Samuel Goldwyn

For other uses, seeSamuel Goldwyn (disambiguation).

Samuel Goldwyn(/ˈɡoʊldwɪn/;bornSzmuel Gelbfisz;Yiddish:שמואל געלבפֿיש;August 27, 1882 (claimed but most likely July 1879) – January 31, 1974), also known asSamuel Goldfish,was aPolish-born Americanfilm producerand pioneer in theAmericanfilm industry, who producedHollywood’s first major-motion picture. He was best known for being the founding contributor andexecutiveof severalmotion picture studiosin Hollywood.He was awarded the 1973Golden Globe Cecil B. DeMille Award,theIrving G. Thalberg Memorial Award(1947) and theJean Hersholt Humanitarian Award(1958).

Samuel Goldwyn
Goldwyn in 1949
Born	Szmuel Gelbfisz August 27, 1882 (claimed but most likely July 1879) Warsaw,Congress Poland,Russian Empire
Died	January 31, 1974(1974-01-31)(aged 91) Los Angeles, California,U.S.
Resting place	Forest Lawn Memorial Park,Glendale, California,U.S.
Other names	Samuel Goldfish
Years active	1917–1959
Spouses	Blanche Lasky ​ ​ (m.1910;div.1915)​ Frances Howard ​ ​ (m.1925)​
Children	2, includingSamuel Jr.
Relatives	Tony Goldwyn(grandson) John Goldwyn(grandson) Liz Goldwyn(granddaughter)
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Early life

Goldwyn was likely born in July 1879, although he claimed his birthday to be August 27, 1882.He was born as Szmuel GelbfiszinWarsawtoPolish JewishHasidicparents, Aaron Dawid Gelbfisz,a peddler, and his wife, Hanna Frymet (néeFiszhaut).

He left Warsaw penniless after his father's death and made his way toHamburg.There he stayed with acquaintances of his family where he trained as a glove maker. On November 26, 1898, Gelbfisz left Hamburg forBirmingham,England,where he remained with relatives for six weeks under the nameSamuel Goldfish.On January 4, 1899, he sailed fromLiverpool,arrived inPhiladelphiaon January 19, and went toNew York.He found work inupstateGloversville, New Yorkin the bustling glove business. Soon, his marketing skills made him a very successful salesman at the Elite Glove Company. After four years as vice-president of sales, he moved toNew York Cityand settled at 10 West 61st Street.

Paramount

Main article:Paramount Pictures

Samuel Goldwyn in 1919

In 1913, Goldfish, along with his brother-in-lawJesse L. Lasky,Cecil B. DeMille,and Arthur Friend formed a partnership, The Jesse L. Lasky Feature Play Company, to produce feature-length motion pictures. Film rights for astage play,The Squaw Man,were purchased for $4,000 andDustin Farnumwas hired for theleading role.Shooting for thefirst feature filmmade inHollywoodbegan on December 29, 1913.

In 1914,Paramountwas a film exchange andexhibitioncorporation headed byW. W. Hodkinson.Looking for more movies to distribute, Paramount signed a contract with the Lasky Company on 1 June 1914 to supply 36 films per year. One of Paramount's other suppliers wasAdolph Zukor'sFamous Players Company.The two companiesmergedon 28 June 1916, forming theFamous Players–Lasky Corporation.Zukor had been quietly buying Paramountstock,and two weeks before the merger, becamepresidentof Paramount Pictures Corporation and had Hodkinson replaced withHiram Abrams,a Zukor associate.

With the merger, Zukor became president of Paramount and Famous Players–Lasky, Goldfish was named chairman of the board of Famous Players–Lasky, and Jesse Lasky was the first vice-president. After a series of conflicts with Zukor, Goldfish resigned as chairman, and as a member of theexecutive committeeon September 14, 1916. Goldfish was no longer an active member ofmanagement,although he still owned stock and was a member of the board of directors. Famous Players–Lasky later became part of Paramount Pictures Corporation, and Paramount became one of Hollywood's major studios.

Goldwyn Pictures

In 1916, Goldfish partnered withBroadwayproducersEdgarandArchibald Selwyn,using a combination of both names to call their film-making enterpriseGoldwyn Pictures.Seeing an opportunity, he had hisname legally changedto Samuel Goldwyn in December 1918and used this name for the rest of his life. Goldwyn Pictures proved successful, but it is their "Leo the Lion"trademark for which the company is remembered today.

