This articleneeds additional citations forverification.(July 2015) |
James Hadley Chase(24 December 1906 – 6 February 1985)[1]was anEnglishwriter. While his birth name wasRené Lodge Brabazon Raymond,he was well known by his various pseudonyms, including James Hadley Chase,James L. Docherty,Raymond Marshall,R. Raymond,andAmbrose Grant.He was one of the best knownthrillerwriters of all time. The canon of Chase, comprising 90 titles, earned him a reputation as the king of thriller writers inEurope.[2]He was also one of the internationally best-selling authors, and to date 50 of his books have been made into films.[3]
James Hadley Chase | |
---|---|
Born | René Lodge Brabazon Raymond 24 December 1906 London, England |
Died | 6 February 1985 Corseaux-sur-Vevey,Switzerland | (aged 78)
Pen name | James L. Docherty Raymond Marshall R. Raymond Ambrose Grant |
Occupation | Novelist |
Language | English |
Nationality | British |
Genre | Crime fiction,mystery,thriller,detective |
Literary movement | Golden Age of Detective Fiction |
Spouse | Sylvia Ray (1932–1985) |
Children | 1 |
Signature | |
Personal background
editBorn on 24 December 1906 in London, England, he was the son of Colonel Francis Raymond of thecolonial Indian Army,a veterinary surgeon. His father intended his son to have a scientific career and had him educated atKing's School, Rochester,Kent.
Chase left home at the age of 18. In 1932, Chase married Sylvia Ray, and they had a son. In 1956, they moved to France. In 1969, they moved toSwitzerland,living a secluded life inCorseaux-sur-Vevey,onLake Geneva.Chase died there on 6 February 1985.
Professional background
editMilitary service
editDuringWorld War IIhe served in theRoyal Air Force,achieving the rank ofSquadron Leader.He edited the RAF journal withDavid Langdonand had several stories from it published after the war in the bookSlipstream: A Royal Air Force Anthology.[4]
Writing background
editAfter Chase left home at the age of 18, he worked in sales, primarily focusing on books and literature. He sold children's encyclopaedias as well as working in a bookshop. He also served as an executive for a book wholesaler, before turning to a writing career that produced more than 90mystery books.His interests included photography, of a professional standard, reading, and listening to classical music and opera. As a form of relaxation between novels, he put together highly complicated and sophisticatedMeccanomodels.
Prohibition and the ensuingGreat Depressionin the US (1929–39) had given rise to the Chicagogangsterculture prior toWorld War II.This, combined with Chase's book trade experience, convinced him that there was a big demand for gangster stories. After readingJames M. Cain's novelThe Postman Always Rings Twice(1934), and having read about the American gangsterMa Barkerand her sons, and with the help of maps and a slang dictionary, he wroteNo Orchids for Miss Blandishin his spare time, he claimed over a period of six weekends, though his papers suggest it took longer. The book achieved remarkable notoriety and became one of the best-selling books of the decade. It was the subject of the 1944 essay "Raffles and Miss Blandish"byGeorge Orwell.[5][6]Chase andRobert Nesbittadapted it to astage play of the same namewhich ran in London'sWest Endto good reviews.[5][7]The1948 film adaptationwas widely denounced as salacious due to the film's portrayal of violence and sexuality.[8]Robert Aldrichdid a remake,The Grissom Gang,in 1971.
During the war, Raymond edited the RAF's official magazine and from that period comes Chase's short story "The Mirror in Room 22",in which he tried his hand outside the crime genre. It was set in an old house, occupied by officers of a squadron. The owner of the house had committed suicide in his bedroom, and the last two occupants of the room had been found with a razor in their hands and their throats cut. The Wing Commander tells that when he started to shave before the mirror, he found another face in it. The apparition drew the razor across his throat. The Wing Commander says," I use a safety razor, otherwise, I might have met with a serious accident – especially if I had been using an old-fashioned cut-throat. "The story was published under the author's real name, Rene Raymond, in the anthology of RAF writingsSlipstreamin 1946. In later collections, the story began to be published with his better known pseudonym James Hadley Chase.[9]
During World War II, Chase became friendly with Merrill Panitt (subsequently editor ofTV Guide), who provided him with a dictionary of American slang, detailed maps and reference books of the American underworld. This gave Chase the background for his early books with American settings, a number of which were based on actual events occurring there. Chase never lived in the United States though he did make two brief visits, one to Miami and the other en route toMexico.
