Takashi Nagasaki(Trường kỳ thượng chí,born January 14, 1956)is a Japanese author,manga writerand formereditorofmanga.He started his professional career atShogakukanin 1980 and worked as an editor on the publisher's various manga magazines, including aseditor-in-chiefofBig Comic Spiritsfrom July 1999 to 2001. Since becoming freelance, Nagasaki has worked as an author under variouspen names,such asKeishi Edogawa(Giang hộ xuyên khải thị),Garaku Toshusai(Đông chu trai nhã lặc),Big O(ビッグ・オー)andRichard Woo(リチャード・ウー).
Takashi Nagasaki | |
|---|---|
Trường kỳ thượng chí | |
| Born | January 14, 1956 |
| Other names | Richard Woo, Big O, Garaku Toshusai, Keishi Edogawa |
| Occupation(s) | Author,manga writer,manga editor |
| Years active | 1980–present |
| Awards | Tezuka Osamu Cultural Prize(2005) Seiun Award(2008, 2010) Max & Moritz Prize(2014) Saito Takao Award(2018) |
He is best known for his collaborations withNaoki Urasawa,such asPluto(2003–2009) andBilly Bat(2008–2016). TheKobe Shimbunwrote that Nagasaki brought the concept of aproducerinto the manga industry, and in doing so "established a new relationship with manga artists."[1]Brian Ruh ofAnime News Networkdescribed Nagasaki as the only editor who "has risen to the level of co-creator alongside the artist."[2]
Career
edit1980–2001: Shogakukan
editDue to his father's job, Nagasaki lived inHiroshimafrom first to fourth grade.[3]Nagasaki joined publisherShogakukanas an editor in 1980. He worked on their manga magazinesBig Comic,Weekly Shōnen Sunday,Big Comic OriginalandBig Comic Superior.[4]In the mid-1980s, he was editor toTakao SaitoonGolgo 13.[5]Nagasaki is also one of the people credited for editingRumiko Takahashi'sRanma ½.[6]In July 1999, he becameeditor-in-chiefofBig Comic Spiritsand held the position until leaving Shogakukan in 2001.[7]
Nagasaki first metNaoki Urasawawhen he was assigned to be the editor of the newly debuting manga artist.[1]The two collaborate so frequently, that Nagasaki has been called Urasawa's "producer." However, Nagasaki said he does not call himself a producer and described his "workload" as being the same as a manga editor's. Although they continue to collaborate even after Nagasaki became freelance, they rarely socialize outside of work.[1]It was Nagasaki who came up with the premise for Urasawa and Kazuya Kudo'sPineapple Army(1985–1988).[8]Nagasaki was a co-author of Urasawa and Hokusei Katsushika's adventure seriesMaster Keaton(1988–1994).[9]It was later adapted into a televisionanimeandoriginal video animationseries between 1998 and 2000. From 1994 to 2001, Nagasaki collaborated with Urasawa on the story for the thrillerMonster.[10]They co-wrote a companion novel titledAnother Monsterin 2002,[11]and the manga was adapted into an anime in 2004. The duo also collaborated from 1999 to 2007 on the story for the science fiction mystery20th Century Boysand its sequel21st Century Boys.[12]The two series earned them the 2008Seiun Awardfor Best Comic,[13]and won many other awards. Nagasaki was also one of the scriptwriters of the three live-action film adaptations of20th Century Boys,released between 2008 and 2009.[14]
2001–present: Freelance