On April 10, 1924, Goldwyn Pictures was acquired byMarcus Loewand merged into hisMetro Pictures Corporation,becomingMetro-Goldwyn-Mayer.Despite including his name, Samuel Goldwyn was never connected with ownership, management, or production at Metro-Goldwyn-Mayer.

Samuel Goldwyn Productions

From the trailer forThe Hurricane(1937)

Main article:Samuel Goldwyn Productions

Before the sale and merger of Goldwyn Pictures in April 1924, Goldwyn had establishedSamuel Goldwyn Productionsin 1923 as aproduction-only operation(with no distribution arm). Their first feature wasPotash and Perlmutter,released in September 1923 throughFirst National Pictures.Some of the early productions bear the name "Howard Productions", named for Goldwyn's wife,Frances.

For 35 years, Goldwyn built a reputation infilmmakingand developed an eye for finding the talent for making films.William Wylerdirected many of his most celebrated productions, and he hired writers such asBen Hecht,Sidney Howard,Dorothy Parker,andLillian Hellman.(According to legend, at a heated story conference, Goldwyn scolded someone—in most accounts, Mrs. Parker, who recalled he had once been a glove maker—who responded to him, "Don't you point that finger at me. I knew it when it had a thimble on it!")

Goldwyn made numerous films during that time and reigned as Hollywood's most successfulindependentproducer. Many of his films were forgettable; his collaboration withJohn Ford,however, resulted in aBest PictureOscarnomination forArrowsmith(1931). Goldwyn and Ford had another successful collaboration six years later withThe Hurricane(1937).William Wylerwas responsible for most of Goldwyn's highly lauded films, with Best PictureOscarnominations forDodsworth(1936),Dead End(1937),Wuthering Heights(1939),The Little Foxes(1941) andThe Best Years of Our Lives(1946). Leading actors in several Goldwyn films, especially those directed by Wyler, were alsoOscar-nominated for their performances.Throughout the 1930s, Goldwyn released all his films throughUnited Artists;beginning in 1941 and continuing nearly to the end of his career, Goldwyn's films were distributed byRKO Pictures.

Oscar triumph and later years

See also:Academy Awards

In 1946, the year he was honored by theAcademy of Motion Picture Arts and Scienceswith theIrving G. Thalberg Memorial Award,Goldwyn'sdrama,The Best Years of Our Lives,starringMyrna Loy,Fredric March,Teresa WrightandDana Andrews,won theAcademy Award for Best Picture.In the 1950s, Samuel Goldwyn turned to make severalmusicalsincludingHans Christian Andersen(1952), his last withDanny Kaye,with whom he had made many others, andGuys and Dolls(1955) starringMarlon Brando,Jean Simmons,Frank Sinatra,andVivian Blaine,which was based on the successfulBroadwaymusical.This was the only independent film that Goldwyn released throughMGM.

In his final film, Samuel Goldwyn brought together African-American actorsSidney Poitier,Dorothy Dandridge,Sammy Davis Jr.andPearl Baileyin afilm renditionof theGeorge Gershwinopera,Porgy and Bess(1959). Released byColumbia Pictures,the film was nominated for three Oscars but won only one forBest Original Score.It was also acritical and financial failure,and the Gershwin family reportedly disliked the film and eventually pulled it from distribution. The film turned theoperainto anoperettawith spoken dialogue in between the musical numbers. Its reception was a major disappointment for Goldwyn, who, according to biographerArthur Marx,saw it as his crowning glory and had wanted to filmPorgy and Besssince he first saw it onstage in 1935.

Goldwyn's house at1200 Laurel Lanein Beverly Hills was completed in 1934, designed byDouglas HonnoldandGeorge Vernon Russell.The Goldwyns hosted frequent social events at the house.

Awards

• In 1957, Goldwyn was awarded theJean Hersholt Humanitarian Awardfor his outstanding contributions tohumanitariancauses.
• On March 27, 1971, Goldwyn was presented with thePresidential Medal of Freedomby PresidentRichard Nixon.

Marriages

In 1910, Goldwyn married Blanche Lasky, a sister ofJesse L. Lasky.The marriage produced a daughter. The couple divorced in 1915. In 1925, he married actressFrances Howard,to whom he remained married for the rest of his life. Their son,Samuel Goldwyn Jr.,eventually joined his father in the business.

