Freyja

For people named Freya, seeFreya (given name).For other uses, seeFreyja (disambiguation).Not to be confused withFrigg.

InNorse mythology,Freyja(Old Norse"(the)Lady") is a goddess associated with love, beauty, fertility, sex, war, gold, andseiðr(magic for seeing and influencing the future). Freyja is the owner of the necklaceBrísingamen,rides a chariot pulled by two cats, is accompanied by the boarHildisvíni,and possesses acloak of falcon feathers.By her husbandÓðr,she is the mother of two daughters,HnossandGersemi.Along with her twin brotherFreyr,her fatherNjörðr,and her mother (Njörðr's sister,unnamed in sources), she is a member of theVanir.Stemming from Old NorseFreyja,modern forms of the name includeFreya,Freyia,andFreja.

Freja(1905) byJohn Bauer(1882–1918)

Freyja rules over her heavenly field,Fólkvangr,where she receives half of those who die in battle. The other half go to the godOdin's hall,Valhalla.Within Fólkvangr lies her hall,Sessrúmnir.Freyja assists other deities by allowing them to use her feathered cloak, is invoked in matters of fertility and love, and is frequently sought after by powerfuljötnarwho wish to make her their wife. Freyja's husband, the god Óðr, is frequently absent. She cries tears of red gold for him, and searches for him under assumed names. Freyja has numerous names, includingGefn,Hörn,Mardöll,Sýr,Vanadís,andValfreyja.

Freyja is attested in thePoetic Edda,compiled in the 13th century from earlier traditional sources; in theProse EddaandHeimskringla,composed bySnorri Sturlusonin the 13th century; in severalSagas of Icelanders;in the short story "Sörla þáttr";in the poetry ofskalds;and into the modern age inScandinavian folklore.

Scholars have debated whether Freyja and the goddessFriggultimately stem from a single goddess common among theGermanic peoples.They have connected her to thevalkyries,female battlefield choosers of the slain, and analyzed her relation to other goddesses and figures inGermanic mythology,including the thrice-burnt and thrice-rebornGullveig/Heiðr,the goddessesGefjon,Skaði,Þorgerðr Hölgabrúðr and Irpa,Menglöð,and the 1st century CE"Isis" of the Suebi.In Scandinavia, Freyja's name frequently appears in the names of plants, especially in southernSweden.Various plants in Scandinavia once bore her name, but it was replaced with the name of theVirgin Maryduring the process ofChristianization.Rural Scandinavians continued to acknowledge Freyja as a supernatural figure into the 19th century, and Freyja has inspired various works of art.

Name

Etymology

The nameFreyjatransparently means 'lady, mistress' inOld Norse.Stemming from theProto-Germanicfeminine noun*frawjōn('lady, mistress'), it iscognatewithOld Saxonfrūa('lady, mistress') orOld High Germanfrouwa('lady'; cf.modern GermanFrau).Freyjais also etymologically close to the name of the godFreyr,meaning 'lord' in Old Norse.ThetheonymFreyjais thus considered to have been anepithetin origin, replacing a personal name that is now unattested.

Alternative names

In addition toFreyja,Old Norse sources refer to the goddess by the following names:

Name (Old Norse)	Name meaning	Attestations	Notes
Gef	'the giver'	Gylfaginning,Nafnaþulur	The nameGefnlikely means "she who gives (prosperity or happiness) and is generally considered connected to the goddess nameGefjon,but the etymology of the nameGefjonhas been a matter of dispute. The rootGef-inGef-jonis generally theorized as related to the rootGef-in the nameGef-n."The connection between the two names has resulted in etymological results of Gefjun meaning "the giving one".The namesGefjunandGefnare both related to theAlagabiaeorOllogabiae,Matrongroups. Scholar Richard North theorizes that Old Englishgeofonand Old NorseGefjunand Freyja's nameGefnmay all descend from a common origin;gabiaa Germanic goddess connected with the sea, whose name means "giving".
Hörn	'flaxen'(?)	Gylfaginning,Nafnaþulur	Appears in the Swedish place namesHärnösand,HärneviandJärnevi,stemming from the reconstructed Old Norse place name*Hörnar-vé(meaning "Hörn'své").In addition, the nameHörnalso appears as the name of atrollwoman inNafnaþulur.
Mardöll	Potentially 'sea-brightener' by way ofmar('sea') combined with a second element that may be related toDellingr,indicating light.The name may otherwise mean 'the one who makes the sea swell'.	Gylfaginning,Nafnaþulur	May be connected to the god nameHeimdallr.
Skjálf	'shaker'	Nafnaþulur	Also the name of the daughter of a Finnish king inYnglinga saga.Due to necklace imagery in the Finnish Skjálf's tale (Freyja herself ownsBrísingamen) a connection between the two names may exist.
Sýr	'sow'	Gylfaginning,Skáldskaparmál,Nafnaþulur	The pig was an important symbol of theVanirand sacrificial practices (blót) associated with the group, particularly in association with Freyja and her brotherFreyr.
Thröng	'throng'	Skáldskaparmál
Thrungva	'throng'	Nafnaþulur
Valfreyja	'Freyja of the slain', 'lady of the slain'	Njals saga	This form occurs in a kenning in poetry contained inNjals saga(Valfreyju stafr,'Valfreyja's staff'; 'lady of the slain's staff' and/or 'Freyja of the slain's staff').
Vanadís	'thedísof thevanir'	Skáldskaparmál	The name "van-child" ('child of the Vanir') for "boar" may be connected.The chemical elementvanadiumwould later be named after this name of Freyja, because of the many beautiful chemical compounds containing vanadium.

Attestations

Poetic Edda

In thePoetic Edda,Freyja is mentioned or appears in the poemsVöluspá,Grímnismál,Lokasenna,Þrymskviða,Oddrúnargrátr,andHyndluljóð.

Völuspácontains a stanza that mentions Freyja, referring to her as "Óð's girl"; Freyja being the wife of her husband,Óðr.The stanza recounts that Freyja was once promised to an unnamed builder, later revealed to be ajötunnand subsequently killed byThor(recounted in detail inGylfaginningchapter 42; seeProse Eddasection below).In the poemGrímnismál,Odin (disguised asGrímnir) tells the youngAgnarthat every day Freyja allots seats to half of those that are slain in her hallFólkvangr,while Odin owns the other half.

Freyja and Lokiflytein an illustration (1895) by Lorenz Frølich.

In the poemLokasenna,where Loki accuses nearly every female in attendance of promiscuity or unfaithfulness, an aggressive exchange occurs betweenLokiand Freyja. The introduction to the poem notes that among other gods and goddesses, Freyja attends a celebration held byÆgir.In verse, after Loki hasflytedwith the goddessFrigg,Freyja interjects, telling Loki that he is insane for dredging up his terrible deeds, and that Frigg knows thefate of everyone,though she does not tell it. Loki tells her to be silent, and says that he knows all about her—that Freyja is not lacking in blame, for each of the gods andelvesin the hall have been her lover. Freyja objects. She says that Loki is lying, that he is just looking to blather about misdeeds, and since the gods and goddesses are furious at him, he can expect to go home defeated. Loki tells Freyja to be silent, calls her a malicious witch, and conjures a scenario where Freyja was once astride her brother when all of the gods, laughing, surprised the two. Njörðr interjects—he says that a woman having a lover other than her husband is harmless, and he points out that Loki has borne children, and calls Loki a pervert. The poem continues in turn.

The poemÞrymskviðafeatures Loki borrowing Freyja's cloak of feathers and Thor dressing up as Freyja to fool the lustyjötunnÞrymr.In the poem, Thor wakes up to find that his powerful hammer,Mjöllnir,is missing. Thor tells Loki of his missing hammer, and the two go to the beautiful court of Freyja. Thor asks Freyja if she will lend him her cloak of feathers, so that he may try to find his hammer. Freyja agrees:

Benjamin Thorpetranslation: That I would give thee, although of gold it were, and trust it to thee, though it were of silver.