editAfter becoming freelance in 2001, Nagasaki has worked as an author under his own name and variouspen names,such as Keishi Edogawa, Garaku Toshusai, Big O and Richard Woo. He explained that he never intended to become famous as an author, and so felt that anything would be fine for a pen name.[15]With Urasawa, Nagasaki co-authoredPluto(2003–2009), a re-imagining ofAstro BoybyOsamu Tezuka.It won numerous awards including, the ninthTezuka Osamu Cultural Prize(2005),[16]an Excellence Prize at the seventhJapan Media Arts Festival(2005),[17]and the 2010 Seiun Award for Best Comic.[18]From 2006 to 2009, Richard Woo worked with Shinichi Sugimura onDias Police: Ihō KeisatsuforKodansha'sMorning.[19]In 2016, the manga was adapted into a 10-episode TV drama and a theatrical film, and the duo created a short sequel arc subtitled999-hen.[20]In 2008, Nagasaki and Urasawa began the mystery seriesBilly BatinMorning.The manga won the 2014Max & Moritz Prizefor Best International Comic, before ending in 2016.[21][22]Also in 2008, Nagasaki and Urasawa took guest teaching posts atNagoya Zokei University,where they taught "Modern Expression Course: Manga Classes" two to three times a year, although the class met every month.[23]That same year, Nagasaki teamed up withSeimu Yoshizakifor the female detective mangaDeka Girl,which ran in Kodansha'sKiss Plusuntil August 2011.[24]In 2009, he created the two-part mangaSQwith Kira forShueisha'sYou.[25]Nagasaki wrote the historical novelArutantahā Tōhō Kenmonroku Kitanfor Kodansha'sPandora Vol.2 Side-Bmagazine,[26]before it was published as a standalone book in 2010.[27]
Nagasaki teamed up withJunji Itoand former diplomat Masaru Sato to createYūkoku no Rasputin(2010–2012), based on Sato's personal experiences in Russia, forBig Comic.[28]To celebrate the 90th anniversary of Shogakukan, Nagasaki produced a 2011 picture book adaptation of Kosuke Hamada's storyRed Oni Criesthat was illustrated by Urasawa.[29]In April 2012,Shinchoshapublished the first novel in what would become Nagasaki'sDaigo Shinji no Hakuran Suiri Filesfranchise that follows a manga editor who solves mysteries. As of 2018, it is composed of three novels and two TV drama adaptations broadcast byWowowthat starArata Furutaas the title character.[30]Richard Woo and Koji Kono'sKurokōchiran inNihon Bungeisha'sWeekly Manga Gorakufrom 2012 to 2018. It was adapted into a 10-episode TV drama in 2013.[31]From 2012 to 2014, Nagasaki and Urasawa createdMaster Keaton Remasteras a sequel set 20 years after the original series.[32]Nagasaki reunited with Yoshizaki to create the science fiction detective seriesUsagi Tantei Monogatari(2012–2013) for Kodansha'sKiss.[33]At the end of 2012, Nagasaki started working with Michitsune Nakajima onYamaterasu Code,which was serialized in Shueisha'sJump Xuntil the magazine was cancelled in 2014.[34][35]As Richard Woo, he and Yoshizaki createdAbracadabra: Ryōki Hanzai TokusōshitsuinBig Comic Original Zōkanfrom 2014 to 2020.[36]The series earned them the 2018Saito Takao Award.[37]Nagasaki has served on the award's final selection committee every year since.
Nagasaki wroteZIG,illustrated byTetsuya Saruwatari,for Shueisha'sGrand Jumpin 2017.[14]In 2018, Richard Woo beganHimiko -Shinsetsu Yamataikoku-den-,about the ancient queen ofthe same name,with Mariko Nakamura inBig Comic Original.[38]The following year, he reunited with Kono to beganKeibuho DaimajininWeekly Manga Goraku.[39]Richard Woo createdM no Shirushi -MacArthur Ansatsu Keikaku-in 2020 alongsideRyoichi Ikegamifor Shogakukan'sBig Comic Superior.It tells the story of a plot to assassinateDouglas MacArthur.