Despite his marriages, Samuel Goldwyn was known as a ladies' man in social circles. Goldwyn Girl Jean Howard was quoted saying, "Sam Goldwyn was not a fellow to make a pass in public; he had too much taste for that," but his dalliances were many, even as his wife Frances Howard turned a blind eye.

Death

Goldwyn died ofheart failureat his home in Los Angeles in 1974 at 91 or 94 if born in 1879. In the 1980s, theSamuel Goldwyn Studiowas sold toWarner Bros.There is atheater named after him in Beverly Hillsand he received a star on theHollywood Walk of Fameat 1631Vine Streetfor his contributions to motion pictures on February 8, 1960.

Descendants and relations

Grandchildren

Samuel Goldwyn's grandchildren include:

• Francis Goldwyn, founder of the Manhattan Toy Company and managing member of Quorum Associates
• Tony Goldwyn,actor, producer, and director, best known for starring as President Fitzgerald Grant III in the TV seriesScandal
• John Goldwyn,film producer
• Peter Goldwyn, the current president ofSamuel Goldwyn Films
• Catherine Goldwyn, creator of Sound Art, a non-profit that teaches popular music all over Los Angeles
• Liz Goldwyn, with a film onHBOcalledPretty Things,featuring interviews with queens from the heyday ofAmerican burlesque;her book, an extension of the documentary titledPretty Things: The Last Generation of American Burlesque Queens,was published in 2006 byHarperCollins
• Rebecca Goldwyn (August 15, 1955 – September 1, 1955)

Nephew

Goldwyn's relatives include Fred Lebensold, an award-winning architect (best known as the designer of multiple concert halls in Canada and the United States). Fred was the son of Manya Lebensold, Sam's younger sister, who was murdered in theHolocaust,despite the best efforts of her brothers Sam and Ben in 1939–40 to extricate her from theWarsaw Ghetto.

The Samuel Goldwyn Foundation

Samuel Goldwyn's will created a multimillion-dollarcharitable foundationin his name. Among other endeavors, the Samuel Goldwyn Foundation funds theSamuel Goldwyn Writing Awards,provides construction funds for theFrances Howard Goldwyn Hollywood Regional Library,and provides ongoing funding for theMotion Picture & Television Country House and Hospital.

The Samuel Goldwyn Company

Main article:The Samuel Goldwyn Company

Several years after the senior Goldwyn's death, his son, Samuel Jr., initiated an independent film and television distribution company dedicated to preserving the integrity of Goldwyn's ambitions and work. The company's assets were later acquired byOrion Pictures,and in 1997, passed on to Orion's parent company,Metro-Goldwyn-Mayer.Several years later, the Samuel Goldwyn Jr. Family Trust andWarner Bros.acquired the rights to all the Goldwyn-produced films exceptThe Hurricane,which was returned to MGM subsidiaryUnited Artists.

Goldwynisms

Goldwyn was also known for hismalapropisms,paradoxes,and otherspeech errorscalled 'Goldwynisms' ( "a humorous statement or phrase resulting from the use of incongruous or contradictory words, situations, idioms, etc." ) and was frequently quoted. For example, he was reported to have said, "I don't think anybody should write his autobiography until after he's dead."and "Include me out." Some famous Goldwyn quotations are misattributions. For example, the statement attributed to Goldwyn that "a verbal contract isn't worth the paper it's written on" is a well-documented misreporting of an actual quote praising the trustworthiness of a colleague: "His verbal contract is worth more than the paper it's written on". The identity of the colleague is variously reported asJoseph M. SchenckorJoseph L. Mankiewicz.Goldwyn himself was reportedly aware of—and pleased by—the misattribution.

Upon being told that a book he had purchased for filming,The Well of Loneliness,couldn't be filmed because it was aboutlesbians,he reportedly replied: "That's all right, we'll make themHungarians."The same story was told about the 1934 rights toThe Children's Hourwith the response "That's okay; we'll turn them intoArmenians."

In theGrateful Dead's "Scarlet Begonias",the line" I ain't often right, but I've never been wrong "appears in thebridge.This is similar to Goldwyn's "I'm willing to admit that I may not always be right, but I am never wrong."

External links

• Samuel GoldwynatIMDb
• Works by Samuel GoldwynatProject Gutenberg
• Works by Samuel GoldwynatLibriVox(public domain audiobooks)
• American Masters: Sam Goldwyn
• The American Presidency Project