Asase Ya/Afua(orAsase Yaa,Asaase Yaa,Asaase Afua, Asaase Efua) is theAkangoddess offertility,love,procreation,peace,truthand the dry and lushearthinGhanaandIvory Coast.She is also Mother of the Dead known as Mother Earth or Aberewaa.
Asase Ya | |
---|---|
Goddess of Earth, Fertility, Love, Peace, Procreation, Sky, and Truth | |
Venerated in | Akom |
Planet | Jupiter |
Ethnic group | Akan people |
Genealogy | |
Spouse | Nyame |
Children | Bia•Tano/Tano |
Equivalents | |
Roman | Juno |
Bakongo | Nzambici |
Egyptian | Amunet |
Igbo | Ala |
Asase is the wife ofNyankapon,the male skydeity,and is the daughter ofNyame,the female aspect of the Nyankapon-Nyame-Odomakoma trinity, all of whomcreated the universe.Asase gave birth to two children,BeaandTano.Bea is also named Bia. In some folklore tales, Asase is also the mother ofAnansi,thetrickster,and divine stepmother of the sacred high chiefs.
Asase is very powerful, though notemplesare dedicated to her, instead, she is worshipped in theagricultural fieldsof the Asante and other Akans. Asase is highly respected amongst Akans. Sacrifices are given to her for favour and blessings. Asase's favoured people are theBono people.PlanetEarthis Asase Yaa's symbol whilst Venus is Asase Afua's symbol.[1][2][3]
Names
editThe nameAsasemeans 'Land' in Twi. The nameYameans 'one born on Thursday, meaning that Asase was created on a Thursday. However, the nameAfuameans 'one born on Friday', meaning that in she was created on Friday. In actuality, the Asante believe that Asase was created on a Thursday while the Fante believe that Asase was created on a Friday. Due to this, the Asante and most other Akans call Asase'Asase Ya'meaning 'Earth born on Thursday' whilst the Fante and the other Akans call Asase'Asase Efua (Afua)'meaning 'Earth born on Friday'[4]
The Asante also know Asase Ya asAberewaa,meaning 'old woman'[4]
Asase is also known as'Asase bo ne nsie'meaning 'Earth, creator of the underworld'[5]
Description
editAsase has two differing descriptions and, thus, two different personalities. However, they are both one deity[6]
Asase Yaa:Asase Yaa is described as an old woman, linked to the other meaning of the name Asase Yaa; Old Mother Earth, and the other name Asase Yaa is known as, Aberewaa.[7]As such she is regarded as the Goddess of the barren places on earth[6]and the dead (she is the mother of the Dead).[8]Asase Yaa is also the Goddess of Truth and Peace and is consulted on matters of the community through divination.[9]As the Goddess of Truth and the Mother of the dead, she governs the gateway to Asamando, the Akan Ancestral Realm.[9]At death, Asase Yaa reclaims her mortal children, humanity.[4]
Asase Afua:Asase Afua, by contrast, is depicted as a youthful, incredibly beautiful woman. Due to this, she is regarded as the Goddess of the fertile places on earth,[6]fertility, farming, love and procreation.[8]Mmoatia are said to be her spiritual custodians similar to how baboons are the custodians of Ta Kora.[10]Asase Afua is have said to have given birth to all of humanity,[4]despite the Asante proverb that says that all of mankind are children of Nyame, not Asase,[11]although this actually applies to one's Sunsum and Kra (Ego and Soul), not Mogya (blood) and Honam (body). It is this form of Asase who is the wife of Nyankapon[citation needed].Asase Afua is represented by the antelope and either still is, or used to be, represented by the goat. The antelope has 10 coils on the left horn and 8 coils on the right, the right horn and the antelope with 8 coils on each of its horns represents Asase Afua as it is a symbol of fertility in the Akan religion due to Venus (the sign of Asase Afua) was said to be an eight-rayed star, with possibly cross-divided or divided eye, representing the wa xing and waning moon, symbolic of fertility (Asase Afua) and death. Asase shares this animal with her mother, Nyame who represents the 10 coiled horn and the 10 coiled horned antelopes. The goat also represents (or represented) her due to goats having a procreative and sexual meaning, but it was entirely supplanted by Ta Kora whom either took the goat symbol for himself or shares it with her[12]
All Akans, no matter if they call Asase Yaa or Afua, recognize that Asase has two personalities; One old and one youthful
Asase Yaa/Afua Worship and Taboos
editThere are many ways that Asase Yaa/Afua is worshipped. Here are some of the ways
Goddess of Truth
editAs the upholder of truth, lying is a taboo committed against Asase. When a member of the Akan people wants to prove their credibility, they touch their lips or tongue to the soil of the Earth and recite theAsase Ya Prayer-Poemas evidence of their honesty[13]
Goddess of the Earth, Fertility, Procreation and Farming
