Drillis a subgenre ofhip-hopmusic that originated inChicagoin the early 2010s. It is sonically similar to thetrap musicsubgenre and lyrically similar to thegangsta rapsubgenre.[2]Early drill artists are noted for theirexplicit,confrontationalstyle oflyricismand association withcrime in Chicago,especially theBlack DisciplesandGangster Disciples.[3][4][5][6]The genre progressed into the American mainstream in 2012 following the success of pioneering rappers likeChief Keef,Lil Reese,Lil Durk,Fredo Santana,G Herbo,Lil Bibby[7][8]andKing Louie,who had many local fans and a significant internet presence alongside producerYoung Chop.Other rappers, such asLil JoJo,FBG Duck, S. Dot,[9]Edai, L'A Capone, RondoNumbaNine, SD and producer Leek-E-Leek also contributed to the early drill scene.[10][11][12][13][14][15]Chief Keef, in particular, is considered the primary progenitor and popularizer of drill music, responsible for bringing it to the mainstream.[16][17][18][19][20]The growing fanbase sparkedmajor labelinterest, leading to deal negotiations and signings.
Drill | |
---|---|
Stylistic origins | |
Cultural origins | Early 2010s,Chicago, Illinois,U.S. |
Typical instruments |
|
Derivative forms | Mumble rap[1] |
Subgenres | |
Fusion genres | |
Jersey club rap | |
Regional scenes | |
Local scenes | |
After the initial momentum of the subgenre subsided, Chicago drill saw a resurgence in the mainstream during the late 2010s and early 2020s with trailblazing artists such asKing Von,Polo G,Calboyand a revamped Lil Durk.[21][22][23][24][25][26]
Elsewhere, regional subgenres of drill music have gained mainstream popularity. Tailing the Chicago drill scene, aUK drillscene emerged in the mid-2010s and subsequently influenced some regional scenes around the world, includingBrooklyn drill,which also gained mainstream popularity in the late 2010s and early 2020s with artists likePop SmokeandFivio Foreign.[27][28][29]
Characteristics
editLyrics
editThe lyrics of drill tend to be adversarial andaggressive.The Guardian's Lucy Stehlik said, "Nihilistic drill reflects real life where its squeaky-clean hip-hop counterparts have failed."[30]Drill lyrics strongly contrast with the subject matter of earlier Chicago rappers[31]and contemporary mainstream hip hop which at the time of drill's emergence tended to glorify and celebrate a rise to wealth.[32]
Drill lyrics typically reflect life on the streets, and tend to be gritty, violent, realistic, and nihilistic. Drill rappers use a grim, deadpan delivery,[33]often filtered throughAuto-Tune,influenced by the "stoned, aimless warbling ofSoulja Boy(one of the earliest non-local Keef collaborators) andLil Waynebefore him. "[34]Atlanta-based rappersGucci ManeandWaka Flocka Flamewere important influences on the drill scene.[35]Although it bears many similarities totrap music,the speed of a drill beat is generally slower, with a moderatetempo,having about 60 to 70 beats per minute.[36][37]Some producers work at doubletempo,such as 120 to 140 beats per minute.[citation needed]
Artistry
editDrillers tend to be young; many prominent musicians in the scene started getting attention while still in their teens.[38]One of the genre's most prominent musicians, Chief Keef, was 16 when he signed a multi-million dollar record contract withInterscope,[39]and in an extreme example, Lil Wayne co-signed the 13-year-old driller Lil Mouse.[40]Critics have noted drill rappers' lack of concern with metaphor or wordplay. Chief Keef said that his simplistic flow is a conscious stylistic choice:
"I know what I'm doing. I mastered it. And I don't even really use metaphors or punchlines. 'Cause I don't have to. But I could.... I think that's doing too much. I'd rather just say what's going on right now.... I don't really like metaphors or punchlines like that."[41]