Henry Adams Bellowstranslation: Thine should it be though it of silver bright, And I would give it though 'twere of gold.

While Freyja's cats look on, the godThoris unhappily dressed as Freyja inAh, what a lovely maid it is!(1902) byElmer Boyd Smith.

Loki flies away in the whirring feather cloak, arriving in the land ofJötunheimr.He spiesÞrymrsitting on top of amound.Þrymr reveals that he has hidden Thor's hammer deep within the earth and that no one will ever know where the hammer is unless Freyja is brought to him as his wife. Loki flies back, the cloak whistling, and returns to the courts of the gods. Loki tells Thor of Þrymr's conditions.

The two go to see the beautiful Freyja. The first thing that Thor says to Freyja is that she should dress herself and put on a bride'shead-dress,for they shall drive to Jötunheimr. At that, Freyja is furious—the halls of the gods shake, she snorts in anger, and from the goddess the necklaceBrísingamenfalls. Indignant, Freyja responds:

Benjamin Thorpe translation: Know of me to be of women the lewdest, if with thee I drive to Jötunheim.

Henry Adams Bellows translation: Most lustful indeed should I look to all If I journeyed with thee to the giants' home.

The gods and goddesses assemble at athingand debate how to solve the problem. The godHeimdallrproposes to dress Thor up as a bride, complete with bridal dress, head-dress, jingling keys, jewelry, and the famous Brísingamen. Thor objects but is hushed by Loki, reminding him that the new owners of the hammer will soon be settling in the land of the gods if the hammer is not returned. Thor is dressed as planned and Loki is dressed as his maid. Thor and Loki go to Jötunheimr.

In the meantime, Thrym tells his servants to prepare for the arrival of the daughter ofNjörðr.When "Freyja" arrives in the morning, Thrym is taken aback by her behavior; her immense appetite for food andmeadis far more than what he expected, and when Thrym goes in for a kiss beneath "Freyja's" veil, he finds "her" eyes to be terrifying, and he jumps down the hall. The disguised Loki makes excuses for the bride's odd behavior, claiming that she simply has not eaten or slept for eight days. In the end, the disguises successfully fool the jötnar and, upon sight of it, Thor regains his hammer by force.

In the poemOddrúnargrátr,OddrúnhelpsBorgnygive birth to twins. In thanks, Borgny invokesvættir,Frigg, Freyja, and other unspecified deities.

Reclining atop her boar Hildisvíni, Freyja visits Hyndla in an illustration (1895) byLorenz Frølich.

Nuzzled by her boarHildisvíni,Freyja gestures to a jötunn in an illustration (1895) byLorenz Frølich.

Freyja is a main character in the poemHyndluljóð,where she assists her faithful servantÓttarin finding information about his ancestry so that he may claim his inheritance. In doing so, Freyja turns Óttar into her boar,Hildisvíni,and, by means of flattery and threats of death by fire, Freyja successfully pries the information that Óttar needs from the jötunnHyndla.Freyja speaks throughout the poem, and at one point praises Óttar for constructing ahörgr(an altar of stones) and frequently makingblót(sacrifices) to her:

Benjamin Thorpe translation: Anoffer-steadto me he raised, with stones constructed; now is the stone as glass become. With the blood of oxen he newly sprinkled it. Ottar ever trusted theAsyniur.

Henry Adams Bellows translation: For me ashrine of stoneshe made, And now to glass the rock has grown; Oft with the blood of beasts was it red; In the goddesses ever did Ottar trust.

