockey teamwon the 1975Men's Hockey World Cup,and 8gold,1silver,and 2bronzemedals at the Olympic Games. However, field hockey in India no longer has the following that it once did.[185]
Cricketis by far the most popular sport in India.[184]TheIndia national cricket teamwon the1983 Cricket World Cup,the2011 Cricket World Cup,the2007 ICC World Twenty20,the2013 ICC Champions Trophyand shared the2002 ICC Champions TrophywithSri Lanka.Domestic competitions include theRanji Trophy,theDuleep Trophy,theDeodhar Trophy,theIrani Trophyand theChallenger Series.In addition,BCCIconducts theIndian Premier League,aTwenty20competition.
Footballis popular in the Indian states of Kerala, Goa, West Bengal and the Northeastern states.The city ofKolkatais the home to the largest stadium inIndia,and the secondlargest stadium in the worldby capacity,Salt Lake Stadium,as well as clubs such asMohun Bagan A.C.,Kingfisher East Bengal F.C.,Prayag United S.C.,and theMohammedan Sporting Club.[186]
Chessis commonly believed to have originated in northwestern India during theGupta empire,[187][188][189][190]where its early form in the 6th century was known aschaturanga.Other games whichoriginated in Indiaand continue to remain popular in wide parts of northern India includeKabaddi,Gilli-danda,andKho kho.Traditional southern Indian games includeSnake boat raceandKuttiyum kolum.The modern game ofpolois derived fromManipur, India,where the game was known as 'Sagol Kangjei', 'Kanjai-bazee', or 'Pulu'.[191][192] It was the anglicised form of the last, referring to the wooden ball that was used, which was adopted by the sport in its slow spread to the west. The first polo club was established in the town ofSilcharin Assam, India, in 1833.
In 2011, India inaugurated a privately builtBuddh International Circuit,its first motor racing circuit. The 5.14-kilometre circuit is inGreater Noida,Uttar Pradesh,nearDelhi.The firstFormula OneIndian Grand Prixevent was hosted here in October 2011.[193][194]
Indian martial arts
editOne of the best known forms of ancient Indian martial arts is theKalarippayattufromKerala.This ancient fighting style is mentioned inSangam literature400 BCE and 600 CE and is regarded as one of the oldest surviving martial arts.[197][198]In this form of martial arts, various stages of physical training includeayurvedicmassage withsesame oilto impart suppleness to the body (uzichil); a series of sharp body movements so as to gain control over various parts of the body (miapayattu); and, complex sword fighting techniques (paliyankam).[199]Silambam,which was developed around 200 AD, traces its roots to theSangam periodin southern India.[200]Silambam is unique among Indian martial arts because it uses complex footwork techniques (kaaladi), including a variety of spinning styles. Abamboostaff is used as the main weapon.[200]The ancient TamilSangam literaturementions that between 400 BCE and 600 CE, soldiers from southern India received special martial arts training which revolved primarily around the use ofspear(vel),sword(val) andshield(kedaham).[201]
Among eastern states,Paika akhadais a martial art found inOdisha.Paika akhada,orpaika akhara,roughly translates as "warrior gymnasium" or "warrior school".[202]In ancient times, these were training schools of the peasant militia. Today'sPaika akhadateach physical exercises and martial arts in addition to the Paika dance, performance art with rhythmic movements and weapons being hit in time to the drum. It incorporates acrobatic manoeuvres and use of thekhanda (straight sword),patta (guantlet-sword),sticks, and other weapons.
In northern India, themusti yuddhaevolved in 1100 AD and focussed on mental, physical and spiritual training.[203]In addition, theDhanur Vedatradition was an influential fighting arts style which considered thebowand thearrowto be the supreme weapons. TheDhanur Vedawas first described in the 5th-century BCEViṣṇu Purāṇa[198]and is also mentioned in both of the major ancient Indian epics, theRāmāyaṇaandMahābhārata.A distinctive factor of Indian martial arts is the heavy emphasis laid on meditation (dhyāna) as a tool to remove fear, doubt and anxiety.[204]
Indian martial arts techniques have had a profound impact on other martial arts styles across Asia. The 3rd-century BCEYoga Sutras of Patanjalitaught how to meditate single-mindedly on points located inside one's body, which was later used inmartial arts,while variousmudrafinger movements were taught inYogacaraBuddhism. These elements ofyoga,as well as finger movements in thenatadances, were later incorporated into various martial arts.[205]According to some historical accounts, the South Indian Buddhist monkBodhidharmawas one of the main founders of theShaolin Kungfu.[206]
Popular media
editTelevision
editIndian television started off in 1959 in New Delhi with tests for educational telecasts.[207][208]Indian small screen programming started off in the mid-1970s. Only one national channel, the government-ownedDoordarshanexisted around that time. The year 1982 marked a revolution in TV programming in India, as the New Delhi Asian games became the first to be broadcast on the colour version of TV. TheRamayanaandMahabharatwere among the popular television series produced. By the late 1980s television set ownership rapidly increased.[209]Because a single channel was catering to an ever-growing audience, television programming quickly reached saturation. Hence the government started another channel that had part of national programming and part regional. This channel was known as DD 2 (later DD Metro). Both channels were broadcast terrestrially.
In 1991, the government liberated its markets, opening them up tocable television.Since then, there has been a spurt in the number of channels available. Today, the Indian small screen is a huge industry by itself and offers hundreds of programmes in almost all the regional languages of India. The small screen has produced numerous celebrities of their own kind, some even attaining national fame for themselves. TV soaps enjoy popularity among women of all classes. Indian TV also consists of Western channels such asCartoon Network,Nickelodeon,HBO,andFX.In 2016 the list of TV channels in India stood at 892.[210]
Cinema
edit
|
|
Bollywoodis the informal name given to the popularMumbai-basedfilm industryin India. Bollywood and the other major cinematic hubs (inBengali cinema,theOriya film industry,Bhojpuri,Assamese,Kannada,Malayalam,Marathi,Tamil,PunjabiandTelugu) constitute the broaderIndian film industry,whose output is considered to be the largest in the world in terms of number of films produced and number of tickets sold.
India has produced many cinema-makers likeS.Shankar,S.S.Rajamouli,Satyajit Ray,Mrinal Sen,J. C. Daniel,K. Viswanath,Ram Gopal Varma,Bapu,Ritwik Ghatak,Guru Dutt,Adoor Gopalakrishnan,Shaji N. Karun,Girish Kasaravalli,Shekhar Kapoor,Hrishikesh Mukherjee,Nagraj Manjule,Shyam Benegal,Shankar Nag,Girish Karnad,G. V. Iyer,Mani Ratnam,andK. Balachander(see also:Indian film directors). With the opening up of the economy in recent years and consequent exposure to world cinema, audience tastes have been changing. In addition, multiplexes have mushroomed in most cities, changing the revenue patterns.