[40]Nagasaki was one of the writers of the June 2021 filmCharacter.It was adapted into a manga forMonthly Big Comic Spiritsby Akira Iwaya in March, and Nagasaki wrote a novelization published in May.[41][42]He and Kōsuke Muku created the horror storyChild from the DarkinBig Comicfrom November 25, 2021, to August 10, 2022.[43]It is based on Nagasaki's novelYomi Nemuru Mori -Daigo Shinji no Hakuran Suiri File-.[44]Upon completion, it was revealed that "Kōsuke Muku" was a pen name ofMakoto Isshikiand that she would be credited by her real name in thetankōbon.[45]
Richard Woo and Yoshizaki began the suspense mangaMinzoku Gakusha Akasaka Yaichirō no Jiken-boin the October 2022 issue of Kodansha'sMonthly Afternoon,which was released on August 24, 2022.[46]
Philosophy
editNagasaki has been involved in every aspect of manga creation except drawing, this includes planning, scenario writing, and advertising.[47]He said his level of involvement depends on what the editor and manga artist want.[15]It was while working as an editor, that a boss once called a manga story written by someone else boring and told Nagasaki to fix it. In addition to finding it faster to just write the story himself from the get-go, Nagasaki began to enjoy it the more he did it, until finally deciding to switch jobs from editor to manga author because he felt it would be more interesting.[15]He works on the condition that his story scenarios will not be changed, but will change them himself if a good suggestion is given.[15]
Nagasaki has stated that "creation is an evolution beyond imitation." Believing that no one thinks of something from scratch, he said that when one feels like they came up with a story on their own, it is actually them imitating without knowing it.[4]Nagasaki reads and watches a lot of novels and movies, which he analyzes as practice. He will watch half a film, try to predict the rest of the story, and then watch the remaining half to see if he was correct.[15]He said he does not getwriter's block,but prefers to be given some kind of description of the intended manga instead of being told to "write whatever you want."[15]Noting how writing manga is different from writing novels, he said that the latter are evaluated and rewarded based on one finished book, but manga is rewarded for being interesting in the middle of its story.[4]In 2018, Nagasaki said he believed that the manga industry was shifting from "character-oriented" works to "story-oriented" ones.[48]
Nagasaki believes that the illustrating artist determines whether or not a manga will be a hit.[4]He described the artist as taking the lead role, while the author is the supporting role.[15]As an example, Nagasaki takes pictures to aid the illustrator as references.[47]If you compare manga to TV or film, Nagasaki said, "the original author is a scriptwriter. The editor is a producer, and the rest of the director, actors, cameras, and music are all done by a manga artist."[4]He explained that a boring scenario can still be made into a hit by a good artist.[4]Similarly, Nagasaki has also said that if the artist can not compose or divide frames well, it will create a boring work even if the scenario is good.[15]This is derived from something he learned from Takao Saito; "the basis for manga iscomposition."Meaning, even if your drawing is poor, readers will continue to read if you are good at composition.[15]
Works
editManga