Over the years, Chase developed a distinct, signature style in his writing that was fast-paced, with little explanations or details about the surroundings or weather, unreliable characters.[10]Characters in his novels and short stories would be more coherent and consistent who acted and reacted with unbreakable logic.[11]Punchy sentences, short bursts of dialogue in authentic sounding slang with plenty of action were the characteristics of his writing.[12]
Chase was subject to several court cases during his career. In 1942, his novelMiss Callaghan Comes to Grief(1941), a lurid account of the white slave trade, was banned by the British authorities after the author and publishersJarroldwere found guilty of causing the publication of an obscene book. Each was fined £100. In the court case, Chase was supported by literary figures such asH. E. BatesandJohn Betjeman.Later, the Anglo-American crime authorRaymond Chandlersuccessfully claimed that Chase had lifted a section of his work inBlonde's Requiem(published 1945) forcing Chase to issue an apology inThe Bookseller.
By the end of World War II, eleven Chase titles had been published and he decided to adopt a different writing approach. All of his books to date had been compared to each other, and he wanted to move away from the American gangster scene to the London underworld that had sprung up following the end of German hostilities. He wroteMore Deadly Than the Maleunder a new pseudonym, Ambrose Grant, and it was published in 1947 byEyre and Spottiswoode,Graham Greene's publisher at that time. Alerted to Grant's new book, Greene gave it high praise as did the critics who, at the time, had no idea that Chase was the author. Contrary to rumour, the two authors did not know each other at the time, though they then became friends for the remainder of their lives, as Chase's papers and letters reveal. In the early 1960s, both men were caught up in an investment scandal involving Tom Roe which was to lead to Greene's tax exile beginning in 1966.
In one of the chapters ofThe Wary Transgressor(1952) Chase gave a portrayal of a fanatical British General that was lifted byHans Hellmut Kirstin his novelThe Night of the Generals(which later became a film starringPeter O'Toolein the title role). Chase (who had nothing whatsoever to do with the making of the film) threatened a lawsuit, and Kirst subsequently acknowledged Chase's original idea in his book, as didColumbia Pictures,who included a credit that the plot of the film stemmed from an original Chase idea.
The first cut ofJoseph Losey's 1962 film version of Chase's thrillerEve(1945),Evawas considered too long, at 155 minutes, and the producers, theHakim Brothers,insisted it not only be withdrawn from the Venice Film Festival, but be severely cut. When the film finally opened in Paris at 116 minutes, it was described as the most traumatic disaster of Losey's career.[13]The original book was a psychological study of a prostitute (Chase, with his wife's blessing, picked out a "lady of the night" and offered her £5 and a good lunch if she would let him pick her brains). Set in America, the film version was moved to Venice and starredStanley Bakeras a Welsh writer obsessed with a cold-hearted femme fatale, Eve (Jeanne Moreau).
All of his novels were so fast-paced that the reader was compelled to turn the pages in a non-stop effort to reach the end of the book. The final page often produced a totally unexpected plot twist that would invariably leave even his most die-hard fans surprised. His early books contained some violence that matched the era in which they were written, though this was considerably toned down as plots centred more on circumstantial situations to create the high degree of tension that was the hallmark of his writing. Sex was never explicit and, though often hinted at, seldom happened.
In several of Chase's stories, the protagonist tries to get rich by committing a crime – an insurance fraud or a theft. But the scheme invariably fails and leads to a murder and finally to acul-de-sac,in which the hero realises that he never had a chance to keep out of trouble. Women are often beautiful, clever, and treacherous; they kill unhesitatingly if they have to cover a crime. His plots typically centre arounddysfunctional families,and the final denouement echoes the title.
In many of his novels, treacherous women play a significant role. The protagonist falls in love with one and is prepared to kill someone at her behest. Only when he has killed, does he realise that the woman was manipulating him for her own ends.