Perceptions of Indian culture
editIndia's diversity has inspired many writers to describe their perceptions of the country's culture. These writings paint a complex and often conflicting picture of the culture of India. India is one of the most ethnically and religiously diverse countries in the world. The concept of "Indian culture" is a very complex and complicated matter. Indian citizens are divided into various ethnic, religious, caste, linguistic and regional groups, making the realities of "Indianness" extremely complicated. This is why the conception of Indian identity poses certain difficulties and presupposes a series of assumptions about what concisely the expression "Indian" means. However, despite this vast and heterogeneous composition, the creation of some sort of typical or shared Indian culture results from some inherent internal forces (such as a robust Constitution, universal adult franchise, flexible federal structure, secular educational policy, etc.) and from certain historical events (such as Indian Independence Movement, Partition, wars against Pakistan, etc.)Hindu Sanskriti Ankhis an ancient series of books originally from northern part of India highlighting the Bharatiya Sanskriti, that is, the culture of India.
According to industry consultant Eugene M. Makar, for example, traditional Indian culture is defined by a relatively strict social hierarchy. He also mentions that from an early age, children are reminded of their roles and places in society.[211]This is reinforced, Makar notes, by the way, many believe gods and spirits have an integral and functional role in determining their life. Several differences such as religion divide the culture. However, a far more powerful division isthe traditional Hindu bifurcation into non-polluting and polluting occupations.Strict social taboos have governed these groups for thousands of years, claims Makar. In recent years, particularly in cities, some of these lines have blurred and sometimes even disappeared. He writes important family relations extend as far as 1gotra,the mainly patrilinear lineage or clan assigned to a Hindu at birth. In rural areas & sometimes in urban areas as well, it is common that three or four generations of the family live under the same roof. Thepatriarchoften resolves family issues.[211]
Others have a different perception of Indian culture. According to an interview withC.K. PrahaladbyDes Dearlove,author of many best selling business books, modern India is a country of very diverse cultures with many languages, religions, and traditions. Children begin by coping and learning to accept and assimilate in this diversity. Prahalad – who was born in India and grew up there – claimed, in the interview, that Indians, like everyone else in the world, want to be treated as unique, as individuals, want to express themselves and seek innovation.[212]In another report, Nancy Lockwood ofSociety for Human Resource Management,the world's largest human resources association with members in 140 countries, writes that in the past two decades or so, social change in India is in dramatic contrast to the expectations from traditional Indian culture. These changes have led to Indian families giving education opportunities to girls, accepting women working outside the home, pursuing a career, and opening the possibility for women to attain managerial roles in corporate India. Lockwood claims that change is slow, yet the scale of cultural change can be sensed from the fact that of India's 397 million workers, 124 million are now women. The issues in India with women empowerment are similar to those elsewhere in the world.[213]
According toAmartya Sen,the India born Nobel Laureate in Economics, the culture of modern India is a complex blend of its historical traditions, influences from the effects of colonial rule over centuries and current Western culture – both collaterally and dialectically. Sen observes that external images of India in the West often tend to emphasise the difference – real or imagined – between India and the West.[214]There is a considerable inclination in the Western countries to distance and highlight the differences in Indian culture from the mainstream of Western traditions, rather than discover and show similarities. Western writers and media usually misses, in important ways, crucial aspects of Indian culture and traditions. The deep-seated heterogeneity of Indian traditions, in different parts of India, is neglected in these homogenised descriptions of India. The perceptions of Indian culture, by those who weren't born and raised in India, tend to be one of at least three categories, writes Sen:
- Exoticist approach: it concentrates on the wondrous aspects of the culture of India. The focus of this approach of understanding Indian culture is to present the different, the strange and as Hegel put it, "a country that has existed for millennia in the imaginations of the Europeans."
- Magisterial approach: it assumes a sense of superiority and guardianship necessary to deal with India, a country that James Mill's historiography thought of as grotesquely primitive culture. While a great many British observers did not agree with such views of India, and some non-British ones did, it is an approach that contributes to some confusion about the culture of India.
- Curatorial approach: it attempts to observe, classify and record the diversity of Indian culture in different parts of India. The curators do not look only for the strange, are not weighed by political priorities, and tend to be freer from stereotypes. The curatorial approach, nevertheless, has an inclination to see Indian culture as more special and extraordinarily interesting than it actually may be.
The curatorial approach, one inspired by a systematic curiosity for the cultural diversity of India within India, is mostly absent.
Susan Bayly,in her book, observes that there is a considerable dispute in India and Orientalist scholars on perceived Indian culture. She acknowledges that many dispute claims of the pervasiveness of caste and strict social hierarchy in modern India. Bayly notes that much of the Indian subcontinent was populated by people for whom the formal distinctions of caste and strict social hierarchies were of only limited importance in their lifestyles.[215]
According to Rosser, an American sociologist, Americans of South Asian origins feel the Western perception of the culture of India has numerous stereotypes. Rosser notes that the discourse in much of the United States about the culture of India is rarely devoted to independent India. People quickly make sweeping and flawed metaphysical assumptions about its religion and culture but are far more circumspect when evaluating civil society and political culture in modern India. It is as if the value of South Asia resides only in its ancient contributions to human knowledge whereas its pathetic attempts to modernise or develop are to be winked at and patronised.[216]Rosser conducted numerous interviews and summarised the comments. The study reports a stark contrast between Western perceptions of the culture of India, versus the direct experience of the interviewed people. For example:
The presentation of South Asians is a standard pedagogic approach which runs quickly from the "Cradle of Civilisation" —contrasting the Indus Valley with Egypt and Mesopotamia—on past the Aryans, who were somehow our ancestors— to the poverty-stricken, superstitious, polytheistic, caste-ridden Hindu way of life... and then somehow magically culminates with a eulogy of Mahatma Gandhi. A typical textbook trope presents standard Ancient India Meets the Age of Expansion Approach with a colour photo of the Taj Mahal. There may be a sidebar on ahimsa or a chart of connecting circles graphically explaining samsara and reincarnation or illustrations of the four stages of life or the Four Noble Truths. Amid the dearth of real information, there may be found an entire page dedicated to a deity such as Indra or Varuna, who admittedly are rather an obscure vis-à-vis the beliefs of most modern Hindus.
— A South Asian in America[216]
There is new debate arising as to whether or not Indian culture is decaying.[217]
See also
editReferences
editCitations
edit- ^abJohn Keay (2012),India: A History,2nd Ed – Revised and Updated, Grove Press / Harper Collins,ISBN978-0-8021-4558-1,see Introduction and Chapters 3 through 11
- ^abMohammada, Malika (2007),The foundations of the composite culture in India,Aakar Books,ISBN81-89833-18-9
- ^"British legacy alive and kicking in India".Reuters.15 August 2007.Archivedfrom the original on 9 April 2022.Retrieved9 April2022.
- ^Adams, C. J.,Classification of religions: GeographicalArchived14 December 2007 at theWayback Machine,Encyclopædia Britannica,2007. Accessed: 15 July 2010
- ^Bauman, Chad M. (2016)."Faith and Foreign Policy in India: Legal Ambiguity, Selective Xenophobia, and Anti-minority Violence".The Review of Faith & International Affairs.14(2): 31–39.doi:10.1080/15570274.2016.1184437.Archivedfrom the original on 27 September 2020.Retrieved1 February2019.
- ^Houtsma 1936,p. 100, Volume 2
- ^Stepaniants Marietta, 2002, The Encounter of Zoroastrianism with Islam, journal=Philosophy East and West, volume 52, issue 2, University of Hawai'i Press, page 163.
