List ofNeon Genesis Evangelioncharacters

(Redirected fromYui Ikari)

The Japanese anime television seriesNeon Genesis Evangelionhas an extensive cast of characters that were created byGainax.The show'sprotagonistisShinji Ikari,a teenage boy whose fatherGendorecruits to the shadowy organization Nerv to pilot a giant, bio-machinemechacalled anEvangelionand fight against beings calledAngels.

The cast ofNeon Genesis Evangelionas depicted on the Japanese "Genesis" (volume) 14laserdiscandVHScover

The character designs were drawn by artistYoshiyuki Sadamoto,who designed each character to be easily identifiable from their silhouette. The personalities were based on that ofHideaki Anno,the show's director and main scriptwriter. Many of the heroes in the second half of the series suffer trauma or physical violence that exacerbates their anxieties and fears, and the episodes give ample space to theirinner monologues,in which they question the meaning of their actions and lives. This narrative choice culminates in the two final episodes, whose narrative pivots on Shinji'sstreams of consciousness;the finale, however, does not clearly conclude the plot.

In Japan, the characters received favorable audience reception, becoming the subjects of merchandise and winning popularity polls. Critics had mixed feelings about their psychological exploration; some reviewers appreciated their complexity and depth and praised Anno's script, but others found the characters to be stereotypical or problematic, and disliked the insistence on their weaknesses and characterization. The show's last two episodes proved to be controversial, since the plot is eclipsed by moments of introspection.Neon Genesis Evangelioncharacters, especiallyRei Ayanami,also inspired later anime series, creating or helping to spread new stereotypes in Japanese animated productions.

Conception

edit

The studioGainaxstudio chose interpersonal communication as the main theme ofNeon Genesis Evangelion,insisting on portraying inter-generational relationships, such as those between parents and children.[1]The studio wanted to create a series that reflects on the lack of communication in contemporaneous Japanese society, which was considered to be in ruins.[2]The director of the series,Hideaki Anno,anotakusince his youth, experienceddepressionafter the conclusion of his previous anime series,Nadia: The Secret of Blue Water,[3]and poured his emotions intoNeon Genesis Evangelion,making it a reflection of his feelings:[4]

I tried to include everything of myself inNeon Genesis Evangelion– myself, a broken man who could do nothing for four years. A man who ran away for four years, one who was simply not dead. Then one thought. "You can't run away," came to me, and I restarted this production. It is a production where my only thought was to burn my feelings into film. I know my behavior was thoughtless, troublesome, and arrogant. But I tried. I don't know what the result will be. That is because within me, the story is not yet finished. I don't know what will happen to Shinji, Misato or Rei. I don't know where life will take them. Because I don't know where life is taking the staff of the production.

— Hideaki Anno[5]

For each character, Anno took cues from a part of his personality,[6]stating that: "All the characters ofEvangelionare me ".[7]Shinji, for example, was conceived as a mirror of his self: "both the conscious and unconscious part".[8][9]According to him, moreover,Kaworu NagisaandGendo Ikarirepresent hisshadow,the dark, unconscious side of an individual's psyche.[10][11]Kazuya Tsurumaki,assistant director of the series, stated that the autobiographical intent can also be detected in the female protagonists and secondary characters, such asMisato Katsuragi,Rei Ayanami,and Ryoji Kaji, saying, "Every character is ultimately the same. On the surface, different 'seasonings' have been used, but inside [the characters] are very similar".[12]Anno also said Shinji and the other main characters are not to be considered only a mirror of his personal experience but a reflection of the other members of the series' creative staff as well.[13]According to him, "It's strange thatEvangelionhas become such a hit – all the characters are so sick! "[14]

Yoshiyuki Sadamoto's early draft for the character designs of the main characters

In 1993, about two years before the series aired, the production studio established a temporary lead on the creation of the characters in a presentation document titledNew Century Evangelion (tentative name) Proposal(Tân thế kỷ エヴァンゲリオン (仮) xí họa thư,Shinseiki Evangelion (kari) kikakusho,Proposal).[15]Much of them were already outlined, despite differences in script.[16]Anno did not follow a well-defined plan for the development of the protagonists; he improvised as the episodes passed and following his instincts, as in a "live performance".[17]The original project also included a girl character named Yui Ichijō who was similar in appearance to Rei but had dark hair; this character never appeared in the final version of the show.[18]

The blood type and date of birth of each character were almost always identical to those of the character's voice actor, the exceptions being Toji, Kensuke, Kaworu, and Rei, whose date is never explicitly revealed in the series.[19]Anno named most of the characters after ships of theImperial Japanese NavyinWorld War II,while others were taken from comic-book characters and the novelAi to gensō no fascism(Ái と huyễn tưởng のファシズム,"The Fascism of Love and Fantasy" )by Japanese writerRyu Murakami,from which the names Toji Suzuhara and Kensuke Aida come.[20][21]The show's character designer wasYoshiyuki Sadamoto,who had worked with Anno onNadia;Sadamoto was asked to develop a design with a "relatively subdued appearance".[22]Sadamoto gave the characters immediately distinguishable features and silhouettes, trying to reflect as much as possible the interior of each of them.[23]Initially, Anno proposed using a female protagonist, following Gainax' earlier projectsGunBusterandNadia,but Sadamoto was hesitant about the idea, not understanding "why a girl would want to pilot a robot". Sadamoto suggested having a male protagonist, Shinji, and Asuka became the show's co-protagonist.[24]

Development

edit
Neon Genesis Evangeliondirector Hideaki Anno

Anno began working onNeon Genesis Evangelionwith the idea the setting and characters would evolve as the story progressed.[5]He continued to rely on his personal experience and avoided depicting "human dramas", perceiving the task as difficult; he thus preferred to representEvangelionas a "documentary" rather than a drama.[25]While working onthe thirdandfourth episodes,he set the goal of surpassing other television series in development and psychological depth. The first episodes focus on Shinji's relationship problems and his constant attempts to approach Rei in "Rei I"and"Rei II".[26]The creative staff felt dissatisfied with the result, considering it too heavy.[27]To give a different impulse to the second part of the series the irreverent, exuberant character Asuka was inserted in the eighth episode, "Asuka Strikes!",which is the center of many comic and typically adolescent situations.[28]In the following episodes, despite their communication difficulties, the show's protagonists are portrayed with the lightness typical of comedy following a conventional, science-fiction anime scheme. The episode's scriptwriterShinji Higuchi,who is known for the humorous and lighthearted character of his works,[29][30]intervened and the characters' development became more positive.[31]In the following episodes, Misato opens up to Shinji and talk to him about her painful past;[32]Asuka shows a sweeter and more-caring character, the cold commander Ikari helps his subordinates and praises his son.[33][34]

The last episodes would have closed the story and the protagonists' journey; for the ending the writers originally planned a scene in which Gendo would have said "Live!"(Sinh きろ,Ikiro)to his son Shinji, similar to the ending of Gainax's earlier showThe Secret of Blue Water,in which Captain Nemo utters the same phrase before sacrificing himself.[35]During the first broadcast of the series, Anno responded to animation fans with anger, accusing them of being excessively closed and introverted; for this reason, he changed the atmosphere of the show's second half, making the narrative even darker and more introspective. This change of direction is reflected in the protagonists' development. While being criticized, Anno decided to make the characters Asuka and Toji undergo physical and psychological violence, which was considered unsuitable for a television show in a protected transmission time.[36][37]

According to Michael House, native English translator for Gainax, at the beginning Anno had the idea of ending the anime with a scene of Shinji smiling and with the full maturation of the characters, who would be able to establish healthier relationships, but towards the middle of the show, he realized this could not be done in a credible way. Anno would have failed in his intent, creating characters who were too closed and problematic.[38]Asuka, for example, was initially inserted to lighten the tone of the series, and only as the show progressed it was decided to pay attention to her inner fragility.[39]At the same time, breaking a taboo of Japanese television, Anno focused on the sexuality of the protagonists, inserting in the twentieth episode a sequence of implicit sex that includes a long, off-screen shot of Misato making sounds of pleasure in bed with her lover Kaji.[40]The director said he wanted to show the audience, and especially children, how sex and violence are an integral part of human life.[41]

In the show's fourteenth episode, Anno wanted to investigate Rei Ayanami, whom he felt he had not adequately explored and with whom he felt less affinity than the other characters. Running out of ideas, an acquaintance of Anno lent him a book on mental illness.[42]Since then, Anno tried to include more concepts from psychology and psychoanalysis into the show.[43]The show's main theme thus became the deepening of the human inner lives[44]and reflections on interpersonal communication are depicted throughstreams of consciousnessof the protagonists.[45][46]Shinji's character was deepened throughinternal monologues,as in the sixteenth[47][48]and twentieth episodes.[49][50]The last episodes also suffered from the tight production schedule; they were made in a short time to meet the deadlines. In the twenty-fifth episode, the protagonists undergo a psychoanalysis session in a dark theater, retracing their childhoods through flashbacks.[51]By rewriting the script, Anno focused only on the psychology of the main characters[52]with a special focus on Shinji,[53][54]completely abandoning the main plot and not offering a clear conclusion to the anime's narrative.[55][56]He tried to deliver a message to and criticism of theotakuworld and himself, as a long-time otaku.[57]

Pilots

edit

In the Japanese dialogue for the original anime, the Eva pilots are referred to as "children", even when referring to an individual pilot. The English translation refers to the individual pilots as First Child, etc. InRebuild of Evangelion,the expression "(n)th Children" is not used; instead, the pilots are referred to asIchibanme no tekikakusha(Nhất phiên mục の thích cách giả,"The First Qualified Person/Candidate" ),Dai Ichi no Shōjo(Đệ nhất の thiếu nữ,"First Girl" ),Sanninme no kodomo(Tam nhân mục の tử cung,"Third Child" ),orDai San no Shōnen(Đệ tam の thiếu niên,"Third Boy" ).

Shinji Ikari

edit

Voiced by:Megumi Ogata,[58]Ryūnosuke Kamiki(adult) (Japanese);Spike Spencer(ADV, Movies andRebuild),[59]Casey Mongillo(Netflix)[60](English)

Shinji Ikari(Đĩnh シンジ,Ikari Shinji)is the only son of Gendo Rokubungi and Yui Ikari.[61]Following the early death of his mother, who disappeared in a mysterious accident, his father entrusted Shinji to a guardian. Once Shinji turns fourteen, Gendo calls him back to the city of Tokyo-3 to assume the role of Third Child, a pilot assigned to command Eva-01. Because of his abandonment, Shinji feels unwanted[62]and, according to Hideaki Anno, "abandoned the attempt to understand himself", convincing himself he is useless. Anno also described him as shy of human contact and unable to commit suicide.[5]Compared to the stereotypical heroes of traditional mecha anime, he is devoid of energy, withdrawn, and pessimistic.[63][64]After moving to Tokyo-3, Shinji begins to form relationships that influence him positively, especially with other pilots, his classmates,[65]and members of Nerv, such asMisato Katsuragi,his superior and legal guardian, andRyoji Kaji.[66]

While writing Shinji, the show's writers used psychological concepts such asFreudiantheories of theoral stage,[67][68]theporcupine's dilemma,[69][70]and thesplitting of the breast.[71][72]His characterization has been compared to that ofAmuro Ray,the protagonist ofMobile Suit Gundam,[73][74]and Japanese otaku.[3][72]Anime critics associated the character with the youth and climate of 1990s Japan, which was impacted by theTokyo subway sarin attack,theGreat Hanshin earthquake,and the bursting of theJapanese asset price bubble,[75][76]and interpreted him as amessianicfigure.[77][78]

Unreality Magazine'sNick Verboon described Shinji as "one of the most nuanced, popular, and relatable characters in anime history".[79]Anime and manga publications gave Shinji a mixed reception. Comic Book Resources' Angelo Delos Trinos wrote, "No anime character inspires as many polarized takes as Shinji".[80]Although his complexity was praised[81][82]and generally considered realistic,[83][84]his insecurity and weakness were criticized.[85]Shinji's characterization in the spin-offs and theRebuild of Evangelionfilms, however, was positively received because of his more self-confident personality and the optimistic tone of his development.[86][87][88]

Rei Ayanami

edit
Reproduction of the school uniform worn by the female students of the first municipal middle school of Tokyo-3

Voiced by:Megumi Hayashibara[89](Japanese);Amanda Winn-Lee(ADV, Movies and Amazon Prime VideoRebuild),Brina Palencia(FunimationRebuild), Ryan Bartley (Netflix)[90](English)

Rei Ayanami(Lăng ba レイ,Ayanami Rei)is a pilot assigned to commandEvangelion Unit 00as the First Child. Her date of birth is unknown.[91]Rei is a taciturn,[92]shy girl who mechanically carries out orders from her superiors, even if they are cruel. She is committed to fighting against the Angels, as if it is the only connection between her and other people and her reason for living. Rei minimizes contact with others;[93]the only exception being Gendo Ikari, to whom she is more open.[94]Rei is aclonecreated from the genes of Yui Ikari, Gendo's wife; every time Rei dies, she is replaced by a new clone, and she is aware of being replaceable. As the show progresses, Rei slowly befriends Shinji, her colleague at Nerv and classmate, discovering human emotions and acquiring greater self-awareness.[95]

According to Winn-Lee, behind Rei's cold and aloof appearance is a "small spark of humanity" that is overshadowed by her low self-esteem;[96]Win-Lee also said Rei "knows she's expendable, but the thing is, she's still human".[97]Critics have compared Rei to theVirgin Mary,[98]Pinocchio,[37][99]and a "Great Bad Mother trying to take in her son".[100]Anno originally conceived of Rei as a representation of his unconscious mind[101]and a young, femaleschizophreniasufferer. He asked Sadamoto to give Rei the likeness of "a bitterly unhappy young girl with little sense of presence".[102]Sadamoto also took inspiration fromPaul Gallico's novellaThe Snow Goose.[103]Writer Patrick W. Galbraith described Rei as "the single most popular and influential character in the history of otaku anime".[104]Rei has received a positive reception, and has appeared in popularity polls about the best anime characters decades after the show's first broadcast.[105][106]Her role inRebuildwas especially appreciated; reviewers praised her development and gradual process of gaining self-awareness.[107][108]

Asuka Langley Soryu

edit

Voiced by:Yūko Miyamura[109](Japanese);Tiffany Grant(ADV, Movies andRebuild), Stephanie McKeon (Netflix)[110](English)

Asuka Langley Soryu(Tổng lưu ・アスカ・ラングレー,Sōryū Asuka Rangurē,IPA:[soːɾʲɯːasɯ̥kaɾaŋɡɯɾeː])is a fiery pilot who is assigned to commandEvangelion Unit 02as the Second Child.[111][112]She is a red-haired, blue-eyed, German-Japanese-American girl who was raised and educated in Germany.[113]Asuka is achild prodigywho graduated from college at a young age; she is brave, positive,[114]and enthusiastic about her role as a pilot, but has a pronouncedinferiority complextowards males.[115]Asuka appears to be authoritarian towards recent acquaintances.[116]Although she has a natural spontaneity, she suffers from mental problems, which alongside her excessive self-love, causes her to be unable to pilot her Evangelion in the series' second half. Asuka is attracted to her colleague Shinji Ikari, but over time she starts to develop ambivalent feelings towards him.[117]In the anime's final episodes, Asuka develops a deep self-loathing and begins to feel anxiety at the idea of being alone,[118]in a framework similar toseparation anxiety disorder.[119]In theRebuild of Evangeliontetralogy, Asuka is renamed to Asuka Langley Shikinami and given the rank of Captain in the European Air Force.

Critics and official publications about the series have linked Asuka to psychological disorders and defense mechanisms such as masculine protest,reaction formation,repression,[120]andnarcissistic personality disorder.[121]She maintained a high ranking in every popularity poll of the series[122][123][124]and has appeared in surveys of the most-popular anime characters in Japan.[125][126]Despite this, Asuka received mixed reception. Some critics took issue with herhubrisand her personality, judging these as tiresome and arrogant; others appreciated her realism and complex psychological introspection.[127][128]

Toji Suzuhara

edit
Tomokazu Sekivoiced Toji in Japanese.

Voiced by:Tomokazu Seki[129][130](Japanese); Joe Pisano (ADV, episodes 3–18),[131]Michael O'Connor (ADV, episodes 19 and 20),Brett Weaver(ADV, episode 26, films and Amazon Prime VideoRebuild),[132][133]Justin Cook(FunimationRebuild),[134][135]Johnny Yong Bosch(Netflix) (English)[136][137]

Toji Suzuhara(Linh nguyên トウジ,Suzuhara Tōji)is a student of class 2-A at the first municipal middle school in Tokyo-3.[138]At first, he shows strong animosity towards Shinji, holding him responsible for an accident that affected his younger sister during the clash between the third Angel, Sachiel, and Unit 01;[139]in thethird episode,he assaults Shinji before the arrival of the fourth Angel, Shamshel. However, after witnessing the fight, Toji feels guilt for his actions[140][141]and becomes concerned about Shinji, despite pride that prevents him from openly showing his feelings.[142]Toji considers himself to be a tough guy and projects a strong character, but hides an honest, kind,[143]and introverted side.[144]His humane approach and expansive character have a positive influence on Ikari and the other Children.[145]In the series' second half, Toji is chosen as the Fourth Child, the qualified subject and pilot assigned to command Eva-03.[146]Toji accepts the task assigned to him on the condition his sister is transferred to the hospital at Nerv's headquarters.[147]However, during its activation experiment, the AngelBardielinfects Unit 03, who goes out of control and clashes with and defeats 02 and 00; it then engages in a hand-to-hand fight with 01 that causes its destruction. Toji survives, but loses his left leg.[148][149]In the manga adaptation, Toji is killed instead of being injured. In theRebuildfilms, Asuka test pilots Unit-03 instead of Toji. As shown in the final installment, he marries Hikari and has a child with her.

