Wikipedia

Proserpina

For other uses, seeProserpina (disambiguation)andProserpine (disambiguation).

Proserpina(/proʊˈsɜːrpɪnə/proh-SUR-pih-nə;[1]Latin:[proːˈsɛrpɪna]) orProserpine(/ˈprɒsərpaɪn/PROSS-ər-pyne[1]) is an ancient Romangoddesswhose iconography, functions and myths are virtually identical to those of GreekPersephone.Proserpina replaced or was combined with the ancient Roman fertility goddessLibera,whose principal cult was housed in the Aventine temple of the grain-goddessCeres,along with the wine godLiber.

Proserpina
Queen of the Underworld, goddess of female and agricultural fertility, and springtime growth
Marble statue of Proserpina, 2nd century AD. She is depicted holding a torch lighting her way and a sheaf of grain symbolizing abundance.
AbodeOrcus,in winter (Roman name for underworld, and for its ruling deity, equivalent to Greek Hades)
Symboltorch, sheaf,pomegranate
TemplesAventine Hill(with Liber and Ceres)
FestivalsLiberalia(uncertain)
Genealogy
ParentsCeres
SiblingsLiber(various traditions)
ConsortLiber,Dis PaterorOrcus(various traditions)
Equivalents
Greek equivalentPersephone,Ariadne

Each of these three deities occupied their owncellaat the temple. Their cults were served or supervised by a malepublic priesthood.Ceres was by far the senior of the three, one of thedii consentes,Rome's approximate equivalent to the GreekTwelve Olympians.She was identified with GreekDemeterand Liber was identified withBacchusandDionysus.Libera is sometimes described as a female version of Liber Pater, concerned with female fertility. Otherwise she is given no clear identity or mythology by Roman sources, and no Greek equivalent. Nothing is known of her native iconography: her name translates as a feminine form of Liber, "the free one". Proserpina's name is a Latinisation of "Persephone", perhaps influenced by the Latinproserpere( "to emerge, to creep forth" ), with reference to the growing of grain.

Proserpina was imported from southern Italy as part of an official religious strategy, towards the end of thesecond Punic war,when antagonism between Rome's lower and upper social classes, crop failures and intermittent famine were thought to be signs of divine wrath, provoked by Roman impiety. The new cult was installed around 205 BC at Ceres' Aventine temple. Ethnically Greek priestesses were recruited to serve Ceres and Proserpina as "Mother and Maiden". This innovation might represent an attempt by Rome's ruling class to please the gods and the plebs; the latter shared strong cultural ties with Italianmagna Graeca.The reformed cult was based on the Greek, women-onlyThesmophoria,and was promoted asmorally desirablefor respectable Roman women, both as followers and priestesses. It was almost certainly supervised by Rome'sFlamenCerealis,a male priesthood usually reserved to plebeians. The new cult might have partly subsumed the Aventine temple's older, native cults to Ceres, Liber and Libera, but it also functioned alongside them. Liber played no part in the reformed cult. Ceres, Proserpina/Libera and Liber are known to have received cult in their own right, at their Aventine temple and elsewhere, though details are lacking.

The Roman cult of Mother and Maiden named Proserpina as queen of the underworld, spouse to Rome's king of the underworld,Dis pater,and daughter to Ceres. The cult's functions, framework of myths and roles involved the agricultural cycle, seasonal death and rebirth, dutiful daughterhood and motherly care. They included secret initiations and nocturnal torchlit processions, and cult objects concealed from non-initiates. Proserpina'sforcible abductionby thegod of the underworld,her mother's search for her, and her eventual but temporary restoration to the world above are the subject of works inRomanand later art and literature. In particular, her seizure by the god of the Underworld – usually described as the Rape of Proserpina, or of Persephone – has offered dramatic subject matter forRenaissanceand later sculptors and painters.