- ^Affolter, Friedrich W. (2005)."The Specter of Ideological Genocide: The Bahá'ís of Iran"(PDF).War Crimes, Genocide and Crimes Against Humanity.1(1): 75–114.Archived(PDF)from the original on 5 January 2015.Retrieved18 April2018.
- ^Mottahedeh, Roy,The Mantle of the Prophet: Religion and Politics in Iran,One World, Oxford, 1985, 2000, p.238
- ^Ann K. S. Lambton, 1981, State and government in medieval Islam: an introduction to the study of Islamic political theory: the jurists, Routledge, page 205,ISBN9780197136003.
- ^Meri Josef W., Bacharach Jere L., 2006, Medieval Islamic Civilization: L-Z, index, series: Medieval Islamic Civilization: An Encyclopedia, volume = II, Taylor & Francis, pages 878,ISBN9780415966924
- ^"Under Persian rule".BBC.Archivedfrom the original on 25 November 2020.Retrieved16 December2009.
- ^"Desh Pardesh: The South Asian Presence in Britain", p. 252, by Roger Ballard
- ^"Situation of Baha'is in Iran".Archived fromthe originalon 27 May 2011.Retrieved18 April2018.
- ^Kenoyer, Jonathan Mark;Heuston, Kimberley (May 2005).The Ancient South Asian World.Oxford University Press.ISBN978-0-19-517422-9.OCLC56413341.Archived fromthe originalon 20 November 2012.
- ^Nikki StaffordFinding Lost,ECW Press, 2006ISBN1-55022-743-2p. 174
- ^Lévi, Sylvain; Przyluski, Jean; Bloch, Jules (1993).Pre-Aryan and Pre-Dravidian in India.Asian Educational Services.ISBN978-81-206-0772-9.Archivedfrom the original on 26 March 2023.Retrieved26 October2021.
It has been further proved that not only linguistic but also certain cultural and political facts of ancient India, can be explained by Austroasiatic (Mon-Khmer) elements.
- ^"How rice farming may have spread across the ancient world".www.science.org.Archivedfrom the original on 26 October 2021.Retrieved26 October2021.
- ^"1".Cultural History of India.New Age International Limited Publications. 2005. p. 3.ISBN978-81-224-1587-2.
- ^Southeast Asia: A Historical Encyclopedia, from Angkor Wat to East Timor,by Keat Gin Ooi p.642
- ^Hindu-Buddhist Architecture in Southeast Asiaby Daigorō Chihara p.226
- ^Lange, Christian (10 July 2008).Justice, Punishment and the Medieval Muslim Imagination.Cambridge Studies in Islamic Civilization. Cambridge University Press.ISBN978-0-521-88782-3.Archivedfrom the original on 8 March 2021.Retrieved28 September2018.Lange: "Greater Persia (including Khwārazm, Transoxania, and Afghanistan)."
- ^E. Dunn, Ross (1986).The adventures of Ibn Battuta, a Muslim traveller of the fourteenth century.University of California Press, 1986.ISBN978-0-520-05771-5.
- ^Tharoor, Shashi (2006).India: From Midnight to the Millennium and Beyond.Arcade Publishing, 2006.ISBN978-1-55970-803-6.
- ^Stafford, Nikki (2006).Finding Lost: The Unofficial Guide.ECW Press. p.174.ISBN978-1-55490-276-7.Retrieved5 December2013.
- ^ab"45".What Is Hinduism?Modern Adventures Into a Profound Global Faith.Himalayan Academy Publications. 2007. p. 359.ISBN978-1-934145-00-5.
- ^"Non Resident Nepali – Speeches".Nrn.org.np. Archived fromthe originalon 25 December 2010.Retrieved1 August2010.
- ^"BBCVietnamese.com".Bbc.co.uk.Archivedfrom the original on 3 April 2015.Retrieved1 August2010.
- ^"Religions of the world: numbers of adherents; growth rates".Religioustolerance.org.Archivedfrom the original on 25 January 2021.Retrieved1 August2010.
- ^abMigheli, Matteo (February 2016)."Minority Religious Groups and Life Satisfaction in India".Australian Economic Review.49(2): 117–135.doi:10.1111/1467-8462.12143.hdl:2318/1574268.ISSN0004-9018.S2CID156206888.
- ^ab"India has 79.8% Hindus, 14.2% Muslims, says 2011 census data on religion".First Post.26 August 2015.Retrieved22 September2015.
- ^abcClothey, Fred (2006).Religion in India: a historical introduction.London New York: Routledge.ISBN978-0-415-94024-5.
- ^Ramkrishna Bhattacharya (2011), Studies on the Cārvāka/Lokāyata, Anthem Press,ISBN978-0857284334,pages 26–29
- ^Johannes Quack (2014),Disenchanting India: Organized Rationalism and Criticism of Religion in India,Oxford University Press,ISBN978-0199812615,page 50 with footnote 3
- ^KN Tiwari (1998), Classical Indian Ethical Thought, Motilal Banarsidass,ISBN978-8120816077,page 67;
Roy W Perrett (1984),The problem of induction in Indian philosophyArchived14 December 2020 at theWayback Machine,Philosophy East and West, 34(2): 161–174;
(Bhattacharya 2011,pp. 21–32);
(Radhakrishnan & Moore 1957,pp. 187, 227–234);
Robert Flint,Anti-theistic theories,p. 463, atGoogle Books,Appendix Note VII – Hindu Materialism: The Charvaka System; William Blackwood, London; - ^Raman, Varadaraja V. (2012). "Hinduism and science: some reflections".Zygon.47(3): 549–574.doi:10.1111/j.1467-9744.2012.01274.x.Quote (page 557): "Aside from nontheistic schools like theSamkhya,there have also been explicitly atheistic schools in the Hindu tradition. One virulently anti-supernatural system is/was the so-called Charvaka school. ",
- ^Chakravarti, Sitansu (1991).Hinduism, a way of life.Motilal Banarsidass Publ. p. 71.ISBN978-81-208-0899-7.Retrieved9 April2011.
- ^Joshi, L.R. (1966). "A New Interpretation of Indian Atheism".Philosophy East and West.16(3/4): 189–206.doi:10.2307/1397540.JSTOR1397540.
- ^Radhakrishnan, Sarvepalli; Moore, Charles A. (1957).A Sourcebook in Indian Philosophy(Twelfth Princeton Paperback printing 1989 ed.). Princeton University Press. pp.227–249.ISBN978-0-691-01958-1.
- ^Zuckerman, Phil (21 December 2009)."Chapeter 7: Atheism and Secularity in India".Atheism and Secularity.ABC-CLIO.ISBN978-0-313-35182-2.Retrieved7 September2013.
- ^"Global Index Of Religion And Atheism"(PDF).WIN-Gallup. Archived fromthe original(PDF)on 16 October 2012.Retrieved3 September2013.
- ^abOxford Dictionary of World Religions,p. 259
- ^Ben-Ami Scharfstein (1998),A comparative history of world philosophy: from the Upanishads to Kant,Albany: State University of New York Press, pp. 9-11
- ^Flood 1996,pp. 82, 224–49
- ^For an overview of this method of classification, with detail on the grouping of schools, see:Radhakrishnan & Moore 1957
- ^Cowell and Gough, p. xii.