editAs Takashi Nagasaki
edit| Title | Role and notes | Year(s) | Ref. |
|---|---|---|---|
| Master Keaton(MASTERキートン,Masutā Kīton) | Co-author alongside Hokusei Katsushika andNaoki Urasawa,editor | 1988–1994 | [9][49] |
| Monster(モンスター,Monsutā) | Story co-producer alongside Naoki Urasawa, editor, supervisor | 1994–2001 | [10][50] |
| 20th Century Boys(20 thế kỷ thiếu niên)/21st Century Boys(21 thế kỷ thiếu niên) | Story co-producer alongside Naoki Urasawa | 1999–2006, 2007 | [12] |
| Pluto(プルートウ,Purūtō) | Co-author alongside Naoki Urasawa, based onAstro BoybyOsamu Tezuka,supervised byMacoto Tezka | 2003–2009 | [51] |
| Shūsen no Lorelei(Chung chiến のローレライ) | Dramatization, illustrated by Takayuki Kosai, based on the novel of the same name by Harutoshi Fukui | 2005–2007 | [52] |
| "Throw Toward the Moon!"(Nguyệt に hướng かって đầu げろ!,Tsuki ni Mukatte Nagero!) | Story co-producer alongside Naoki Urasawa | 2006 | [53] |
| Billy Bat(ビリーバット,Birī Batto) | Co-author alongside Naoki Urasawa | 2008–2016 | [22] |
| Deka Girl(デカガール,Deka Gāru) | Author, illustrated bySeimu Yoshizaki | 2008–2011 | [54] |
| SQ | Author, illustrated by Kira | 2009–2010 | [25] |
| Yūkoku no Rasputin(Ưu quốc のラスプーチン) | Screenplay, written by Masaru Sato, illustrated byJunji Ito | 2010–2012 | [28] |
| Red Oni Cries(Khấp いた xích quỷ) | Producer of the picture book, illustrated by Naoki Urasawa, based on Kosuke Hamada's story of the same name | 2011 | [29] |
| Master Keaton Remaster(MASTERキートン Reマスター,Masutā Kīton Rimasutā) | Co-author alongside Naoki Urasawa | 2012–2014 | [32] |
| Usagi Tantei Monogatari(うさぎ tham trinh vật ngữ) | Author, illustrated by Seimu Yoshizaki | 2012–2013 | [33] |
| Yamaterasu Code(ヤマテラス・コード) | Author, illustrated by Michitsune Nakajima | 2012–2014 | [34] |
| ZIG | Author, illustrated byTetsuya Saruwatari | 2017 | [14] |
| King of Eden(エデンの vương,Eden no Ō) | Author, illustrated by Ignito | 2017–2019 | |
| Character(キャラクター) | Co-writer alongside Anna Kawahara and Akira Nagai, illustrated by Akira Iwaya | 2021 | [55] |
| Child from the Dark(Ám の thiếu niên,Aida no Shōnen) | Author, illustrated by Kōsuke Muku/Makoto Isshiki,based on Nagasaki's novelYomi Nemuru Mori -Daigo Shinji no Hakuran Suiri File- | 2021–2022 | [44] |
As Richard Woo
edit| Title | Role and notes | Year(s) | Ref. |
|---|---|---|---|
| Dias Police: Ihō Keisatsu(ディアスポリス dị bang cảnh sát) | Screenplay, illustrated by Shinichi Sugimura | 2006–2009 | [19] |
| Kurokōchi(クロコーチ) | Screenplay, illustrated by Koji Kono | 2012–2018 | [31] |
| Abracadabra: Ryōki Hanzai Tokusōshitsu(アブラカダブラ 〜猟 kỳ phạm tội đặc sưu thất 〜) | Author, illustrated by Seimu Yoshizaki | 2014–2020 | [36] |
| Dias Police: Ihō Keisatsu 999-hen(ディアスポリス - dị bang cảnh sát - 999 thiên) | Screenplay, illustrated by Shinichi Sugimura | 2016 | [20] |
| Himiko -Shinsetsu Yamataikoku-den-(Ti di hô － chân thuyết ・ tà mã đài quốc vân －) | Author, illustrated by Mariko Nakamura | 2018–present | [38] |
| Keibuho Daimajin(Cảnh bộ bổ ダイマジン) | Author, illustrated by Koji Kono | 2019–present | [39] |
| Shigatsu Ichi Nichi no Ema(Tứ nguyệt nhất nhật のエマ) | Author, illustrated by Hitsuji Ikuta | 2019 | |
| M no Shirushi -MacArthur Ansatsu Keikaku-(Mの thủ cấp マッカーサー ám sát kế họa) | Author, illustrated byRyoichi Ikegami | 2020 | [40] |
| Minzoku Gakusha Akasaka Yaichirō no Jiken-bo(Dân tục học giả xích bản di nhất lang の sự kiện bộ) | Author, illustrated by Seimu Yoshizaki | 2022–2023 | [46] |