Whet Moser wrote that Keef's songs are "lyrically, rhythmically, and emotionally diminished, which is why they sound so airless and claustrophobic... It's not even fatalistic, because that would imply a self-consciousness, a moral consideration, that isn't there in the lyrics. It just is, over and over again."[42]A profile on the scene inThe New York Timesexamined the genre's aggression:
"With rare exception this music is unmediated and raw and without bright spots, focused on anger and violence. The instinct is to call this tough, unforgiving and concrete-hard music joyless, but in truth it's exuberant in its darkness. Most of its practitioners are young and coming into their creative own against a backdrop of outrageous violence in Chicago, particularly among young people—dozens of teenagers have been killed in Chicago this year—and often related to gangs. (There's a long history of overlap between Chicago's gangs and Chicago's rap.) That their music is a symphony of ill-tempered threats shouldn't be a surprise."[32]
Production
editStehlik called drill production style the "sonic cousin to skittishfootwork,southern-fried hip-hopand the808trigger-finger oftrap."[30]Young Chopis frequently identified by critics as the genre's most characteristic producer.[43][44][45]The sound of trap producerLex Luger's music is a major influence on drill,[35][44][46]and Young Chop identifiedShawty Redd,Drumma Boy,andZaytovenas important precursors to drill.[45]Chicago drill is traditionally characterized by synth brass and bell melodic elements, use of the crash cymbal, and busy snare drum patterns.[47]UK drillproduction, which is commonly utilized inBrooklyn drill,is characterized by a faster BPM, 808s "slides," and more syncopated drum rhythms—including the use of a sped-uptresillorhythm in the hi hat patterns.[48]
History
editEarly Chicago drill
editDavid Drake ofComplexsaid drill is not defined by any particular production style, but "is about the entirety of the culture: the lingo, the dances, the mentality, and the music, much of which originated in 'Dro City', a gang-defined territory of city blocks in theWoodlawnneighborhood. "[49]
In street slang, "drill" means to fight or retaliate, and "can be used for anything from females getting dolled up to all out war in the streets."[50]Dro City rapper Pac Man, considered the stylistic originator and forefather of the subgenre, is credited as the first to apply the term to the local hip hop music.[49][50]Pac Man's 2010 track, "It's a Drill," is the first instance of the term being connected to the genre.[51]
Regarding drill rappers' use of early social media, musicianNaledgestated that Drill rappers "understood virality in a way that I believe goes unremarked in terms of their genius and their ability to use social media to garner large audiences".[52]
RapperDrakedescribed the drill scene as a major vehicle of the early 2010s rise of Chicago hip hop, and described the scene as agrassrootsmovement that had incubated in a closed, interlocking system: on the streets and through social media in a network of clubs and parties and amongst high schools.[35]Drill developed on the South Side of Chicago, in the midst of escalating violence and a homicide crisis. Mark Guarino wrote forSalonthat the music grew during "a shift from historic feuding between monolithic crime organizations controlling thousands of members each to intrapersonal squabbling and retaliatory conflicts among smaller hybrid groups whose control extends just a few blocks... The toughened reality of living in these neighborhoods is what shaped Drill music."[53]In the drill scene, rap conflict and gang conflict overlap, and many of the young rappers come from backgrounds with experience of violence.[32][54]The Independent's Sam Gould wrote that Chief Keef "represents both a scary strain of current hip hop culture and a seriously alienated group within American society."[40]