- ^Nicholson 2010.
- ^Chatterjee and Datta, p. 5.
- ^p 22,The Principal Upanisads,HarperCollins, 1994
- ^Clarke 2006,p. 209.
- ^"Indian Families".Facts About India. Archived fromthe originalon 30 July 2011.Retrieved11 October2011.
- ^Srivastava, Shobhit; Chauhan, Shekhar; Patel, Ratna; Kumar, Pradeep; Purkayastha, Naina; Singh, S. K. (March 2022)."Does Change in Family Structure Affect the Household Headship among Older Adults in India? A Gendered Perspective".Ageing International.47(1): 1–19.doi:10.1007/s12126-020-09401-x.ISSN0163-5158.S2CID225105434.
- ^abSinha, Raghuvir (1993).Dynamics of Change in the Modern Hindu Family.South Asia Books.ISBN978-81-7022-448-8.
- ^Orenstein, Henry; Micklin, Michael (1966). "The Hindu Joint Family: The Norms and the Numbers".Pacific Affairs.39(3/4): 314–325.doi:10.2307/2754275.JSTOR2754275.
Autumn, 1966
- ^Verma, Suman; Saraswathi, T.S. (2002).Adolescence in India.Rawat Publications. p. 112.
- ^Heitzman, James."India: A Country Study".US Library of Congress.Archivedfrom the original on 9 May 2012.Retrieved26 December2012.
- ^Women and men in India 2012Archived12 October 2013 at theWayback MachineCSO/Census of India 2011, Government of India, pp xxi
- ^K. SinhaNearly 50% fall in brides married below 18Archived30 July 2019 at theWayback MachineThe Times of India (10 February 2012)
- ^Heitzman, James."India: A Country Study".US Library of Congress.Archivedfrom the original on 20 May 2011.Retrieved26 December2012.
- ^Agarwal, Bina (25 September 2005)."Landmark step to gender equality".The Hindu.Archived fromthe originalon 1 October 2007.
- ^"Avoid disputes, write a will".The Times of India.4 August 2004.Archivedfrom the original on 2 April 2020.Retrieved19 February2012.
- ^"India moves to make it easier for couples to divorce".BBC News.10 June 2010.Archivedfrom the original on 21 August 2020.Retrieved21 July2018.
- ^"Marriage and Divorce data by Country – United Nations database".Archivedfrom the original on 31 July 2020.Retrieved20 February2012.
- ^Pisharoty, Sangeeta (15 May 2010)."Marriages are in trouble".The Hindu newspaper. Archived fromthe originalon 24 November 2012.Retrieved19 February2012.
- ^Divorce soars in India's middle class
- ^Banerji, Manjistha; Martin, Steven; Desai, Sonalde (2008)."Is Education Associated with a Transition towards Autonomy in Partner Choice? A Case Study of India"(PDF).University of Maryland & NCAER. Archived fromthe original(PDF)on 3 March 2016.
- ^David Pilling (6 June 2014)Review – ‘India in Love’, by Ira Trivedi; ‘Leftover Women’, by Leta HongArchived28 September 2014 at theWayback MachineThe Financial Times
- ^Sari nights and henna partiesArchived5 March 2016 at theWayback Machine,Amy Yee, The Financial Times, 17 May 2008
- ^India's love affair with goldArchived8 August 2013 at theWayback Machine,CBS News, 12 February 2012
- ^Hindu Saṁskāras: Socio-religious Study of the Hindu Sacraments, Rajbali Pandey (1969), see Chapter VIII,ISBN978-81-208-0396-1,pages 153–233
- ^abThe Illustrated Encyclopedia of Hinduism: A-M, James G. Lochtefeld (2001),ISBN978-0-8239-3179-8,Page 427
- ^History of Dharmasastra, Vaman Kane (1962)
- ^P.H. Prabhu (2011),Hindu Social Organization,ISBN978-81-7154-206-2,see pages 164–165
- ^Three Days of a Traditional Indian Muslim WeddingArchived21 February 2020 at theWayback Machine,zawaj.com
- ^Diwali 2013: Hindu Festival Of Lights Celebrated All Over The WorldArchived17 August 2016 at theWayback MachineNadine DeNinno, International Business Times (November 02 2013)
- ^James G. Lochtefeld 2002,p. 208.
- ^"Nagaland's Hornbill Festival".Archivedfrom the original on 9 December 2018.Retrieved9 December2018.
- ^ab"Central Government Holidays"(PDF).Government of India. 2010.Archived(PDF)from the original on 9 October 2012.Retrieved11 January2012.
- ^Reporter, B. S. (26 August 2015)."India's population at 1.21 billion; Hindus 79.8%, Muslims 14.2%".Business Standard India.Archivedfrom the original on 24 April 2021.Retrieved18 February2021.
- ^NamasteArchived30 August 2017 at theWayback MachineDouglas Harper, Etymology Dictionary
- ^Ying, Y. W., Coombs, M., & Lee, P. A. (1999), the Family intergenerational relationship of Asian American adolescents, Cultural Diversity and Ethnic Minority Psychology, 5(4), pp 350–363
- ^Lawrence, J. D. (2007), The Boundaries of Faith: A Journey in India, Homily Service, 41(2), pp 1–3
- ^Cf. Messner, W. (2013). India – Intercultural Skills. A Resource Book for Improving Interpersonal Communication and Business Collaboration. Bangalore: Createspace, p. 92.
- ^Symbolism in Indian cultureArchived9 May 2006 at theWayback Machine
- ^Claus, Peter J.; Diamond, Sarah; Margaret Ann Mills (2003).South Asian folklore.Taylor & Francis.ISBN978-0-415-93919-5.
- ^Peter H. Marshall.Nature's Web: Rethinking Our Place on Earth.M.E. Sharpe, 1996ISBN1-56324-864-6p.26Archived30 October 2022 at theWayback Machine
- ^"The constitution of India"(PDF).Archived fromthe original(PDF)on 22 April 2018.Retrieved3 August2020.
- ^Bhatia, Gautam (31 May 2017)."Cow slaughter and the Constitution".The Hindu.ISSN0971-751X.Archivedfrom the original on 23 August 2022.Retrieved23 August2022.
- ^Singh, Mahim Pratap (2 January 2012)."Madhya Pradesh cow slaughter ban Act gets Presidential nod".The Hindu.ISSN0971-751X.Archivedfrom the original on 23 August 2022.Retrieved23 August2022.
- ^"Indians split over cow ban".Asia Times. 6 January 2012. Archived from the original on 5 January 2012.
{{cite web}}
:CS1 maint: unfit URL (link) - ^"Cow slaughter ban: Using sensitivities to politically polarising ends works against democracy".The Economic Times.10 January 2012.Archivedfrom the original on 9 March 2012.Retrieved10 January2012.
- ^"Livestock and poultry: world markets and trade"(PDF).United States Department of Agriculture. October 2011. Archived fromthe original(PDF)on 11 October 2012.Retrieved10 January2012.
- ^McGee, Harold (2004).On food and cooking.Scribner.ISBN978-0-684-80001-1.Archivedfrom the original on 20 July 2017.Retrieved12 January2012.