Kaworu Nagisa

edit

Voiced by:Akira Ishida(Japanese); Kyle Sturdivant (ADV),[150][151]Aaron Krohn (films),[152]Greg Ayres(Director's Cut),[153][154]Jerry Jewell(FunimationRebuild),[155]Clifford Chapin(Netflix),Daman Mills(Amazon Prime VideoRebuild) (English)[156]

Kaworu Nagisa(Chử カヲル,Nagisa Kaoru)is the Fifth Child,[157][158]who is sent to Nerv as a replacement pilot for Unit 02 following Asuka's psychological breakdown.[159]Kaworu befriends Shinji Ikari, towards whom he has a sincere and unconditional affection, and then reveals himself as the seventeenth and final AngelTabris.Kaworu infiltrates Nerv's headquarters in an attempt to reunite with the first AngelAdam,but after discovering that the second AngelLilithis locked in the Terminal Dogma, he asks Shinji to kill him.[160]Kaworu was born on September 13, 2000, the same day as the Second Impact.[161][162]

Critics have compared Kaworu toJesus Christfor his sacrifice,[163]Devilman'sRyo Asuka,[164]and Kaoru, a character from the science-fiction movieSummer Vacation 1999(1988).[165][166]Evangelion Chroniclemagazine linked his name to Tabris, the Angel of free will, and Cahor (Japanese: Kahoru(カホル)), who is referred to as the Angel of deceit, a detail the publication relates to his deceptive, anthropomorphic features.[167]Gainax originally conceived Kaworu as a cat that controls a boy, intended to appear in the series' twenty-second episode.[168]Although Kaworu only appears in one episode, he remains popular with audiences and animation enthusiasts,[169]and topped popularity polls.[170][171][172]Anime News Network's Kenneth Lee disliked Kaworu's ambiguity and lack of clarity, and the homoerotic undertones of his relationship with Shinji;[99]others reviewers praised it and enjoyed his personality.[173][174]Kaworu's role in the filmEvangelion 3.0(2012) also drew positive comments from critics.[175][176]

Mari Illustrious Makinami

edit

Voiced by:Maaya Sakamoto[177](Japanese);Trina Nishimura(Funimation),[178]Deneen Melody (Amazon Prime Video)[179](English)

Mari Illustrious Makinami(Chân hi ba ・マリ・イラストリアス,Makinami Mari Irasutoriasu)is introduced in the filmEvangelion: 2.0 You Can (Not) Advance(2009), the second installment of theRebuild of Evangeliontetralogy. Mari is originally from England and is a pilot for Nerv's European branch. In her first appearance, Mari is assigned toEvangelion Unit 05and fights aboard Asuka's Eva-02.[180]Mari was created at the request of Toshimichi Ōtsuki, the original series' producer, to introduce a new female character for theRebuildseries and attract new audiences.[181]Anno decided not to meddle in the creation of Mari to avoid replicating the other main characters.[182]He entrusted Mari's development to Kazuya Tsurumaki, a member ofKhara.[183][184]Mari's concept went through numerous revisions because neither Anno nor the other writers knew what kind of female hero they wanted to create, and were undecided until the deadline.[185]Mari's character design was entrusted to Sadamoto, who wanted to differentiate her from otherEvangelionprotagonists,[186]and took inspiration from various sources, includingSpace Battleship Yamato,UFO,and a character played byYui AragakiinMy Boss My Hero(2006).[187]

Mari received mixed reception from critics. Some reviewers thought she was excessively sexualized, and considered her role irrelevant and insignificant;[188][189][190][191]others praised it,[192][193]finding her a good alternative to the other characters.[194][195]InEvangelion: 3.0+1.0 Thrice Upon a Time,Mari's character was deepened with additional details, which drew attention[196][197][198]and further mixed evaluations; several critics complained about the lack of explanations about her nature, finding her underdeveloped and wasted;[199][200]others appreciated her battle scenes,[201]her psychology, and her role in the show's finale.[86][202]

Supporting characters

edit

Nerv staff

edit

Gendo Ikari

edit

Voiced by:Fumihiko Tachiki[203](Japanese); Tristan MacAvery (ADV and films),[204]John Swasey(Director's Cut andRebuild),[205][206]Ray Chase(Netflix)[207](English)

Gendo Ikari(Đĩnh ゲンドウ,Ikari Gendō)is Nerv's supreme commander,[208]husband of Yui Ikari, and father of Shinji, with whom he has a difficult relationship. Gendo conducts the Adam Project and the Human Instrumentality Project.[209]He has cold, pragmatic, and calculating mannerisms, displaying a distant attitude toward his subordinates; only Fuyutsuki seems to understand his thoughts.[210]Gendo's attitude leads him to use any means necessary to achieve his personal goals, embarking on romantic and sexual relationships with Dr. Naoko Akagi and her daughter Ritsuko. Gendo leads the Instrumentality Project in hopes of reuniting with his wife Yui, who died in a mysterious accident years ago. Gendo is also the main antagonist ofRebuild of Evangelion,and in particularEvangelion: 3.0+1.0 Thrice Upon a Time(2021).

The character was originally conceived as a modern version ofVictor Frankenstein;[211]he was inspired by the personal experiences of the series' staff members, reflecting the absent and emotionally detached Japanese father figure.[212]Neon Genesis EvangeliondirectorHideaki Anno's father was also an influence on Gendo;[213][214]Anno also took inspiration frompsychoanalysisconcepts, especially the FreudianOedipus complex.Gendo ranked in several polls about the most attractive male characters,[215][216][217]but reviewers also had negative opinions of him;[218][219]they criticized his abusive[220][221]and manipulative ways.[222]Gendo's role inRebuildhas been more positively received,[223]especially in the final installment.[224][225][199]His image has also been described as "one of the most easily recognizable images of anime on the internet";[226]his joined-hands pose, which fans named the Gendo pose, has been parodied in subsequent anime and manga.[227][228][229]

Kozo Fuyutsuki

edit

Voiced by:Motomu Kiyokawa(Japanese);Guil Lunde(ADV), Michael Ross (films, Amazon Prime VideoRebuild),Kent Williams(Rebuild),J. P. Karliak(Netflix) (English)

Kozo Fuyutsuki(Đông nguyệt コウゾウ,Fuyutsuki Kōzō)is Nerv's deputy commander.[230]After obtaining a professorship as a teacher of metaphysical biology atKyoto University,in 1999 he met Yui Ikari, a promising student at the same institute.[231]Around this time, he met Yui's boyfriend Gendo, of whom he was immediately suspicious. After the Second Impact, theUnited Nationscalled upon Kozo to conduct a formal investigation into the event. Kozo met Gendo again, reinforcing his suspicions about him. Kozo began to think that he and a mysterious organization named Seele may be responsible for the catastrophe and the deaths of billions of people. In 2003, Kozo continued to independently investigate the matter; having arrived at the Artificial Evolution Laboratory, he threatened to publicly disclose the truth he discovered, but Gendo led him to Central Dogma, where he met Dr. Naoko Akagi and learned of Gehirn, the association in which they both secretly operate. Gendo asked Kozo to collaborate with him to build the new history of mankind; for unknown reasons, Kozo accepted[232]and later became Gendo's close associate.[233][234]

Although Kozo shares Nerv's basic objectives, he occasionally shows he does not approve of its means.[235]He has a balanced character and does not panic in dramatic situations.[236]Despite his role as a deputy, he maintains an affectionate personality and a humane approach to his subordinates, including the pilots.[237]InThe End of Evangelion,a vision of Yui Ikari appears to Kozo during Instrumentality and he smiles to welcome her;[238]he serenely watches the process while waiting to reunite with the woman he never stopped loving.[239][240]Kozo's last name Fuyutsuki comes from theAkizuki-classdestroyerofthe same name.[21]According to Yoshiyuki Sadamoto, Gendo and Kozo are respectively based on Ed Straker and Alec Freeman from the television seriesUFO.[24]

Misato Katsuragi

edit

Voiced by:Kotono Mitsuishi(Japanese);Allison Keith(ADV, Movies andRebuild),Carrie Keranen(Netflix) (English)

Misato Katsuragi(Cát thành ミサト,Katsuragi Misato)is the captain of the Nerv Operations Department[241]and Shinji's guardian.[242][243]Due to her childhood trauma, she has developed a frivolous, exuberant, and extroverted personality and leads a sloppy, messy lifestyle. Misato's affectionate personality sometimes causes her to prioritize her human feelings over her duty as a Nerv employee, and her job provokes internal conflict and causes her to make difficult choices. In theRebuildsaga, Misato is the captain of Wille, an organization created to destroy Nerv.

For the character, the staff took inspiration fromFujiko MineofLupin III,Japanese writerAya Sugimoto,[244]andUsagi TsukinoofSailor Moon,with whom she shares a voice actor.[245][246]Mitsuishi described Misato as a lonely, insecure woman who tries to hide "the darkness and loneliness she harbors deep in her heart".[247]Writer Dennis Redmond speculated that Misato may be based on Nadia Arwol fromThe Secret of Blue Water,while Akio Nagatomi of The Animé Café compared her to Kazumi Amano fromGunbuster.[248][249]Misato has ranked high in popularity polls[250][251]and has generally had a positive reception.[252]Reviewers appreciated her tenacity, endearment,[253]and psychology;[254]deeming her realistic[255][256]and underrated.[257]

Ritsuko Akagi

edit

Voiced by:Yuriko Yamaguchi(Japanese);Sue Ulu(ADV and films),Colleen Clinkenbeard(FunimationRebuild),Erica Lindbeck(Netflix),Mary Faber(Amazon Prime VideoRebuild) (English)

Ritsuko Akagi(Xích mộc リツコ,Akagi Ritsuko)is the head of the first section of the technology department at Nerv's headquarters,[258]and one of the main developers of the Evangelion units.[259]In 2005, during college, Ritsuko met and befriended Misato Katsuragi,[260]as well as her boyfriend Kaji, whom Ritsuko considered annoying.[261]In 2008, after completing her studies at Tokyo-2, Ritsuko joined Gehirn Research Center as the head of Project E.[262]Following her transfer to the special agency Nerv, Ritsuko became responsible for the management of the Magi supercomputer.[263]At Nerv, Ritsuko comes into close contact with her mother's lover Gendo Ikari, learning secret information that is withheld from almost all other members of the organization.[264][265]

Ritsuko is rational, and has a strong sense of discipline and detached judgment. She finds it difficult to reconcile these sides of her character, which are often a source of violent, emotional contrasts.[266]Ritsuko shows great determination and indifference, and hesitates to talk about herself, even with longtime friends. Despite her rational and reserved exterior, she is sensitive, expressive, and passionate. At the beginning of her university career, Ritsuko dyed her hair blonde to differentiate herself from her mother Naoko.[267]She later fell in love with Gendo Ikari, with whom she entered a secret romantic relationship and offered him her scientific skills and body. Ritsuko is jealous of Rei, the center of Gendo's attention, and feeling used and betrayed, she carries out reckless acts of revenge against him.[268]InThe End of Evangelion,Ritsuko is no longer able to manage her feelings of love and hate; she attempts to destroy Nerv's headquarters, uttering the phrase "Mom, do you want to die with me?". However, the Casper computer, in which Naoko's personality is imprinted, refuses the command to self-destruct, and Gendo shoots Ritsuko dead.[269]Newtypemagazine compared Ritsuko to previous Anno characters, such as Kazumi Amano fromGunbusterand Electra fromNadia.[270]

Ryoji Kaji

edit

Voiced by:Kōichi Yamadera(Japanese); Aaron Krohn (ADV and films),J. Michael Tatum(FunimationRebuild),Greg Chun(Netflix), Sean Burgos (Amazon Prime VideoRebuild) (English)

Ryoji Kaji(Gia trì リョウジ,Kaji Ryōji)is a member of Nerv's Special Investigations Department.[271][272]During college, he met Misato Katsuragi and Ritsuko Akagi. He later enters into a romantic relationship and cohabitation with Misato, which was broken off two years later.[273][274]When Ryoji joined Nerv, he was transferred to Germany and appointed as Asuka's guardian. In 2015, he traveled with Asuka to Japan and met his former university friends. During the trip, he secretly carried the embryo of Adam, the first Angel, and delivered it to Gendo Ikari.[275][276]For Gendo, Ryoji sabotages the Jet Alone, a robot built by Nerv's rival chemical industry community. Ryoji works at the Investigations Department of the Japanese Government Ministry of Internal Affairs[277]and is also assigned by Seele to monitor Gendo Ikari.[278]Ryoji is a spy under the pay of three organizations, which Gendo is aware of, but he seems to benefit the most from his presence.[279]

Although the motive for Ryoji's actions remains unknown,[280]he tries to find the truth about Nerv's real objectives.[281][282]After the battle against the Angel Zeruel, one of Ryoji's informants betrays him and a third man assassinates him. Ryoji bequeaths the results of his investigations to Misato. Some fan theories about the identity of his murderer arose; starting from the twentieth episode, many fans thought Misato, who takes a gun in the scene before his murder, is responsible, but the main staff falsified this theory,[283]saying the responsible party would be found among the members of Seele or the secret services.[284]To avoid misunderstanding, some scenes of the director's cut version of the series were changed.[50][285]The character was inspired by Captain Foster from the television seriesUFO.[286]

Makoto Hyuga

edit

Voiced by:Hiro Yūki(Japanese);Matt Greenfield(ADV),Keith Burgess(films),Mike McFarland(FunimationRebuild), Daniel MK Cohen (Netflix), Joe Fria (Amazon Prime VideoRebuild) (English)

Makoto Hyuga(Nhật hướng マコト,Hyūga Makoto)is one of Nerv's main operators who, from the command bridge, follows and controls all operations of the Eva units.[287]He assists Major Misato Katsuragi in the strategic planning of the battles against the Angels.[288]Makoto has a friendly, kind, and compassionate nature but he speaks his mind and is not intimidated, even in front of his superiors. Compared to his colleagues, Makoto is more confident with Katsuragi, due to his skills and ability to gather secret information. On some occasions, Makoto acts rashly and seems to have feelings for Misato.[289][290]Although Makoto is aware of his feelings, which are not reciprocated, he continues to assist Misato and launches into dangerous situations to help her. InThe End of Evangelion,Misato appears to him during Instrumentality, and a mixed expression of terror and pleasure is visible on his face.[291]His last name is derived from the Imperial Japanese Navy battleshipof the same name.Hideaki Anno said he does not remember why he named the character Makoto, but says a possible influence may have been the novelShinsengumi KeppurokubyRyōtarō Shiba.[21]

Maya Ibuki

edit

Voiced by:Miki Nagasawa(Japanese); Kendra Benham (ADV), Amy Seeley (films, Amazon Prime VideoRebuild),Monica Rial(Director's Cut),Caitlin Glass(FunimationRebuild),Christine Marie Cabanos(Netflix) (English)

Maya Ibuki(Y xuy マヤ,Ibuki Maya)is one of the three main technical operators in the Operational Command Center at Nerv's headquarters. Her main task is to report the synchronicity rate of the pilots. Being directly involved in Project E, Maya is subordinate to Dr. Ritsuko Akagi,[292]for whom she feels a sense of veneration as she faithfully carries out her directives. Although she is a diligent and competent assistant, she is emotionally immature, and Ritsuko accuses her of excessive idealism. Maya's scrupulous character makes her feel aversion to the Dummy System, which she considers to be inhuman.[293]During bloody wartime confrontations, Maya feels revulsion or vomits. Over the course of the series, it is implied that Maya gradually develops feelings beyond professional respect for hersenpaiwhich turns intosapphic love.[294][295]For the namesMayaandIbuki,Anno took inspiration from two cruisers of the Imperial Japanese Navy and a commander in the seriesReturn of Ultraman.[21]

Shigeru Aoba

edit

Voiced by:Takehito Koyasu(Japanese);Jason C. Lee(ADV and films, Amazon Prime VideoRebuild),Vic Mignogna(Director's Cut),Phil Parsons(FunimationRebuild),Billy Kametz(Netflix) (English)

Shigeru Aoba(Thanh diệp シゲル,Aoba Shigeru)is, along with Makoto Hyuga and Maya Ibuki, one of the technical operators of the Operations Command Center at Nerv's headquarters.[296]Shigeru is realistic, serious,[297]professional, and emotionally detached. He keeps his life and private life private and does not socialize much with his colleagues, although he has good relations with them. At work, Shigeru is calm and calculating.[298]Shigeru is a big fan of music and plays guitar.[299][300]InThe End of Evangelion,during Instrumentality, Shigeru is terrified at the sight of Rei Ayanami's clones. As his colleagues transform into LCL, an expression of terror is visible on his face, and Rei does not take on the appearance of any of his loved ones; according to the bookThe Essential Evangelion Chronicle,this is because he "has never loved another person".[301]His last name is derived from the Japanese Imperial Navy cruiserof the same name;the name Shigeru was chosen to create a pun withAoba Shigereru,a 1974 Japanese film that was directed byKihachi Okamoto.[21]

Classmates

edit

Kensuke Aida

edit

Voiced by:Tetsuya Iwanaga(Japanese); Kurt Stoll (ADV and films),Greg Ayres(FunimationRebuild),Benjamin Diskin(Netflix),Alejandro Saab(Amazon Prime VideoRebuild) (English)

Kensuke Aida(Tương điền ケンスケ,Aida Kensuke)is a student in class 2-A of the first municipal middle school in Tokyo-3. Kensuke has strong dialectical skills,[302][303]is a fan of military life,[304][305]and often plays survivor games when he is alone in the countryside.[306]Like his classmates Shinji Ikari, Toji Suzuhara, Rei Ayanami, and Hikari Horaki, Kensuke is motherless.[307]Some dialogue in the seventeenth episode suggests that his father is part of the Nerv administration, either in its research department or general affairs division. Along with the rest of the school, he moves to another place after Tokyo-3 is destroyed.[308]

Hikari Horaki

edit
Junko Iwaovoiced Hikari in Japanese.

