Wikipedia

Stand-up comedy

(Redirected fromStand-up comic)
"Stand-up" and "Stand Up Comedy" redirect here. For other uses, seeStand Up.

Stand-up comedyis a performance directed to a liveaudience,where the performer stands on astageand delivershumorousandsatiricalmonologuessometimes incorporatingphysical acts.These performances are typically composed ofrehearsedscriptsbut often include varying degrees oflive crowd interaction.Stand-up comedy consists ofone-liners,stories, observations, orshticksthat can employprops,music,impressions,magic tricks,orventriloquism.

Stand-up comedy
George Carlinperforming in 2008

A performer in this genre can be known by the masculine and gender-neutral termsstand-up comedianandstand-up comic,or by the feminine termstand-up comedienne.Performances can take place in various venues, includingcomedy clubs,comedy festivals,bars,nightclubs,colleges, ortheaters.[citation needed][1]

History

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Main article:History of stand-up comedy

Stand-up comedy originated in various traditions of popular entertainment in the late 19th century. These includevaudeville,thestump-speech monologuesof minstrel shows,dime museums,concert saloons,freak shows,variety shows,medicine shows,American burlesque,English music halls,circus clown antics,Chautauqua,andhumoristmonologues, such as those delivered byMark Twainin his 1866 touring showOur Fellow Savages of the Sandwich Islands.[2][3]

Charles Farrar Browne(April 26, 1834 – March 6, 1867), better known by hisnom de plume,Artemus Ward, is considered[by whom?]America's first stand-up comedian.[citation needed]

The first documented use of "stand-up" appeared inThe Stagein 1911, describing Nellie Perrier delivering 'stand-up comic ditties in achicand charming manner'. However, this referred to a performance ofcomedy songsrather than stand-up comedy in its modern form.[4]

The term appeared again in the “Stage Gossip” column ofThe Yorkshire Evening Poston November 10, 1917. The article discussed the career of a comedian Finlay Dunn, stating that Dunn was "what he calls a stand-up comedian'" during the latter part of the 19th century. However, the term may have been used retrospectively.[5]

Genres

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Main article:Comedic genres
Bill Baileyperforming in 2007

Stand-up has multiple genres and styles with their formats. Common ones include:

  • Alternative:Intended to counter the established figures of mainstream comedy.
  • Anecdotal comedy:Storytelling using exaggeration and humor.[6]
  • Character:A fictional persona created by the performer.
  • Deadpan:The deliberate display of emotional neutrality or no emotion, commonly as a form ofcomedicdelivery to contrast with the ridiculousness or absurdity of the subject matter. This is also calleddry humor,ordry-wit humor.
  • Insult:Consists mainly of offensive insults, usually directed at the audience or other performers.
  • Musical:Humorous songs or musical parodies, sometimes without lyrics.
  • Observational:Conversation on the absurdities of everyday life.[7]
  • Satire:Ridicule of people, institutions, or ideas through jokes.[8]
  • Topical:Framed around a specific topic related to current events or dealing with issues that are important or popular at the current time.
  • Wordplay comedy:Tends to involve the use of tactics like puns, double entendres and rhymes to entertain audiences. Thus, delivery tends to be filled with many one-liners.[9]
  • Self-Deprecating comedy:In this genre, comedians make jokes at their own expense, often poking fun at their own flaws, insecurities, or embarrassing experiences. The humor comes from vulnerability and relatability, which can make the comedian more likable. (see:Self-deprecation)[10]

Stand up performances

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Opener, feature, and headliner

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Joan Riversperforming in 2009

In a typical stand-up show, the host, compere, oremcee"warms up" the audience and introduces the other performers. This is followed by the opener, the feature, and then the headliner. The host may also act as the opener for smaller shows.[11]Proven comics tend to earn regular bookings at clubs that are part of a chain and comedy venues. Jobbing stand-ups may perform sets at two or more venues on the same day.[citation needed]

Open mic

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Clubs and small venues often runopen micevents; these slots may be booked in advance or left for walk-ins. Comedians use open mics to work on material or to show off their skills to get an opener slot.[12]"Bringer shows" are shows that require amateur performers to bring a specified number of paying guests with them to receive stage time.[13]

Festivals

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As well as being a mainstay of the comedy circuit,festivalsoften also showcase up-and-coming acts, with promoters and agents using the festivals to seek out new talent.[14]

TV specials and albums

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Experienced comics with a following may produce atelevision specialor acomedy album.It may be recorded on tour or at a show advertised and performed specifically for the purpose. A TV special originally released on television,video on demand,or in film theatre's may be re-released as an album onaudio CD,LP record,oraudio streaming.A "half-hour special" is typically between 20 and 35 minutes in runtime excludingcommercial breaksand an "hour-long special" is typically between 40 and 65 minutes excluding commercial breaks.[15]

Comedy set

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Main article:Theories of humour
Tiffany Haddishperforming in 2013

Routine

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Stand-up comedians define their craft through the development of routines, which they construct and refine with jokes and interconnected "bits." These bits form an interwoven narrative, leading to the "closer," the final joke that ties the show's themes together for a satisfying conclusion.