- ^"Interview with Atul Kochhar".Spice Diary. April 2011.Archivedfrom the original on 28 December 2011.Retrieved12 January2012.
- ^McGee, Harold (December 2010)."Zapping the holiday candy".Archivedfrom the original on 12 January 2012.Retrieved12 January2012.
- ^"Modern Spice"(PDF).Indian Cuisine. 2009. pp. 59–62. Archived fromthe original(PDF)on 16 September 2012.Retrieved12 January2012.
- ^P. Arundhati (1995).Royal Life in Manasollasa (Translated).Sundeep Prakashan. pp. 113–178.ISBN978-81-85067-89-6.
- ^Banerji, Chitrita (1997).Bengali Cooking: Seasons and Festivals.Serif.ISBN978-1-897959-50-3.
- ^Abbot, Elizabeth (2010).Sugar: A Bittersweet History.Penguin.ISBN978-1-590-20297-5.
- ^Lévi, Sylvain; Przyluski, Jean; Bloch, Jules (1993).Pre-Aryan and Pre-Dravidian in India.Asian Educational Services.ISBN978-81-206-0772-9.Archivedfrom the original on 26 March 2023.Retrieved26 October2021.
It has been further proved that not only linguistic but also certain cultural and political facts of ancient India, can be explained by Austroasiatic (Mon-Khmer) elements.
- ^"How rice farming may have spread across the ancient world".www.science.org.Archivedfrom the original on 26 October 2021.Retrieved26 October2021.
- ^Chaubey, G.; Metspalu, M.; Choi, Y.; Magi, R.; Romero, I. G.; Soares, P.; Van Oven, M.; Behar, D. M.; Rootsi, S.; Hudjashov, G.; Mallick, C. B.; Karmin, M.; Nelis, M.; Parik, J.; Reddy, A. G. (1 February 2011)."Population Genetic Structure in Indian Austroasiatic Speakers: The Role of Landscape Barriers and Sex-Specific Admixture".Molecular Biology and Evolution.28(2): 1013–1024.doi:10.1093/molbev/msq288.ISSN0737-4038.PMC3355372.PMID20978040.
- ^Zhang, Xiaoming; Liao, Shiyu; Qi, Xuebin; Liu, Jiewei; Kampuansai, Jatupol; Zhang, Hui; Yang, Zhaohui; Serey, Bun; Sovannary, Tuot; Bunnath, Long; Seang Aun, Hong; Samnom, Ham; Kangwanpong, Daoroong; Shi, Hong; Su, Bing (20 October 2015)."Y-chromosome diversity suggests southern origin and Paleolithic backwave migration of Austro-Asiatic speakers from eastern Asia to the Indian subcontinent".Scientific Reports.5(1): 15486.Bibcode:2015NatSR...515486Z.doi:10.1038/srep15486.ISSN2045-2322.PMC4611482.PMID26482917.
- ^Arunkumar, GaneshPrasad; Wei, Lan-Hai; Kavitha, Valampuri John; Syama, Adhikarla; Arun, Varatharajan Santhakumari; Sathua, Surendra; Sahoo, Raghunath; Balakrishnan, R.; Riba, Tomo; Chakravarthy, Jharna; Chaudhury, Bapukan; Panda, Premanada; K. Das, Pradipta; Nayak, Prasanna K.; Li, Hui (12 February 2015)."A late Neolithic expansion of Y chromosomal haplogroup O2a1-M95 from east to west".Journal of Systematics and Evolution.53(6): 546–560.doi:10.1111/jse.12147.ISSN1674-4918.
- ^"Indian food now attracts wider market".Asia Africa Intelligence Wire.16 March 2005.Archivedfrom the original on 19 July 2012.Retrieved1 June2009.
- ^Louise Marie M. Cornillez (Spring 1999)."The History of the Spice Trade in India".Archivedfrom the original on 5 October 2012.Retrieved1 June2009.
- ^"Meatless Monday: There's No Curry in India".Archived fromthe originalon 16 April 2009.
- ^Nandy, Ashis (May 2004). "The Changing Popular Culture of Indian Food".South Asia Research.24(1): 9–19.doi:10.1177/0262728004042760.S2CID143223986.
- ^Dubey, Krishna gopal (2011).The Indian cuisine.PHI Learning. p. 233.ISBN978-81-203-4170-8.Retrieved28 June2012.
- ^Chapman, Pat (2009).India: food & cooking: The ultimate book on Indian cuisine.New Holland Publishers.pp. 38–39.ISBN978-18-453-7619-2.Retrieved7 July2012.[permanent dead link ]
- ^abEdelstein, Sari (2011).Food, Cuisine, and Cultural Competency for Culinary, Hospitality, and Nutrition Professionals.Jones & Bartlett Publishers. p. 276.ISBN978-1-4496-1811-7.Retrieved4 June2012.
- ^"Andhra Pradesh cuisine".Indianfoodforever.com.Archivedfrom the original on 1 May 2012.Retrieved4 June2012.
- ^"Dum Pukht cooking".Compendium of food terms.theflavoursofhistory.com. Archived fromthe originalon 2 April 2012.Retrieved4 June2012.
- ^abChary, Manish (2009).India: Nation on the Move.iUniverse.ISBN978-1-4401-1635-3.
- ^Tarlo, Emma (1996).Clothing matters: dress and identity in India.C. Hurst & Co. Publishers.ISBN978-1-85065-176-5.
- ^Craik, Jennifer (1994).The face of fashion: cultural studies in fashion.Routledge.ISBN978-0-203-40942-8.
- ^Banerjee, Mukulika & Miller, Daniel (2003)The Sari.Oxford; New York: BergISBN1-85973-732-3
- ^Jones, Sir Arbor (1824).Discourses delivered before the Asiatic Society: and miscellaneous papers, on the religion, poetry, literature, etc., of the nations of India.Printed for C. S. Arnold. p. 28.Archivedfrom the original on 26 May 2022.Retrieved15 November2015.
- ^abcBurrow, Thomas (2001).Sanskrit Language.Motilal.ISBN978-81-208-1767-8.
- ^Zvelebil 1992,p. 12: "... the most acceptable periodisation which has so far been suggested for the development of Tamil writing seems to me to be that of A Chidambaranatha Chettiar (1907–1967): 1. Sangam Literature – 200BC to AD 200; 2. Post Sangam literature – AD 200 – AD 600; 3. Early Medieval literature – AD 600 to AD 1200; 4. Later Medieval literature – AD 1200 to AD 1800; 5. Pre-Modern literature – AD 1800 to 1900"
- ^Maloney 1970,p. 610
- ^Hobson-Jobson: The words English owes to IndiaArchived9 May 2018 at theWayback MachineM.J. Campion, BBC News (11 July 2012)
- ^Hobson-Jobson: A Glossary of Colloquial Anglo-Indian Words and PhrasesArchived5 April 2015 at theWayback MachineYule and Burnell (1903);
- For Anglo-Indian word database:Digital Searchable Version at University of ChicagoArchived11 February 2021 at theWayback Machine
- See Wordnik link in:Happy DiwaliArchived22 June 2017 at theWayback MachineThe Economist (14 November 2012); Wordnik claims about 2000 English words are sourced from different Indian languages. Hobson-Jobson above lists over 2300 Indian words, as well as non-Indian words from East Asia, Persia and other regions in the British Empire that expanded English vocabulary.