Prose Edda

Freyja appears in theProse EddabooksGylfaginningandSkáldskaparmál.In chapter 24 ofGylfaginning,the enthroned figure ofHighsays that after the godNjörðrsplit with the goddessSkaði,he had two beautiful and mighty children (no partner is mentioned); a son,Freyr,and a daughter, Freyja. Freyr is "the most glorious" of the gods, and Freyja "the most glorious" of the goddesses. Freyja has a dwelling in the heavens,Fólkvangr,and that whenever Freyja "rides into battle she gets half the slain, and the other half to Odin [...]". In support, High quotes theGrímnismálstanza mentioned in thePoetic Eddasection above.

High adds that Freyja has a large, beautiful hall calledSessrúmnir,and that when Freyja travels she sits in a chariot and drives two cats, and that Freyja is "the most approachable one for people to pray to, and from her name is derived the honorific title whereby noble ladies are calledfruvor[noble ladies] ". High adds that Freyja has a particular fondness for love songs, and that" it is good to pray to her concerning love affairs ".

In chapter 29, High recounts the names and features of various goddesses, including Freyja. Regarding Freyja, High says that, next to Frigg, Freyja is highest in rank among them and that she owns the necklace Brísingamen. Freyja is married toÓðr,who goes on long travels, and the two have a very fair daughter by the name ofHnoss.While Óðr is absent, Freyja stays behind and in her sorrow she weeps tears of red gold. High notes that Freyja has many names, and explains that this is because Freyja adopted them when looking for Óðr and traveling "among strange peoples". These names includeGefn,Hörn,Mardöll,Sýr,andVanadís.

Freyja plays a part in the events leading to the birth ofSleipnir,the eight-legged horse. In chapter 42, High recounts that, soon after the gods built the hallValhalla,a builder (unnamed) came to them and offered to build for them in three seasons a fortification so solid that nojötunnwould be able to come in over fromMidgard.In exchange, the builder wants Freyja for his bride, and thesunand themoon.After some debate the gods agree, but with added conditions. In time, just as he is about to complete his work, it is revealed that the builder is, in fact, himself a jötunn, and he is killed by Thor. In the meantime, Loki, in the form of a mare, has been impregnated by the jötunn's horse,Svaðilfari,and so gives birth to Sleipnir. In support, High quotes theVöluspástanza that mentions Freyja.In chapter 49, High recalls the funeral ofBaldrand says that Freyja attended the funeral and there drove her cat-chariot, the final reference to the goddess inGylfaginning.

Heimdallr returns the necklace Brísingamen to Freyja(1846) byNils Blommér

At the beginning of the bookSkáldskaparmál,Freyja is mentioned among eight goddesses attending a banquet held for Ægir.Chapter 56 details the abduction of the goddessIðunnby the jötunnÞjaziin the form of an eagle. Terrified at the prospect of death and torture due to his involvement in the abduction of Iðunn, Loki asks if he may use Freyja's "falcon shape" to fly north toJötunheimrand retrieve the missing goddess. Freyja allows it, and using her "falcon shape" and a furious chase by eagle-Þjazi, Loki successfully returns her.

In chapter 6, a means of referring to Njörðr is provided that refers to Frejya ( "father of Freyr and Freyja" ). In chapter 7, a means of referring to Freyr is provided that refers to the goddess ( "brother of Freyja" ). In chapter 8, ways of referring to the godHeimdallrare provided, including "Loki's enemy, recoverer of Freyja's necklace", inferring a myth involving Heimdallr recovering Freyja's necklace from Loki.

In chapter 17, the jötunnHrungnirfinds himself in Asgard, the realm of the gods, and becomes very drunk. Hrungnir boasts that he will move Valhalla to Jötunheimr, bury Asgard, and kill all of the gods—with the exception of the goddesses Freyja and Sif, who he says he will take home with him. Freyja is the only one of them that dares to bring him more to drink. Hrungnir says that he will drink all of their ale. After a while, the gods grow bored of Hrungnir's antics and invoke the name of Thor. Thor immediately enters the hall, hammer raised. Thor is furious and demands to know who is responsible for letting a jötunn in to Asgard, who guaranteed Hrungnir safety, and why Freyja "should be serving him drink as if at theÆsir's banquet ".