YouTube was a platform for many drill rappers to release their music videos on, and ultimately significantly contributed to the genre's popularity.[55]Chief Keef is considered the primary progenitor and popularizer of drill music, responsible for bringing it to the mainstream.[20]In 2011 and 2012, he recorded multiple singles, including "Love Sosa", "I Don't Like "and" Bang ", which became viral hits, and was subsequently offered a deal fromInterscope Records.[56]Around the same time,King Louie,another drill rapper, was given a record deal fromEpic Records.[14]
By late 2012, rappers from other scenes and hip hop stars likeKanye West,DrakeandRick Rosswere collaborating with drill musicians.[57]Kanye West remixed "I Don't Like"for the 2012GOOD MusiccompilationCruel Summeras "Don't Like", with features from West, Chief Keef,Pusha T,Big SeanandJadakiss.West cited drill as an influence on his 2013 albumYeezus,[58]and Chief Keef andKing Louiehad vocals featured on the album.[59]
New JerseyDJ Akademiks'scommentary YouTube channel 'War in Chiraq' played a significant role in presenting the early Chicago drill scene to a wider audience. It had a quarter million subscribers and 94 million views in its first two years.[60]Akademiks is quoted saying "I’ve done a lot to create narratives and help rappers themselves."[61]
VideographerA Zae Production was of the leading videographers on the early drill scene.[62]Videographer ZackTV also played a significant role in the exposure of Chicago's early drill scene to a wider audience. TheYouTubeinterviews he conducted includes coverage such as Chief Keef's first on-camera interview, along with interviews with artists such as L'A Capone and RondoNumbaNine. ZackTV's work also sparked a media niche of intimate on-scenevideo journalismof the Chicago gangland culture behind the drill music, which had not been done before at the time.[63][64][65]ZackTV was considered a mentor by other gangland reporters in that niche around the country.[66]
Drill's subject matter strongly contrasts with that of earlier Chicago rappers such asKid Sister,Lupe Fiasco,Psalm One,RhymefestandThe Cool Kids.[31]
Older Chicago rappers have been mixed in their reaction to drill's popularity and violence. In a radio interview, rapper Lupe Fiasco said "Chief Keef scares me. Not him specifically, but just the culture that he represents... The murder rate in Chicago is skyrocketing, and you see who's doing it and perpetrating it—they all look like Chief Keef."[31]After Chief Keef threatened Fiasco on Twitter, Fiasco said he was considering quitting the music scene.[31]Rhymefest tweeted that drill is "the theme music to murder."[67]
Chief Keef's debut album, "Finally Rich",released onInterscope Recordsin late 2012, was subsequently described as a "classic" album in the genre.[68][69][70]Despite the warm critique, "Finally Rich" sold an underwhelming 50,000 units, which resulted in record labels subsequently losing interest in drill, deeming it a "fad".[14]
Drill expansion
editUK drill
editWhile drill music of Chicago fizzled out of mainstream popularity, a new scene was emerging in the UK and by the late-2010s was gaining mainstream popularity, spreading across Europe, influencing the creation of drill scenes around the continent.[71]UK drill[72][73][74]is a subgenre of drill music androad rapthat originated in the South London district ofBrixtonfrom 2012 onwards. Borrowing heavily from the style of Chicago drill music, UK drill artists often rap about violent and hedonistic criminal lifestyles.[75][72]Typically, those who create this style of music are affiliated with gangs or come from socioeconomically deprived neighborhoods where crime is a way of life for many.[72]UK drill music is closely related to road rap, a British style of gangsta rap that became popular in the years prior to the existence of drill.[73][74][76]Musically, UK drill often exhibits violent language and provocative lyrics.[75]UK drill music evolved its own distinct style of production compared to Chicago drill with UK drill group67often credited for shifting the sound away from the Chicago influences it seemed to heavily draw inspiration from in its early days and foundation and for forming a more homegrown sound,[77]withLD– a member of 67 – being named as the godfather of UK drill.[78][79]