Voiced by:Junko Iwao(Japanese); Carol Amerson (ADV), Kimberly Yates (films, Amazon Prime VideoRebuild),Leah Clark(FunimationRebuild),Abby Trott(Netflix) (English)

Hikari Horaki(Động mộc ヒカリ,Horaki Hikari)is the head of class 2-A at Tokyo-3 Municipal Middle School.[309][310]She has an older sister named Kodama and a younger sister named Nozomi. Hikari is grumpy, rigid, and rule-abiding[311]but hides a sweet, patient side; she is caring and attentive to the needs of her sisters and friends.[312]Hikari constantly taunts and reprimands her partner Toji Suzuhara, likely to repress her feelings of love towards him. Among the girls of 2-A, Hikari is the only one who can approach Asuka. In the series' final episodes, Hikari's companion goes through an emotional breakdown and Hikari remains close to her, hosting Asuka in her house, and showing her sincere and unconditional affection until the end.[313]For the character's surname, Anno took inspiration from Murakami's novelAi to gensō no fascism;[21]the names of her sisters, Kodama and Nozomi, are taken from high-speed trains of theTokaido Shinkansenline.[314]

Other characters

edit

Naoko Akagi

edit

Voiced by:Mika Doi(Japanese); Laura Chapman (ADV and films) (English)

Naoko Akagi(Xích mộc ナオコ,Akagi Naoko)is the mother and colleague of Dr. Ritsuko Akagi.[315]Naoko is a world-renowned scientist and a member of the Gehirn Research Center, and knows the truth about Second Impact and the Eva creation project. Naoko embarked on a secret relationship with Gendo, Gehirn's commander-in-chief, while he was married to Yui.[316]In 2008, Naoko completed the fundamental theory of the Magi System supercomputer, which was completed two years later.[317]In the three Magibiocomputersshe developed, she digitally transcribed the main aspects of her personality; as a woman, as a scientist, and as a mother.[318]Naoko later realized that Gendo was exploiting her for her talent as a scientist and researcher. but ignored the truth and continued the relationship.[319]In 2010, Gendo arrived at the base with a child named Rei Ayanami, who resembles Yui. On the evening of her visit, Rei gets lost in Gehirn's control room and runs into Naoko, whom she calls an "old hag", which Gendo also called her. Naoko recognizes Yui's features in Rei's face, and in a fit of rage, she strangles Rei and then commits suicide[320][321]by crashing into the Caspar computer.[322]For the character's name, Hideaki Anno took inspiration from an old elementary-school company of his.[21]

Yui Ikari

edit

Voiced by:Megumi Hayashibara(Japanese);Kim Sevier(ADV),Amanda Winn-Lee(films, Amazon Prime VideoRebuild),Stephanie Young(FunimationRebuild), Ryan Bartley (Netflix) (English)

Yui Ikari(Đĩnh ユイ,Ikari Yui)is Shinji's mother[323][324]and Gendo's wife.[325]In 1999, when she was a student at Kyoto University, she met Professor Fuyutsuki and discussed research on artificial evolution with him. Later that year, she became romantically involved with Gendo, whom she married, to Fuyutsuki's disappointment. Later, Yui works with her husband at the Laboratory for Artificial Evolution. In 2004, at the age of twenty-seven, Yui willingly proposed herself as a subject in an experimental activation of Unit 01. During the test, Yui was killed in front of Gendo, the other members of the laboratory, and her son Shinji.[326]Yui was absorbed by the humanoid and her body disappeared. Attempts to recover her were unsuccessful, and the case was dismissed as an accident but became public knowledge.[327]In the series' final episodes and inThe End of Evangelion,however, it is revealed that the accident was the result of Yui's deliberate choice.[328][329]Her soul is kept inside the unit, and she is occasionally able to aid Shinji by controlling its movements. InThe End of Evangelion,Yui's spirit gives Shinji the courage to choose his future and that of humanity, rejecting Instrumentality.[330]Hideaki Anno chose the name Yui because it is similar to Rei's name; whileRei(Linh)means "zero" or "nothingness", Yui(Duy)can be translated as "only one".[21]

Kyoko Zeppelin Soryu

edit

Voiced by:Maria Kawamura(Japanese); Yvonne Aguirre (ADV), Kimberly Yates (films) (English)

Kyoko Zeppelin Soryu(Tổng lưu ・キョウコ・ツェッペリン,Sōryū Kyōko Tsepperin)is the mother of Asuka Langley Soryu. Kyoko was born in 1974 and worked for the German division of the Gehirn Research Center, which eventually became Nerv. In 2005, Kyoko was subjected to a contact experiment with Unit 02,[331]which she had promoted the construction of.[332]During the test, she suffered mental contamination and was psychologically damaged. After being hospitalized, Kyoko became unable to recognize Asuka and spoke to a cloth doll who she believed to be her daughter.[333]In the meantime, Kyoko's husband begins an affair with another scientist.[334]Shortly afterward, Asuka is chosen as the Second Child and pilot of Unit 02; Asuka, believing the event could induce her mother to recognize her again, runs to Kyoko's hospital room, only to find her body hanging from the ceiling.[335]It is assumed that a part of Kyoko's soul or her maternal side remains within Eva-02.[336]For the namesZeppelinandSōryū,staff took inspiration from two warships—one German and the other Japanese—while the name Kyōko was inspired by a character in a comic book byShinji Wada.[21]

Keel Lorenz

edit

Voiced by:Mugihito(Japanese); Rick Peeples (ADV),Tom Booker(films, Amazon Prime VideoRebuild), Bill Jenkins (FunimationRebuild),D. C. Douglas(Netflix) (English)

Keel Lorenz(キール・ローレンツ,Kīru Rōrentsu)is the president of the Human Instrumentality Committee and the secret organization Seele.[337]Multiple cybernetic components are grafted into his body, allowing him to havevital energydespite his advanced age, being sixty-seven years old.[338]Keel secretly manipulates the world's fate to see the Third Impact realized.[339]Keel is of German nationality and has a calm, rational personality.[340]For the character's name, the authors were inspired by biologistKonrad Lorenz;[21]in the presentation document of the series, his name was Konrad.

Pen Pen

edit

Voiced by:Megumi Hayashibara(Japanese);Amanda Winn-Lee(ADV, films, Amazon Prime VideoRebuild),Mandy Clark(Director's Cut),Monica Rial(FunimationRebuild),Cherami Leigh(Netflix) (English)

Pen Pen, or Pen2(ペンペン,Penpen)is a small petrockhopper penguinand the companion of Misato Katsuragi. Pen Pen, who belongs to a new breed of hot spring penguins,[341][342]is most likely the result of a biotechnology experiment and has a serial number on his collar. He seems to have a highIQ,which allows him to bathe himself,[343]understand human languages, read a newspaper,[344]and live independently inside Misato's apartment. In the series' final episodes, Pen Pen is moved to a country house to live with the Horaki family.[345]Yoshiyuki Sadamoto designed the character to meet the staff's request to include a being that could serve as the series mascot. Because the show is set inHakone,a town known for its hot springs, Pen Pen was at first conceived as a monkey, but the idea was considered unattractive and was discarded.[346]Pen-Pen is possibly inspired by Mister Pen-Pen(Mr.ペンペン),a genetically modified penguin that appears in a 1986 anime of the same name.[347][348]

Shiro Tokita

edit

Voiced by:Hōchū Ōtsuka[349](Japanese); Rob Bundy (English)

Shiro Tokita(Thời điền シロ,Tokita Shirō)is a representative of the Community of United Chemical Industries of Japan, which is mainly responsible for the construction of the Jet Alone, a humanoid robot developed to compete with the Nerv's Eva, about which he is privy to much secret information gained from espionage operations.[350]Shiro appears only in the seventh episode of the series, in which he openly mocks the competitors' capabilities and ridicules the Evangelions in front of the project manager Ritsuko Akagi.[351][352]During the activation experiment, the Jet Alone goes out of control, threatening to create a nuclear crisis. After initial hesitation, Tokita gives Misato Katsuragi the access code to activate the stop command.[353]For the character's name, Anno drew from Murakami'sAi to gensō no fascism;the seventh episode also features men named Manda and Yasugi, whose names are borrowed from the same novel.[21]

Other media

edit

Rebuild of Evangelion

edit
Wille's logo

InEvangelion: 3.0 You Can (Not) Redo(2012), the third installment of theRebuild of Evangelionseries, a new organization named Wille ([ˈvɪlə],German for "will") is introduced. Wille was created to destroy Nerv and is led by Misato Katsuragi.

Sumire Nagara

edit

Voiced by:Sayaka Ōhara(Japanese); Krishna Smitha (Funimation), Rebeka Thomas (Amazon Prime Video) (English)

Sumire Nagara(Trường lương スミレ,Nagara Sumire)is in charge of the anti-gravity system of an airship calledAAA Wunder.Sumire is a dark-skinned woman in her twenties or thirties, with long brown hair worn in a ponytail. Her name derives fromthe class of light cruisersused by the Imperial Japanese Navy during World War II. In the original dubbing, she is played bySayaka Ōhara,who tried to portray her as an older sister. She described Sumire as a strong woman who has endured difficulties and the deaths of several loved ones. According to the character's voice actress, she betrays her most-secret emotions through her facial expressions, and chooses her words calmly and wisely.[354]

Koji Takao

edit

Voiced by:Akio Ōtsuka(Japanese); Greg Dulcie (Funimation), Jake Eberle (Amazon Prime Video) (English)

Koji Takao(Cao hùng コウジ,Takao Kōji)is one of Wille's engineers and is responsible for the engine ignition sequence of theWunder ship.Koji presents himself as a man of robust build; he is balding, and has agoateeand a black mustache. Koji is an acquaintance of Kaji, through which he has come into contact with Misato. His name is derived froma class of four heavy cruisersof the Imperial Japanese Navy that were used in thePacific War.In the original anime, Koji is played byAkio Ōtsuka,who had earlier dubbed the character Nemo inNadia;he described Koji as an efficient businessman who made progress in his field.[355]

Hideki Tama

edit

Voiced by: Anri Katsu (Japanese); Aaron Roberts (Funimation), Scott Golden (Amazon Prime Video) (English)

Hideki Tama(Đa ma ヒデキ,Tama Hideki)is a young engineer and Takao's colleague onWunder.He is skinny, has thick, black hair, and is shy and reserved; during operations, he keeps manuals under his hand for reference. The character's name is derived from that ofthe Japanese World-War-II-era cruiser of the same name.In the original anime, Hideki is played by Anri Katsu, who Anno commissioned to convey weakness and humanity in the character. Katsu described Hideki as a man who takes his time; he used to follow rules and slightly cowardly, but still performs his duty in times of danger, and has been trained to do the bare minimum.[356]

Midori Kitakami

edit

Voiced by:Mariya Ise(Japanese);Tia Ballard(Funimation), Bijou Vann (Amazon Prime Video) (English)

Midori Kitakami(Bắc thượng ミドリ,Kitakami Midori)is an engineer serving onAAA Wunder.She is slim, has pink hair, and is lazy and timid. Midori's control panel is covered in sticky notes. The character's last name is derived froma Japanese cruiserthat was in service from 1920 to 1945. In the original anime, Midori is played byMariya Ise,who described Midori as a modern woman who is unwilling to undertake difficult tasks and to use formal tones with her superiors. Anno asked Ise to make Midori look like a young woman from the Yidori generation—people who were born in the late 1980s and early 1990s.[357]

Sakura Suzuhara

edit

Voiced by:Miyuki Sawashiro(Japanese);Felecia Angelle(English)

Sakura Suzuhara(Linh nguyên サクラ,Suzuhara Sakura)is a member of Wille; she is briefly introduced inEvangelion: 2.0 You Can (Not) Advance,but does not speak. Sakura is Toji's younger sister; she admires Misato, whom she takes as her role model. Sakura is kind, simple, and optimistic.[358]

Detective Evangelion

edit

In the video gameDetective Evangelion(Danh tham trinh エヴァンゲリオン,Meitantei Evangerion)(2007), which was released forPlayStation 2by Broccoli and is based on the spin-off mangaDetective Shinji Ikari,three Nerv operators who do not appear in the original series appear; each of them oversees one of the computers of the Magi System, and each reflect the aspects of Naoko Akagi's personality contained in the machines.

Kaede Agano

edit

Voiced by:Ai Shimizu[359]

Kaede Agano(A hạ dã カエデ)is a simple woman with short light brown hair.[360]She has a strong sense of family, is kind and is a good cook;[361]she is in charge of Baltashar, in which Dr. Akagi's maternal side is reflected.[359]

Satsuki Ōi

edit

Voiced by:Maria Yamamoto[359]

Satsuki Ōi(Đại tỉnh サツキ),a sensual, Russian-Japanese woman with long hair[362]and a liking for vodka. Satsuki lives alone and drinks alcohol to forget her loneliness.[363]She is responsible for Casper, Naoko's feminine side, and Shinji's sensitivity-improvement program.[359]

Aoi Mogami

edit

Voiced by:Yui Horie[359]

Aoi Mogami(Tối thượng アオイ),a bespectacled, intelligent, and straightforward girl,[364]is in charge of Melchior, which contains Naoko as a scientist and Shinji's intelligence enhancement program.[359]

Victims and other characters

edit

The game also includes several other characters who are brutally murdered and whose case Shinji Ikari investigates:

  • Natsuko Kako(Gia cổ ナツコ),the first victim, a fourteen-year-old girl who attends Neo Tokyo-3 Middle School.
  • Kyōko Nachi(Na trí キョウコ),second victim, a twenty-nine-year-old teacher at Neo Tokyo-3 Middle School.[365]
  • Erika Kashii(Hương chuy エリカ),third victim, a twenty-seven-year-old woman and member of the Nerv forensic department.[366]
  • Mimi Satsuma(Tát ma ミミ),fourth victim, a twenty-three-year-old teacher at Neo Tokyo-3 Middle School.[367]

Also appearing in the game are the Shirase(Bạch lại thị trường)the mayor of Neo Tokyo-3, a man named Kokubunji(Quốc phân tự),the director of a facility called Kichijoji Bowl, and Dr. Hideaki Katsuragi(Cát thành ヒデアキ)—Misato's father and head of the research group that is responsible for Second Impact.[368]

Evangelion Battlefield

edit

Evangelion Battlefields(エヴァンゲリオンバトルフィールズ,Evangerion Batorufiiruzu)is a mobile game that was released for the operating systemsiOSandAndroidon April 2, 2020. The game allows players to command and fight with various Evangelions. It was produced byKharastudio, and released by Mobcast andTakara Tomy Arts.[369][370]The game introduces two new female characters:

  • Kotone Suzunami(Lương ba コトネ)is a cheerful, fourteen-year-old girl who is Shinji's new fellow pilot. She is used to referring to her classmates with the Japanese honorific termsenpaiand is voiced byMegumi Han.[371]
  • Hitomi Amagi(Thiên thành ヒトミ)is a twenty-seven-year-old woman who is introduced as both a Nerv worker and a mental health counselor; in the second season of the title, she becomes a playable character. Hitomi is voiced byMai Nakahara.[371]

Neon Genesis Evangelion RPG: The Nerv White Paper

edit

Neon Genesis Evangelion RPG: The Nerv White Paper(Tân thế kỷ エヴァンゲリオンRPG NERV bạch thư)is a tabletoprole-playing gamethat was published by Kadokawa Shoten in 1996.[372]The game is set during the events of the classic series,[373]and introduces new characters and Angels.[374]

  • Commander Nikolayev (ニコラーエフ tư lệnh quan?) is the head of the Nerv's Russian section. Nikolayev is seemingly friendly, amiable, and well-mannered but in reality, with this positive attitude, he could only bestonewallingthe Nerv headquarters and concealing his true character.[375]
  • Marie Vincennes (マリイ・ヴァンセンヌ?) is a fourteen-year-old girl who was born in the United States; she is a prodigy with a Ph.D. who is called by Nerv on July 7, 2005,[376]to help advance the science of the Evangelion programs. Despite having a kind voice and good manners, Marie is self-centered and arrogant.[377]During a welcome party dedicated to her at Misato's apartment that is attended by the main members of the organization, Marie does not bond with anyone but the penguin Pen-Pen, whom she hugs at the end of the party.[378]Feeling she is treated as an outsider, Marie sells some of the technologies she developed to the CIA, who had contacted her previously. Following the killing of two American agents and an accident that is caused by her inventions, she realizes her mistake and confesses everything after a hospitalization. Maire tells members of the Nerv she has inserted a chip containing the program to cancel the modifications to the Evangelion's cockpits she introduced in Pen-Pen's collar.[379]Once the danger is averted, Marie is shipped to China and assigned the development of the Eva-08. At the end of the game. Marie greets the Nerv members at Hakone Yumoto station, saying, "See you, my friends".[380]

Secret of Evangelion

edit

Secret of Evangelion(シークレット オブ エヴァンゲリオン,Shīkuretto Obu Evangerion)is a PlayStation 2 video game that was developed by West One and published by Jinx on December 21, 2006. It is set between the events of the final episodes of the television anime andThe End of Evangelion,and features thirty scenarios and ten endings.[381][382]

  • Kyōya Kenzaki(Kiếm kỳ キョウヤ)is a member of the first section of the Nerv's investigation department. He is the protagonist of the game;[381][382]he is twenty-nine years old, projects a calm, shrewd attitude, and constantly wears sunglasses. Kyōya faithfully performs his duties, is not afraid of death, and maintains cordial relations with other people. He has known Misato, Kaji, and Ritsuko since his college days. At the beginning ofSecret of Evangelion,Kyōya is tasked with delivering the Eva-04 to the Nerv headquarters but he encounters mysterious accidents, terrorist attacks, and a conspiracy within the organization.[383]His design was handled by Shunji Suzumi, a staff member of the original series.[384]
  • Hitomi Kaga(Gia hạ ヒトミ,Kaga Hitomi)is a scientist in Nerv's first science department; she is a brilliant but absent-minded and clumsy. Kyōya has a degree in metaphysical biology and participates in Project E along with Ritsuko Akagi, becoming involved in the development of the Eva, and the creation of the Dummy System and Dummy Plug. Hitomi plays a central role in an operation to retrieve Shinji Ikari, who is trapped inside an Evangelion unit.[385][386]

Mana Kirishima

edit

Voiced by: Megumi Hayashibara

Mana Kirishima(Vụ đảo マナ,Kirishima Mana)is introduced in the 1997visual novelNeon Genesis Evangelion: Girlfriend of Steel,which was published byBandaiand is set just before the thirteenth episode of the anime series.[387]Mana is a shy, gentle, fourteen-year-old girl with reddish-hair, who is from the townAkune.She moves to class 2-A of the middle school of Tokyo-3,[388]and immediately attracts the attention of her male classmates, especially Shinji.[389]Shinji and Mana immediately establish a close friendship; Shinji is attracted by Mana's straightforward behavior and approaches her despite the accusations from Asuka, who is jealous and thinks Mana is a spy who wants to exploit Shinji for her own purposes.[390]

Mana immediately treats Shinji as her boyfriend and the two, after advice from Kaji, have their first date. It is later discovered Mana actually is a spy under the orders of a rival company to Nerv, and is assigned as a pilot of a mecha called Trident, along with two men named Musashi Lee Strasberg(ムサシ・リー・ストラスバーグ)and Keita Asari(Thiển lợi ケイタ).At one point in the game, the mecha goes out of control and the three Nerv pilots are tasked with shooting it down. Depending on the options chosen by the player, different endings (in which Mana moves to another city, dies in combat, or joins Nerv) are offered. The character's name comes from the Japanese battleshipKirishima.[391]In addition toGirlfriend of Steel,Mana appears in the mangaNeon Genesis Evangelion: The Shinji Ikari Raising Project[392]and inPetit Eva: Evangelion@School.[393]