In chapter 18, verses from the 10th centuryskald's compositionÞórsdrápaare quoted. Akenningused in the poem refers to Freyja.In chapter 20, poetic ways to refer to Freyja are provided; "daughter of Njörðr", "sister of Freyr", "wife of Óðr", "mother of Hnoss", "possessor of the fallen slain and of Sessrumnir and tom-cats", possessor of Brísingamen, "Van-deity", Vanadís, and "fair-tear deity".In chapter 32, poetic ways to refer to gold are provided, including "Freyja's weeping" and "rain or shower [...] from Freyja's eyes".

Chapter 33 tells that once the gods journeyed to visit Ægir, one of whom was Freyja.In chapter 49, a quote from a work by the skaldEinarr Skúlasonemploys the kenning "Óðr's bedfellow's eye-rain", which refers to Freyja and means "gold".

Chapter 36 explains again that gold can be referring to as Freyja's weeping due to her red gold tears. In support, works by the skaldsSkúli Þórsteinssonand Einarr Skúlason are cited that use "Freyja's tears" or "Freyja's weepings" to represent "gold". The chapter features additional quotes from poetry by Einarr Skúlason that references the goddess and her child Hnoss.Freyja receives a final mention in theProse Eddain chapter 75, where a list of goddesses is provided that includes Freyja.

Heimskringla

Freya(1901) byAnders Zorn

TheHeimskringlabookYnglinga sagaprovides aeuhemerizedaccount of the origin of the gods, including Freyja. In chapter 4, Freyja is introduced as a member of the Vanir, the sister of Freyr, and the daughter of Njörðr and his sister (whose name is not provided). After theÆsir–Vanir Warends in a stalemate, Odin appoints Freyr and Njörðr as priests over sacrifices. Freyja becomes the priestess of sacrificial offerings and it was she who introduced the practice ofseiðrto the Æsir, previously only practiced by the Vanir.

In chapter 10, Freyja's brother Freyr dies, and Freyja is the last survivor among the Æsir and Vanir. Freyja keeps up the sacrifices and becomes famous. The saga explains that, due to Freyja's fame, all women of rank become known by her name—frúvor( "ladies" ), a woman who is the mistress of her property is referred to asfreyja,andhúsfreyja( "lady of the house" ) for a woman who owns an estate.

The chapter adds that not only was Freyja very clever, but that she and her husbandÓðrhad two immensely beautiful daughters,GersemiandHnoss,"who gave their names to our most precious possessions".

Other

Freyja is mentioned in thesagasEgils saga,Njáls saga,Hálfs saga ok Hálfsrekka,and inSörla þáttr.

Egils saga

InEgils saga,whenEgill Skallagrímssonrefuses to eat, his daughter Þorgerðr (here anglicized as "Thorgerd" ) says she will go without food and thus starve to death, and in doing so will meet the goddess Freyja:

Thorgerd replied in a loud voice, "I have had no evening meal, nor will I do so until I join Freyja. I know no better course of action than my father's. I do not want to live after my father and brother are dead."

Hálfs saga ok Hálfsrekka

In the first chapter of the 14th centurylegendary sagaHálfs saga ok Hálfsrekka,King Alrek has two wives, Geirhild and Signy, and cannot keep them both. He tells the two women that he would keep whichever of them that brews the better ale for him by the time he has returned home in the summer. The two compete and during the brewing process Signy prays to Freyja and Geirhild to Hött ( "hood" ), a man she had met earlier (earlier in the saga revealed to be Odin in disguise). Hött answers her prayer and spits on her yeast. Signy's brew wins the contest.