Under other names
edit| Title | Role and notes | Year(s) | Ref. |
|---|---|---|---|
| Purungiru -Ao no Michi-(プルンギル - thanh の đạo -) | Author as Keishi Edogawa, illustrated by Kwon Kaya | 2002–2003 | |
| Iliad -Iliad Memorandum-(イリヤッド- nhập thỉ đường kiến văn lục -) | Author as Toshusai Garaku, illustrated by Osamu Uoto | 2002–2007 | [56] |
| Golgo 13(ゴルゴ13) | Screenplay for chapters 429 and 555 as Keishi Edogawa, illustrated byTakao Saito | 2003, 2015 | [5] |
| Telekinesis Yamate TV Kinema Shitsu(テレキネシス sơn thủ テレビキネマ thất) | Author as Toshusai Garaku, illustrated by Seimu Yoshizaki | 2004–2007 | |
| Zenith(ジナス) | Story co-producer as Big O alongside Satoshi Yoshida | 2005–2008 |
Novels
edit| Title | Role and notes | Year(s) | Ref. |
|---|---|---|---|
| Another Monster(もうひとつのMONSTER) | Co-author alongside Naoki Urasawa | 2002 | [11] |
| Arutantahā Tōhō Kenmonroku Kitan(アルタンタハー đông phương kiến văn lục kỳ đàm) | Author | 2010[a] | [27] |
| Yami no Bansō-sha -Daigo Shinji no Ryōki Jiken File-(Ám の bạn tẩu giả ― thể hồ chân tư の猟 kỳ sự kiện ファイル―)[b] | Author | 2012 | [58] |
| Yomi Nemuru Mori -Daigo Shinji no Hakuran Suiri File-(Hoàng tuyền miên る sâm ― thể hồ chân tư の bác lãm thôi lý ファイル―)[c] | Author | 2015 | [60] |
| Piledriver(パイルドライバー)[d] | Author | 2016 | [62] |
| Henshū-chō no Jōken -Daigo Shinji no Hakuran Suiri File-(Biên tập trường の điều kiện ― thể hồ chân tư の bác lãm thôi lý ファイル―) | Author | 2018 | [63] |
| Dragon Sleeper(ドラゴンスリーパー)[e] | Author | 2018 | [65] |
| Kaze wa Zutto Fuite Iru(Phong はずっと xuy いている) | Author | 2019 | [66] |
| Character | Author | 2021 | [42] |
Film
edit| Title | Role and notes | Year(s) | Ref. |
|---|---|---|---|
| Happy! | Supervisor | 2006 | [67] |
| Happy! 2 | Supervisor | 2006 | |
| 20th Century Boys: Beginning of the End | Co-writer of the screenplay alongside Yasushi Fukuda, Naoki Urasawa and Yusuke Watanabe | 2008 | [68] |
| 20th Century Boys 2: The Last Hope | Co-writer of the screenplay alongside Yusuke Watanabe, supervised by Naoki Urasawa | 2009 | [69] |
| 20th Century Boys 3: Redemption | Co-writer of the screenplay alongside Naoki Urasawa | 2009 | [70] |
| Character | Co-writer of the screenplay alongside Anna Kawahara and Akira Nagai | 2021 | [71] |
Notes
edit- ^Its first story was previously published inPandora Vol.2 Side-Bin December 2008.[26]
- ^Republished in 2015 asYami no Bansō-sha -Daigo Shinji no Hakuran Suiri File-(Ám の bạn tẩu giả ― thể hồ chân tư の bác lãm thôi lý ファイル―).[57]
- ^Republished in 2017 asYamataikoku to Yomi no Mori -Daigo Shinji no Hakuran Suiri File-(Tà mã đài quốc と hoàng tuyền の sâm ― thể hồ chân tư の bác lãm thôi lý ファイル―).[59]
- ^Republished in 2018 asKenkei Ryōki Hanzai Advisor Hisai Jūgo Piledriver(Huyện cảnh 猟 kỳ phạm tội アドバイザー・ cửu tỉnh trọng ngô パイルドライバー).[61]
- ^Republished in 2020 asKenkei Ryōki Hanzai Advisor Hisai Jūgo Dragon Sleeper(Huyện cảnh 猟 kỳ phạm tội アドバイザー・ cửu tỉnh trọng ngô ドラゴンスリーパー).[64]
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- ^ab"Trường kỳ thượng chí の đoản biên ホラー tiểu thuyết がビッグコミックでマンガ hóa, thứ hào “Chính trực bất động sản” trọng đại cáo tri ".Natalie(in Japanese). November 25, 2021.RetrievedDecember 8,2021.
- ^"“Ám の thiếu niên” tác giả の "Lương quang giới" は “ピアノの sâm” の nhất sắc まこと, 単 hành bổn thượng hạ quyển が9 nguyệt に phát mại ".Natalie(in Japanese). August 15, 2022.RetrievedJanuary 5,2023.
