Wikipedia

Baby Boom(film)

Baby Boomis a 1987 Americanromanticcomedy-dramafilm directed byCharles Shyer,written byNancy Meyersand Shyer, and produced by Meyers andBruce A. BlockforUnited Artists.It starsDiane Keatonas ayuppiewho discovers that a long-lost cousin has died, leaving her a fourteen-month-old baby girl as inheritance.

Baby Boom
Theatrical release poster
Directed byCharles Shyer
Written by
Produced by
Starring
CinematographyWilliam A. Fraker
Edited byLynzee Klingman
Music byBill Conti
Production
company
Distributed byMGM/UA Communications Co.
Release dates
  • September 17, 1987(1987-09-17)(Toronto)
  • October 30, 1987(1987-10-30)(United States)
Running time
110 minutes
CountryUnited States
LanguageEnglish
Budget$15 million[1]
Box office$26 million[2]

The film received generally favorable reviews and was a modest box-office success during its original run, eventually grossing $26 million. The film spawned atelevision series of the same name(1988–1989) and was nominated for twoGolden Globe Awards.

Plot

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J. C. Wiatt is a drivenManhattanmanagement consultant(nicknamed the "Tiger Lady" ) committed to her demanding and high-profile job. She lives with her boyfriend Steven Buchner, an investment banker. They both are happily focused on their careers and have no interest in having children. Notified that a distant cousin has died and left her a bequest, J.C. is shocked to discover that her "inheritance" is the cousin's orphaned toddler, Elizabeth.

Unwilling to disrupt her hectic life and also clueless about childcare, J.C. arranges to give the child up for adoption, but she grows attached to Elizabeth, forcing J.C. to re-evaluate her priorities. She decides to become a working parent and to raise Elizabeth herself, something Steven has no desire to partake in. They amicably break up, and he moves out.

J.C.'s Boss, Fritz Curtis, offers her a chance to become a partner at the firm. CEO Hughes Larrabee is interested in having her manage the account of his major company, The Food Chain. Adjusting to life with Elizabeth, J.C. lands the account, and her protégé Ken Arrenberg is assigned to her team.

Struggling to balance her work and home life, J.C. hires a series of nannies and enrolls Elizabeth in early development classes, as parenthood soon occupies much of her time. When she discovers Ken making decisions without her input, J.C. tells Fritz she wants him off her team. To her surprise, Fritz informs her for the good of the company, Ken will be in charge of the account and J.C. will be reassigned to a lower-profile client, allowing her to spend more time with Elizabeth. Postponing her promotion, Fritz explains that he too was forced to choose between his career and his family.

Humiliated, J.C. quits, and moves with Elizabeth to a farmhouse inVermont.Purchasing the house without first having seen it in person or having itinspected,she finds it is riddled with problems (failing plumbing and heating, lack of water, bad roof). By winter, she is strapped with escalating repairs needed to her new home, running out of money and patience, and overwhelmed with loneliness.

On the brink of financial collapse, and suffering a nervous breakdown, J.C. meets local veterinarian Dr. Jeff Cooper. At first annoyed by him, she is opposed to Jeff's overtures and is focused now on returning to New York as fast as possible. Finding a buyer for the house proves almost impossible. She sees an opportunity to sell "gourmet"baby foodapplesauceshe had concocted for Elizabeth from fresh ingredients. After a rough start, it grows into a full-fledged business called "Country Baby". As her business expands and orders start pouring in from all over the country, J.C. and Jeff strike up a romance.

Later, Fritz reaches out to J.C. with an offer from The Food Chain to acquire Country Baby, and she returns to her former firm to meet with Larrabee and her former colleagues. They lay out the multi-million-dollar deal to buy her company and distribute its products nationwide, and offering her a lucrative salary with a Manhattan apartment and other benefits.

Ready to accept and that she would be back into her original powerful and prestigious former life in corporate career of New York, J.C. has a change of heart and declines Fritz's offer. She is confident she can grow her company herself without having to sacrifice her relationship with Elizabeth and Jeff. J.C. returns home to Jeff and Elizabeth in Vermont, content with her new life as an active mother, girlfriend, and the CEO of her own burgeoning business.

Cast

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Production

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The film was shot on location inLos Angeles,New York CityandPeru, Vermont.Filming took place between November 5, 1986, and February 3, 1987.