Freyja in the Dwarf's Cave(1891) byLouis Huard

Sörla þáttr

InSörla þáttr,a short, late 14th century narrative from a later and extended version of theÓláfs saga Tryggvasonarfound in theFlateyjarbókmanuscript, a euhemerized account of the gods is provided. In the account, Freyja is described as having been a concubine of Odin, who bartered sex to four dwarfs for a golden necklace. In the work, theÆsironce lived in a city calledAsgard,located in a region called "Asialand or Asiahome". Odin was the king of the realm, and madeNjörðrandFreyrtemple priests. Freyja was the daughter of Njörðr, and was Odin's concubine. Odin deeply loved Freyja, and she was "the fairest of woman of that day". Freyja had a beautifulbower,and when the door was shut no one could enter without Freyja's permission.

Chapter 1 records that one day Freyja passed by an open stone wheredwarfslived. Four dwarfs were smithying a golden necklace, and it was nearly done. Looking at the necklace, the dwarfs thought Freyja to be most fair, and she the necklace. Freyja offered to buy the collar from them with silver and gold and other items of value. The dwarfs said that they had no lack of money, and that for the necklace the only thing she could offer them would be a night with each of them. "Whether she liked it better or worse", Freyja agreed to the conditions, and so spent a night with each of the four dwarfs. The conditions were fulfilled and the necklace was hers. Freyja went home to her bower as if nothing happened.

As related in chapter 2, Loki, under the service of Odin, found out about Freyja's actions and told Odin. Odin told Loki to get the necklace and bring it to him. Loki said that since no one could enter Freyja's bower against her will, this would not be an easy task, yet Odin told him not to come back until he had found a way to get the necklace. Howling, Loki turned away and went to Freyja's bower but found it locked, and that he could not enter. So Loki transformed himself into a fly, and after having trouble finding even the tiniest of entrances, he managed to find a tiny hole at the gable-top, yet even here he had to squeeze through to enter.

Having made his way into Freyja's chambers, Loki looked around to be sure that no one was awake, and found that Freyja was asleep. He landed on her bed and noticed that she was wearing the necklace, the clasp turned downward. Loki turned into afleaand jumped onto Freyja's cheek and there bit her. Freyja stirred, turning about, and then fell asleep again. Loki removed his flea's shape and undid her collar, opened the bower, and returned to Odin.

The next morning Freyja woke and saw that the doors to her bower were open, yet unbroken, and that her precious necklace was gone. Freyja had an idea of who was responsible. She got dressed and went to Odin. She told Odin of the malice he had allowed against her and of the theft of her necklace, and that he should give her back her jewelry.

Odin said that, given how she obtained it, she would never get it back. That is, with one exception: she could have it back if she could make two kings, themselves ruling twenty kings each, battle one another, and cast a spell so that each time one of their numbers falls in battle, they will again spring up and fight again. And that this must go on eternally, unless aChristianman of a particular stature goes into the battle and smites them, only then will they stay dead. Freyja agreed.

Later Scandinavian folklore

Ripe rye in Northern Europe

Although theChristianization of Scandinaviasought todemonizethe native gods, belief and reverence in the gods, including Freyja, persisted throughout the modern period and melded intoScandinavian folklore.Britt-Mari Näsströmcomments that Freyja became a particular target under Christianization:

Freyja's erotic qualities became an easy target for the new religion, in which an asexual virgin was the ideal woman [...] Freyja is called "a whore" and "a harlot" by the holy men and missionaries, whereas many of her functions in the everyday lives of men and women, such as protecting the vegetation and supplying assistance in childbirth were transferred to the Virgin Mary.

However, Freyja did not disappear. In Iceland, Freyja was called upon for assistance by way ofIcelandic magical stavesas late as the 18th century; and as late as the 19th century, Freyja is recorded as retaining elements of her role as a fertility goddess among rural Swedes.

The Old Norse poemÞrymskviða(or its source) continued into Scandinavian folk song tradition, where it waseuhemerizedand otherwise transformed over time. In Iceland, the poem became known asÞrylur,whereas in Denmark the poem becameThor af Havsgaardand in Sweden it becameTorvisanorHammarhämtningen.A section of the SwedishTorvisan,in whichFreyjahas been transformed into "the fair" (den väna)Frojenborg,reads as follows:

Swedish Det var den väna Frojenborg hon tog så illa vid sig det sprack av vart finger blodet ut och rann i jorden ner.