- ^ab"Thoát サラしたこけしマニアの chủ nhân công を miêu く nhân tình サスペンス “Dân tục học giả xích bản di nhất lang の sự kiện bộ” ".Natalie(in Japanese). August 24, 2022.RetrievedOctober 1,2022.
- ^ab"Đệ 67 hồi trường kỳ thượng chí ( 2007 niên 11 nguyệt 6 nhật phóng tống ) これまでの phóng tống ＮＨＫ プロフェッショナル sĩ sự の lưu nghi".NHK(in Japanese).RetrievedOctober 5,2021.
- ^"ビッグに văn く: Đệ 21 hồi マンガ nguyên tác giả ・ trường kỳ thượng chí マンガはストーリー trọng thị に di hành しつつある".Mantan(in Japanese). November 24, 2018.RetrievedOctober 6,2021.
- ^Master Keaton,Vol. 12.Viz Media.2017. p. 316.ISBN978-1-4215-8380-8.
- ^Monster: The Perfect Edition,Vol. 9.Viz Media.2016. p. 471.ISBN978-1-4215-6914-7.
- ^"Naoki Urasawa's Monster Manga Series Returns to Print in New Perfect Edition Release from Viz Media".Anime News Network.June 25, 2014.RetrievedSeptember 30,2021.
- ^"Chung chiến のローレライ ( １ )".Kodansha(in Japanese).RetrievedOctober 3,2021.
- ^"くしゃみ phổ trạch trực thụ đoản biên tập".Shogakukan(in Japanese).RetrievedOctober 4,2021.
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- ^"キャラクター".Shogakukan(in Japanese).RetrievedOctober 3,2021.
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- ^"Ám の bạn tẩu giả ― thể hồ chân tư の猟 kỳ sự kiện ファイル―".Shinchosha(in Japanese). Archived fromthe originalon March 4, 2016.RetrievedOctober 5,2021.
- ^"Tà mã đài quốc と hoàng tuyền の sâm ― thể hồ chân tư の bác lãm thôi lý ファイル―".Shinchosha(in Japanese).RetrievedOctober 5,2021.
- ^"Hoàng tuyền miên る sâm ― thể hồ chân tư の bác lãm thôi lý ファイル―".Shinchosha(in Japanese). Archived fromthe originalon April 5, 2016.RetrievedOctober 5,2021.
- ^"Huyện cảnh 猟 kỳ phạm tội アドバイザー・ cửu tỉnh trọng ngô パイルドライバー".Kadokawa(in Japanese).RetrievedOctober 4,2021.
- ^"パイルドライバー".Kadokawa(in Japanese).RetrievedOctober 4,2021.
- ^Biên tập trường の điều kiện: Thể hồ chân tư の bác lãm thôi lý ファイル(in Japanese).ASIN4103321733.
- ^"Huyện cảnh 猟 kỳ phạm tội アドバイザー・ cửu tỉnh trọng ngô ドラゴンスリーパー".Kadokawa(in Japanese).RetrievedOctober 4,2021.
- ^"ドラゴンスリーパー".Kadokawa(in Japanese).RetrievedOctober 4,2021.
- ^"Phong はずっと xuy いている".Shogakukan(in Japanese).RetrievedOctober 4,2021.
- ^"TBS “Happy!” ".TBS(in Japanese). Archived fromthe originalon February 27, 2009.RetrievedOctober 30,2021.
- ^"20 thế kỷ thiếu niên".Toho(in Japanese). Archived fromthe originalon October 6, 2021.RetrievedOctober 3,2021.
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- ^"20 thế kỷ thiếu niên ＜ tối chung chương ＞ぼくらの kỳ".Toho(in Japanese). Archived fromthe originalon October 6, 2021.RetrievedOctober 3,2021.
- ^"Gian điền tương huy が mại れないマンガ gia に, chủ diễn tác “キャラクター” でセカオワFukaseと cộng diễn ".Natalie(in Japanese). December 8, 2020.RetrievedOctober 3,2021.
External links
edit- Takashi NagasakiatAnime News Network's encyclopedia