Mayumi Yamagishi

edit

Voiced by:Kyōko Hikami[394]

Mayumi Yamagishi(Sơn ngạn マユミ,Yamagishi Mayumi)is introduced in the video gameShinseiki Evangelion: 2nd Impression(Tân thế kỷ エヴァンゲリオン 2nd Impression),which was released by Sega-AM2 in 1997 forSega Saturn.[395]Mayumi is a shy girl with long, black hair and glasses who moves into 2-A at Tokyo-3 Municipal Middle School. The game revolves around Mayumi's increasingly close relationship with Shinji, who seems to have feelings for her.[396]Mayumi is a diligent student and has a passion for singing[397]and reading.[398]Following the appearance of an Angel called the "Original Angel", it is discovered Mayumi guards the enemy's core inside her body, which is its only weakness.[399]In one of the video game's scenarios, Mayumi asks Shinji to kill her and then attempts to commit suicide[400]but Shinji saves Mayumi, who transfers to another school after the battle is over.[394]

Nene Matsukaze

edit

Nene Matsukaze(Tùng phong ネネ)is introduced in the visual novelShinseiki Evangerion Gaiden 2: Ningyō-tachi no utage(Tân thế kỷ エヴァンゲリオン ngoại vân 2 〜 nhân hình đạt の yến 〜),which Tin Machine released on May 30, 2006. Nene is a new student in class 2-A at Tokyo-3 Middle School; she constantly carries around a teddy bear, which she believes contains a spirit named Sandy. Nene's design came from a contest Gainax held to create a fan-designed character to be featured in a video game.[401][402]

Cultural impact

edit

Popularity

edit

According to Allegra Frank and Aja Romano ofVox,in Japan,Evangelion"spawned countless anime tropes", and "it remains common to see characters like Shinji, Rei, and Asuka appear in advertisements orpachinkoparlors throughout Japan, and the series' iconography remains widely recognizable in the country ". According to Frakn, outside Japan"Evangelion'scharacters are well-known, beloved and memed by anime fans ".[403]TheNeon Genesis Evangelioncharacters were immediately popular with Japanese audiences, appearing at the top of popularity charts. According to the website Sora News 24, they enjoy "eternal popularity", as evidenced by their frequent use for merchandise items.[404]The series appeared for years in theAnime Grand Prix,a large, annual pollAnimagemagazine conducts. In 1996, Shinji and Gendo occupied the second and sixteenth place among the most-popular male characters; Rei, Asuka, and Misato were the first, third, and eighth, respectively, among the female ones.[405]In 1997, the rankings saw Shinji (first), Kaworu (second), Kaji (tenth), Gendo (fourteenth), Toji (forty-fourth), and Fuyutsuki (fifty-seventh) among the male characters; and Rei (first), Asuka (fourth), Misato (eighth), Maya (nine-teenth), Ritsuko (twenty-seventh), and Hikari (forty-seventh) among the female characters.[406]In 1998 Shinji and Kaworu maintained their placement, while Rei, Asuka, and Misato dropped to fifth, sixth, and twelfth, respectively.[407]Some of the characters appeared in the magazine's monthly rankings for years, such as Shinji, Asuka, Rei, and Maya.[170][250]

The protagonists also appeared inNewtypemagazine's polls, even years after the show's first airing;[408][409][410]from August to October 2009 they were among the most popular among the magazine's readers,[411][412]both in the male and female categories.[413]In March 2010,Newtypenamed Rei the most-popular female character of the 1990s, and placed Shinji first and Kaworu second in the male category.[414]

Critical response

edit
The character development of the series, and particularly the last two episodes, have received divided reception.Yoshiyuki Tominocriticized the series for suggesting the idea that "we're all depressed nervous wrecks".[415]Makoto Shinkaiappreciated the last two episodes, saying that: "Anime doesn't always have to be about crazy movement and a lot of action. Sometimes it is also about the words or even the lack of words, things not being spoken".[416]

The characters ofNeon Genesis Evangeliondivided critics. Peter Harcoff of the webzine The Anime Critic did not like Shinji's weak personality and Asuka's grumpiness but praised the relationships between the characters and their motivations.[417]The website Anime Planet was critical of some aspects of the series but praised the characters.[418]THEM Anime Reviews's Raphael See found their characterization irritating and clichéd, saying he had seen similar personalities in previous anime.[419]See's colleague Tim Jones, disdained the psychology of the protagonists, all of whom have tragic pasts and relationship problems, with the exception of Kaji.[420]

An implicit sex scene between two characters in the twentieth episode caused controversy considering the show was broadcast in an afternoon time-slot,[421]and the last two episodes completely focus on the Shinji's psychological depth and inner monologs, which raised further controversy and polarized the opinions of critics.[422]For anthropologist Lawrence Eng, the ending does not give a sense of closure for most of the characters, and said, "for many loyal fans ofEvangelion,this was a betrayal on Anno's part ".[56]Vice.com's Ricardo Conteras, while not finding the conclusion incomprehensible, described it as incongruent with what the protagonists faced through the rest of the series.[423]Anime directorYoshiyuki Tominoalso criticizedEvangelionand rebuked the show's producers for not trying to "making fun for or gaining the sympathy of the audience", and instead trying to show "that everybody is sick" and hopeless. According to Tomino, "I don't think that's a real work of art... I think that we should try to show people how to live healthier, fuller lives, to foster their identity as a part of their community, and to encourage them to work happily until they die. I can't accept any work that doesn't say that".[415]

Other reviewers praised the characterization of the protagonists. According toKotaku's Rita Jackson, "it's not fun to spend time with these characters", given the strong emotional pressure and anguish they are forced to suffer, and while "sometimes characters feel more like mouthpieces for Anno's thoughts about society than actual characters", she appreciated the writer's "brilliant" work.[424]Morgan Lewis of the webzine VG Culture HQ stated, "none of the characters are black and white" and "all of them are screwed up beyond belief"; he called Shinji the most layered character, statingEvangelionis not suitable for an inattentive audience.[425]A similar opinion was given byAnime News Network's Nick Creamer, according to whom one of the anime's strengths is the fact no protagonist is trapped in a simple narrative role; Creamer said, "Evangelionportrays the mindsets of its characters with empathy and nuance ".[426]According to Matthew Perez ofAnime Reignmagazine, "the characters are by far the most hated aspect ofNeon Genesis Evangelion";he noted many are initially archetypal and stereotypical. Perez praised the characters' realism and judged some of them to be the" most well made in anime to date ".[427]

For writer Andrea Fontana,Evangelionwould be "a true sociological and psychological treatise"; he praised the introspective insight of its protagonists and the underlying message of learning to be oneself.[428]Equally positive were the reviews fromComic Book Resourcesauthors. Ajay Aravind praised the personalities of Rei, Misato, and Yui; Anthony Gramuglia called the protagonists "incredibly complicated and fascinating";[429][430]and Reuben Baron appreciated the characters' three-dimensionality and exploration of trauma but criticized thefan serviceand sexualization of the teenage characters.[431]Other writers at Comic Book Resource described the female characters as strong, determined, and independent, and considered the series to be ahead of its time.[432][433]Anime News Network's Martin Theron praised Sadamoto's "distinctive" character design.[434]Allen Divers, another editor at Anime News Network, stated, "The characters and storyline ofEvangelionwould give Sigmund Freud complexes ".[435]Fellow reviewer Matt Jong also appreciated the development, calling it "provoking";[436]and Paul Fargo, another reviewer for the same website, praised the tragic nature and psychological depth of the second half of the series, especially in the director's-cut version of the home video editions.[437]

Merchandise

edit
Clothes inspired by the protagonists ofEvangelionat the Eva Store, the official store of the franchise

According toNeon Genesis Evangelion: The Unofficial Guide,which was written by Kazuhisa Fujie and Martin Foster, the anime's release "ignited a boom in merchandise unprecedented in a country already awash with such goods", with over 600 items being made to celebrate the event.[438]The characters were used for T-shirts,[439]access-dateries,[440]posters,[441]and watches.[442]Action figures became the most popular items, particularly those of Rei;[443]books featuring her image on the cover also sold quickly and media named her "the Premium Girl".[444]WhenNeon Genesis Evangelion: Death & Rebirthwas released in 1997, theUCC Ueshima Coffee Co.company marketed coffee cans with the characters of the series,[445]selling 400,000 cases—about twelve million cans; after the release ofEvangelion: 1.0 You Are (Not) Alonein 2007, another 300,000 cases containing about nine million cans were sold.[446]In 1997, a series of books dedicated to the show's protagonists was published;[447]Rei,[448]Asuka,[449]Shinji[450]and Kaworu,[451]along with two artbooks titledPhoto File Eve,[452]about only the female protagonists, andPhoto File Adam,dedicated to the male characters.[453]In the same year, a catalog titled "E Mono" containing articles about the series and the characters was published; it also listed somedōjinshi—unofficial comics made by fans.[454]

According to critic Pier Francesco Cantelli, "it is impossible to take a tour of Akihabara without coming across at least one poster depicting [the show's] protagonists"; he also compared the success of theEvangelionfranchise to the popularity ofStar Warsin the United States.[455]Neon Genesis Evangelionprotagonists also appear in video games based on the original animated series and media not belonging to theEvangelionfranchise; these includeMonster Strike,[456]Super Robot Wars,[457]Tales of Zestiria,[458]Puzzle & Dragons,[459]Keri hime sweets,Summons Board,[460][461]Puyopuyo!! Quest,[462]Line Rangers,[463]Unison,[464]MapleStory,[465][466]Valkyrie Connect,[467][468]Ragnarok Online,[469][470]The Battle Cats[471]and an officialcrossover episodeofShinkansen Henkei Robo Shinkalion.[472]

Legacy

edit
A store in Akihabara. The series is believed to be the starting point of the moe boom and the transformation of Akihabara, which became famous for its otaku-themed stores.

The protagonists ofNeon Genesis Evangelionappeared on the covers of magazines specializing in anime and manga, such asAnimageandNewtype,and the anime became the most-discussed product of the Japanese animation industry. Since the broadcast of the first episode atComiketconventions, it appeared in thedōjinmarket,[473][474]attracting male and female audiences in equal numbers.[475][476]The Artifice's Justin Wu attributed the characters' success to several factors, such as Sadamoto's designs and the open-ended nature of the product, which is characterized by obscure points and facts that are left to viewers' interpretation and imagination; according to him,Neon Genesis Evangelionis a pivotal event in the history of merchandise, which became an important market.[477]According toNewtypemagazine, after the anime's success, "hordes of otaku fllooded Akihabra in search of the enigmatic Rei Ayanami, and companies realized for the first time that catering to the geek crowd could be very profitable... Akihabara itself has transformed from an 'electric town' famous for household appliances to the geek paradise it is today".[478]Such a high trade in figures, trading cards, and similar products began themoephenomenon, in which the audience's attention is focused on empathy and attraction to the characters rather than the plot.[478][479]According to scholar Patrick Galbraith,Neon Genesis Evangelionbegan a massive growth in anime that focused on cute girls, causing the fanzine and figure markets to grow tenfold due to viewers' emotional response to the characters, with "[e]ntire fanzine conventions... committed to the series and its characters".[480]

JournalAsianScapedescribed the representation ofEvangelion'scharacters as "possibly the most innovative and influential aspect" of the series, with the presentation of characters with deep, psychic traumas and alienation.[481]Game Developer's Brett Fujioka wrote, "Evaturned hackneyed anime tropes and archetypes on their heads through its characters... [Anno's] psychologically malcontent characters resonated with Japanese youth at the time ".[482]Leading researchers also studied the characters' success. Japanese sociologistShinji Miyadai,among others, reported instances of college students identifying with Shinji or Asuka;[483]according to essayist Satomi Ishikawa, such episodes are a reflection of "how influential the impact of this particular anime has been" for Japanese youth at the time. Ishikawa noted in the years after the series aired, it became very popular, giving rise to the expression "Evaphenomenon ", and many fans saw themselves in the protagonists. The central element and the reason for so much attraction toEvangelionis in Japanese calledjibun sagashi(Tự phân tham し,"self-seeking" ),[484]a theme that aroused empathy in the youth, who saw their problems in Shinji and Asuka.[485]According to Ishikawa,Neon Genesis Evangelionbecame associated with the concept of "adult children" that was initially developed by U.S. psychologists and became the focus of Japanese media attention in the late 1990s.[486]

As a result of the success ofNeon Genesis Evangelion,thesekaikeigenre, in which plots combine apocalyptic crises with the sentimental comedy of school settings, spread and became popular; the love stories of the protagonists of such works are directly related to the fate of the world.[487]Several representatives of this genre were inspired by Anno's series they are mainly oriented on the psychology of the characters and their relationships rather than on the plot, becoming one of the main motifs of Japanese subculture. The neologismsekaikeiwas often replaced with the expression "post-Evangelionsyndrome ". Critics have identifiedsekaikeielements inVoices of a Distant Star,She, the Ultimate Weapon,Iriya no Sora, UFO no Natsu,[488]Your Name.,[487]andThe Melancholy of Haruhi Suzumiya,interpreted as a parody of it.[489]According to Comic Book Resources's Timothy Donohoo, female heroes Rei and Asuka are "extremely important to the development of modern anime writing... All ofEvangelion'scharacters were influential and imitated, but in particular Rei and Asuka created a prototype for entertaining romantic interests that future series would use again and again ".[490]Patrick Drazenwrote, "Evangelionexerted a very heavy influence in terms of character design on the anime that came after it ".[491]Rei is considered particularly popular and influential,[492][493]and inspired several female heroes who came later[494][495]and contributed to the spread of thekuuderestereotype, with apparently cold, apathetic, and mysterious characters.[496][497]Asuka, Shinji,[498]Misato[499]and Gendo[500]also inspired artists, characters in other animated series, video games, and comics. Asuka is considered an influential example of atsundereprotagonist; she is grumpy, short-tempered, and authoritarian but has a tragic past and deep motivations behind it.[501][502]

According toThe Washington Post'sGene Park, a considerable portion ofcybercultureis rooted in the success ofEvangelion,which is popular on4chanand other websites. According to Park, fans of the series are divided between Asuka and Rei, and have generated thewaifuwars, a phenomenon in which users of blogs and websites clash to determine with different arguments which character is the most attractive.[503]Maria R. Rider of Ex.org noted Gainax's series has inspiredGasaraki'scharacter design, and particularly that of Miharu, who is similar to Rei.[504]Rurouni Kenshin'sauthorNobuhiro Watsukicompared his characterYukishiro Tomoeto Rei;[505]he also used Yui as the visual model for Honjō Kamatari's face.[506]

