Frederic Leighton, 1st Baron Leighton,PRA(3 December 1830 – 25 January 1896), known asSir Frederic Leightonbetween 1878 and 1896, was a BritishVictorian painter,draughtsman, and sculptor. His works depicted historical,biblical,andclassicalsubject matter in anacademic style.His paintings were enormously popular and expensive, during his lifetime, but fell out of critical favour for many decades in the early 20th century.[citation needed]
The Lord Leighton | |
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Born | Frederic Leighton 3 December 1830 Scarborough,North Riding of Yorkshire, England |
Died | 25 January 1896 Kensington,London, England | (aged 65)
Education | |
Known for | Painting and sculpture |
Notable work | Flaming June |
Movement | Academicism,Pre-Raphaeliteand BritishAestheticism |
Awards | |
Signature | |
Leighton was the bearer of the shortest-livedpeeragein history; after only one day, his hereditary peerage became extinct upon his death.[1]
Biography
editLeighton was born inScarboroughto Augusta Susan and Dr. Frederic Septimus Leighton (1799–1892), a medical doctor. Leighton's grandfather, Sir James Boniface Leighton (1769–1843), had been the primary physician to two Russian tsars—Alexander IandNicholas I—and their families, and amassed a fortune while in their service.[2]Leighton's career was always cushioned by this family wealth, with his father paying him an allowance throughout his life.[3]He had two sisters; one of them,Alexandra,wasRobert Browning's biographer.[4]He was educated atUniversity College School,London. He then received his artistic training on the European continent, first fromEduard von Steinleand then fromGiovanni Costa.At age 17, in the summer of 1847, he met the philosopherArthur Schopenhauerin Frankfurt and drew his portrait, in graphite and gouache on paper—the only known full-length study of Schopenhauer done from life.[5]When he was 24 he was inFlorence;he studied at theAccademia di Belle Arti,and painted the procession of theCimabueMadonna through the Borgo Allegri. From 1855 to 1859 he lived in Paris, where he metIngres,Delacroix,Corot,andMillet.
Travel was an important part of Leighton's life from childhood. By his late teens, he was living with his family in Frankfurt, Germany and had already visited many of Europe's major cities, including Florence and Rome, places which he would return to on a great many occasions over the next decades. By his late twenties, extended periods had been spent living in Rome and then Paris and Leighton had made his first trip outside Europe, travelling to north Africa in 1857. Once settled in London, he continued to make extensive trips every year until shortly before his death. The countries that Leighton visited on at least one occasion include Austria, Algeria, Egypt, France, Germany, Greece, Ireland, Italy, Lebanon, Morocco, The Netherlands, Scotland, Spain, Switzerland, Syria, and Turkey.
In 1860, he moved to London, where he associated with thePre-Raphaelites.He designedElizabeth Barrett Browning's tomb forRobert Browningin theEnglish Cemetery, Florencein 1861. In 1864 he became an associate of theRoyal Academyand in 1878 he became its President (1878–96). His 1877 sculpture,Athlete Wrestling with a Python,was considered at its time to inaugurate a renaissance in contemporary British sculpture, referred to as theNew Sculpture.American art criticEarl Shinnclaimed at the time that "Except Leighton, there is scarce any one capable of putting up a correct frescoed figure in the archway of the Kensington Museum."[6]His paintings represented Britain at the great1900 Paris Exhibition.
He was the first President of the Committee commissioning theSurvey of Londonwhich documented the capital's principal buildings and public art.[7]
Leighton remained a bachelor; rumours of him having an illegitimate child with one of his models, in addition to the supposition that Leighton may have been homosexual, continue to be debated.[8]He certainly enjoyed an intense and romantically tinged relationship with the poetHenry William Grevillewhom he met in Florence in 1856.[9]The older man showered Leighton in letters, but the romantic affection seems not to have been reciprocated. Enquiry is further hindered by Leighton leaving no diaries, and his letters lack reference to his personal circumstances. No definite primary evidence has yet come to light that effectively dispels the secrecy that Leighton built up around himself, although it is clear that he did court a circle of younger men around his artistic studio.[8]
Leighton wasknightedatWindsor Castlein 1878,[10]and was created abaroneteight years later.[11]He was the first painter to be given apeerage,in the1896 New Year Honours.The patent creating him Baron Leighton ofStretton,in the County of Shropshire, was issued on 24 January 1896;[12]Leighton died the next day ofangina pectoris.On his death hishereditary peeragewas extinguished after existing for only a day; this is a record in thepeerage.
His house inHolland Park,London has been turned into a museum, theLeighton House Museum.[13]It contains many of his drawings and paintings, as well as some of his former art collection, including works byOld Mastersand his contemporaries, such as a painting dedicated to Leighton bySir John Everett Millais.The house also houses many of Leighton's inspirations, including his collection ofIznik tiles.Its centrepiece is the magnificent Arab Hall, which is featured in issue ten ofCornucopia.[14] Ablue plaquecommemorates Leighton at Leighton House Museum.[15]
Artists Rifles
editLeighton was an enthusiastic volunteer soldier, enrolling with the first group to join the 38th Middlesex (Artists') Rifle Volunteer Corps (later to be known as theArtists Rifles) on 5 October 1860.