editAs the Goddess of the Earth, she is credited as being the nurturer of the earth and is considered to provide sustenance for all. As such she is regularly worshipped so she doesn't withhold her abundance of resources.[11]For the Asante, Bono and most other Akans, Thursday is reserved as Asase's day. On said day these Akan people generally abstain from tilling the land.[14]However, for the Fante and few other Akans, Friday is reserved as Asase's day. On said day, Fante and other Akans generally abstain from tilling the land.[4]
No one is allowed to change or agitate the land without the consent of Asase, which can only be gained by pouring libations to Asase. Serious consequences can befall those who violate this rule. Before planting the person who is going to plant must knock upon the earth as if she was a door[4]
During a child's outdooring (naming) ceremony, once the child's complete name is bestowed upon the infant, the child is placed on a mat symbolizing thanksgiving to Asase for sustaining its life and for allowing the parents to successfully procreate[4]
As the aspect of Earth, Asase receives the deceased body for interment[9]
The colour marron is associated with Asase due to its link to clay (which comes from the earth) and the clay, due to its connection to Asase is seen as a healing and purifying agent in Akan culture.[13]
If a person commits a sexual act in the bush, Asase Yaa must be propitiated[13]
Before setting up a house, a sacrifice of appeasement is made towards Assase so that the house is protected from evil spirits[13]
When humans die, their honam and mogya are returned to Asase[13]
During ayie (funeral rites) libations are poured so Asase can permit the grave of the deceased to be buried[4]
Goddess of Peace
editAsase is the God of peace, meaning that when there is a murder, war or a way where human blood is intentionally spilt, very substantial sacrifices are needed in order to appease Asase[4]
Mother of the Dead
editAs the Mother of the Dead, she is the one who comes to fetchAkan people'ssoulsto the otherworld (Asamando) at the time of death [cite]. Also, it is with her name that the first offerings are made to the ancestors, due to the fact that the Ancestors are looked over by Asase.[4]During ayie libations are poured so Asase can accept and protect the person to be buried and to lead them peacefully to Asamando[4]
Libations and reverence towards Asase
editAs the first deity to be created by Nyame, Asase is called in libations immediately after Nyame[4]
The Akan believe that everyone has the ability to show reverence towards Asase, whether by pouring libations to her or by looking after her (i.e. looking after the world)[4]
Fowls are sacrificed in her name and their blood poured onto the floor, specifically by farmers when they need Asase's permission to plough, plant and harvest[4]
Proverbs and Adinkra
editHere are proverbs linked to Asase:
Asase Ye Duru:litThe Land has weight.This proverb and Adinkra (shown below) symbolizes the providence and the divinity of Mother Earth and this symbol represents the importance of the Earth in sustaining life[15]
Tumi nyina ne asase:litAll power emanates from Land.This proverb attests to the power of Asase, where anything earthly that has power is part of her power
Asase ye duru sen epo:litThe Land is much heavier than the Sea.This proverb shows the importance of Asase to the Akan[16]
Nipa nyina ye Nyame mma, obi nye Asase ba:litAll mankind is Onyame's offspring, no one is the offspring of the Land.This means that spiritually (as far as Sunsum and Kra go) humans are not Asase's children as all sunsum and kra return to Nyame after death[11]
Songs and Prayers to Asase
editAsase Ya Prayer Poem
editPrayer Poem To Asase Ya |
---|
First stanza |
Old Woman Earth....
She who Lent the Rights.. |
Second stanza |
"Earth, When I am about to Die,
I Lean on you. |
Third stanza |
Lilacs in your Hair.. Ever Present Mother
In each Grain of Sand is thy Story. |
Fourth stanza |
Giver of Nkwagye the Salvation of Life
And Nkwa to live Life without Strife |
Fifth stanza |
That Man is Tame is thy Domain...
Giver of Law and Ethics |
Sixth stanza |
With Each Field I till..
With Thee I am Still |
Seventh stanza |
The Fertile Fields and the Woman's Yield
All Have felt thy Hand |
Eight stanza |
Upholder of Truth, our Lady Fair
To kiss the dust of thy Breast... |
Ninth stanza |
Hail Great Mother
Whose Love is in the Earth |
Tenth stanza |
A Smile to the Lips with a Song in the Heart
Praises we Sing, when the Plantings to Start. |
Eleventh stanza |
Hail bringer of Life, bringer of Law and Order
Hail Old Mother Earth, your Children |
Twelfth stanza |
Asase Yaa, Aberewa, Asase Efua
Names without End do we Call You |
Poetry to Asase
editO Mother Earth, who gives birth, who wed the sky,
Who nurtures and sustains all, who gives us life:
While we live, we depend on You; when we die,
We lean on You. You taught us the tiller-knife,
You give us law, order, and truth-seeing eye;
Save you alone we would live in fear and strife.