- ^abStaal 1963,p. 272
- ^Chatterji as cited inStaal 1963,p. 272
- ^Shah 1998,p. 11
- ^Keith 1998,p. 187
- ^Kamath (2001), p. 5–6
- ^(Wilks in Rice, B.L. (1897), p490)
- ^Pai and Narasimhachar in Bhat (1993), p103
- ^Mahadevan, Iravatham."Early Tamil Epigraphy from the Earliest Times to the Sixth Century AD".Harvard University Press.Archivedfrom the original on 19 July 2013.Retrieved4 December2020.
- ^The wordIsilafound in the Ashokan inscription (called the Brahmagiri edict from Karnataka) meaning toshoot an arrowis a Kannada word, indicating that Kannada was a spoken language in the 3rd century BCE (Dr. D.L. Narasimhachar in Kamath 2001, p5)
- ^Odia gets classical language statusArchived21 February 2014 at theWayback MachineThe Hindu
- ^Schwarzschild (1972), Some Unusual Sound-Changes in Prākrit, Journal of the American Oriental Society, pp 100–104
- ^Dash (2012). Soma-vamsi yayati in tradition and medieval Oriya literature, Studies in History, 28(2), pp 151–177
- ^Brown, Keith; Ogilvie, Sarah (2008),Concise Encyclopedia of Languages of the World,Elsevier,ISBN978-0-08-087774-7,archivedfrom the original on 24 March 2023,retrieved19 September2020,
Apabhramsha seemed to be in a state of transition from Middle Indo-Aryan to the New Indo-Aryan stage. Some elements of Hindustani appear... the distinct form of the lingua franca Hindustani appears in the writings of Amir Khusro (1253–1325), who called it Hindwi[.]
- ^Doulah, A. B. M. Shamsud (29 February 2016).Rabindranath Tagore, the Nobel Prize for Literature in 1913, and the British Raj: Some Untold Stories.Partridge Publishing Singapore.ISBN9781482864038.
- ^Reich, David; et al. (24 September 2009)."Reconstructing Indian population history".Nature.461(7263): 489–494.Bibcode:2009Natur.461..489R.doi:10.1038/nature08365.PMC2842210.PMID19779445.
- ^Cordaux; et al. (2008)."The Northeast Indian Passageway: A Barrier or Corridor for Human Migrations?".Molecular Biology and Evolution.21(8): 1525–1533.doi:10.1093/molbev/msh151.PMID15128876.
- ^Language survey reveals diversityArchived27 November 2014 at theWayback Machine,The Hindu, Shiv Sahay Singh (22 July 2013)
- ^Dutt 2004,p.198
- ^Brockington 2003
- ^Brockington (1998, p. 26)
- ^Van Buitenen; The Mahabharata – 1; The Book of the Beginning. Introduction (Authorship and Date)
- ^Rosen, Elizabeth S. (1975). "Prince ILango Adigal, Shilappadikaram (The anklet Bracelet), translated by Alain Damelou. Review".Artibus Asiae.37(1/2): 148–150.doi:10.2307/3250226.JSTOR3250226.
- ^"Natyashastra"(PDF).Sanskrit Documents.Archived(PDF)from the original on 16 September 2012.Retrieved12 January2012.
- ^abCoormaraswamy and Duggirala (1917).The Mirror of Gesture.Harvard University Press. p. 4.
- ^Natalia Lidova 2014.
- ^Tarla Mehta 1995,pp. xxiv, 19–20.
- ^Devi, Ragini (2002).Dance Dialects of India.Motilal.ISBN978-81-208-0674-0.
- ^""South Asian arts: Techniques and Types of Classical Dance"".Archivedfrom the original on 7 January 2008.Retrieved2 June2022.
- ^"Indian Dance Videos: Bharatanatyam, Kathak, Bhangra, Garba, Bollywood and various folk dances"Archived20 August 2009 at theWayback Machine
- ^"India – Kalai Kaviri and Christu Dance Centre".International Christian Dance Fellowship. 2010. Archived fromthe originalon 16 November 2012.
- ^Māni Mādhava Chākyār(1996).Nātyakalpadrumam.Sangeet Natak Akademi, New Delhi. p. 6.
- ^K. A. Chandrahasan,In pursuit of excellence(Performing Arts)Archived13 November 2012 at theWayback Machine,"The Hindu",Sunday 26 March 1989
- ^Mani Madhava Chakkyar: The Master at Work(film- English), Kavalam N. Panikar,Sangeet Natak Akademi,New Delhi, 1994
- ^Lopes, Rui Oliveira. (2016) "A new light on the shadows of heavenly bodies. Indian shadow puppets: from still paintings to motion pictures". Religion and the Arts, vol. 20, no. 1-2, pp. 160-196. DOI: 10.1163/15685292-02001008
- ^Claus, Peter J.; Sarah Diamond; Margaret Ann Mills (2003).South Asian folklore: an encyclopedia.Taylor & Francis. pp. 108–110.ISBN0-415-93919-4.
- ^Beth Osnes (2001).Acting: An International Encyclopedia.ABC-CLIO. pp. 152, 179–180.ISBN978-0-87436-795-9.
- ^abcdefgStuart Blackburn (2003). Peter J. Claus, Sarah Diamond and Margaret Ann Mills (ed.).South Asian Folklore: An Encyclopedia: Afghanistan, Bangladesh, India, Nepal, Pakistan, Sri Lanka.Taylor & Francis. pp. 543–544.ISBN978-0-415-93919-5.
- ^Arjun Appadurai; Frank J. Korom; Margaret Ann Mills (1991).Gender, Genre, and Power in South Asian Expressive Traditions.University of Pennsylvania Press. pp. 379–391.ISBN0-8122-1337-8.
- ^Stuart Blackburn (1998),Looking Across the Contextual Divide: Studying Performance in South India,South Asia Research, Volume 18, Issue 1, pages 1-11, Quote: "If performance is the cultural organisation of behaviour, it is interesting that these cultural forms vary so widely from area to area. To return to south India, tales are told and songs sung throughout the region, but the same is not true for long narrative singing (epic and the like), or for dance, or for drama; even masks, so widespread in Kerala and other parts of south India, are not significant in Tamil culture."
- ^Beth Osnes (2001).Acting: An International Encyclopedia.ABC-CLIO. p. 335.ISBN978-0-87436-795-9.
- ^Phyllis T. Dircks (2004).American Puppetry: Collections, History and Performance.McFarland. p. 110.ISBN978-0-7864-1896-1.
- ^John Bell (1999).Puppets, Masks, and Performing Objects.MIT Press. pp. 146–147.ISBN978-0-262-52293-9.
- ^abBeth Osnes (2001).Acting: An International Encyclopedia.ABC-CLIO. pp. 335–336.ISBN978-0-87436-795-9.
- ^Rachel Van M. Baumer; James R. Brandon (1993).Sanskrit Drama in Performance.Motilal Banarsidass. pp. 117–118.ISBN978-81-208-0772-3.