His qualities of leadership were immediately identified, and he was promoted to command a Company within a few months. On 6 January 1869CaptainLeighton was elected to command the Artists Rifles by a general meeting of the corps. In the same year he was promoted to major and in 1875 tolieutenant colonel.Leighton resigned ascommanding officerin 1883. The painterJames Whistlerfamously described the then Sir Frederic Leighton, the commanding officer of the Artists Rifles, as the: "Colonel of the Royal Academy and the President of the Artists Rifles – aye, and he paints a little!" At his funeral, on 3 February 1896, his coffin was carried intoSt Paul's Cathedral,[16]past aguard of honourformed by the Artists Rifles.[17]
Honours
edit- 1864: Associate of theRoyal Academy
- 1868: Royal AcademyAcademician
- 1878: President of the Royal Academy
- 1878:Légion d'honneurOfficer
- 1878:Knight Bachelor
- 1886: Created a baronet in theBaronetage of the United Kingdom
- 1889: Associate member of theInstitute of France
- 1896: Created a baron in thePeerage of the United Kingdom
Selected works
edit- Death of Brunelleschi(1852), oil on canvas
- The Fisherman and the Syren,c. 1856–58(66.3 cm × 48.7 cm (26.1 in × 19.2 in))
- Cimabue's Celebrated MadonnaIs Carried in Procession Through the Streets of Florence(1853–55),[18]oil on canvas.
- The Discovery of Juliet Apparently Lifeless(c. 1858)[19]
- The Villa Malta, Rome(1860s),[20]oil on canvas
- The Painter's Honeymoon,c. 1864(83.8 cm × 77.5 cm (33.0 in × 30.5 in))
- Mother and Child,c. 1865(48.2 cm × 82 cm (19.0 in × 32.3 in))
- Actaea, the Nymph of the Shore(1868),[21]oil on canvas (57.2 cm × 102.2 cm (22.5 in × 40.2 in)),National Gallery of Canada,Ottawa.
- Daedalus and Icarus,c. 1869(138.2 cm × 106.5 cm (54.4 in × 41.9 in))
- Hercules Wrestling with Death for the Body of Alcestis(1869–71) (132.4 cm × 265.4 cm (52.1 in × 104.5 in))
- After Vespers,1871 (111.5 cm × 71.5 cm (43.9 in × 28.1 in)),Princeton University Art Museum
- Greek Girls Picking up Pebbles by the Sea,1871 (84 cm × 129.5 cm (33.1 in × 51.0 in))
- Teresina(c. 1874)Christchurch Art Gallery Te Puna o Waiwhetu,Christchurch,New Zealand
- Music Lesson,c. 1877(92.8 cm × 118.1 cm (36.5 in × 46.5 in))
- An Athlete Wrestling with a Python(1877),[22]bronze sculpture
- Nausicaa,c. 1878(145 cm × 67 cm (57 in × 26 in))
- Winding the Skein,c. 1878(100.3 cm × 161.3 cm (39.5 in × 63.5 in))
- Light of the Harem,c. 1880(152.4 cm × 83.8 cm (60.0 in × 33.0 in))
- Idyll,c. 1880–81
- Wedded,(c. 1881–1882) (145.4 cm × 81 cm (57.2 in × 31.9 in))
- Cymon and Iphigenia(1884)Art Gallery of New South Wales
- Captive Andromache,c. 1888(197 cm × 406.5 cm (77.6 in × 160.0 in))
- The Bath of Psyche(c. 1889–90) (189.2 cm × 62.2 cm (74.5 in × 24.5 in))Tate Gallery
- The Garden of the Hesperides,c. 1892(169 cm × 169 cm (67 in × 67 in)),Lady Lever Art Gallery
- Flaming June(1895), oil on canvas,Museo de Arte de Ponce, Puerto Rico(120.6 cm × 120.6 cm (47.5 in × 47.5 in))
- The Parable of the Wise and Foolish Virgins (Fresco)[23]
- The armlet
- Phoebe(55.88 cm × 60.96 cm (22.00 in × 24.00 in))
- A Bather
- The Leighton Frescoes,The Arts of Industry as Applied to WarandThe Arts of Industry as Applied to Peace
- Phoenicians Trading with the Early Britons on the Coast of Cornwall,1895. Mural atthe Royal Exchange, London
- The Return of Persephone,1891, oil on canvas,Leeds Art Gallery[24]
Gallery
edit-
The Garden of theHesperides,oil on canvas painting, 1892,Lady Lever Art Gallery
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The Sluggard,1885
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Athlete wrestling with a Python,white marble sculpture, 1888–1891 (Private collection: on loan to theArt Gallery of New South Wales)
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The Last Watch ofHero,1880
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Perseus and Andromeda,1891,Walker Art Gallery,Liverpool.