Most jokes are thejuxtapositionof two incongruous things and are made up of the premise, set-up, andpunchline,often adding a twist, topper,or tagline for an intensified or extra laugh. Delivery relies on the use of intonation, inflection, attitude, and timing as well as other stylistic devices, such as therule of three,idioms, archetypes, or wordplay.[16][17]Another popular joke structure is theparaprosdokian,a surprising punchline that changes the context or meaning of the setup.[18]

In order to falsely frame their stories as true or to free themselves of responsibility for breaking social conventions, comedians can use thejester's privilege,which is the right to discuss and mock anything freely without being punished.[19][20]Social commentators have referred to the concepts of "punching up" and "punching down" in attempting to describe who should be the "butt of the joke". This carries the assumption that, relative to the comedian's ownsocio-political identity,comedy should "punch up" at the rich and powerful without "punching down" at those who are marginalized and less fortunate.[21][22]Many comedians have criticized the cultural rhetoric concerning "punching up" and "punching down", includingColin Quinn,who described the terms as a product of activism and "not created by humorous people."[23]

Joke theft

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Appropriationandplagiarismare considered "social crimes" by most stand-ups. There have been several high-profile accusations of joke theft, some ending in lawsuits for copyright infringement. Those accused will sometimes claimcryptomnesiaor parallel thinking,[24][25]but it is difficult to successfully sue for joke theft regardless due to theidea–expression distinction.[26]

Audiences

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Damon Wayansperforming in 2007

According to Anna Spagnolli, stand-up comedy audiences "are both 'co-constructors of the situation' and 'co-responsible for it'".[27]

In stand-up comedy, an unspoken contract with the audience allows for the exploration of unexpected, controversial, or scandalous subjects. The reception of a joke, whether met with laughter or disapproval, hinges on the audience's understanding of the premise and appreciation of the punchline. A seasoned comic is able to instantly react to the audience's reaction and use it to further the narrative.

Stand-up comedy, distinct from traditional performing arts, features a lone comedian directly engaging the audience. Success hinges on creating spontaneity, fostering intimacy, and deterring heckling.

Part of the appeal of stand up is in appreciation of the skill of the performer, as studies have shown that many people find the idea of standing on stage daunting; research on the subject has consistently found that thefear of public speakingis more intense than thefear of dying.[28][29]

The audience is integral to live comedy, both as a foil to the comedian and as a contributing factor to the overall experience. The use ofcanned laughterin television comedy reveals this, with shows often seeming "dry" or dull without it. Shows may be filmed in front of a live audience for the same reason.[30]

Terms

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Bridget Christieperforming in 2016
Beat
A pause specifically to create comic timing.
Bit
A section within a comedy show or routine.
Bombing
Failing to get laughs.
Callback
A reference to a joke earlier in the set.
Chewing the scenery
Being overly theatrical or "trying too hard" to get a laugh, especially when failing.
Chi-chi room
The ritzy room of a nightclub or a comedy club with niche performances.[31]
Clapter
When the audience cheers or applauds an opinion that they agree with, but which is not funny enough for them to laugh at. Coined bySeth Meyers.[32]
Corpsing or breaking
When the comedian laughs unintentionally during a portion of the show in which they are supposed to keep astraight face.
Crowd work
Talking directly with audience members through prewritten bits, improvisation or both.
Hack
Aclichédor unskilled comic.
Killing and dying
When a stand-up does well, they are killing. If they are doing poorly, they are dying.
Mugging
Pulling silly faces to elicit a cheap laugh, often relying on exaggerated expressions and physical gestures. This comedic technique aims to generate amusement through visual absurdity and can be employed by performers to enhance the comedic impact of their delivery.
Punter
A member of the audience. Primarily a British term.[33]
The room
The space where the performance takes place. Stand-ups can "read the room" to interpret signs from the audience or "work the room" by interacting with the audience directly.
Tight five
A five-minute routine that is well-rehearsed and consists of a comedian's best material that reliably gets laughs. It is often used for auditions and is a stepping stone to getting a paid spot.[34]
Warm up
To warm up a "cold" audience during the opening act before the main show. Often used at the filming of television comedies in front of studio audiences.
Work out
The process in which brand new jokes are introduced and polished over time.