Notes

edit
  1. ^Neon Genesis Evangelion Film Book(in Japanese). Vol. 1. Kadokawa Shoten. p. 34.
  2. ^Evangelion Chronicle(in Japanese). Vol. 24. Sony Magazines. pp. 25–26.
  3. ^abLamarre 2009,p. 180.
  4. ^Takeda 2002,p. 164.
  5. ^abcSadamoto, Yoshiyuki(December 1998) [1995]. "What were we trying to make here?".Neon Genesis Evangelion, Vol. 1.Essay by Hideaki Anno; translated by Mari Morimoto, English adaptation by Fred Burke. San Francisco: VIZ Media LLC. pp. 170–171.ISBN1-56931-294-X.
  6. ^Kosukegawa, Yoichi (May 8, 1997). "Cartoon 'Eva' captures sense of void among Japanese youth".Japan Economic Newswire.In the September 1996 issue of the Quick Japan information magazine, Hideaki Anno, the director of Evangelion, described Eva as a 'personal film,' each character reflecting part of his own personality.
  7. ^Sanenari 1997,pp. 23–24.
  8. ^"Virtual Panel! Meet Hideaki Anno".Animerica.Vol. 4, no. 9. Viz Media. 1996. p. 27.
  9. ^Gainax, ed. (1997). "Kazuya Tsurumaki Interview".The End of Evangelion Program Book(in Japanese).
  10. ^Sanenari 1997,pp. 79–80.
  11. ^EVA SPECIAL TALK with am dã tú minh + thượng dã tuấn tai.Newtype(in Japanese). Kadokawa Shoten. November 1996.
  12. ^"Hạc quyển hòa tai".ヱヴァンゲリヲン tân kịch tràng bản: Phá toàn ký lục toàn tập(in Japanese). Ground Works. 2010. pp. 323–351.ISBN978-4-905033-00-4.
  13. ^Charles Solomon (August 11, 2021)."'Evangelion' Director Explains How He Finally Found His Ending ".The New York Times.RetrievedNovember 2,2021.
  14. ^Wong, Amos (January 1996)."Interview with Hideaki Anno, director of 'Neon Genesis Evangelion'".Aerial Magazine.Archived fromthe originalon June 13, 2007.RetrievedMay 4,2007.
  15. ^Neon Genesis Evangelion Theatralical VHS Box Booklet(in Japanese). King Amusement Creative. 1997.
  16. ^Evangelion Chronicle(in Japanese). Vol. 1. Sony Magazines. p. 26.
  17. ^"EVA, tái cử am dã tú minh スペシャルインタビュー ニュータイプ".Newtype(in Japanese). Kadokawa Shoten. June 1996. pp. 10–15.
  18. ^Der Mond.Viz Media. 2001. p. 116.ISBN1-56931-546-9.
  19. ^Eva Tomo no Kai(in Japanese). Vol. 8.
  20. ^Neon Genesis Evangelion Film Book(in Japanese). Vol. 4.Kadokawa Shoten.pp. 8–9.
  21. ^abcdefghijkHideaki Anno (November 2, 2000)."Essay".Gainax.co.jp(in Japanese).Gainax.Archived fromthe originalon February 20, 2007.RetrievedJuly 5,2014.
  22. ^Yoshiyuki Sadamoto(2012).Neon Genesis Evangelion 3-in-1 Edition.Vol. 1. Viz Media. p. 341.ISBN978-1-4215-5079-4.
  23. ^Lamarre 2009,p. 204.
  24. ^abInterview with Sadamoto inDer Mond: The Art of Yoshiyuki Sadamoto – Deluxe Edition.Kadokawa Shoten.1999.ISBN4-04-853031-3.
  25. ^Takekuma 1997,pp. 103–109.
  26. ^Gualtiero Cannarsi.Evangelion Encyclopedia(in Italian). Vol. 3. Dynamic Italia. pp. 35–36.
  27. ^"Am dã tú minh - Part I".Zankoku na tenshi no you ni(in Japanese). Magazine Magazine. 1997.ISBN4-906011-25-X.
  28. ^Đệ 41 hồi エヴァ tạp ký “Đệ bát thoại アスカ, lai nhật”(in Japanese).Archivedfrom the original on October 10, 2018.RetrievedApril 28,2020.
  29. ^Gualtiero Cannarsi.Evangelion Encyclopedia(in Italian). Vol. 4. Dynamic Italia. p. 27.
  30. ^Poggio 2008,p. 23.
  31. ^"Đệ 44 hồi エヴァ tạp ký “Đệ thập nhất thoại tĩnh chỉ した ám の trung で” "(in Japanese).RetrievedDecember 12,2021.
  32. ^Gualtiero Cannarsi.Evangelion Encyclopedia(in Italian). Vol. 6. Dynamic Italia. p. 32.
  33. ^Oguro, Yūichirō."Đệ 45 hồi エヴァ tạp ký “Đệ thập 弐 thoại kỳ tích の価 trị は” "(in Japanese).Archivedfrom the original on March 1, 2021.RetrievedJuly 23,2020.
  34. ^Poggio 2008,p. 34.
  35. ^Takekuma 1997,p. 140.
  36. ^Azuma, Hiroki."Animé or Something Like it: Neon Genesis Evangelion".NTT InterCommunication Center.Archivedfrom the original on August 8, 2012.RetrievedAugust 13,2012.
  37. ^abKrystian Woznicki (September 1991). "Towards a cartography of Japanese anime – Anno Hideaki's Evangelion Interview with Azuma Hiroki".Blimp Filmmagazine.Tokuma Shoten.
  38. ^House, Michael (November 28, 2011)."Interviewing translator Michael House".Archivedfrom the original on August 24, 2020.RetrievedJuly 23,2020.
  39. ^あんた, バカぁと, ngôn われてみたい. ( am dã tú minh, cung thôn ưu tử ).Animage(in Japanese).Tokuma Shoten.July 1996.
  40. ^Tân thế kỷ エヴァンゲリオン』をめぐって ( am dã tú minh × đông hạo kỷ ).Studio Voice(in Japanese). INFAS. October 1996.
  41. ^Front Runner(in Japanese). July 14, 2012. p. b3.
  42. ^Zankoku na tenshi no you ni(in Japanese). Magazine Magazine. 1997. pp. 32–33.ISBN4-906011-25-X.
  43. ^Miyako Graham, ed. (1996). "Anecdotes from Mr. Hideaki Anno".Protoculture Addicts.No. 43. pp. 40–41.
  44. ^"Thuyết minh".Death & Rebirth Program Book(in Japanese) (Special ed.). Gainax. 1997.
  45. ^"Episode Commentaries".Platinum Booklet.Vol. 3. ADV.
  46. ^Poggio 2008,p. 49.
  47. ^Poggio 2008,p. 51.
  48. ^"Episode Commentaries".Platinum Booklet.Vol. 4. ADV.
  49. ^"Episode Commentaries".Platinum Booklet.Vol. 5. ADV.
  50. ^abPoggio 2008,p. 75.
  51. ^"Episode Commentaries".Platinum Booklet.Vol. 7. ADV.
  52. ^Poggio 2008,p. 92.
  53. ^Porori 2010,pp. 82–85.
  54. ^Neon Genesis Evangelion Film Book(in Japanese). Vol. 9. Kadokawa Shoten. p. 95.
  55. ^Mike Crandol (June 11, 2002)."Understanding Evangelion".Anime News Network.Archivedfrom the original on December 13, 2017.RetrievedSeptember 6,2014.
  56. ^abLawrence Eng."A look at" The Four Revolutions of Anime "".CJas.org.Archivedfrom the original on March 3, 2016.RetrievedSeptember 8,2013.
  57. ^Takekuma 1997,pp. 120–121.
  58. ^"Rocking the Boat".Akadot.com.April 27, 2001. Archived fromthe originalon June 23, 2008.RetrievedApril 18,2020.
  59. ^Shasta Calvo (July 20, 2009)."Five minutes with Spike Spencer".Anime News Network.Archivedfrom the original on May 7, 2017.RetrievedJune 12,2017.
  60. ^"Shinji Ikari".Behindthevoiceactors.com.Behind The Voice Actors.Archivedfrom the original on August 3, 2020.RetrievedApril 18,2020.
  61. ^Evangelion Chronicle(in Japanese). Vol. 1. Sony Magazines. p. 6.
  62. ^Ishikawa 2007,pp. 73–74.
  63. ^Napier, Susan J.(November 2002)."When the Machines Stop: Fantasy, Reality, and Terminal Identity inNeon Genesis EvangelionandSerial Experiments Lain".Science Fiction Studies.29(88).ISSN0091-7729.RetrievedMay 4,2007.
  64. ^Tsuribe, Manabu."Prison of Self-consciousness: an Essay on Evangelion".www001.upp.so-net.ne.jp.Archived fromthe originalon July 21, 2017.RetrievedMarch 29,2019.
  65. ^Porori 2009,p. 7.
  66. ^Porori 2010,p. 7.
  67. ^Sanenari 1997,p. 44.
  68. ^Evangelion Chronicle(in Japanese). Vol. 8. Sony Magazines. p. 25.
  69. ^Veit, Walter (March 29, 2020)."Neon Genesis Evangelion and the Hedgehog's Dilemma".Psychology Today.RetrievedApril 8,2021.
  70. ^Gualtiero Cannarsi.Evangelion Encyclopedia(in Italian). Vol. 2. Dynamic Italia. p. 30.
  71. ^Evangelion Chronicle(in Japanese). Vol. 10. Sony Magazines. p. 21.
  72. ^abOguro, Yūichirō (June 8, 2006)."Đệ 49 hồi エヴァ tạp ký “Đệ thập lục thoại tử に chí る bệnh, そして” ".Style.fm(in Japanese).Archivedfrom the original on October 10, 2018.RetrievedApril 17,2020.
  73. ^Fontana, Andrea; Tarò, Davide (2007).Anime. Storia dell'animazione giapponese 1984–2007(in Italian). Il Foglio Letterario. p. 101.ISBN978-88-7606-160-8.
  74. ^Barder, Ollie (June 25, 2019)."'Evangelion' Is A Great Anime But Not Without Its Influences And Hardly The First Of Its Kind ".Forbes.Archivedfrom the original on July 23, 2020.RetrievedApril 27,2020.
  75. ^"Nhất tràng đại hỏa, thiêu xuất đích bất cận thị động mạn chi thương"(in Chinese). Xinmin Weekly. July 24, 2019.Archivedfrom the original on October 8, 2019.RetrievedApril 10,2021.
  76. ^"Thị thời hầu thuyết thuyết bình thành phế sài liễu"(in Chinese). Jiemian. April 2, 2019.Archivedfrom the original on October 8, 2019.RetrievedApril 10,2021.
  77. ^Broderick, Mick (2002). "Anime's Apocalypse: Neon Genesis Evangelion as Millennarian Mecha".Gender, History, and Culture in the Asian Context.7.
  78. ^Thouny, Christophe (2009)."Waiting for the Messiah: The Becoming-Myth of" Evangelion "and" Densha otoko "".Mechademia.4:111–129.doi:10.1353/mec.0.0066.S2CID52219780.Archivedfrom the original on March 26, 2017.RetrievedSeptember 10,2013.
  79. ^Verboon, Nick (June 13, 2013)."90's Flashback: Neon Genesis Evangelion".Unreality Mag.Archivedfrom the original on July 24, 2020.RetrievedNovember 17,2013.
  80. ^Angelo Delos Trinos (July 6, 2021)."10 Popular Anime Characters Who Made Us Feel Secondhand Embarrassment".Comic Book Resources.RetrievedDecember 19,2021.
  81. ^Napier, Susan J. (2005).Anime – From Akira to Howl's Moving Castle.p. xv.ISBN1-4039-7052-1.
  82. ^Cubillas, Sean (April 25, 2020)."Neon Genesis Evangelion: 5 Reasons Why Shinji Is Actually An Underrated Hero (& 5 Why He Really Is Annoying)".Cbr.com.CBR.Archivedfrom the original on July 23, 2020.RetrievedJuly 23,2020.
  83. ^Mary Lee Sauder (November 5, 2017)."Why Shinji Can't Just 'Get in the Robot': Depression in Neon Genesis Evangelion".Manga.tokyo.Manga Tokyo.Archivedfrom the original on October 21, 2020.RetrievedJuly 23,2020.
  84. ^Manduke, Joe (February 26, 2016)."The Endings of Evangelion: Exploring Shinji Ikari".The-artifice.com.The Artifice.Archivedfrom the original on January 2, 2021.RetrievedJuly 23,2020.
  85. ^Kurland, Daniel (June 28, 2020)."Neon Genesis Evangelion: 5 Ways It's A Timeless Anime (& 5 Ways It's Overrated)".Cbr.com.CBR.Archivedfrom the original on June 30, 2020.RetrievedJuly 23,2020.
  86. ^abKurland, Daniel (August 24, 2021)."NGE: 5 Ways End Of Evangelion Was A Perfect Finale (& Why Thrice Upon A Time Is Better)".Comic Book Resources.Archivedfrom the original on September 2, 2021.RetrievedAugust 31,2021.
  87. ^Motamayor, Rafael (August 16, 2021)."'Evangelion: 3.0+1.0 Thrice Upon a Time' Review: Hideaki Anno's Iconic Anime Finally Gets a Proper Ending ".Indiewire.com.Indie Wire.Archivedfrom the original on November 21, 2021.RetrievedNovember 27,2021.
  88. ^McLain, Kyle (August 14, 2021)."Evangelion: 3.0+1.0 Thrice Upon a Time Review".Ign.com.IGN.Archivedfrom the original on March 29, 2021.RetrievedNovember 27,2021.
  89. ^"Đặc tập: ヱヴァ, tân sinh tân kịch tràng bản, am dã は hà を mục chỉ すのか?"(in Japanese). August 6, 2007. Archived fromthe originalon July 7, 2009.RetrievedMarch 3,2014.
  90. ^"Rei Ayanami".Archivedfrom the original on May 1, 2020.RetrievedApril 20,2020.
  91. ^Evangelion Chronicle(in Japanese). Vol. 2. Sony Magazines. pp. 5–8.
  92. ^Evangelion Chronicle(in Japanese). Vol. 42. Sony Magazines. p. 30.
  93. ^Gualtiero Cannarsi.Evangelion Encyclopedia(in Italian). Vol. 3. Dynamic Italia. pp. 35–36.
  94. ^Porori 2009,p. 13.
  95. ^Porori 2010,p. 11.
  96. ^Roderick Lee."Meet the voice of AD Vision Amanda Winn".Archived fromthe originalon January 10, 2006.RetrievedApril 25,2020.
  97. ^"Otakon Highlights - Evangelion Voice Actors".August 7, 1998. Archived fromthe originalon June 17, 2008.RetrievedApril 25,2020.
  98. ^Morikawa 1997,p. 98.
  99. ^abKenneth, Lee (September 9, 1998)."The Thin Veneer Known as" Evangelion "".Anime News Network.Archivedfrom the original on July 24, 2017.RetrievedFebruary 27,2021.
  100. ^Sanenari 1997,pp. 184–190.
  101. ^Takekuma 1997,pp. 93–96.
  102. ^Fujie & Foster 2004,pp. 97–98.
  103. ^Sanenari 1997,pp. 164–165.
  104. ^Galbraith, Patrick W. (October 31, 2009)."Moe - Exploring Virtual Potential in Post-Millennial Japan".Archivedfrom the original on October 21, 2014.RetrievedApril 15,2021.
  105. ^"The Stars".Newtype(in Japanese).Kadokawa Shoten.July 2005. p. 107.
  106. ^"Rei Ayanami Kills" Fate/stay night "Servants in Latest" Newtype "Character Rankings".January 12, 2015.Archivedfrom the original on July 19, 2020.RetrievedJanuary 28,2021.
  107. ^Harding, Daryl (April 7, 2021)."Spoiler-Filled Review: Talking About That Evangelion 3.0+1.0 Ending".Crunchyroll.com.Crunchyroll.Archivedfrom the original on August 22, 2021.RetrievedNovember 27,2021.
  108. ^Whitbrook, James (September 18, 2021)."Evangelion 3.0+1.0 Wouldn't Work Without Its Quiet, Contemplative Opening".Gizmodo.com.Gizmodo.Archivedfrom the original on November 6, 2021.RetrievedNovember 27,2021.
  109. ^Horn, Carl Gustav (2011). "Voice Actors Tiffany Grant and Yuko Miyamura Reflect on Their Most Famous Roles".Neon Genesis Evangelion.Vol. 12. Viz Media.ISBN978-9-8127-6814-8.Archivedfrom the original on February 7, 2021.RetrievedMay 26,2021.
  110. ^Patches, Matt (June 21, 2019)."Netflix's Neon Genesis Evangelion debuts English re-dub".Polygon.Archivedfrom the original on July 20, 2019.RetrievedJanuary 23,2021.
  111. ^Porori 2009,p. 83.
  112. ^Evangelion Chronicle(in Japanese). Vol. 3. Sony Magazines. p. 6.
  113. ^Neon Genesis Evangelion Film Book(in Japanese). Vol. 3. Kadokawa Shoten. p. 70.
  114. ^Evangelion Chronicle(in Japanese). Vol. 43. Sony Magazines. p. 24.
  115. ^Cannarsi, Gualtiero.Evangelion Encyclopedia(in Italian). Vol. 6. Dynamic Italia. p. 44.
  116. ^Porori 2009,pp. 16–17.
  117. ^Porori 2010,pp. 14–15.
  118. ^Porori 2010,p. 86.
  119. ^Evangelion Chronicle(in Japanese). Vol. 25. Sony Magazines. p. 25.
  120. ^Evangelion Chronicle(in Japanese). Vol. 29. Sony Magazines. p. 29.
  121. ^Mizobe, Koji (2011)."Tân thế kỷ エヴァンゲリオンにみる tư xuân kỳ khóa đề と tinh thần chướng hại"(PDF).Địa vực chi viện tâm lý nghiên cứu センター kỷ yếu(in Japanese) (8). Truy thủ môn học viện đại học.Archived(PDF)from the original on August 17, 2018.RetrievedFebruary 24,2021.
  122. ^McNaught, Shannon (February 13, 2019)."Evangelion Store popularity contest reveals surprising results for a former fan favorite".SoraNews24.Archivedfrom the original on February 24, 2021.RetrievedFebruary 4,2021.
  123. ^"Nữ tử が hảo きな『 tân thế kỷ エヴァンゲリオン』キャラクターTOP3/ 1 vị はなんとあの hiếp dịch!"(in Japanese). July 24, 2019.Archivedfrom the original on September 30, 2019.RetrievedSeptember 30,2019.
  124. ^"Ranking"(in Japanese).Archivedfrom the original on August 4, 2020.RetrievedSeptember 13,2020.
  125. ^"Akemashite best 100!"あけましてベスト100!.Animage(in Japanese). Tokuma Shoten. February 1999.
  126. ^"Ranking".Newtype(in Japanese). Kadokawa Shoten. July 2021. p. 114.
  127. ^"Evangelion's Asuka Is One of the Most Fascinating Characters in Anime".June 29, 2019.Archivedfrom the original on July 18, 2019.RetrievedApril 27,2020.
  128. ^Ogawa, Noelle (December 4, 2019)."Why Asuka is One of the Best Anime Characters of All Time".Crunchyroll.Archivedfrom the original on June 2, 2020.RetrievedMay 7,2020.