Britt-Mari Näsström translation It was the fair Frojenborg She was so upset [overÞórr'sdemand] her blood burst from each of her fingers and ran down into the ground.

In the province ofSmåland,Sweden, an account is recorded connecting Freyja with sheet lightning in this respect. Writer Johan Alfred Göth recalled a Sunday in 1880 where men were walking in fields and looking at nearly ripenedrye,where Måns in Karryd said: "Now Freyja is out watching if the rye is ripe". Along with this, Göth recalls another mention of Freyja in the countryside:

When as a boy I was visiting the old Proud-Katrina, I was afraid of lightning like all boys in those days. When thesheet lightningflared at the night, Katrina said: "Don't be afraid little child, it is only Freyja who is out making fire with steel and flintstone to see if the rye is ripe. She is kind to people and she is only doing it to be of service, she is not like Thor, he slays both people and livestock, when he is in the mood" [...] I later heard several old folks talk of the same thing in the same way.

InVärend,Sweden, Freyja could also arrive at Christmas night and she used to shake the apple trees for the sake of a good harvest and consequently people left some apples in the trees for her sake. However, it was dangerous to leave theploughoutdoors, because if Freyja sat on it, it would no longer be of any use.

ManyAsatrupractitioners today mostly honor Freyja as a goddess of fertility, abundance and beauty. A common rite for modern Freya worshippers is to bake foods that have some connection to love in one way or another, such aschocolate.Freyja is also called upon for protection, usually when it comes to a domestic violence situation.

Eponyms

Freyja's hair—Polygala vulgaris—a species of the genusPolygala

Several plants were named after Freyja, such asFreyja's tearsandFreyja's hair(Polygala vulgaris), but during the process of Christianization, the name of the goddess was replaced with that of theVirgin Mary.In the pre-Christian period, theOrionconstellationwas called either Frigg's distaff or Freyja'sdistaff(SwedishFrejerock).

Place names inNorwayandSwedenreflect devotion to the goddess, including the Norwegian place nameFrøihov(originally *Freyjuhof,literally "Freyja'shof") and Swedish place names such asFrövi(from *Freyjuvé,literally "Freyja'své").In a survey of toponyms in Norway, M. Olsen tallies at least 20 to 30 location names compounded withFreyja.Three of these place names appear to derive from *Freyjuhof('Freyja'shof'), whereas the goddess's name is frequently otherwise compounded with words for 'meadow' (such as-þveit,-land) and similar land formations. These toponyms are attested most commonly on the west coast though a high frequency is found in the southeast.

Place names containingFreyjaare yet more numerous and varied in Sweden, where they are widely distributed. A particular concentration is recorded in Uppland, among which a number derive from the above-mentioned*Freyjuvéand also *Freyjulundr('Freyja'ssacred grove'), place names that indicate public worship of Freyja. A variety of place names (such asFrøalandFröale) have been seen as containing an element cognate to Gothicalhsand Old Englishealh( "temple" ), although these place names may be otherwise interpreted. In addition,Frejyaappears as a compound element with a variety of words for geographic features such as fields, meadows, lakes and natural objects such as rocks.

The Freyja nameHörnappears in the Swedish place namesHärneviandJärnevi,stemming from the reconstructed Old Norse place name*Hörnar-vé(meaning "Hörn'své").

Archaeological record and historic depictions

The pendant found in Hagebyhöga, now on display in theSwedish Museum of National AntiquitiesinStockholm

The reconstructed wagon found in the Viking Age Oseberg ship burial, featuring a depiction of nine cats

Apriestesswas buriedc. 1000with considerable splendour in Hagebyhöga inÖstergötland.In addition to being buried with herwand,she had received great riches which included horses, a wagon and an Arabian bronze pitcher. There was also a silver pendant, which represents a woman with a broad necklace around her neck. This kind of necklace was only worn by the most prominent women during the Iron Age and some have interpreted it as Freyja's necklace Brísingamen. The pendant may represent Freyja herself.