Records

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Jessica Delfinoholds[when?]the record for most comedy sets performed in one night by a female comedian.[35]

Phyllis Dillerholds[when?]theGuinness World Recordfor most laughs per minute, with 12.[36]

Taylor Goodwin holds[when?]the Guinness World Record for most jokes told in an hour with 550.[37]

Lee Evanssold £7 million worth of tickets for his 2011 tour in a day, the biggest first-day sale of a British comedy tour.[38]

Ricky Gervaisset a new Guinness World Record for the highest gross from a single stand-up performance with his tour "Armageddon." The performance at the Hollywood Bowl in Los Angeles, California, on May 6, 2023, garnered £1,410,000 ($1,790,206.50).[39]

See also

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References

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  1. ^Zoglin, Richard. "Stand-up comedy".Encyclopædia Britannica.Encyclopædia Britannica, Inc. Retrieved 8 March 2019.
  2. ^Tafoya, Eddie (2009).The Legacy of the Wisecrack: Stand-up Comedy as the Great American Literary Form.Universal-Publishers. pp. 85–148.ISBN9781599424958.
  3. ^Bloomquist, Jennifer. "The Minstrel Legacy: African American English and the Historical Construction of 'Black' Identities in Entertainment."Journal of African American Studies19, no. 4 (2015): 410–425.
  4. ^Comedy Studies,vol. 8, no. 1, 106–109[full citation needed]
  5. ^Double, Oliver (9 April 2018)."The origin of the term 'stand-up comedy'".Comedy Studies.12(2): 235–237.doi:10.1080/2040610X.2018.1428427.S2CID195058528– via Taylor & Francis.
  6. ^"What is Anecdotal Comedy?".24 April 2023.
  7. ^Quirk, Sophie (2015).Why Stand-up Matters: How Comedians Manipulate and Influence.New York: Bloomsbury Methuen Drama. p. 154.ISBN978-1-4725-7893-8.Observational comedy works by mocking 'normal' behaviours but, even as it does so, it often affirms and promotes a fixed idea of what 'normal' is.
  8. ^Cambridge University Press."SATIRE | definition in the Cambridge English Dictionary".Cambridge English Dictionary.RetrievedFebruary 6,2024.
  9. ^"Different Styles of Stand-up Comedy".18 July 2022.
  10. ^Moderator ★ (2019-07-16)."Self-Deprecating Humor".SOVA.Retrieved2024-09-30.
  11. ^Seizer, Susan (2011). "On the Uses of Obscenity in Live Stand-Up Comedy".Anthropological Quarterly.84(1). The George Washington University Institute for Ethnographic Research: 215–216.doi:10.1353/anq.2011.0001.JSTOR41237487.S2CID144137009.On this circuit, shows generally consist of three to four comics: Headliner, Feature act, Opener and/or Emcee (i.e., Master of Ceremonies). The Headliner does roughly an hour of original material. The Feature act does 25-30 minutes. The Opener has a ten minute slot, and the Emcee squeezes in a joke or two between acts (if the Opener is not also acting as the Emcee)...
  12. ^Oswalt, Patton (14 June 2014)."A Closed Letter to Myself About Thievery, Heckling and Rape Jokes".Patton Oswalt.Archived fromthe originalon 2019-03-04.Retrieved3 February2019.Open mikes are where, as a comedian [like Daniel Tosh and his controversy], you're supposed to be allowed to fuck up.
  13. ^Roth, Brian (2013-05-22)."The" Bringer "Show: What to Expect When Building Your Comedy Career".New York City Comedy.Retrieved2024-02-09.
  14. ^Frances-White, Deborah; Shandur, Marsha (2016).Off the Mic: The World's Best Stand-up Comedians Get Serious About Comedy.Jim Jefferies. New York: Bloomsbury Publishing. p. 176.ISBN978-1-4725-2638-0.Go to festivals, because that's where you get noticed by the media... [and] gauge [yourself against] everybody else.
  15. ^"Top 25 Stand-Up Specials of All-Time".IMDb.12 August 2018.Retrieved2 November2021.
  16. ^Eddie Izzard(2011).The Art of Stand-Up(TV). United Kingdom: BBC: One.Eddie Izzard states, 'it should be—establish, reaffirm, and then you kill it on the third... you can keep reaffirming before you twist.
  17. ^Helitzer, Mel; Shatz, Mark (2005).Comedy Writing secrets: the best-selling book on how to think funny, write funny, act funny, and get paid for it(2nd ed.). Cincinnati, Ohio: Writer's Digest Books. p.63.ISBN978-1-58297-357-9.