  129. ^"Linh nguyên トウジ"(in Japanese). Archived fromthe originalon December 27, 2001.RetrievedDecember 4,2014.
  130. ^Neon Genesis Evangelion Film Book(in Japanese). Vol. 2. Kadokawa Shoten. p. 11.
  131. ^"Joe Pisano".Anime Planet.RetrievedDecember 3,2023.
  132. ^"Brett Weaver".Anime Planet.RetrievedDecember 3,2023.
  133. ^Brett Weaver (July 5, 2021)."Oh Look! Evangelion is coming to Amazon…".RetrievedDecember 3,2023.
  134. ^"Toji Suzuhara".Behind The Voice Actors. Archived fromthe originalon April 9, 2023.RetrievedDecember 3,2023.
  135. ^"'Evangelion: 3.0+1.0 – Thrice Upon A Time ' Anime Feature Film Gets Australian Theatrical Showing ".The Fandom Post. September 14, 2022. Archived fromthe originalon September 15, 2022.RetrievedDecember 3,2023.
  136. ^"Johnny Yong Bosch".Anime Planet. Archived fromthe originalon May 27, 2023.RetrievedDecember 3,2023.
  137. ^"Neon Genesis Evangelion, Evangelion: Death(true)2, and The End of Evangelion Now Streaming on Netflix".Anime UK News. June 21, 2019. Archived fromthe originalon April 13, 2023.RetrievedDecember 3,2023.
  138. ^Porori 2009,p. 60.
  139. ^"Liên 続TVアニメーション tác phẩm toàn 26 bổn 1995 niên 10 nguyệt 3 nhật 〜1996 niên 3 nguyệt 27 nhật TV đông kinh hệ にて phóng"(in Japanese). Gainax. Archived fromthe originalon January 18, 2005.RetrievedJune 12,2017.
  140. ^Gualtiero Cannarsi.Evangelion Encyclopedia(in Italian). Vol. 2. Dynamic Italia. p. 22.
  141. ^Neon Genesis Evangelion Film Book(in Japanese). Vol. 2. Kadokawa Shoten. p. 25.
  142. ^Neon Genesis Evangelion Film Book(in Japanese). Vol. 2. Kadokawa Shoten. pp. 26–27.
  143. ^Evangelion Chronicle(in Japanese). Vol. 41. Sony Magazines. p. 5.
  144. ^Neon Genesis Evangelion Film Book(in Japanese). Vol. 2. Kadokawa Shoten. p. 24.
  145. ^Porori 2009,p. 33.
  146. ^Neon Genesis Evangelion Film Book(in Japanese). Vol. 6. Kadokawa Shoten. pp. 32–33.
  147. ^Porori 2010,p. 54.
  148. ^Neon Genesis Evangelion Film Book(in Japanese). Vol. 6. Kadokawa Shoten. p. 66.
  149. ^Neon Genesis Evangelion Film Book(in Japanese). Vol. 7. Kadokawa Shoten. p. 11.
  150. ^"Kyle Sturdivant".Anime Planet. Archived fromthe originalon December 3, 2023.RetrievedDecember 3,2023.
  151. ^"Kyle Sturdivant".behindthevoiceactors.com. Archived fromthe originalon October 23, 2023.RetrievedDecember 3,2023.
  152. ^"Greg Ayres Reflects On The Regular Recasting Of Evangelion's Kaworu - Interview".Looper. June 10, 2022. Archived fromthe originalon June 8, 2023.RetrievedDecember 3,2023.
  153. ^"GHOST STORIES CROSSING: AN INTERVIEW WITH GREG AYRES".Anime Herald. July 9, 2022. Archived fromthe originalon August 4, 2022.RetrievedDecember 3,2023.
  154. ^"Greg Ayres".San Japan. Archived fromthe originalon January 23, 2022.RetrievedDecember 3,2023.
  155. ^"The 10 Best Voice Actors In The Rebuild Of Evangelion's English Dubs".Comic Book Resources. February 6, 2022. Archived fromthe originalon December 10, 2022.RetrievedDecember 3,2023.
  156. ^"Rebuild of Evangelion: Amazon Prime Credits Confirm New Dub Cast".CBR. August 7, 2021. Archived fromthe originalon April 19, 2023.RetrievedDecember 3,2023.
  157. ^Evangelion Chronicle(in Japanese). Vol. 49. Sony Magazines. p. 11.
  158. ^Neon Genesis Evangelion Laserdisc Encyclopedia(in Japanese). Vol. 12. 1998.
  159. ^Porori 2010,p. 81.
  160. ^Porori 2010,pp. 18–10.
  161. ^Evangelion Chronicle(in Japanese). Vol. 11. Sony Magazines. p. 6.
  162. ^Poggio 2008,p. 94.
  163. ^Ploof, Aaron (June 6, 2019)."Neon Genesis Evangelion: Rei and Kaworu".Archivedfrom the original on January 20, 2021.RetrievedFebruary 2,2021.
  164. ^"5 opere che hanno ispirato Neon Genesis Evangelion"(in Italian).Wired.June 21, 2019.Archivedfrom the original on January 2, 2021.RetrievedJanuary 30,2021.
  165. ^Pasqualini, Mario (September 5, 2016)."Cinemanga – 1999 nen no natsu yasumi".Dimensione Fumetto.Archivedfrom the original on April 28, 2021.RetrievedOctober 23,2021.
  166. ^Pasqualini, Mario (August 12, 2021)."La visione di Evangelion da vicino – La lingua di Evangelion: parole, numeri, simboli e il" Libro della vita "".Dimensione Fumetto.Archivedfrom the original on August 12, 2021.RetrievedOctober 23,2021.
  167. ^Evangelion Chronicle(in Japanese). Vol. 13. Sony Magazines. pp. 3–4.
  168. ^Gainax, ed. (1997).Neon Genesis Evangelion Newtype 100% Collection(in Japanese).Kadokawa Shoten.p. 88.ISBN4-04-852700-2.
  169. ^Oguro, Yūichirō."Đệ 57 hồi エヴァ tạp ký “Đệ 弐 thập tứ thoại tối hậu のシ giả” "(in Japanese). Archived fromthe originalon September 1, 2013.RetrievedJanuary 30,2021.
  170. ^abAnimage(in Japanese). March 1997. p. 233.{{cite magazine}}:Missing or empty|title=(help)
  171. ^"BEST 10".Animage(in Japanese).Tokuma Shoten.April 1997.
  172. ^"BEST 10".Animage(in Japanese). Tokuma Shoten. September 1997.
  173. ^Gramuglia, Anthony (June 6, 2020)."The Best (and Worst) Anime Starring Queer Guys".Comic Book Resources.Archivedfrom the original on November 27, 2020.RetrievedJuly 26,2020.
  174. ^Loveridge, Lynzee (October 27, 2012)."8 Alternative Couples Sure to Touch Your Heart".Anime News Network.Archivedfrom the original on April 5, 2017.RetrievedApril 4,2017.
  175. ^Bertschy, Zac (February 2, 2016)."Evangelion 3.33: You Can (Not) Redo".Anime News Network.Archivedfrom the original on September 29, 2019.RetrievedJanuary 30,2021.
  176. ^"Neon Genesis Evangelion 3.0".Anime Reign Magazine.Vol. 1, no. 2. 2013. p. 32.
  177. ^"Maaya Sakamoto as Makinami mari Illustraious".Newtype(in Japanese). Tokyo: Kadokawa Shoten. July 2009. p. 91. Archived fromthe originalon December 23, 2013.
  178. ^"A Conversation With Trina Nishimura".The Otaku's Study. October 25, 2019.Archivedfrom the original on June 29, 2021.RetrievedFebruary 26,2021.
  179. ^"Deneen Melody".Archived fromthe originalon October 31, 2023.RetrievedDecember 3,2023.
  180. ^Evangelion Chronicle(in Japanese). Vol. 31. Sony Magazines. pp. 3–4.
  181. ^"『 tự 』の công khai trực hậu に đại きいな転 hoán điểm へ".ヱヴァンゲリヲン tân kịch tràng bản: Phá toàn ký lục toàn tập(in Japanese). Ground Works. 2010.ISBN978-4-905033-00-4.
  182. ^"エヴァの「マリ」TV bản にはいなかったキャラの chính thể"(in Japanese). Toyokeizai Online. July 10, 2021.Archivedfrom the original on July 15, 2021.RetrievedDecember 4,2021.
  183. ^"Am dã tú minh interview".ヱヴァンゲリヲン tân kịch tràng bản: Phá toàn ký lục toàn tập(in Japanese). Ground Works. 2010. p. 357.ISBN978-4-905033-00-4.
  184. ^"『シン・エヴァ』 công thức ラジオでスタッフが cương điền đấu tư phu を thật danh でぼろくそに phê phán する・・・なぜこんなに tráp いが ác いのか"(in Japanese). June 9, 2021.Archivedfrom the original on June 11, 2021.RetrievedSeptember 4,2021.
  185. ^"ギリギリまで niêm って変 canh したマリの xuất phiên".ヱヴァンゲリヲン tân kịch tràng bản: Phá toàn ký lục toàn tập(in Japanese). Ground Works. 2010.ISBN978-4-905033-00-4.
  186. ^"Intervista a Yoshiyuki Sadamoto"(in Italian). July 11, 2013.Archivedfrom the original on October 28, 2018.RetrievedOctober 28,2018.
  187. ^ヱヴァンゲリヲン tân kịch tràng bản: Phá toàn ký lục toàn tập(in Japanese). Ground Works. 2010. pp. 222–224.ISBN978-4-905033-00-4.
  188. ^"【 ánh họa 】 “エヴァンゲリオン phá” cảm tưởng. Lương い ý vị で am dã giam đốc らしくない tối cao のエンターテイメント tác phẩm "(in Japanese). Oguhei. March 24, 2021.Archivedfrom the original on March 8, 2021.RetrievedAugust 31,2021.
  189. ^Jonathan Clements, Helen McCarthy (2015). "Neon Genesis Evangelion".The Anime Encyclopedia, 3rd Revised Edition: A Century of Japanese Animation.Stone Bridge Press.ISBN978-1-61172-909-2.
  190. ^Morgan Lewis (July 2, 2019)."Evangelion 3.0+1.0 Anime Expo Screening Time Revealed".Morgan Lewis.Archivedfrom the original on June 15, 2021.RetrievedAugust 29,2021.
  191. ^Rehan Fontes (November 25, 2019)."Rebuild Of Evangelion: 5 Ways It Improves On The Original Anime (& 5 Ways It Doesn't)".Comic Book Resources.Archivedfrom the original on October 23, 2020.RetrievedAugust 29,2021.
  192. ^"Neon Genesis: Evangelion 2.22 You Can (Not) Advance (2009) Movie Review".Beyond Hollywood. June 11, 2010. Archived fromthe originalon June 15, 2010.RetrievedAugust 31,2021.
  193. ^Chris Nelson (June 5, 2010)."Evangelion 2.22: You Can (Not) Advance — movie review — early".Dream Logic. Archived fromthe originalon June 10, 2010.RetrievedAugust 31,2021.
  194. ^Bryan Morton (August 12, 2011)."Evangelion 2.22: You Can (Not) Advance UK Anime Blu-ray Review".Archivedfrom the original on March 23, 2012.RetrievedAugust 31,2021.
  195. ^Josh Tolentino (April 29, 2011)."JapanaTen: The 10 best British anime characters".Japanator. Archived fromthe originalon December 5, 2017.RetrievedAugust 31,2021.
  196. ^"Tổng quát ・ “シン・エヴァンゲリオン kịch tràng bản:|7=” ( hậu biên ) ── chân hi ba ・マリ・イラストリアスはなぜ chiêu hòa ca dao を ca い続けたのか【 bình thành hậu の thế giới のためのリ・アニメイト đệ 9 hồi 】 "(in Japanese). Akiba Souken. May 15, 2021.Archivedfrom the original on July 15, 2021.RetrievedAugust 31,2021.
  197. ^"『プロフェッショナル』 am dã tú minh giam đốc の độc chiêm mật trứ で" マリ "のモデルが minh らかに!?"(in Japanese). My Jitsu. March 24, 2021.Archivedfrom the original on April 11, 2021.RetrievedAugust 31,2021.
  198. ^"“エヴァ” đại chú mục のマリ, しびれるせりふ liên phát の đặc biệt ánh tượng に “Kim では1 phiên hảo きなキャラ” "(in Japanese). Encount. April 8, 2021.Archivedfrom the original on April 8, 2021.RetrievedAugust 31,2021.
  199. ^abRichard Eisenbeis (March 9, 2021)."Evangelion: 3.0+1.0: Thrice Upon A Time".Animenewsnetwork.com.Anime News Network.Archivedfrom the original on March 10, 2021.RetrievedDecember 6,2021.
  200. ^"'Evangelion: 3.0+1.0 Thrice Upon a Time' film review: The true end of Evangelion ".Escape Into Film. August 9, 2021.Archivedfrom the original on August 12, 2021.RetrievedAugust 31,2021.
  201. ^Raul Velazquez (August 13, 2021)."Evangelion 3.0+1.0: Thrice Upon A Time Review".Game Rant.Archivedfrom the original on September 1, 2021.RetrievedAugust 31,2021.
  202. ^Reuben Baron (August 15, 2021)."Evangelion: 3.0 + 1.01 Thrice Upon A Time Justifies the Rebuild Movies' Existence".Comic Book Resources.Archivedfrom the original on August 28, 2021.RetrievedAugust 31,2021.
  203. ^"Fumihiko Tachiki as Gendo Ikari".Evangelion 3.0+1.0 Theatrical Pamphlet(in Japanese). Japan. 2021. pp. 52–53.ASINB08Y85RJ9Q.{{cite book}}:CS1 maint: location missing publisher (link)
  204. ^"Tristan MacAvery".Archivedfrom the original on April 6, 2016.RetrievedOctober 28,2018.
  205. ^"From Golden Boy to Made in Abyss, Introducing John Swasey!".Archivedfrom the original on February 28, 2020.RetrievedOctober 28,2018.
  206. ^Lauren Massuda (August 7, 2021)."'Rebuild of Evangelion' Movies Get New English Dub Cast Ahead of Prime Video Release ".Collider.Archivedfrom the original on August 12, 2021.RetrievedNovember 21,2021.
  207. ^"Neon Genesis Evangelion Ultimate Edition Blu-ray Details Revealed, Pre-orders Open, Available 6th December".Animeuknews.net.Anime UK News. August 19, 2021.Archivedfrom the original on December 4, 2021.RetrievedDecember 5,2021.
  208. ^Porori 2009,p. 22.
  209. ^Porori 2010,p. 25.
  210. ^Neon Genesis Evangelion Film Book(in Japanese). Vol. 7.Kadokawa Shoten.p. 70.
  211. ^"Ikari Gendoh".Tân thế kỷ エヴァンゲリオンPHOTO FILE Eve(in Japanese). Kadokawa Shoten. 1996. p. 64.ISBN4-04-852661-8.
  212. ^Carl Gustav Horn."FLCL is the formula".Pulp-mag.com.PULP. Archived fromthe originalon May 9, 2006.RetrievedApril 18,2020.
  213. ^"Animerica Spotlight: Neon Genesis Evangelion".Animerica.10(7). July 2002.Evadoes seem to contain a host of personal symbols. It is said that the troubled relationship between Shinji and his distant manipulative father is based on Anno's own childhood.
  214. ^"Resurfaced Interview Sees Evangelion Creator Reveal His Father's Abusive Ways".September 17, 2019.Archivedfrom the original on September 29, 2019.RetrievedSeptember 29,2019.
  215. ^"Male Otaku Names The Anime Heroes They Would Like to Have as a Boyfriend".August 31, 2013.Archivedfrom the original on October 31, 2018.RetrievedOctober 30,2018.
  216. ^"7 Anime for Grown-Up Romantics".August 22, 2015.Archivedfrom the original on October 31, 2018.RetrievedOctober 30,2018.
  217. ^"Áo さんが tiện ましい! Tối cường の ái thê gia キャラランキング 21 vị から27 vị"(in Japanese). September 25, 2017.Archivedfrom the original on October 31, 2018.RetrievedOctober 30,2018.
  218. ^"Evangelion: 1.0 You Are [Not] Alone".Archivedfrom the original on May 20, 2019.RetrievedOctober 7,2021.
  219. ^Ajay Aravind (March 8, 2021)."Neon Genesis Evangelion: 10 Times The Anime Went Too Far".Comic Book Resources.Archivedfrom the original on March 9, 2021.RetrievedMarch 25,2021.
  220. ^Shaddock, Chris (January 19, 2021)."Neon Genesis Evangelion: Best & Worst Characters, Ranked".Screen Rant.Archivedfrom the original on February 1, 2021.RetrievedJanuary 28,2021.
  221. ^Mitra, Ritwik (January 16, 2021)."Neon Genesis Evangelion: The Main Characters, Ranked From Worst To Best By Character Arc".Screen Rant.Archivedfrom the original on February 7, 2021.RetrievedJanuary 28,2021.
  222. ^Kristty Ambrose (January 10, 2021)."10 Anime Villains From The '90s That Would Not Work Today".Archivedfrom the original on February 13, 2021.RetrievedFebruary 5,2021.
  223. ^Sevakis, Justin (November 24, 2009)."Evangelion: 2.0 You Can Not Advance".Anime News Network.Archivedfrom the original on October 25, 2018.RetrievedDecember 2,2009.
  224. ^Robert Stayte (August 17, 2021)."Evangelion 3.0+1.0: Thrice Upon a Time Review".UK Film Review.Archivedfrom the original on December 6, 2021.RetrievedDecember 6,2021.
  225. ^Kambole Campbell (August 14, 2021)."'Evangelion 3.0+1.0: Thrice Upon a Time' Ends the Legendary Anime Once and for All ".Thrillist.Archivedfrom the original on August 16, 2021.RetrievedDecember 6,2021.
  226. ^"'Evangelion' Presents: Gendo Ikari, Anime's Worst Dad ".July 12, 2019.Archivedfrom the original on September 9, 2019.RetrievedSeptember 12,2019.
  227. ^"10 References & Parodies You Missed In Gintama".December 7, 2019.Archivedfrom the original on December 17, 2019.RetrievedDecember 17,2019.
  228. ^"Voltron: What To Watch Next?".December 14, 2018.Archivedfrom the original on January 4, 2019.RetrievedJanuary 3,2019.
  229. ^Angelo Delos Trinos (September 16, 2021)."10 Anime That Referenced Neon Genesis Evangelion".Comic Book Resources.Archivedfrom the original on September 25, 2021.RetrievedOctober 20,2021.