Chase's best market was France (more than 30 books were made into movies) where all of his ninety titles were published byÉditions Gallimardin theirSérie noireseries. He was also very popular in other European markets, as well as Africa and Asia. Followingperestroika,Centrepolygraph in Russia contracted to publish all his titles. However, his books failed to take hold in the American market.
Mark Girland
editJust asSherlock Holmeswas the fictional detective created by Arthur Conan Doyle andJames BondbyIan Fleming,Mark Girlandwas created by Chase. Mark Girland is not the usual secret agent. He looks more like an unrefined version of James Bond. He is erratic and genial but also ruthless when he has to be. He is tough too, though he always comes across as quite likeable and charming. He is somewhat like a playboy too. Women often fall for him, though he is honest enough to tell them that he could never stay permanently with one woman. He unashamedly enjoys the fine things of life. Despite all his "vices", he comes out a winner in all his adventures.
Published works
editThis articlelacksISBNsfor the books listed.(August 2020) |
James Hadley Chase
editYear published |
Title | Central character(s) | Film adaptations |
---|---|---|---|
1939 | No Orchids for Miss Blandish alsoThe Villain and the Virgin |
Dave Fenner Slim Grisson Miss Blandish |
No Orchids for Miss Blandish(1948) The Grissom Gang(1971) |
1940 | The Dead Stay Dumb | Dillon Roxy Myra |
|
1941 | Twelve Chinks and a Woman alsoTwelve Chinamen and a Woman alsoThe Doll's Bad News |
Dave Fenner Glorie Leadler |
|
1941 | Miss Callaghan Comes to Grief | Jay Ellinger Raven |
Méfiez-vous fillettes(1957) |
1942 | Get a Load of This(short story collection) | ||
1944 | Miss Shumway Waves a Wand | Ross Millan Myra Shumway |
Une blonde comme ça(1962) Rough Magic(1995) |
1945 | Eve | Clive Thurston Eve Carol |
Eva(1962) Eva(2018) |
1946 | I'll Get You for This | Chester Cain
Miss Wonderly, Killeano, Fleggerty||I'll Get You for This(1951) | |
1947 | Last Page(play)
More Deadly than the Male|| | ||
1948 | The Flesh of the Orchid (novel) | Carol Blandish The Sullivan Brothers |
La Chair de l'orchidée(1975) |
1949 | You Never Know with Women | Floyd Jackson | |
1949 | You're Lonely When You're Dead | Vic Malloy Paula Bensinger Jack Kerman |
|
1950 | Figure It Out for Yourself alsoThe Marijuana Mob |
Vic Malloy Paula Bensinger Jack Kerman |
|
1950 | Lay Her Among the Lilies ASINB001GD0R8K |
Vic Malloy Paula Bensinger Jack Kerman |
Die Katze im Sack (1965) |
1951 | Strictly for Cash | Johnny Farrar
Della |
|
1952 | The Fast Buck alsoThe Soft Touch |
Verne Baird Rico Ed Dallas |
|
1952 | Double Shuffle | Steve Harmas
Hellen Harmas Maddux || | |
1953 | I'll Bury My Dead | Nick English
Morilli |
|
1953 | This Way for a Shroud | Paul Conard Vito Ferrari |
|
1954 | Tiger By the Tail | Ken Holland Lieutenant Harry Adams |
The Man in the Raincoat(1957) Kashmakash(1973) Akalmand(1984) 88 Antop Hill(1984)[14] |
1954 | Safer Dead alsoDead Ringer |
Chet Sladen | |
1955 | You've Got It Coming | Harry Griffin | Он своё получит (On svoyo poluchit)(Russian, 1992) |
1956 | There's Always a Price Tag | Glyn Nash, Steve Harmas | Retour de manivelle(1957) Maharathi(2008) |
1957 | The Guilty Are Afraid | Lew Brandon | |
1958 | Not Safe to Be Free alsoThe Case of the Strangled Starlet |