- ^Rowell 2015,pp. 13–14.
- ^Flora, Reis (1999). Arnold, Alison (ed.).Classification of musical instruments (South Asia: The Indian Subcontinent – Garland Encyclopedia of World Music, Volume 5).Routledge; Har/Com edition. p. 319.ISBN978-0-8240-4946-1.
- ^P. Yule; M. Bemmann (1988)."Klangsteine aus Orissa-Die frühesten Musikinstrumente Indiens?".Archaeologia Musicalis.2(1): 41–50.Archivedfrom the original on 1 June 2012.Retrieved10 January2012.
- ^Emmie te Nijenhuis (1974).Indian music, Part 2, Volume 6.BRILL.ISBN978-90-04-03978-0.
- ^A Study of Dattilam: A Treatise on the Sacred Music of Ancient India, 1978, p. 283, Mukunda Lāṭha, Dattila
- ^"Plans to start India music awards".BBC News.10 December 2009.Archivedfrom the original on 27 January 2020.Retrieved2 May2010.
- ^Kasbekar, Asha (2006).Pop culture India!: media, arts, and lifestyle.ABC-CLIO.ISBN978-1-85109-636-7.
- ^Kamath (2003), p. 283
- ^Bindloss, Joe (2007).India.Lonely Planet.ISBN978-1-74104-308-2.
- ^Centre, UNESCO World Heritage."Dholavira: A Harappan City - UNESCO World Heritage Centre".whc.unesco.org.Archivedfrom the original on 15 May 2020.Retrieved17 November2018.
- ^Centre, UNESCO World Heritage."Rani-ki-Vav (the Queen's Stepwell) at Patan, Gujarat".whc.unesco.org.Archivedfrom the original on 26 December 2018.Retrieved17 November2018.
- ^Centre, UNESCO World Heritage."Fatehpur Sikri".whc.unesco.org.Archivedfrom the original on 14 May 2011.Retrieved17 November2018.
- ^Centre, UNESCO World Heritage."Taj Mahal".whc.unesco.org.Archivedfrom the original on 15 March 2021.Retrieved17 November2018.
- ^Centre, UNESCO World Heritage."Red Fort Complex".whc.unesco.org.Archivedfrom the original on 3 August 2009.Retrieved17 November2018.
- ^Centre, UNESCO World Heritage."Bahá'í House of Worship at New Delhi - UNESCO World Heritage Centre".whc.unesco.org.Archivedfrom the original on 26 August 2016.Retrieved17 November2018.
- ^"No records to state hockey as national game".Hindustan Times.2 August 2012. Archived fromthe originalon 5 January 2013.Retrieved1 March2013.
- ^abGooptu, S (2004). "Cricket or cricket spectacle? Looking beyond cricket to understand Lagaan".The International Journal of the History of Sport.
- ^abKarafin, Amy; Mahapatra, Anirban (2009).South India.Lonely Planet. p. 69.
- ^"Mohun Bagan vs East Bengal: India's all-consuming rivalry".FIFA.Archived fromthe originalon 22 November 2011.Retrieved7 December2011.
- ^Leibs (2004), p. 92
- ^Robinson & Estes (1996), p. 34
- ^Murray, H. J. R.(1913).A History of Chess.Benjamin Press (originally published by Oxford University Press).ISBN978-0-936317-01-4.OCLC13472872.
- ^Bird 1893, p. 63
- ^"Polo History".Archivedfrom the original on 28 March 2009.Retrieved2 January2019.
- ^"Manipur Polo – Indianpolo.com, polo, polo in india".Indianpolo.com. 25 March 2007. Archived fromthe originalon 11 February 2019.Retrieved25 January2012.
- ^"Buddh International Circuit unveiled amidst cheers"Archived30 April 2016 at theWayback Machine19 October 2011, Zee News
- ^"India: Friday practice – selected team and driver quotes".Formula1.com.Formula One Administration.28 October 2011.Archivedfrom the original on 4 July 2014.Retrieved28 October2011.
- ^James Haughton Woods (1914).The Yoga System of Pantanjali, see Book First: Concentration.Harvard University Press.
- ^Baptiste, Sherri; Scott, Megan (2006).Yoga with Weights for Dummies.Wiley.ISBN978-0-471-74937-0.
- ^Zarrilli, Phillip B."Actualizing Power and Crafting a Self in Kalarippayattu"(PDF).Journal of Asian Martial Arts. Archived fromthe original(PDF)on 28 June 2007.Retrieved3 February2019.
- ^abZarrilli, Phillip B. (1998).When the Body Becomes All Eyes: Paradigms, Discourses and Practices of Power in Kalarippayattu, a South Indian Martial Art.Oxford: Oxford University Press.ISBN978-0-19-563940-7.
- ^Dr Ahmad Sayeed (4 October 2014).Know Your India: "Turn a New Page to Write Nationalism".Vij Books India Pvt Ltd.ISBN9789384318680.
- ^abRaj, J. David Manuel (1977).The Origin and the Historical Development of Silambam Fencing: An Ancient Self-Defence Sport of India.Oregon: College of Health, Physical Education and Recreation, Univ. of Oregon. pp. 44, 50, 83.
- ^Green, Thomas A. (2001).Martial arts of the world: en encyclopedia. R – Z, Volume 2.ABC-CLIO.ISBN978-1-57607-150-2.
- ^"Paika Akhada".Indian Association of Kickboxing Organisations. Archived fromthe originalon 12 July 2011.Retrieved9 February2013.
- ^Ollhoff, Jim (2008).Martial Arts Around the Globe.ABDO Group.ISBN978-1-59928-979-3.
- ^Sharif, Sulaiman (2009).50 Martial Arts Myths.new media entertainment ltd.ISBN978-0-9677546-2-8.
- ^J. R. Svinth (2002).A Chronological History of the Martial Arts and Combative Sports.Archived28 December 2010 at theWayback MachineElectronic Journals of Martial Arts and Sciences
- ^Cephas, Shawn (Winter 1994). "The Root of Warrior Priests in the Martial Arts".Kungfu Magazine.
- ^"A Snapshot of Indian Television History".Indian Television Dot Com Pvt Ltd.Archivedfrom the original on 16 June 2012.Retrieved1 June2006.
- ^"INDIA".The Museum of Broadcast Communications. 2002. Archived fromthe originalon 25 August 2012.Retrieved26 January2012.
- ^Murphy, Patrick D. (29 March 2017).The Media Commons: Globalization and Environmental Discourses.University of Illinois Press.ISBN978-0-252-09958-8.
- ^"Total of television channels in India rises to 892, with three cleared in June".Indian Television Dot Com.9 July 2016.Archivedfrom the original on 5 August 2020.Retrieved18 April2020.
- ^abMakar, Eugene M. (2008).An American's Guide to Doing Business in India.F+W Media.ISBN978-1-59869-211-2.[permanent dead link ]
- ^Dearlove, Des(Spring 2009)."On the verge of something extraordinary".Business Strategy Review:17–20. Archived fromthe originalon 10 May 2013.Retrieved9 January2012.
- ^Lockwood, Nancy (2009)."Perspectives on Women in Management in India"(PDF).Society for Human Resource Management. Archived fromthe original(PDF)on 5 March 2012.Retrieved9 January2012.