  230. ^Evangelion Chronicle(in Japanese). Vol. 48. Sony Magazines. p. 5.
  231. ^Neon Genesis Evangelion Film Book(in Japanese). Vol. 8.Kadokawa Shoten.p. 22.
  232. ^Poggio 2008,p. 76.
  233. ^Neon Genesis Evangelion Film Book(in Japanese). Vol. 1.Kadokawa Shoten.p. 28.
  234. ^Neon Genesis Evangelion Film Book(in Japanese). Vol. 3.Kadokawa Shoten.p. 4.
  235. ^Poggio 2008,p. 72.
  236. ^Neon Genesis Evangelion Film Book(in Japanese). Vol. 1.Kadokawa Shoten.p. 75.
  237. ^Porori 2009,p. 25.
  238. ^Porori 2010,pp. 26–27.
  239. ^Porori 2010,p. 96.
  240. ^Evangelion Chronicle(in Japanese). Vol. 24. Sony Magazines. p. 24.
  241. ^Porori 2009,p. 20.
  242. ^Porori 2010,p. 22.
  243. ^Evangelion Chronicle(in Japanese). Vol. 4. Sony Magazines. p. 6.
  244. ^Gainax, ed. (1997).Neon Genesis Evangelion Newtype 100% Collection(in Japanese).Kadokawa Shoten.pp. 124–126.ISBN4-04-852700-2.
  245. ^Shinseiki Fukuin Kyoukai, ed. (1997).Tân thế kỷ エヴァンゲリオン hoàn toàn công lược đọc bổn(in Japanese). San-ichi Publishing Co., Ltd.ISBN4-380-97219-4.
  246. ^"Đệ 38 hồi エヴァ tạp ký “Đệ ngũ thoại レイ, tâm のむこうに” "(in Japanese).Archivedfrom the original on October 20, 2019.RetrievedJune 2,2018.
  247. ^Gainax, ed. (1997). "Xuất diễn giả コメント".Death & Rebirth Program Book(in Japanese).
  248. ^Dennis Redmond (2007)."Anime and East Asian Culture: Neon Genesis Evangelion".Quarterly Review of Film and Video(24). Archived fromthe originalon March 5, 2016.RetrievedApril 19,2021.
  249. ^Nagatomi, Akio."Shinseiki Evangelion Review Pages – Episode 8: Asuka Strikes!".Abcb.com.The Animé Café.Archivedfrom the original on August 2, 2018.RetrievedMay 31,2021.
  250. ^ab"BEST 10".Animage(in Japanese).Tokuma Shoten.August 1997.
  251. ^"Minh けましてパクト100".Animage(in Japanese).Tokuma Shoten.February 1998.
  252. ^Morgan Lewis (September 8, 2017)."Neon Genesis Evangelion is a metaphor for life".Archivedfrom the original on May 25, 2018.RetrievedJune 2,2018.
  253. ^"Tối cường にカッコ lương い “Tỷ ngự キャラ” といえば? 2 vị nguyệt vịnh "(in Japanese). June 4, 2017.Archivedfrom the original on June 7, 2017.RetrievedJune 4,2018.
  254. ^"Neon Genesis Evangelion".October 12, 1998.Archivedfrom the original on December 31, 2013.RetrievedDecember 29,2013.
  255. ^Fujie & Foster 2004,p. 85.
  256. ^"Top Five Anime Ladies I Want To Date".March 14, 2014.Archivedfrom the original on June 12, 2018.RetrievedJune 2,2018.
  257. ^Kara Dennison (February 20, 2018)."The Granddaddy of Super Robots Returns with Mazinger Z/Infinity".Crunchyroll.Archivedfrom the original on June 12, 2018.RetrievedJune 2,2018.
  258. ^Evangelion Chronicle(in Japanese). Vol. 45. Sony Magazines. p. 21.
  259. ^Evangelion Chronicle(in Japanese). Vol. 5. Sony Magazines. p. 6.
  260. ^Neon Genesis Evangelion Film Book(in Japanese). Vol. 5. Kadokawa Shoten. p. 40.
  261. ^Neon Genesis Evangelion Film Book(in Japanese). Vol. 8. Kadokawa Shoten. p. 31.
  262. ^Porori 2009,p. 40.
  263. ^Porori 2009,pp. 26–27.
  264. ^Neon Genesis Evangelion Film Book(in Japanese). Vol. 1. Kadokawa Shoten. p. 76.
  265. ^Neon Genesis Evangelion Film Book(in Japanese). Vol. 5. Kadokawa Shoten. p. 41.
  266. ^Neon Genesis Evangelion Film Book(in Japanese). Vol. 7. Kadokawa Shoten. p. 69.
  267. ^Neon Genesis Evangelion Film Book(in Japanese). Vol. 9. Kadokawa Shoten. p. 24.
  268. ^Gainax, ed. (1997). "Sơn khẩu do lí tử".The End of Evangelion Program Book(in Japanese).
  269. ^Porori 2010,pp. 28–29.
  270. ^Newtype Complete tân thế kỷ エヴァンゲリオン(in Japanese). Kadokawa Shoten. 2005. pp. 24–25.
  271. ^Neon Genesis Evangelion Film Book(in Japanese). Vol. 3. Kadokawa Shoten. p. 6.
  272. ^Evangelion Chronicle(in Japanese). Vol. 13. Sony Magazines. p. 6.
  273. ^Neon Genesis Evangelion Film Book(in Japanese). Vol. 3. Kadokawa Shoten. pp. 29–30.
  274. ^Neon Genesis Evangelion Film Book(in Japanese). Vol. 3. Kadokawa Shoten. p. 74.
  275. ^Porori 2009,p. 80.
  276. ^Gualtiero Cannarsi.Evangelion Encyclopedia(in Italian). Vol. 4. Dynamic Italia. p. 31.
  277. ^Death and Rebirth Program Book(in Japanese). Gainax. 1997.
  278. ^Evangelion Chronicle(in Japanese). Vol. 48. Sony Magazines. p. 9.
  279. ^Porori 2009,pp. 28–29.
  280. ^Gualtiero Cannarsi.Evangelion Encyclopedia(in Italian). Vol. 5. Dynamic Italia. p. 33.
  281. ^Porori 2009,p. 89.
  282. ^Neon Genesis Evangelion Film Book(in Japanese). Vol. 6. Kadokawa Shoten. p. 4.
  283. ^"Interview mit Tsurumaki Kazuya (Studio GAINAX)"(in German). Anime No Tomodachi.Archivedfrom the original on September 3, 2017.RetrievedSeptember 8,2013.
  284. ^Neon Genesis Evangelion Film Book(in Japanese). Vol. 8. Kadokawa Shoten. pp. 38–39.
  285. ^"Episode Commentaries".Platinum Booklet.Vol. 6. ADV.
  286. ^Neon Genesis Evangelion Film Book(in Japanese). Vol. 6. Kadokawa Shoten. p. 20.
  287. ^Evangelion Chronicle(in Japanese). Vol. 25. Sony Magazines. p. 6.
  288. ^Cannarsi, Gualtiero.Evangelion Encyclopedia(in Italian). Vol. 1. Dynamic Italia. p. 19.
  289. ^Porori 2009,p. 31.
  290. ^Evangelion Chronicle(in Japanese). Vol. 49. Sony Magazines. p. 7.
  291. ^Evangelion Chronicle(in Japanese). Vol. 23. Sony Magazines. p. 26.
  292. ^Evangelion Chronicle(in Japanese). Vol. 45. Sony Magazines. p. 14.
  293. ^Neon Genesis Evangelion Film Book(in Japanese). Vol. 8. Kadokawa Shoten. p. 68.
  294. ^Evangelion Chronicle(in Japanese). Vol. 7. Sony Magazines. pp. 6–8.
  295. ^Porori 2009,p. 32.
  296. ^Evangelion Chronicle(in Japanese). Vol. 20. Sony Magazines. p. 6.
  297. ^Evangelion Chronicle(in Japanese). Vol. 45. Sony Magazines. p. 18.
  298. ^Porori 2009,p. 30.
  299. ^Gualtiero Cannarsi.Evangelion Encyclopedia(in Italian). Vol. 5. Dynamic Italia. p. 30.
  300. ^Gualtiero Cannarsi.Evangelion Encyclopedia(in Italian). Vol. 6. Dynamic Italia. p. 17.
  301. ^Porori 2010,p. 97.
  302. ^Gualtiero Cannarsi.Evangelion Encyclopedia(in Italian). Vol. 2. Dynamic Italia. p. 24.
  303. ^Gualtiero Cannarsi.Evangelion Encyclopedia(in Italian). Vol. 2. Dynamic Italia. pp. 41–42.
  304. ^Evangelion Chronicle(in Japanese). Vol. 28. Sony Magazines. p. 19.
  305. ^Evangelion Chronicle(in Japanese). Vol. 42. Sony Magazines. p. 19.
  306. ^Gualtiero Cannarsi.Evangelion Encyclopedia(in Italian). Vol. 2. Dynamic Italia. pp. 28–29.
  307. ^Neon Genesis Evangelion Film Book(in Japanese). Vol. 2. Kadokawa Shoten. p. 31.
  308. ^Evangelion Chronicle(in Japanese). Vol. 19. Sony Magazines. p. 6.
  309. ^Gualtiero Cannarsi.Evangelion Encyclopedia(in Italian). Vol. 2. Dynamic Italia. p. 18.
  310. ^Evangelion Chronicle(in Japanese). Vol. 8. Sony Magazines. p. 6.
  311. ^Evangelion Chronicle(in Japanese). Vol. 46. Sony Magazines. p. 29.
  312. ^Porori 2009,p. 35.
  313. ^Poggio 2008,p. 59.
  314. ^Neon Genesis Evangelion Film Book(in Japanese). Vol. 5.Kadokawa Shoten.p. 34.
  315. ^Evangelion Chronicle(in Japanese). Vol. 48. Sony Magazines. p. 6.
  316. ^Neon Genesis Evangelion Film Book(in Japanese). Vol. 8. Kadokawa Shoten. p. 33.
  317. ^Poggio 2008,p. 77.
  318. ^Poggio 2008,p. 73.
  319. ^Evangelion Chronicle(in Japanese). Vol. 16. Sony Magazines. pp. 6–8.
  320. ^Evangelion Chronicle(in Japanese). Vol. 2. Sony Magazines. pp. 15–16.
  321. ^Neon Genesis Evangelion Film Book(in Japanese). Vol. 8.Kadokawa Shoten.pp. 35–36.
  322. ^Porori 2010,p. 31.
  323. ^Evangelion Chronicle(in Japanese). Vol. 48. Sony Magazines. p. 3.
  324. ^Neon Genesis Evangelion Laserdisc Encyclopedia(in Japanese). Vol. 11. 1998.
  325. ^Evangelion Chronicle(in Japanese). Vol. 30. Sony Magazines. pp. 6–8.
  326. ^Evangelion Chronicle(in Japanese). Vol. 2. Sony Magazines. pp. 13–14.
  327. ^Porori 2010,pp. 66–67.
  328. ^Poggio 2008,pp. 44–45.
  329. ^Neon Genesis Evangelion: The Feature Film - DTS Collector's Edition Booklet(in Italian). Dynit Italia. 2009. p. 11.
  330. ^Porori 2010,p. 30.
  331. ^Porori 2010,p. 69.
  332. ^Neon Genesis Evangelion Film Book(in Japanese). Vol. 8. Kadokawa Shoten. p. 40.
  333. ^Evangelion Chronicle(in Japanese). Vol. 22. Sony Magazines. p. 7.
  334. ^Evangelion Chronicle(in Japanese). Vol. 14. Sony Magazines. p. 23.
  335. ^Neon Genesis Evangelion Film Book(in Japanese). Vol. 9. Kadokawa Shoten. p. 40.
  336. ^Gainax, ed. (1997). "Dụng ngữ tập".The End of Evangelion Program Book(in Japanese).
  337. ^Evangelion Chronicle(in Japanese). Vol. 9. Sony Magazines. pp. 6–8.
  338. ^Evangelion Chronicle(in Japanese). Vol. 17. Sony Magazines. p. 25.
  339. ^Poggio 2008,p. 90.
  340. ^Evangelion Chronicle(in Japanese). Vol. 41. Sony Magazines. p. 20.
  341. ^Evangelion Chronicle(in Japanese). Vol. 41. Sony Magazines. p. 25.
  342. ^Gualtiero Cannarsi.Evangelion Encyclopedia(in Italian). Vol. 1. Dynamic Italia. p. 30.
  343. ^Porori 2009,p. 55.
  344. ^Fujie & Foster 2004,p. 178.
  345. ^Porori 2009,p. 37.
  346. ^Neon Genesis Evangelion Film Book(in Japanese). Vol. 4. Kadokawa Shoten. pp. 26–27.
  347. ^Clements, Jonathan; McCarthy, Helen (2006).The Anime Encyclopedia: A Guide to Japanese Animation Since 1917(Revised & Expanded ed.).Stone Bridge Press.p. 420.ISBN1-933330-10-4.
  348. ^Brian Smith (July 15, 2011)."A Brief History of Anime Penguins".Awesome Engine. Archived fromthe originalon October 19, 2011.RetrievedDecember 15,2021.
  349. ^Evangelion Chronicle(in Japanese). Vol. 43. Sony Magazines. p. 17.
  350. ^Gualtiero Cannarsi.Evangelion Encyclopedia(in Italian). Vol. 4. Dynamic Italia. p. 23.
  351. ^Neon Genesis Evangelion Film Book(in Japanese). Vol. 3. Kadokawa Shoten. p. 15.
  352. ^Porori 2009,p. 79.
  353. ^Evangelion Chronicle(in Japanese). Vol. 11. Sony Magazines. pp. 23–24.
  354. ^ヱヴァンゲリヲン tân kịch tràng bản:Q ký lục tập(in Japanese). November 17, 2012. p. 72.
  355. ^ヱヴァンゲリヲン tân kịch tràng bản:Q ký lục tập(in Japanese). November 17, 2012. pp. 70–71.
  356. ^ヱヴァンゲリヲン tân kịch tràng bản:Q ký lục tập(in Japanese). November 17, 2012. p. 73.
  357. ^ヱヴァンゲリヲン tân kịch tràng bản:Q ký lục tập(in Japanese). November 17, 2012. p. 74.
  358. ^ヱヴァンゲリヲン tân kịch tràng bản:Q ký lục tập(in Japanese). November 17, 2012. pp. 66–68.
  359. ^abcdef"【4Gamer.net】 - キャラクターゲーム khảo hiện học - chu khan liên tái"(in Japanese). 4Gamer.RetrievedJune 2,2021.
  360. ^Detective Evangelion Booklet(in Japanese). Broccoli. 2007. p. 4.
  361. ^Evangelion Chronicle(in Japanese). Vol. 1. Sony Magazines. p. 24.
  362. ^Detective Evangelion Booklet(in Japanese). Broccoli. 2007. p. 5.
  363. ^Evangelion Chronicle(in Japanese). Vol. 4. Sony Magazines. p. 24.
  364. ^Detective Evangelion Booklet(in Japanese). Broccoli. 2007. p. 6.
  365. ^Detective Evangelion Booklet(in Japanese). Broccoli. 2007. p. 9.
  366. ^Detective Evangelion Booklet(in Japanese). Broccoli. 2007. p. 7.
  367. ^Detective Evangelion Booklet(in Japanese). Broccoli. 2007. p. 8.
  368. ^Detective Evangelion Booklet(in Japanese). Broccoli. 2007. pp. 10–11.
  369. ^Kazuma Hashimoto (October 5, 2020)."Evangelion Battlefields will be changing publishers".RetrievedDecember 25,2021.
  370. ^Corey Prasek (March 25, 2020)."Evangelion Battlefields delayed".RetrievedAugust 3,2021.
  371. ^abKim Morrissy (June 1, 2020)."Evangelion Battlefields Smartphone Game Introduces New Pilot".Anime News Network.RetrievedJune 15,2021.
  372. ^"Tân thế kỷ エヴァンゲリオンRPG bạch thư"(in Japanese). Kadokwa.RetrievedDecember 24,2021.
  373. ^Nakazawa 1996,pp. 8–9.
  374. ^Nakazawa 1996,p. 146.
  375. ^Nakazawa 1996,p. 97.
  376. ^Nakazawa 1996,p. 89.
  377. ^Nakazawa 1996,p. 79-80.
  378. ^Nakazawa 1996,p. 85.
  379. ^Nakazawa 1996,pp. 90–91.
  380. ^Nakazawa 1996,p. 93.
  381. ^ab"シークレット オブ エヴァンゲリオン ポータブル"(in Japanese). Archived fromthe originalon June 13, 2021.RetrievedJune 13,2021.
  382. ^ab"シークレット オブ エヴァンゲリオン(Win)"(in Japanese).RetrievedJune 13,2021.
  383. ^"PC bản “シークレット オブ エヴァンゲリオン”, 6 nguyệt 28 nhật に phát mại "(in Japanese). May 21, 2007.RetrievedJune 13,2021.
  384. ^"これまで minh かされなかった mê に thiêu む—— “シークレット オブ エヴァンゲリオン” "(in Japanese). October 10, 2006.RetrievedJune 13,2021.
  385. ^"Tân tác thiệu giới: シークレット オブ エヴァンゲリオン"(in Japanese).RetrievedJuly 13,2021.
  386. ^"サイバーフロント, tân たな mê に bách るADV PS2 “シークレット オブ エヴァンゲリオン” "(in Japanese).RetrievedJuly 13,2021.
  387. ^"Neon Genesis Evangelion: Girlfriend of Steel"(in Polish). December 10, 2015.Archivedfrom the original on October 29, 2020.RetrievedMarch 18,2020.
  388. ^"【 tân thế kỷ エヴァンゲリオン】 vụ đảo マナとは hà giả? Chính thể や thanh ưu tình báo も thiệu giới"(in Japanese). February 15, 2020.Archivedfrom the original on June 2, 2021.RetrievedMarch 18,2020.
  389. ^"Cương thiết のガールフレンド"(in Japanese). Archived fromthe originalon February 4, 2012.RetrievedMarch 18,2020.
  390. ^"“Tân thế kỷ エヴァンゲリオン cương thiết のガールフレンド< đặc biệt biên >ポータブル” が, 4 nguyệt 9 nhật に phát mại "(in Japanese).Archivedfrom the original on July 22, 2020.RetrievedMarch 18,2020.
  391. ^Tân thế kỷ エヴァンゲリオン cương thiết のガールフレンド メモリアルブック.Gainax. 1998. p. 102.ISBN4-7572-0114-1.
  392. ^Anthony Gramuglia (July 3, 2019)."Neon Genesis Evangelion Has Some Truly Bizarre Spinoffs".Archivedfrom the original on March 19, 2020.RetrievedFebruary 23,2021.
  393. ^Evangelion Chronicle(in Japanese). Vol. 35. Sony Magazines. p. 18.
  394. ^ab"【 tân thế kỷ エヴァンゲリオン】 sơn ngạn マユミとは hà giả? Sử đồ との quan hệ やモデル・ thanh ưu は?"(in Japanese). February 6, 2020.RetrievedJune 12,2021.
  395. ^Evangelion Chronicle(in Japanese). Vol. 28. Sony Magazines. p. 20.
  396. ^"Neon Genesis Evangelion: Second Impression".Archived fromthe originalon September 13, 2005.RetrievedMarch 17,2020.
  397. ^"Shinseiki Evangelion 2nd Impression Mini CD".January 10, 2016.Archivedfrom the original on November 19, 2019.RetrievedMarch 17,2020.
  398. ^"【 tân thế kỷ エヴァンゲリオン】 sơn ngạn マユミは sử đồ と quan わっている? ネタバレ giải thuyết"(in Japanese). June 30, 2020.RetrievedJune 12,2021.
  399. ^"Top 10 Evangelion Games, Ranked".July 9, 2019.Archivedfrom the original on June 2, 2021.RetrievedMarch 17,2020.
  400. ^"Evangelion 2nd Impression Cheats".March 14, 2017.Archivedfrom the original on June 2, 2021.RetrievedMarch 17,2020.
  401. ^"エヴァンゲリオン ngoại vân 2"(in Japanese).RetrievedJune 3,2021.
  402. ^"iモード “Tân thế kỷ エヴァンゲリオン ngoại vân ~ nhân hình たちの yến ~” を phối tín "(in Japanese). May 30, 2006.RetrievedAugust 5,2021.