We press our lips to your bosom, the rich soil,
Ever turn with song and smile to holy toil.[17]
Short prayer to Asase
editInto your womb I place the seed of self
To be nurtured in goodness and grown in love.[7]
Poetry to Asase Ya and Nana Firimpong
editNana Firimpong
once you were here
hoed the earth
and left it for me
green rich ready
with yam shoots, the
tuberous smooth of cassava;
take the blood of the fowl
drink
take the eto, mashed plantain,
that my women have cooked
eat
and be happy
drink
may you rest
for the year has come round
again.
Asase Yaa, You, Mother of Earth,
on whose soil
I have placed my tools
on whose soil
I will hoe
I will work
the year has come round
again;
thirsty mouth of the dust
is ready for water
for seed;
drink
and be happy
eat may you rest
for the year has come round
again.
And may the year
this year of all years
be fruitful
beyond the fruit of your labour:
shoots faithful to tip
juice to stem
leaves to green;
and may the knife
or the cutlass
not cut me;
roots blunt,
shoots break,
green wither,
winds shatter,
damp rot,
hot harmattan
come
drifting in harm
to the crops;
the tunnelling
termites not
raise their red
monuments, graves,
above the blades
of our labour[18]
Family
editAsase is the daughter ofNyame,the female aspect of the Nyankapon-Nyame-Odomakoma trinity and the wife toNyankapon.With him, she has had several children, the most notable beingBosomtwe,Epo,Bia,Ta Koraand possiblyAnanse.
Asase Ya's favorite child is most likely Bia (same as Nyame's), as Bia is the Akan God of the Wilderness, and Asase Ya represents the harsh, dry Earth
Myths
editAsase is separated from Nyame and the tower to Nyame
editAccording to legend, Asase and Nyame were once very close. However a person, either Asase herself or someone else pounds their yam with a pestle either to prepare fufu for their children or just to annoy Nyame. Either way, the pestle routinely bumps against the heaven, hitting Nyame. Annoyed, Nyame separates himself from Asase by turning into his true creator form; Ananse Kokroko (Great Spider) and climbing on a thread to heaven.
In one version of the myth, Asase attempts to reestablish her relationship with Nyame. To do that, she gets many mortars, piling them one on top of the other. In the process, she moves closer and closer to the sky. To reunite with Nyame, she needed just one more mortar. She asks a child to get one for her, but he can find none. In desperation, she tells him to take one of the mortars from the bottom of the pile. He does so, and, when the mortar is removed, the entire tower collapses, forever separating Asase and Nyame[19]
In another version the woman who pounds her pestle against heaven orders her children to build a tower of mortars, one atop another, right to Nyame. Needing one more mortar, the children took it from the bottom—and the whole tower collapsed, killing many[20]
In a third version of the myth, Nyame and Asase are so close, humans were squished between them. So man annoyed Nyame with cooking smoke, banging pestles, and slicing off chunks of the sky for the pot until he retreated further away from the earth.[21]
Asase and her magical sword, how Ananse stole it and the plant that cuts people
editAccording to myth, Asase had a long, sharp sword that could fight by itself. When she ordered the sword to fight, it slaughtered everyone it encountered. When she commanded the sword to stop fighting, by saying "cool down", it did.
Ananse had fled to his mother, Asase's house. There were one of two reasons for this:
1) Because there was famine in the land, and the only food available was in the storehouse of Nyame. Ananse, in order to become Nyame's agent and sell his food supplies to the people, Ananse agreed to let his head be shaved daily but the shaving was painful, and people made fun of the way he looked.[19]
Or
2) Because he had tried hiding beans under his hat, but the beans were extremely hot and ended up scalding his head and hair, leading to him becoming mostly bald with a bit of oddly placed hair, where again people made fun of how it looked
Either way, when Ananse could no longer stand this situation, he stole some food and fled to Asase's house. When he asked the goddess for her protection, she granted it. One day, when Asase left the house, Ananse stole her sword. He returned with it to Nyame and offered to use the sword to protect Nyame whenever he needed help. Nyame accepted Ananse's offer. When an enemy army approached, Anansi ordered the sword to fight. It slew all of the enemy forces. However, Ananse could not remember the command to make the sword stop. With no enemies left to kill, the sword turned on Nyame's army. When only Ananse was left alive, it killed him too. Then it stuck itself into the ground and turned into a plant with leaves so sharp they cut anyone who touched them. The plant still cuts people, because no one has ever given the sword the command to stop.[19]
The Abosom in the Americas (Jamaica)
editWorship of the Asase was transported via the transatlantic slave trade and was documented to had been acknowledged by enslavedAkanorCoromanteeliving in Jamaica. Jamaican slave owners did not believe in Christianity for the Coromantee and left them to their own beliefs. Hence the Akan's spiritual system was dominant on the plantation. According to Jamaican historian and slave ownerEdward Long,creole descendants of the Akan coupled with other newly arrived Coromantee joined in observation and worship of the Akan goddess Asase (theEnglish peoplerecorded erroneously as 'Assarci'). They showed their worship by pouring libations and offering up harvested foods. Other Akan Abosom were also reported to be worshipped. This was the only deity spiritual system on the island, as other deities identities in the 18th century were obliterated because of the large population of enslaved Coromantee in Jamaica, according to Edward Long and other historians who observed their slaves.[22]
See also
editReferences
edit- ^Warren, Dennis M. (1973).Disease, Medicine, and Religion Among the Techinan - Bono of Ghana: A Study in Culture Change.Indiana University.