- ^Sen, Amartya (2005).The Argumentative Indian: Writings on Indian History, Culture and Identity.Penguin Books.ISBN978-0-312-42602-6.
- ^Bayly, Susan (1999).Caste, Society and Politics in India from the Eighteenth Century to the Modern Age.Cambridge University Press.ISBN978-0-521-79842-6.
- ^ab"Stereotypes in Schooling: Negative Pressures in the American Educational System on Hindu Identity Formation".Teaching South Asia, A Journal of Pedagogy.1(1): 23–76. Winter 2001. Archived fromthe originalon 8 December 2015.
- ^Pateriya, Gaurav (2023)."Is Indian culture decaying?Age".Cultural India.Archivedfrom the original on 21 January 2023.Retrieved21 January2023.
Works cited
edit- Bhattacharya, Ramkrishna(2011).Studies on the Carvaka/Lokayata.Anthem Press.ISBN978-0-85728-433-4.
- Brockington, John (2003), "The Sanskrit Epics", in Flood, Gavin (ed.),Blackwell companion to Hinduism,Blackwell Publishing,pp. 116–128,ISBN0-631-21535-2
- Clarke, Peter Bernard(2006),New Religions in Global Perspective,Routledge,ISBN978-0-7007-1185-7
- Dutt, Romesh C. (2004).Ramayana.Kessinger Publishing. p. 208.ISBN9781419143878.
- Flood, Gavin(1996).An Introduction to Hinduism.Cambridge: Cambridge University Press.
- Houtsma, Martijn Theodoor (1936),First Encyclopaedia of Islam 1913-1936: E.J.Brill's,BRILL,ISBN9789004097964
- Keith, Arthur Berriedale (1998).The Sanskrit Drama.Motilal Banarsidass Publ.ISBN978-81-208-0977-2.
- Natalia Lidova (2014).Natyashastra.Oxford University Press.doi:10.1093/obo/9780195399318-0071.
- James G. Lochtefeld (2002).The Illustrated Encyclopedia of Hinduism: A-M.The Rosen Publishing Group.ISBN978-0-8239-3179-8.
- Maloney, Clarence (May 1970). "The Beginnings of Civilization in South India".The Journal of Asian Studies.29(3): 603–616.doi:10.2307/2943246.JSTOR2943246.S2CID162291987.
- Tarla Mehta (1995).Sanskrit Play Production in Ancient India.Motilal Banarsidass.ISBN978-81-208-1057-0.
- Nicholson, Andrew J. (2010),Unifying Hinduism: Philosophy and Identity in Indian Intellectual History,Columbia University Press
- Rowell, Lewis (2015).Music and Musical Thought in Early India.University of Chicago Press.ISBN978-0-226-73034-9.
- Shah, Natubhai (1998).Jainism: The World of Conquerors.Sussex Academic Press.ISBN978-1-898723-31-8.
- Staal, J. F. (May 1963). "Sanskrit and Sanskritization".The Journal of Asian Studies.22(3): 261–275.doi:10.2307/2050186.JSTOR2050186.S2CID162241490.
- Zvelebil, Kamil (1992),Companion studies to the history of Tamil literature,Leiden: Brill,ISBN978-90-04-09365-2
Bibliography
edit- Ghose, Aurobindo.1998. The foundations of Indian culture. Pondicherry: Sri Aurobindo Ashram.
- Lidova, Natalia (2014).Natyashastra.Oxford University Press.doi:10.1093/obo/9780195399318-0071.
- Lidova, Natalia (1994).Drama and Ritual of Early Hinduism.Motilal Banarsidass.ISBN978-81-208-1234-5.
- Williams, Drid (2004)."In the Shadow of Hollywood Orientalism: Authentic East Indian Dancing"(PDF).Visual Anthropology.17(1): 69–98.doi:10.1080/08949460490274013.S2CID29065670.Archived fromthe original(PDF)on 4 March 2016.Retrieved1 August2016.
- Mehta, Tarla (1995).Sanskrit Play Production in Ancient India.Motilal Banarsidass.ISBN978-81-208-1057-0.
- Emmie Te Nijenhuis(1974).Indian Music: History and Structure.BRILL Academic.ISBN978-90-04-03978-0.
- Gupta, S. P., & Shastri Indo-Canadian Institute. (2011). The roots of Indian art: A detailed study of the formative period of Indian art and architecture, third and second centuries B.C., Mauryan and late Mauryan. Delhi: B.R. Publishing Corporation.
- Vatsyayan, Kapila (2001).Bharata, the Nāṭyaśāstra.Sahitya Akademi.ISBN978-81-260-1220-6.
- Vatsyayan, Kapila (1977).Classical Indian dance in literature and the arts.Sangeet Natak Akademi.OCLC233639306.,Table of ContentsArchived8 March 2021 at theWayback Machine
- Public Broadcasting System, USA (2008).The story of India – history and cultureArchived18 August 2017 at theWayback Machine
- Sharma, Ram Sharan (2005),India's Ancient Past,(Oxford University Press,ISBN978-0-19-568785-9).
- Bajpai, Shiva (2011).The History of India – From Ancient to Modern TimesArchived24 June 2019 at theWayback Machine,(Himalayan Academy Publications (Hawaii, USA),ISBN978-1-934145-38-8)
- A.L. Basham, The Wonder That was India,ISBN0-330-43909-X,Picador London
- Auboyer, Jeannine (2002).Daily Life in Ancient India, from 200 BC to 700 AD.(originally published in French in 1961), Phoenix Press, LondonISBN1-84212-591-5
- Dalmia, Vasudha and Rashmi Sadana (editors),The Cambridge Companion to Modern Indian Culture,Cambridge University Press,ISBN978-0-521-51625-9
- Grihault, Nicki.Culture Smart! India: A Quick Guide to Customs and Etiquette.ISBN1-85733-305-5.
- Henderson, Carol E. (2002).Culture and Customs of IndiaArchived30 October 2022 at theWayback Machine.Greenwood Publishing Group.ISBN0-313-30513-7.
- Naipaul, V.S,India: A Million Mutinies Now,ISBN0-7493-9920-1.
- Nilakanta Sastri, A history of South India from prehistoric times to the fall of Vijayanagar, Oxford University Press,ISBN0-19-560686-8
- Tully, Mark.No Full Stops in India.ISBN0-14-010480-1
- Patra, Avinash (2012),The Spiritual Life and Culture of IndiaArchived30 October 2022 at theWayback Machine,Oxford University Press, England.
Further reading
edit- Chattopadhyaya, D. P.(ed.).History of Science, Philosophy and Culture in Indian Civilization.Vol. 15-volum + parts Set. Delhi:Centre for Studies in Civilizations.
External links
edit- Union Ministry of Culture (archive):Links to some cultural sites and available grants for understanding the cultural diversity and society of India
- Union Ministry of Culture:Official Website
- India and World Cultural HeritageA UNESCO site describing cultural heritage sites of India
- India's intangible cultural heritageAnother UNESCO site dedicated to Indian dance and other cultural heritage
- Indian Culture:Repository of culturally-relevant data hosted by/at the behest of the Union Ministry of Culture