  18. ^Leighton, H. Vernon (2020). "A Theory of Humor (Abridged) and the Comic Mechanisms of John Kennedy Toole'sA Confederacy of Dunces".In Marsh, Leslie (ed.).Theology and Geometry: Essays on John Kennedy Toole's A Confederacy of Dunces (Politics, Literature, & Film).United Kingdom: Lexington Books (published 29 January 2020). pp. 2–4.ISBN978-1-4985-8547-7.Retrieved27 March2020.it is useful to examine the famous paraprosdokian, 'I've had a wonderful evening, but this wasn't it.'
  19. ^"Medieval Jesters – And their Parallels in Modern America".History is Now.13 January 2019.Retrieved2022-02-18.
  20. ^Billington, Sandra. "A Social History of the Fool,"The Harvester Press, 1984. ISBN 0-7108-0610-8
  21. ^Quirk, Sophie (2018).The Politics of British Stand-Up Comedy: The New Alternative.Palgrave Studies in Comedy. London, UK: palgrave macmillan. pp. 23, 29.doi:10.1007/978-3-030-01105-5.ISBN978-3-030-01104-8.LCCN2018956867.the comedy of the left 'punches up' at the established authorities of its time, be they governmental, cultural, or artistic.... a joke is a joke, not a political act, and the ability to say what you like in the context of joking is held sacred.
  22. ^Cohen, Sascha (2014)."A Brief History of Punch-Down Comedy".Mask.Maskmag.Retrieved6 February2019.George Carlin echoed this sentiment, observing that 'comedy has traditionally picked on people in power.'… '[Chappelle and Gervais] have done daring and subversive work on other topics, like race and religion, respectively, but punching down at an essentially powerless minority group is pure hack.'
  23. ^Schwartz, Ben (2016)."Knock Yourselves Out:" Punching up "in American comedy".The Baffler.31(31): 134–136.JSTOR43958952.Retrieved2023-08-23.
  24. ^Voss, Erik (4 November 2010)."Is There Ever a Justification for Joke Stealing?".Vulture: Devouring Culture.New York Media LLC.Retrieved12 March2019.
  25. ^Borns, Betsy (1987).Comic Lives: Inside the World of American Stand-up comedy.Abby Stein. Simon & Schuster. p.242.ISBN0-671-62620-5.[T]here are also cases of simple coincidence and, often in the case of observational material, parallel thinking.
  26. ^Bailey, Jonathan (27 September 2021)."When Joke Theft Becomes Serious".Plagiarism today.Retrieved4 November2021.
  27. ^Fabiola Scarpetta; Anna Spagnolli (2009). "The Interactional Context of Humor in Stand-up Comedy".Research on Language and Social Interaction.42(3): 210–230.doi:10.1080/08351810903089159.S2CID143552897.[page range too broad]
  28. ^"Fear public speaking more than death? Fear not – the audience only sees 20% of your nerves".February 2022.
  29. ^Burgess, Kaya."Speaking in public is worse than death for most".
  30. ^Lockyear, Sharon; Myers, Lynn (November 2011)."It's About Expecting the Unexpected - Live Stand-up Comedy from the Audiences Perspective"(PDF).Participations.8(2): 165–188 – via on-line Database.
  31. ^Wilde, Larry (2000) [1968]. "Shelley Berman".Great Comedians Talk About Comedy.Shelley Berman.Mechanicsburg, Pennsylvania: Executive Books. p. 86.ISBN0-937539-51-1.Just because it is small, they call it a chi-chi room, or because they bring certain oddball forms of entertainment
  32. ^Pandya, Hershal (10 January 2018)."The Rise of" Clapter "Comedy".Vulture.Retrieved10 May2022.
  33. ^Bello, Benamin (6 September 2021)."Whose job is it to deal with aggressive comedy punters?".Chortle.Retrieved10 May2022.
  34. ^Rosenfield, Stephen (2018).Mastering Stand-Up: The Complete Guide to Becoming a Successful Comedian.Chicago, Illinois: Chicago Review Press. p. 195.ISBN978-1-61373-692-0.If you have an all 'A' [material] 5-minute set, you'll get paid nothing.
  35. ^McCarthy, Sean L. (11 September 2015)."Aaron Berg, Jessica Delfino set out to break Steve Byrne's record for stand-up comedy sets in one night".The Comic's Comic.
  36. ^King, Susan (22 December 2006)."Diller can still pack a punch line".Los Angeles Times.Retrieved28 March2020.[Phyllis Diller] still holds the Guinness Book of World Records for doling out 12 punch lines a minute.
  37. ^"Most jokes told in an hour".Guinness World Records.Archived fromthe originalon 27 July 2015.
  38. ^"Biggest first day sale of any British comedy tour ever".Chortle.17 October 2010.Retrieved4 November2021.
  39. ^Pilastro, Eleonora (4 September 2023)."Ricky Gervais's Armageddon breaks stand-up comedy record".Guinness World Records.Archivedfrom the original on 18 January 2024.Retrieved19 February2024.
  40. ^Spacey, John (5 September 2015)."4 Types of Japanese comedy".Japan Talk.Retrieved31 October2021.
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