  403. ^Allegra Frank; Aja Romano (June 21, 2021)."8 things to know about Neon Genesis Evangelion, the legendary anime now streaming on Netflix".Vox.RetrievedDecember 23,2021.
  404. ^Katy Kelly (March 8, 2021)."New dining out initiative enrols the Evangelion cast, stars themed dishes and merchandise".Sora News 24.RetrievedDecember 2,2021.
  405. ^"Đệ 18 hồi アニメグランプリ[1996 niên 5 nguyệt hào ]".Tokuma Shoten.Archived fromthe originalon October 19, 2010.
  406. ^"Đệ 19 hồi アニメグランプリ[1997 niên 6 nguyệt hào ]".Tokuma Shoten.Archived fromthe originalon October 19, 2010.
  407. ^"Đệ 20 hồi アニメグランプリ[1998 niên 6 nguyệt hào ]".Tokuma Shoten.Archived fromthe originalon October 19, 2010.
  408. ^"NT RANKING".Newtype(in Japanese).Kadokawa Shoten.May 2005. p. 182.
  409. ^"Nhân khí キャラクター nữ tính niên gian TOP10".Newtype(in Japanese).Kadokawa Shoten.January 2009. p. 203.
  410. ^"Ranking".Newtype(in Japanese).Kadokawa Shoten.March 2019.
  411. ^"MONTHLY LINE UP".Newtype(in Japanese).Kadokawa Shoten.August 2009. p. 172.
  412. ^"MONTHLY LINE UP".Newtype(in Japanese).Kadokawa Shoten.September 2009. p. 148.
  413. ^"MONTHLY LINE UP".Newtype(in Japanese).Kadokawa Shoten.October 2009. p. 136.
  414. ^"Tân thế kỷ エヴァンゲリオン".Newtype(in Japanese).Kadokawa Shoten.March 2010. pp. 24–25.
  415. ^ab"Animerica Interview: Yoshiyuki Tomino".Animerica.8(2). Viz Media: 36. March 2000.
  416. ^Kelts, Roland (February 17, 2012)."Shinkai engages intl anime fans".The Daily Yomiuri.Archived fromthe originalon February 16, 2012.
  417. ^"Neon Genesis Evangelion Review".Archived fromthe originalon October 4, 2013.RetrievedApril 20,2020.
  418. ^"Neon Genesis Evangelion Review".December 11, 2007. Archived fromthe originalon September 28, 2013.RetrievedApril 20,2020.
  419. ^Raphael See."Neon Genesis Evangelion".T.H.E.M. Anime.Archivedfrom the original on February 20, 2012.RetrievedFebruary 9,2014.
  420. ^"Neon Genesis Evangelion".T.H.E.M. Anime.RetrievedApril 24,2017.
  421. ^Fujie & Foster 2004,p. 162.
  422. ^Solomon, Charles (April 10, 2002)."Anime Series Draws on a World of Alienation".Los Angeles Times.Archivedfrom the original on March 5, 2016.RetrievedMay 30,2017.
  423. ^Ricardo Contreras (August 2, 2019)."Nothing Prepares You for the End of 'Evangelion'".Vice.RetrievedDecember 14,2021.
  424. ^Gita Jackson (November 27, 2018)."Evangelion Isn't Fun, But It's Still Worth Watching".Kotaku.RetrievedJune 14,2021.
  425. ^Morgan Lewis (June 29, 2019)."Neon Genesis Evangelion Isn't For Normies".VG Culture HQ.RetrievedJune 14,2021.
  426. ^Nick Creamer."Neon Genesis Evangelion".Anime News Network.RetrievedJune 14,2021.
  427. ^Anime Reign Magazine.Vol. 1, no. 2. 2013. pp. 23–24.{{cite magazine}}:Missing or empty|title=(help)
  428. ^Andrea Fontana."Neon Genesis Evangelion: l'apoteosi dell'anime"(in Italian). Archived fromthe originalon February 29, 2008.RetrievedApril 17,2020.
  429. ^Ajay Aravind (December 2, 2020)."Neon Genesis Evangelion: Every Main Character, Ranked By Likability".Comic Book Resources.Archivedfrom the original on January 21, 2021.RetrievedJanuary 28,2021.
  430. ^Anthony Gramuglia (June 9, 2019)."Is Neon Genesis Evangelion Still Relevant in 2019?".Comic Book Resources.RetrievedJune 14,2021.
  431. ^Reuben Baron (December 2, 2018)."10 Reasons Everyone Must Watch Evangelion (And 10 Aspects That Don't Quite Hold Up)".December 2, 2018.RetrievedJune 14,2021.
  432. ^Theo Kogod (January 27, 2020)."Neon Genesis Evangelion: 10 Undeniable Ways That It Changed Mecha Anime Forever".Comic Book Resources.RetrievedJune 15,2021.
  433. ^Caleb Bailey (November 18, 2019)."Neon Genesis Evangelion: 5 Ways The Anime Was Ahead Of Its Time (& 5 Ways It Wasn't)".Comic Book Resources.RetrievedJune 15,2021.
  434. ^Martin Theron (March 18, 2005)."Neon Genesis Evangelion (Review) DVD 3: Platinum Edition".Anime News Network.Archivedfrom the original on January 17, 2013.RetrievedNovember 9,2015.
  435. ^Allen Divers (January 10, 2002)."Neon Genesis Evangelion Collection 0:7 DVD".Anime News Network.Archivedfrom the original on September 25, 2015.RetrievedNovember 9,2015.
  436. ^Matt Jong."Neon Genesis Evangelion (Review) DVD Vol. 1".Anime News Network.Archivedfrom the original on October 23, 2020.RetrievedOctober 9,2013.
  437. ^Allen Divers."Neon Genesis Evangelion".Anime News Network.RetrievedJune 14,2021.
  438. ^Fujie & Foster 2004,p. 126.
  439. ^E-Mono(in Japanese). Gainax. 1997. pp. 56–58.ISBN4-04-852868-8.
  440. ^E-Mono(in Japanese). Gainax. 1997. pp. 60–61.ISBN4-04-852868-8.
  441. ^E-Mono(in Japanese). Gainax. 1997. p. 83.ISBN4-04-852868-8.
  442. ^E-Mono(in Japanese). Gainax. 1997. p. 79.ISBN4-04-852868-8.
  443. ^Fujie & Foster 2004,p. 98.
  444. ^Fujie & Foster 2004,p. 39.
  445. ^E-Mono(in Japanese). Gainax. 1997. p. 142.ISBN4-04-852868-8.
  446. ^"Tân thế kỷ エヴァンゲリオン: レアもの “エヴァ phữu” đăng tràng レイとアスカがメイド tư で hạn định sinh sản ".Mainichi.jp(in Japanese). Mainichi Shimbun. March 11, 2008.Archivedfrom the original on March 15, 2008.RetrievedOctober 5,2021.
  447. ^E-Mono(in Japanese). Gainax. 1997. pp. 50–51.ISBN4-04-852868-8.
  448. ^"REI-レイ- tân thế kỷ エヴァンゲリオン văn khố tả chân tập"(in Japanese). Kadokawa Shoten.RetrievedJune 2,2021.
  449. ^"ASUKA-アスカ- tân thế kỷ エヴァンゲリオン văn khố tả chân tập"(in Japanese). Kadokawa Shoten.RetrievedJune 2,2021.
  450. ^"SHINJI-シンジ- tân thế kỷ エヴァンゲリオン văn khố tả chân tập"(in Japanese). Kadokawa Shoten.RetrievedJune 2,2021.
  451. ^"KAWORU-カヲル- tân thế kỷ エヴァンゲリオン văn khố tả chân tập"(in Japanese).Archivedfrom the original on July 27, 2020.RetrievedJuly 26,2020.
  452. ^"eve 2015 niên の nữ thần たち tân thế kỷ エヴァンゲリオン PHOTO FILE"(in Japanese). Kadokawa.RetrievedJune 2,2021.
  453. ^"ADAM 2015 niên の chiến sĩ たち tân thế kỷ エヴァンゲリオン PHOTO FILE02"(in Japanese). Kadokawa Shoten.RetrievedJune 2,2021.
  454. ^E-Mono(in Japanese). Gainax. 1997. pp. 53–54.ISBN4-04-852868-8.
  455. ^Pier Francesco Cantelli (August 28, 2019)."Un'introduzione a Neon Genesis Evangelion"(in Italian). Cinema Errante.
  456. ^"【モンスト】 “エヴァンゲリオン” コラボ đệ 3 đạn が khai thôi! Hạn định ガチャや “Cát thành ミサト” も tân đăng tràng "(in Japanese). October 5, 2017. Archived fromthe originalon June 12, 2018.RetrievedApril 15,2018.
  457. ^"Import Review: Super Robot Wars V".April 26, 2018.Archivedfrom the original on August 22, 2018.RetrievedJune 4,2018.
  458. ^""Evangelion" Costume Set for "Tales of Zestiria" Offered in America and Europe ".November 12, 2015.Archivedfrom the original on June 12, 2018.RetrievedJune 7,2018.
  459. ^"Neon Genesis Evangelion Revisits Puzzle & Dragons".November 17, 2015. Archived fromthe originalon June 12, 2018.RetrievedJune 7,2018.
  460. ^"『ケリ cơ スイーツ』と『エヴァンゲリオン』コラボが phục hoạt! “Đệ 13 hào cơ nghi tự シン hóa” などの tân キャラクターが đăng tràng "(in Japanese). November 25, 2016.Archivedfrom the original on December 9, 2017.RetrievedJuly 9,2017.
  461. ^"『サモンズボード』に sử đồ, tái び! 『エヴァンゲリオン』コラボ tình báo まとめ"(in Japanese). October 19, 2016.Archivedfrom the original on December 9, 2017.RetrievedJuly 9,2017.
  462. ^"セガゲームス, 『ぷよぷよ!!クエスト』で “エヴァンゲリオン” コラボを khai thủy! “Cát thành ミサト” dịch ・ tam thạch cầm nãi さんナレーションのテレビCMも phóng ánh trung "(in Japanese). August 10, 2018.Archivedfrom the original on September 11, 2018.RetrievedSeptember 12,2018.
  463. ^"Sử đồ lai tập! 《LINE Rangers》 dữ tân thế kỷ phúc âm chiến sĩ đặc biệt hợp tác".ETtoday du hí vân(in Chinese (Taiwan)). December 18, 2015.Archivedfrom the original on September 26, 2018.RetrievedSeptember 25,2020.
  464. ^"Triệu hoán hệ thủ cơ RPG《UNISON liên minh 》X “Phúc âm chiến sĩ” hợp tác kim nhật khai bào "(in Chinese (Taiwan)). September 29, 2016.RetrievedOctober 12,2020.
  465. ^"《 tân phong chi cốc 》X《 phúc âm chiến sĩ 》 khóa giới hoạt động tức nhật khải động! Thừa tọa soái khí “Sơ hào cơ” thao túng uy lực kinh nhân “Dương điện tử pháo” "(in Chinese (Taiwan)). Du hí cơ địa gamebase. March 1, 2018.Archivedfrom the original on September 25, 2020.RetrievedSeptember 25,2020.
  466. ^Jessica (March 1, 2018)."《 tân phong chi cốc 》X《 phúc âm chiến sĩ 》 khóa giới hợp tác tức nhật khải động ô nhậm vụ trung thừa tọa “Sơ hào cơ” thao túng “Dương điện tử pháo” "(in Chinese (Taiwan)).RetrievedOctober 8,2020.
  467. ^Edward (May 7, 2018)."《 thần vực triệu hoán 》x《 phúc âm chiến sĩ tân kịch tràng bản 》 hợp tác liên động toàn diện triển khai linh, minh nhật hương cập chân tự ô du hí hiện thân"(in Chinese (Taiwan)).Archivedfrom the original on July 12, 2020.RetrievedSeptember 25,2020.
  468. ^Bính càn (March 7, 2019)."《 thần vực triệu hoán 》x《 tân thế kỷ phúc âm chiến sĩ 》 hợp tác tái lâm, hòa thiếu niên thiếu nữ môn chửng cứu thế giới"(in Traditional Chinese). 4Gamers quan phương võng trạm.Archivedfrom the original on September 25, 2020.RetrievedOctober 13,2020.
  469. ^"Bất năng đào tị! 《RO tiên cảnh truyện thuyết: Thủ hộ vĩnh hằng đích ái 》x 《 tân thế kỷ phúc âm chiến sĩ 》"(in Chinese (Taiwan)). udn du hí giác lạc. January 31, 2019.Archivedfrom the original on February 3, 2019.RetrievedSeptember 25,2020.
  470. ^Lâu uyển linh (February 10, 2019)."Thủ du 《 tiên cảnh truyện thuyết 》 dữ 《 phúc âm chiến sĩ 》 hợp tác đĩnh chân tự, lăng ba linh toàn xuất liệt"(in Traditional Chinese). ETtoday du hí vân.Archivedfrom the original on September 25, 2020.RetrievedOctober 13,2020.
  471. ^"《 miêu mễ đại chiến tranh 》x《 tân thế kỷ phúc âm chiến sĩ 》 hợp tác hồi lai lạp! Truy gia toàn tân yếu tố tái thứ xuất kích"(in Chinese (Taiwan)). Du hí cơ địa gamebase. July 18, 2019.Archivedfrom the original on September 26, 2020.RetrievedOctober 13,2020.
  472. ^"Rei, Asuka VAs Confirmed, Angel-Themed Villain Revealed for Shinkalion's Giant Eva Episode".animenewsnetwork.com.August 9, 2018.Archivedfrom the original on May 6, 2020.RetrievedApril 19,2020.
  473. ^Dave Van Cleef."Comike 50".EX.org. Archived fromthe originalon November 15, 2000.RetrievedOctober 21,2013.
  474. ^Ivevei Upatkoon."Comike 54".EX.org. Archived fromthe originalon October 22, 1999.RetrievedOctober 21,2013.
  475. ^Horn, Carl Gustav (2004). "Eight books from Evangelion".Neon Genesis Evangelion.Vol. 8. Viz Media.ISBN978-1-59116-415-9.
  476. ^Horn, Carl G."Speaking Once as They Return: Gainax'sNeon Genesis Evangelion".Archived fromthe originalon March 29, 2012.RetrievedSeptember 7,2013.
  477. ^Justin Wu (July 11, 2013)."Neon Genesis Evangelion: The Legacy of Rei Ayanami".The Artifice.Archivedfrom the original on March 18, 2016.RetrievedApril 17,2020.
  478. ^ab"An instrument of change".Newtype USA:31. December 2006.
  479. ^Galbraith, Patrick W. (April 11, 2020)."Moe".Jmpc-utokyo.com.University of Tokyo.RetrievedDecember 24,2021.
  480. ^Patrick W. Galbraith (2019). "Moe: An Affective Response to Fictional Characters".Otaku and the Struggle for Imagination in Japan.Duke University Press.ISBN978-1-4780-0701-2.
  481. ^Li, Carl; Nakamura, Mari; Roth, Martin (April 2013)."Japanese Science Fiction in Converging Media: Alienation and Neon Genesis Evangelion"(PDF).Asiascape Ops.6.Archived fromthe original(PDF)on October 20, 2014.
  482. ^Fujioka, Brett (March 6, 2013)."Japanese Postmodernism and Fandom: The Rise of Raiden and What Kojima Really Meant".Gamedeveloper.com.Game Developer.RetrievedDecember 24,2021.
  483. ^Ishikawa 2007,p. 80.
  484. ^Ishikawa 2007,pp. 76–77.
  485. ^Ishikawa 2007,p. 83.
  486. ^Ishikawa 2007,pp. 78–79.
  487. ^abTamaki Mihic (2020).Re-imagining Japan after Fukushima.ANU Press. p. 32.ISBN978-1-76046-354-0.
  488. ^Motoko Tanaka (2014). "The Birth of Sekaikei Fiction".Apocalypse in Contemporary Japanese Science Fiction.Palgrave Macmillan US.ISBN978-1-137-37354-0.
  489. ^"Recommended Anime: TV Series".Archived fromthe originalon August 22, 2007.RetrievedJuly 14,2021.
  490. ^Timothy Donohoo (April 13, 2021)."How Is Evangelion So Marketable?".Comic Book Resources.RetrievedJune 14,2021.
  491. ^Drazen, Patrick (2014).Anime Explosion!: The What? Why? and Wow! of Japanese Animation(Revised & Updated ed.).Stone Bridge Press.p. 297.ISBN978-1-61172-013-6.
  492. ^Adriano Valente (July 14, 2019)."Evangelion: 10 Things You Didn't Know About Rei".Archivedfrom the original on July 15, 2019.RetrievedSeptember 15,2020.
  493. ^Zoth, Thomas (January 19, 2010)."10 Iconic Anime Heroines".Mania Entertainment. Archived fromthe originalon January 22, 2010.RetrievedJanuary 22,2010.
  494. ^"Top 25 Anime Characters of All Time".IGN.October 20, 2009.Archivedfrom the original on August 22, 2011.RetrievedOctober 22,2009.
  495. ^Perdijk, Paul (April 18, 2020)."Database Consumption".Jmpc-utokyo.com.University of Tokyo.RetrievedDecember 24,2021.
  496. ^"10 Best Kuudere Characters In Anime, Ranked".December 5, 2019.Archivedfrom the original on December 17, 2019.RetrievedSeptember 13,2020.
  497. ^Robert Hutton (September 5, 2021)."How Neon Genesis Evangelion Changed Anime Forever".Screen Rant.RetrievedNovember 2,2021.
  498. ^"Thật はけっこうある!? “エヴァ” キャラへ hướng けた ca! ".Anibu.jp(in Japanese). June 17, 2015.Archivedfrom the original on August 2, 2017.RetrievedApril 18,2020.
  499. ^"『ペンギン・ハイウェイ』 thạch điền hữu khang giam đốc インタビュー| mị lực đích なお tỷ さんにはあの tác phẩm の ảnh hưởng が ẩn されていた?"(in Japanese). August 15, 2018.Archivedfrom the original on September 12, 2018.RetrievedDecember 21,2021.
  500. ^"ダサいゲームは tác らない! レトロゲームファンが nhận める『エビルファクトリー』 khai phát の chiến lược は" soa biệt hóa "と" かっこよさ "!? 【NDC17】"(in Japanese). April 28, 2017.Archivedfrom the original on April 28, 2017.RetrievedOctober 30,2018.
  501. ^Gramuglia, Anthony (October 23, 2020)."How Evangelion's Asuka Defined Tsundere Characters for a Generation".Comic Book Resources.Archivedfrom the original on March 24, 2021.RetrievedJanuary 19,2021.
  502. ^Gramuglia, Anthony (November 2, 2020)."Rei Vs. Asuka – Who Is Evangelion's Best Girl?".Archivedfrom the original on November 19, 2020.RetrievedJanuary 19,2021.
  503. ^Gene Park."'Evangelion' is finally on Netflix. I don't need a rewatch, because the trauma lives on in me ".June 25, 2019.RetrievedJune 14,2021.
  504. ^Maria M. Rider."Gasaraki".Archived fromthe originalon June 6, 2011.RetrievedApril 15,2021.
  505. ^Watsuki, Nobuhiro. "The Secret Life of Characters (41) Yukishiro (Himura) Tomoe,"Rurouni KenshinVolume 21.Viz Media.46.
  506. ^Watsuki, Nobuhiro."The Secret Life of Characters (37) Honjō Kamatari,"Rurouni KenshinVolume 15.Viz Media.86.

References

edit