Jay Delaney | Le Démoniaque(1968) |
1959 | Shock Treatment | Steve Harmas, Terry Regan | Ek Nari Do Roop(1973),Joshila(1973) |
1959 | The World in My Pocket | Morgan | World in My Pocket(1961) Мираж (Mirazh) (1983) |
1960 | What's Better Than Money | Jefferson Halliday | |
1960 | Come Easy – Go Easy | Chet Carson | Chair de poule(1963) |
1961 | A Lotus for Miss Quon | Steve Jaffe | Lotus Flowers for Miss Quon(1967) |
1961 | Just Another Sucker | Harry Barber, John Renick | Dans la gueule du loup(1961) |
1962 | I Would Rather Stay Poor | Dave Calvin | The Catamount Killing (1974) |
1962 | A Coffin from Hong Kong | Nelson Ryan | Coffin from Hong Kong(1964) |
1963 | One Bright Summer Morning | Crime on a Summer Morning(1965) 36 Ghante(1974) | |
1963 | Tell It to the Birds | Steve Harmas, John Anson, Maddox | |
1964 | The Soft Centre | Frank Terrell Valiere Burnette |
|
1965 | This Is for Real | Mark Girland | |
1965 | The Way the Cookie Crumbles | Frank Terrell
Ticky Edris Phil Algir||Trop petit mon ami(fr) (1970) | |
1966 | You Have Yourself a Deal | Mark Girland | The Blonde from Peking(1968) |
1966 | Cade | Val Cade | |
1967 | Have This One on Me | Mark Girland | |
1967 | Well Now – My Pretty | Frank Terrell | Казино (Casino)(Russian, 1992)[15] |
1968 | An Ear to the Ground | Steve Harmas, Al Barney | |
1968 | Believed Violent | Frank Terrell, Jay Delaney | Présumé dangereux(1990) |
1969 | The Whiff of Money | Mark Girland | |
1969 | The Vulture Is a Patient Bird | Max Kahlenberg | Shalimar(1978) |
1970 | Like a Hole in the Head | Jay Benson | Снайпер (Snayper) (Russian, 1991) |
1970 | There's a Hippie on the Highway | Frank Terrell, Harry Mitchell | Бухта смерти (Bukhta smerti) (Russian, 1991) |
1971 | Want to Stay Alive? | Poke Toholo | Le Denier du colt(1990) |
1971 | An Ace Up My Sleeve | Helga Rolfe | Crime and Passion(1976) |
1972 | Just a Matter of Time | Chris Patterson Sheila Oldhill Miss Morely-Johnson |
Pas folle la guêpe(fr) (1972) |
1972 | You're Dead Without Money | Al Barney | |
1973 | Have a Change of Scene | Larry Carr | |
1973 | Knock, Knock! Who's There? | Johnny Bianda | |
1974 | So What Happens To Me? | Jack Crane | |
1974 | Goldfish Have No Hiding Place | Steve Manson | |
1975 | Believe This – You'll Believe Anything | Clay Burden | |
1975 | The Joker in the Pack | Helga Rolfe | |
1976 | Do Me a Favour, Drop Dead | Keith Devery | |
1977 | My Laugh Comes Last | Larry Lucas | The Set-Up(1995) |
1977 | I Hold the Four Aces | Helga Rolfe | |
1978 | Consider Yourself Dead | Mike Frost | |
1979 | You Must Be Kidding | Ken Brandon Tom Lepski Paradise City Police Force |
|
1979 | A Can of Worms | Bart Anderson | |
1980 | You Can Say That Again | Jerry Stevens | |
1980 | Try This One for Size | Paradise City Police Force | Try This One for Size(1989) |
1980 | Hand Me a Fig Leaf | Dirk Wallace | |
1982 | Have a Nice Night | Passez une bonne nuit(1990) | |
1982 | We'll Share a Double Funeral | Perry Weston Chet Logan |
|
1983 | Not My Thing | Ernie Kling | |
1984 | Hit Them Where It Hurts | Dirk Wallace |
Raymond Marshall
editYear published |
Title | Central character(s) | Film adaptations |
---|---|---|---|
1940 | Lady, Here's Your Wreath | Nick Mason | Mem Saab(1971)[14] |
1944 | Just The Way It Is | Harry Duke | |