Cult and myths

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Origin of Libera

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In early Roman religion, Libera was the female equivalent ofLiber Pater,protector ofplebeianrights, god of wine, male fertility and liberty, equivalent to GreekBacchusorDionysus.Libera was originally anItalicgoddess, paired with Liber as an "etymological duality" at some time during Rome's Regal or very early Republican eras.[2]She enters Roman history as part of a so-calledTriadic cultalongsideCeresand Liber, in a temple established around 493 BC on theAventine Hillat state expense, promised by Rome's governing class to theplebs(Rome's citizen-commoners), who had threatened secession. Collectively, these three deities were divine patrons and protectors of Rome's commoner-citizens, and guardians of Rome's senatorial records and written laws, housed at the temple soon after its foundation. Libera might have been offered cult on March 17 during Liber's festival,Liberalia,or at some time during the seven days ofCerealia,held in mid-to-late April; in the latter festival, she would have been subordinate to Ceres; the names of both Liber and Libera were a later addition to Ceres's festival. Otherwise, Libera's functional relationship to her Aventine cult partners is uncertain. She has no known native iconography or mythology.[3]

Libera and Proserpina

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Libera was officially identified as Proserpina from 205 BC, when she and Ceres acquired a Romanised form of Greek mystery rite, theritus graecia cereris.This was part of Rome's religious recrecruitment of deities to serve as divine allies against Carthage, towards the end of theSecond Punic War.In the late Republican era,Cicerodescribed Liber and Libera as Ceres' children. At around the same time,Hyginusequated Libera with GreekAriadne.[4][5]The older and newer forms of her names, cult, and rites, and their diverse associations, persisted well into the late Imperial era.St. Augustine(354–430 AD) wrote that Libera was a goddess of female fertility, just as Liber was a god of male fertility.[6]

Proserpina

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Proserpina was officially introduced to Rome as the daughter of Ceres in the newly Romanised cult of "Mother and Daughter". The cult's origins lay in southern Italy, which was politically allied to Rome but culturally a part ofMagna Graecia.The cult was based on the women-only GreekThesmophoria,which was a part public and part mystery cult toDemeterand Persephone as "Mother and Maiden". It arrived in Rome along with its Greek priestesses, who were grantedRoman citizenshipso that they could pray to the gods "with a foreign and external knowledge, but with a domestic and civil intention".[7]In his commentary onVirgil,Serviuswrites that Proserpina's heavenly name is Luna, and her earthly name isDiana.[8]

The exclusively female initiates and priestesses of the new "Greek-style"mysteries of Ceres and Proserpina were expected to uphold Rome's traditional,patrician-dominated social hierarchy andtraditional morality.Unmarried girls were expected to emulate the chastity of Proserpina, the maiden; married women were expected to seek to emulate Ceres, the devoted and fruitful Mother. Their rites were intended to secure a good harvest, and increase the fertility of those who partook in the mysteries.[9]Each of the Aventine triad's deities continued to receive cult in their own right. Liber's open, gender-mixed cult and festivals continued, though likely caught up in the suppression of theBacchanaliasome twenty years on.[10]Proserpina's individual cult, and her joint cult with Ceres became widespread throughout the Republic and Empire. ATemple of Proserpinawas located in a suburb ofMelite,in modernMtarfa,Malta.The temple's ruins were quarried away between the 17th and 18th centuries; only a few fragments survive.[11]

Myths

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See also:Persephone § Abduction myth
The Rape of ProserpinabyHans von Aachen(1587)
Copy ofThe Rape of ProserpinabyVincenzo de' Rossi,on view nearCliveden House

The best-known myth surrounding Proserpina is of her abduction by the god of the Underworld, her mother Ceres' frantic search for her, and her eventual but temporary restitution to the world above. In Latin literature, several versions are known, all similar in most respects to the myths of Greek Persephone's abduction by the King of the underworld, named variously in Latin sources asDisorPluto,and in Greek sources as Hades or Pluto. "Hades" can mean both the hidden Underworld and its king ('the hidden one'), who in early Greek versions of the myth is a dark, unsympathetic figure; Persephone is "Kore" ('the maiden'), taken against her will;[12]in the GreekEleusinian Mysteries,her captor is known as Hades; they form a divine couple who rule the underworld together, and receive Eleusinian initiates into some form of better afterlife. Renamed Pluto, the king of the underworld is distanced from his violent abduction of his consort.[13]In 27 BCVergilpresented his own version of the myth, in hisGeorgics.In the early 1st century AD,Ovidgives two poetic versions: one in Book 5 of hisMetamorphosesand another in Book 4 of hisFasti[14]An early 5th century AD Latin version of the same myth isClaudian'sDe raptu Proserpinae;in most cases, these Latin works identify Proserpina's underworld abductor and later consort asDis.