- ^Warren, Dennis M. (1975).The Techiman-Bono of Ghana: An Ethnography of an Akan Society.Kendall/Hunt Publishing Company.ISBN978-0-8403-1122-1.
- ^Antubam, Kofi (1963).Ghana's Heritage of Culture.Koehler & Amelang.ISBN9780598513489.
- ^abcdefghijklmnMythica, Atlas."Asase Yaa: Ashanti Earth Goddess from Ghana – Atlas Mythica".Retrieved2022-07-16.
- ^Clarke, Edith (1930)."The Sociological Significance of Ancestor-Worship in Ashanti".Africa: Journal of the International African Institute.3(4): 431–471.doi:10.2307/1155194.ISSN0001-9720.JSTOR1155194.S2CID145407243.
- ^abc"Untitled"(PDF).elibrary.jsg.gov.gh.Archived fromthe original(PDF)on 2022-08-11.Retrieved2022-07-15.
- ^ab"Goddess Asase Yaa".Journeying to the Goddess.2012-04-15.Retrieved2022-07-15.
- ^ab"Asante Pantheon (Gods) - Afropedea".afropedea.org.Retrieved2022-07-15.
- ^abc"Odwirafo Kwesi Ra Nehem Ptah Akhan posted a story update on AMARUKAFO ADEBISA African-American Divination Film".FundRazr.Retrieved2022-07-16.
- ^"AKANFO NANASOM: MMOATIA - Dwarf Spirit Custodians of Asaase Afua (Earth)".BlogTalkRadio.Retrieved2022-07-15.
- ^abcAkyeampong, Emmanuel; Obeng, Pashington (1995)."Spirituality, Gender, and Power in Asante History".The International Journal of African Historical Studies.28(3): 481–508.doi:10.2307/221171.ISSN0361-7882.JSTOR221171.
- ^WITEK, JOAN (1966)."Ashanti Gold Weights: Distinguished Representatives of the Gods".The Brooklyn Museum Annual.8:149–158.ISSN0068-2837.JSTOR26458447.
- ^abcdeAsante, Molefi Kete; Mazama, Ama (2009).Encyclopedia of African Religion.SAGE.ISBN978-1-4129-3636-1.
- ^The Akan of Ghana: Their Ancient Beliefs.Faber & Faber. 1958.
- ^Rhys, Dani (2021-08-03)."Asase Ye Duru – Symbolism and Importance".Symbol Sage.Retrieved2022-07-22.
- ^Bhattacharjee, Ananya (2022-07-21)."Anthropology: Popular African Symbols and Their Meanings".Yoair Blog.Retrieved2022-07-22.
- ^NotWorkingPhD (2019-12-17)."Asase Ya/Asase Yaa/Asaase Yaa/Asaase Afua/Aberewaa".Mixed Metonyms.Retrieved2022-07-22.
- ^LEWIS, MAUREEN WARNER (1973)."Odomankoma Kyerema Se".Caribbean Quarterly.19(2): 51–99.doi:10.1080/00086495.1973.11829153.ISSN0008-6495.JSTOR23050198.
- ^abcMythica, Atlas."Asase Yaa: Ashanti Earth Goddess from Ghana – Atlas Mythica".Retrieved2022-07-22.
- ^"African Religions: Mythic Themes | Encyclopedia".encyclopedia.Retrieved2022-07-22.
- ^"Akan Mythology / Myth".TV Tropes.Retrieved2022-07-22.
- ^Petras, Elizabeth McLean (2019-04-11), "Jamaicans in Panama",Jamaican Labor Migration,Routledge, pp. 53–84,doi:10.4324/9780429044076-3,ISBN978-0-429-04407-6,S2CID197558266