Reception

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Box office

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The film debuted at #3 at the domestic box office, behindFatal AttractionandHello Again.[4] It earned a respectableUSD$1,608,924 in its opening weekend in the U.S. and earned approximately $26,712,476 in its entire run.[5][6]

Critical response

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OnRotten Tomatoes,the film has an approval rating of 67% based on reviews from 46 critics, with an average rating of 6/10 and the consensus: "Baby Boomstruggles to impart its feminist ideals, but Diane Keaton's winsome leading work helps keep things breezily entertaining. "[7]OnMetacritic,it has a score of 53% based on reviews from 9 critics, indicating "mixed or average reviews".[8]Audiences polled byCinemaScoregave the film an average grade of "B+" on an A+ to F scale.[9]

Janet MaslinofThe New York Timessaid that the film "isn't much more than a glorified sitcom, but it's funny, and it's liable to hit home."[10]Kevin Thomasof theLos Angeles Timessaid that the filmmakers were "not afraid to be sophisticated and screwballish in the best '30s tradition, and they know just how far to exaggerate for laughs without leaving touch with reality entirely or destroying sentiment. The humor inBaby Boomis sharp without being heartless. "[11]Roger Ebertgave the film three out of four stars, stating that "all of [the film's storyline] is too good to be true, of course, but that's why I enjoyed it." "Baby Boommakes no effort to show us real life. It is a fantasy about mothers and babies and sweetness and love, with just enough wicked comedy to give it an edge. The screenplay, written by producer Nancy Meyers and director Charles Shyer, has some of the same literate charm as their previous film,Irreconcilable Differences,and some of the same sly observation of a generation that wages an interior war between selfishness and good nature. "[12]

Keaton's performance was singled out byPauline KaelfromThe New Yorker,who described it as "a glorious comedy performance that rides over many of the inanities in this picture(...)Keaton is smashing: the Tiger Lady's having all this drive is played for farce and Keaton keeps you alert to every shade of pride and panic the character feels. She's an ultra-feminine executive, a wide-eyed charmer, with a breathless ditziness that may remind you of Jean Arthur inThe More the Merrier."[13]

Baby Boom's writers combat a one-dimensional review in which American journalist, writer, and university professorCaryn Jamesexpresses her distaste in J.C. "abandon[ing] a high-powered Manhattan career for the joys of life in Vermont with a baby andSam Shepard."The article, published on August 13, 1989, byThe New York Times,explains how J.C.'s search for equality prompted her to leave her elite New York position. According to its writers,Baby Boomdepicts "the increasingprejudicewomen face today "stereotyped into two categories – the sweet caregiver or the self-reliant businesswoman – and aims to destroy that outdated mindset.[14]

Accolades

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Notes

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  1. ^Cheryl Chaseprovided vocal effects for Elizabeth Alice Wiatt.

References

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  1. ^Larocca, Amy (September 11, 2015)."In Conversation With Nancy Meyers".Vulture.Archived fromthe originalon June 11, 2017.RetrievedFebruary 24,2017.
  2. ^"Baby Boom".Box Office Mojo.RetrievedFebruary 24,2017.
  3. ^Jack Mathews (November 19, 1987)."He Wants to Add New Pages to UA's Illustrious History".Los Angeles Times.RetrievedJuly 4,2012.
  4. ^Voland, John (November 10, 1987)."Weekend Box Office".Los Angeles Times.RetrievedJuly 4,2012.
  5. ^"Weekend Box Office".Los Angeles Times.RetrievedJuly 4,2012.
  6. ^John Voland (October 20, 1987)."Weekend Box Office".Los Angeles Times.RetrievedJuly 14,2012.
  7. ^Baby BoomatRotten Tomatoes
  8. ^"Baby Boom".Metacritic.RetrievedMay 4,2020.
  9. ^"Home".CinemaScore.RetrievedAugust 16,2022.
  10. ^Maslin, Janet(October 7, 1987)."Film: 'Baby Boom'".The New York Times.RetrievedApril 10,2018.
  11. ^Thomas, Kevin (October 7, 1987)."Film Review: Satire That Lowers The 'Baby Boom'".Los Angeles Times.RetrievedJuly 4,2012.
  12. ^Ebert, Roger(October 7, 1987)."Baby Boom".RogerEbert.Ebert Digital LLC.RetrievedJuly 4,2012.
  13. ^Kael, Pauline(November 16, 1987)."Baby Boom".The New Yorker.RetrievedMarch 7,2016.
  14. ^James, Caryn(August 13, 1989)."FEMINIST HEROINES; Women As Victims".The New York Times.ISSN0362-4331.RetrievedDecember 13,2017.
  15. ^"Baby Boom (1987) Awards".IMDb.RetrievedMay 31,2017.
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