Votive pillarreadingDiti Patri et Proserpin[ae] sacrum,"Holy toDīs Paterand Proserpina ", identifying Dīs Pater as Proserpina's husband
APre-RaphaeliteProserpine(1873–1877) byDante Gabriel Rossetti(Tate Gallery,London)

In Claudian's version, the unprepossessing Dis yearns for the joys of married love and fatherhood, and threatens to make war on the other gods if he remains alone inErebus.The Fates (Parcae), who determine the destinies of all, arrange a future marriage for Dis, to prevent the outbreak of war. Jupiter ordersVenusto bring love to Dis, in fulfillment of the prophecy. Ceres has already sought to conceal the innocent Proserpina by sending her to safety inSicily,Ceres' earthly home and sanctuary; but Dis comes out from the volcano atMount Etnain his chariot, seizes Proserpina at thePergusa LakenearEnna,and takes her down into the underworld. The poem ends at this point.[15]

Proserpina's mother, Ceres, seeks her daughter across the world, but in vain. The sun sinks and darkness falls as Ceres walks the earth, stopping the growth of crops and creating adesertwith each step. Jupiter sendsMercuryto order Dis to free Proserpina; but Proserpina has melted Dis' hard heart, and eats "several" of thepomegranateseeds he offers her;[16]those who have eaten the food of the dead cannot return to the world of the living. Pluto insists that she had willingly eaten his pomegranate seeds and in return she must stay with him for half the year.Virgilasserts that Proserpina agrees to this, and is reluctant to ascend from the underworld and re-unite with her mother. When Ceres greets her daughter's return to the world of the living, the crops grow, flowers blossom, and in summer all growing crops flourish, to be harvested in Autumn. During the time that Proserpina resides with Pluto, the world goes through winter, when the earth gives no crops.[17]The earth can only be fertile when she is above.[18]

Orpheus and Eurydice

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The most extensive myth of Proserpina in Latin isClaudian's (4th century AD). It is closely connected with that ofOrpheusandEurydice.In Virgil's Georgics, Orpheus' beloved wife, Eurydice, died from a snake-bite; Proserpina allowed Orpheus into Hades without losing his life; charmed by his music, she allowed him to lead his wife back to the land of the living, as long as he did not look back during the journey. But Orpheus could not resist a backward glance, so Eurydice was forever lost to him.[19][20]

In artwork

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Proserpina's figure inspired manyartisticcompositions, eminently insculpture(Bernini,[21]seeThe Rape of Proserpina (Bernini)) in painting (D.G.Rossetti,[22]a fresco byPomarancio,J. Heintz,[23]Rubens,[24]A. Dürer,[25]Dell'Abbate,[26]Parrish[27]) and in literature (Goethe's[28]ProserpinaandSwinburne'sHymn to ProserpineandThe Garden of Proserpine) The statue of the Rape of Prosepina by Pluto that stands in theGreat GardenofDresden,Germany is also referred to as "Time Ravages Beauty".Kate McGarrigle's song about the legend was one of the last things she wrote prior to her death, and received its only performance at her last concert atRoyal Albert Hallin December 2009.