Brooklyn drill
editThe mid-2010s saw the emergence of Chicago-influencedBrooklyn drillartists such asBobby ShmurdaandRowdy Rebel,while the late 2010s saw the emergence of new prominent drill artists from Brooklyn such asPop Smoke,Sheff G,Fivio Foreign,Sleepy Hallowand22Gz.[80][81][82][83][84][85][86]
Later Brooklyn drill production is heavily influenced by UK drill (the latter of which brings production influences fromgrimeandUK garage)[87]with artists such as Fivio Foreign, Sheff G, Smoove'L, Bizzy Banks, 22Gz, and Pop Smoke collaborating with UK drill producers such as808Melo,Yamaica Productions, Yoz Beats, Tommyprime and AXL Beats.[88][89][90]Pop Smoke's song "Welcome to the Party",produced by 808Melo was a prominent release in 2019 and saw remixes fromNicki Minaj,Meek Milland British MCSkepta.[80][91][92][93][94]Sheff G's "No Suburban" (released in 2017) and 22Gz's "Suburban" (released in 2016) have been credited for bringing attention to laterBrooklyn drill.[83]
Controversy
editIn 2022, some people, including New York City mayorEric Adams,[95]connected the pro-gun content of the genre to real world gun violence on the streets of New York and other major cities, given the violence surrounding a number of drill artists who have been killed such as Tdott Woo,[96]Pop Smoke,Chii Wvttz,[97]and gun violence victim Nas Blixky.[98][99]A shooting by alleged attempted murderer C Blu, who is signed toInterscope Records,also gave rise to concerns, echoing the 1990s eragangsta rap controversy.[100]
In response to the epidemic of death arising out of the diss elements in the scene, in early 2022 a number of prominent New York DJs and music influencers, including DJ Drewski atHot 97,Joe Budden,Ebro Dardenof "Ebro in the Morning"onHot 97,D Teck,and Power 105.1's DJ Gabe P either vowed to stop playing gang/dissrecords or re-iterated their refusal to play such content.[101][102][103]
In September 2022, the New York police department removed local drill artists from Rolling Loud festival, allegedly, due to concerns of public safety. The police chief was concerned that the rappers would incite violence.[104]
In popular culture
editThe 2023We TVdrama series Kold x Windy revolves around two women, played bySh’Kia Augustinand Nijah Brenea, trying to make it in the violent world of Chicago drill music.[105]
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- ^"WE tv DROPS SUPERTEASE FOR KOLD x WINDY PREMIERING THURSDAY, January 5 AT 10PM ET".December 9, 2022.RetrievedMay 4,2024.
Further reading
edit- Stuart, Forrest (2020).Ballad of the Bullet: Gangs, Drill Music, and the Power of Online Infamy.Princeton University Press.ISBN978-0-691-20008-8.
- Ilan, Jonathan (June 23, 2020). "Digital Street Culture Decoded: Why criminalizing drill music is Street Illiterate and Counterproductive".The British Journal of Criminology.60(4):994–1013.doi:10.1093/bjc/azz086.
- Lynes, Adam; Kelly, Craig; Kelly, Emma (August 2020). "THUG LIFE: Drill music as a periscope into urban violence in the consumer age".The British Journal of Criminology.60(5):1201–1219.doi:10.1093/bjc/azaa011.
- Fatsis, Lambros (2023)."The Road, in Court: How UK Drill Music Became a Criminal Offence"(PDF).Exploring Urban Youth Culture Outside of the Gang Paradigm.pp.100–114.doi:10.51952/9781529225600.ch006.ISBN978-1-5292-2560-0.
- Kleinberg, Bennett; McFarlane, Paul (2020). Violent music vs violence and music: Drill rap and violent crime in London (Preprint).arXiv:2004.04598.
- Fatsis, Lambros (2023). "Beat(s) for Blame".Music for Inclusion and Healing in Schools and Beyond.pp.19–36.doi:10.1093/oso/9780197692677.003.0002.ISBN978-0-19-769267-7.
- Schwarze, Tilman; Fatsis, Lambros (December 2022). "Copping the blame: the role of YouTube videos in the criminalisation of UK drill music".Popular Music.41(4):463–480.doi:10.1017/S0261143022000563.
- KANTAIIBOI - Single by KANTAIBOY on Apple Music,July 14, 2023,retrievedDecember 19,2023