1945 | Blonde's Requiem | Mack Spewack | |
1947 | Make The Corpse Walk | Rollo
Susan Putch || | |
1947 | No Business of Mine | Steve Harmas | |
1948 | Trusted Like the Fox alsoRuthless |
Edwin Cushman Grace Clark Richard Crane |
|
1949 | The Paw in the Bottle | Julie Holland Harry Gleb |
|
1950 | Mallory | Martin Corridon | |
1951 | But a Short Time to Live alsoThe Pick-up |
Harry Ricks Clair Dolan |
A Little Virtuous(1968) |
1951 | Why Pick on Me? | Martin Corridon | |
1951 | In A Vain Shadow | Frank Mitchell | |
1952 | The Wary Transgressor | David Chisholm | |
1953 | The Things Men Do | Harry Collins | Ça n'arrive qu'aux vivants (1959) |
1954 | The Sucker Punch |
|
A Kiss for a Killer(1957);Aar Ya Paar(Hindi 1997) |
1954 | Mission To Venice | Don Micklem | Mission to Venice(1964) |
1955 | Mission To Siena | Don Micklem | Waiting Room to the Beyond(1964) |
1956 | You Find Him, I'll Fix Him | Ed Dawson | Les Canailles (1960) |
1958 | Hit And Run | Chester Scott | Délit de fuite (1959) Rigged(1985) |
Others
edit- He Wont Need It Now(as James L. Docherty, 1941)
- The Mirror in Room 22—Slipstream: A Royal Air Force Anthology(as R. Raymond, 1946)[16]
- More Deadly Than the Male(as Ambrose Grant, 1947)
- There's a Hippie on the Highway,Bollywood movieVictoria 203,1972[citation needed]
See also
editReferences
edit- ^ObituaryVariety13 February 1985
- ^Frank Northen Magill (1988).Critical survey of mystery and detective fiction.Salem Press. p.319.ISBN0-89356-486-9.
- ^Publishers' Association, Booksellers Association of Great Britain and Ireland (1982).The Bookseller.J. Whitaker. p. 46.
- ^"Biography".
- ^abHunter, Jefferson (2010).English Filming, English Writing.Indiana University Press. p. 105.ISBN9780253004147.
- ^Raffles and Miss Blandish,review ofNo Orchids for Miss BlandishbyGeorge Orwell
- ^Kabatchnik, Amnon (2012).Blood on the Stage, 1975-2000: Milestone Plays of Crime, Mystery, and Detection.Scarecrow Press. p. 65.ISBN9780810883550.
- ^Phillips, Gene D. (2014).Gangsters and G-Men on Screen: Crime Cinema Then and Now.Rowman & Littlefield Publishers. p. 25.ISBN9781442230767.
- ^Haining, Peter (1998).The Mammoth Book of Twentieth-Century Ghost Stories(1 ed.). New York: Carroll & Graf Publishers. p. 334.ISBN0786705833.
- ^"The Sunday Tribune - Books".www.tribuneindia.com.Retrieved14 February2022.
- ^"Invisible Ink: No 126 - James Hadley Chase".The Independent.2 June 2012.Retrieved14 February2022.
- ^Ulrike Tabbert; Juhani Rudanko (2021). "Aspects of Characterisation in James Hadley Chase's Crime Fiction: Multiple Perspectives".English Studies.102(3): 362–383.doi:10.1080/0013838X.2021.1911106.S2CID235219055.
- ^David Caute,Joseph Losey: A Revenge on Life(1994).
- ^ab@IWTKQuiz (21 November 2022)."Lady Here's Your Wreath (1940) - Mem Saab (1971) Tiger By The Tail ('54) - Kashmakash ('73), Akalmand ('84), 88 Antop Hill (2004) The Sucker Punch ('54) - Aar Ya Paar ('94) There Is Always A Price Tag ('56) - Maharathi ('98) Shock Treatment ('59) - Joshila ('73)"(Tweet) – viaTwitter.
- ^"Kazino (1992) - IMDb".IMDb.
- ^Haining, Peter (1998).The Mammoth Book of Twentieth-Century Ghost Stories(1 ed.). New York: Carroll & Graf Publishers. p. 334.ISBN0786705833.
External links
edit- PC Sarkar's dedicated website (2004) on [www.angelfire.com/celeb2/hadleychase/index.htm]
- James Hadley ChaseatIMDb