References

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  1. ^ab"Proserpina".American English Dictionary.HarperCollins.Retrieved15 July2013.
  2. ^The pairing of Libera and Liber identifies both as aspects of an 'etymological duality' – cf RomanFaunusandFauna.SeeSpaeth, Barbette Stanley,The Roman Goddess Ceres,University of Texas Press, 1996, p. 8
  3. ^T. P. Wiseman,"Satyrs in Rome? The Background to Horace's Ars Poetica",The Journal of Roman Studies,Vol. 78 (1988), p 7, note 52.
  4. ^Wiseman, T. P. (1988)."Satyrs in Rome? The Background to Horace's Ars Poetica".Journal of Roman Studies.78:7 n54.doi:10.2307/301447.ISSN0075-4358.JSTOR301447.S2CID161849654.
  5. ^Hyginus.Fabulae(in Latin). 224.Qui facti sunt ex mortalibus immortales... Ariadnen Liber pater Liberam appellavit, Minois et Pasiphaes filiam;
  6. ^Spaeth, 1996, p. 131, citingCicero,De Natura Deorum2.62, andSaint Augustine,De Civitate Dei,4.11; both of whom most likely used the Late Republican polymathVarroas their source.
  7. ^Spaeth, 1996, pp. 4, 6–13, citing Cicero,pro Balbo,55.Arnobiusmistakes this introduction as the first Roman cult to Ceres. His belief may reflect its high profile and ubiquity during the later Imperial period, and possibly the fading of older, distinctively Aventine forms of her cult.
  8. ^Servius,Commentary on Virgil's Aeneid6.118.
  9. ^Spaeth, 1996, pp. 13, 15, 60, 94–97
  10. ^Wiseman, T. P.,Remus: a Roman myth,Cambridge University Press, 1995, p.133
  11. ^Cardona, David (2008–2009)."The known unknown: identification, provenancing, and relocation of pieces of decorative architecture from Roman public buildings and other private structures in Malta".Malta Archaeological Review(9): 43.
  12. ^As in Hesiod'sTheogonyand the "Homeric Hymn to Demeter;seeRayor, Diane (2004).The Homeric Hymns.University of California Press. pp. 107–109.
  13. ^As in the GreekBibliotheca (Pseudo-Apollodorus)and, in Latin,Hyginus.Fabulae.146.
  14. ^For treatment of Ovid's two versions, and comparison with his probable Greek sources,seeHinds, Stephen (1987).The Metamorphosis of Persephone: Ovid and the self-conscious Muse.Cambridge University Press.
  15. ^Claudian."Book I".The Rape of Proserpine.Penelope.uchicago.edu.Retrieved2011-09-06.
  16. ^"Several" in Spaeth,The Roman goddess Ceres,pp. 130-131; Three in Ovid,Fasti526, trans Frazer; seven in Ovid,Metamorphoses,535-539, trans Humphries
  17. ^Virgil,Georgics1.38
  18. ^Miles, p.68
  19. ^Virgil(2002)."English translation online".Georgics.Translated by Kline, A.S. Book 4, 453–527.Retrieved15 December2013.
  20. ^Claudius Claudianus."online".De Raptu Proserpinae– via Divus Angelus.
  21. ^"Bernini – Plutone e Proserpina".Thais.it.Retrieved2013-03-27.
  22. ^"Proserpine by Dante Gabriel Rossetti".artmagick.com. 2008-07-31. Archived fromthe originalon 2013-05-11.Retrieved2013-03-27.
  23. ^"galenug288".OCAIW. Archived fromthe originalon 2002-08-22.Retrieved2013-03-27.
  24. ^"Genios de la Pintura – Ficha Rapto de Proserpina".Artehistoria. Archived fromthe originalon 2008-12-04.Retrieved2013-03-27.
  25. ^"Genios de la Pintura – Ficha Rapto de Proserpina".Artehistoria. Archived fromthe originalon 2007-03-10.Retrieved2011-09-06.
  26. ^"Rape of Proserpina".Webpages.ursinus.edu. Archived fromthe originalon 2011-09-27.Retrieved2011-09-06.
  27. ^"Proserpina, aka Sea Nymphs – Maxfield Parrish Gallery".Maxfieldparrish.info. Archived fromthe originalon 2013-10-17.Retrieved2013-03-27.
  28. ^Johann Wolfgang Goethe (2006-04-26)."Projekt Gutenberg-DE – SPIEGEL ONLINE – Nachrichten – Kultur".Gutenberg.spiegel.de.Retrieved2011-09-05.

Further reading

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...Diti patri dedicata est, qui dives ut apud Graecos Plouton, quia et recidunt omnia in terras et oriuntur e terris, Cui Proserpinam (quod Graecorum nomen est, ea enim est quae Persefone Graece nominatur) — quam frugum semen esse volunt absconditamque quaeri a matre fingunt.
[WithDis Pateris connected Proserpina (whose name is of Greek origin, being that goddess the Greeks call Persephone) who symbolises the wheat seed and whose mother looked for her after her disappearance...]

— Marcus Tullius Cicero,De natura deorumII, 66
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