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Mosesviews the Promised Land
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Memories,1883
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The Bath of Psyche,1879
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CaptiveAndromache,oil on canvas painting, 1886–1888,Manchester City Art Gallery
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Cymon and Iphigenia,oil on canvas painting, 1884,Art Gallery of New South Wales
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Portrait of May Sartoris
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Biondina,1879
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The Return of Persephone,1891
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Kittens,1883
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A Girl Feeding Peacocks,c. 1863
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Solitude,c. 1890
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Winding the skein, 1878
See also
edit- Romola– the 1863 novel byGeorge Eliotfor which Leighton did the illustrations
Citations
edit- ^Leigh Rayment (1 September 2015)."Peerage Records".Leigh Rayment's Peerage Page.Archived from the original on 23 March 2016.
{{cite web}}
:CS1 maint: unfit URL (link) - ^"Biography of Lord Frederick Leighton".ARC.Retrieved4 October2022.
- ^"Frederic Leighton".RBKC.Retrieved4 October2022.
- ^"Orr [née Leighton], Alexandra [known as Mrs Sutherland Orr]".Oxford Dictionary of National Biography(online ed.). Oxford University Press. 23 September 2004.doi:10.1093/ref:odnb/35332.ISBN978-0-19-861412-8.(Subscription orUK public library membershiprequired.)
- ^Crowther, Paul, and Miruna Cuzman. "A Rediscovered Contemporary Full-Length Sketch-Portrait of Schopenhauer by Frederic, Lord Leighton." Schopenhauer Jahrbuch, 92 Band, Konigshausen und Neumann, 2011: 301–306.
- ^Shinn, Earl (1880).The World's Art: From the International Exhibition.Lovering.
- ^"Members of the Survey Committee Pages 4-7 Survey of London Monograph 12".British History Online.Guild & School of Handicraft, London, 1926.Retrieved30 December2022.
- ^abEmanuel Cooper,The Sexual Perspective: Homosexuality and Art in the Last 100 Years in the West,2005
- ^Oxford Dictionary of National Biographyvol 33
- ^"No. 24651".The London Gazette.29 November 1878. p. 6695.
- ^"No. 25551".The London Gazette.22 January 1886. p. 328.
- ^"No. 26705".The London Gazette.31 January 1896. p. 587.
- ^Brooks, Richard (7 September 2024)."Frederic Leighton's only known painting of moon over water to go on show after being lost for a century".The Observer.
- ^Cornucopia10, Ingres and Lady Mary Montagu, Leighton House, yurts, the Lycians plus elegant eggplant.Cornucopia.net. Retrieved on 20 February 2011.
- ^"LEIGHTON, FREDERICK, LORD LEIGHTON (1830–1896)".English Heritage.Retrieved1 July2012.
- ^"Memorials of St Paul's Cathedral"Sinclair, W.p. 469: London; Chapman & Hall, Ltd; 1909.
- ^Barry Gregory.A History of The Artists Rifles 1859–1947.Pen & Sword. 2006.
- ^Frederic, Lord Leighton | Cimabue's Celebrated Madonna | L275 | The National Gallery, London.Nationalgallery.org.uk. Retrieved on 20 February 2011.
- ^Tate Collection | Study for 'The Discovery of Juliet Apparently Lifeless'.Tate.org.uk. Retrieved on 20 February 2011.
- ^Frederic, Lord Leighton | The Villa Malta, Rome | L851 | The National Gallery, London.Nationalgallery.org.uk. Retrieved on 20 February 2011.
- ^Artwork Page: Actaea, the Nymph of the ShoreArchived28 August 2004 at theWayback Machine.Cybermuse.gallery.ca. Retrieved on 20 February 2011.
- ^Tate Collection |An Athlete Wrestling with a Pythonby Frederic, Lord Leighton.Tate.org.uk. Retrieved on 20 February 2011.
- ^NewforestparishesArchived3 July 2007 at theWayback Machine
- ^"Leeds Art Gallery, listings".Archived fromthe originalon 30 November 2016.Retrieved28 September2016.
General references
edit- Monkhouse, William Cosmo(1911). .InChisholm, Hugh(ed.).Encyclopædia Britannica.Vol. 16 (11th ed.). Cambridge University Press. pp. 396–398.
External links
editExternal videos | |
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Leighton'sAn Athlete Wrestling with a Python,Smarthistory |
- Frederic-Leighton.org—114 works by Frederic Leighton
- Advice to Young Artists by Frederick Lord Leighton—high resolution images
- Scarborough, Birthplace of Lord Frederic Leighton
- Leighton House Museum
- ObituaryfromThe Times
- Leighton GalleryArchived27 September 2007 at theWayback Machineat MuseumSyndicate
- 171 artworks by or after Frederic Leightonat theArt UKsite
- Portrait of Sir Frederick Leighton, PRAbyAlphonse LegrosatUniversity of Michigan Museum of Art