A 7th-centuryphalarafound in a "warrior grave" in what is nowEschwegein northwestern Germany features a female figure with two large braids flanked by two "cat-like" beings and holding a staff-like object. This figure has been interpreted as Freyja.This image may be connected to various B-typebracteates,referred to as theFürstenberg-type,that may also depict the goddess; they "show a female figure, in a short skirt and double-looped hair, holding a stave or sceptre in her right hand and a double-cross feature in the left".

Upon its discovery, the 10th centuryOseberg ship burialwas found to contain a ceremonial wagon. One side of the ornate wagon features a depiction of nine cats. Scholars have linked this depiction to Freyja's cat-led chariot anda broader associations between the Vanir and wagons.

A 12th century depiction of a cloaked but otherwise nude woman riding a large cat appears on a wall in theSchleswig CathedralinSchleswig-Holstein,Northern Germany.Beside her is similarly a cloaked yet otherwise nude woman riding adistaff.Due to iconographic similarities to the literary record, these figures have been theorized as depictions of Freyja and Frigg respectively.

Theories

Relation to Frigg and other goddesses and figures

Due to numerous similarities, scholars have frequently connected Freyja with the goddess Frigg. The connection with Frigg and question of possible earlier identification of Freyja with Frigg in theProto-Germanicperiod (Frigg and Freyja common origin hypothesis) remains a matter of scholarly discourse.Regarding a Freyja-Frigg common origin hypothesis, scholarStephan Grundycomments, "the problem of whether Frigg or Freyja may have been a single goddess originally is a difficult one, made more so by the scantiness of pre-Viking Agereferences toGermanic goddesses,and the diverse quality of the sources. The best that can be done is to survey the arguments for and against their identity, and to see how well each can be supported. "

Like the name of the group of gods to which Freyja belongs, theVanir,the nameFreyjais not attested outside ofScandinavia,as opposed to the name of the goddessFrigg,who is attested as a goddess common among the Germanic peoples, and whose name is reconstructed asProto-Germanic*Frijjō.Similar proof for the existence of a common Germanic goddess from whichFreyjadescends does not exist, but scholars have commented that this may simply be due to lack of evidence.

In thePoetic EddapoemVöluspá,a figure by the name ofGullveigis burnt three times yet is three times reborn. After her third rebirth, she is known asHeiðr.This event is generally accepted as precipitating theÆsir–Vanir War.Starting with scholarGabriel Turville-Petre,scholars such asRudolf Simek,Andy Orchard,andJohn Lindowhave theorized that Gullveig/Heiðr is the same figure as Freyja, and that her involvement with the Æsir somehow led to the events of the Æsir–Vanir War.

Outside of theories connecting Freyja with the goddess Frigg, some scholars, such asHilda Ellis DavidsonandBritt-Mari Näsström,have theorized that other goddesses in Norse mythology, such asGefjon,Gerðr,andSkaði,may be forms of Freyja in different roles or ages.

Receiver of the slain

Freyja and her afterlife fieldFólkvangr,where she receives half of the slain, have been theorized as connected to the valkyries. Scholar Britt-Mari Näsström points out the description inGylfaginningwhere it is said of Freyja that "whenever she rides into battle she takes half of the slain", and interpretsFólkvangras "the field of the Warriors". Näsström notes that, just like Odin, Freyja receives slain heroes who have died on the battlefield, and that her house isSessrumnir(which she translates as "filled with many seats" ), a dwelling that Näsström posits likely fills the same function as Valhalla. Näsström comments that "still, we must ask why there are two heroic paradises in the Old Norse view of afterlife. It might possibly be a consequence of different forms of initiation of warriors, where one part seemed to have belonged to Óðinn and the other to Freyja. These examples indicate that Freyja was a war-goddess, and she even appears as a valkyrie, literally 'the one who chooses the slain'."

Siegfried Andres Dobat comments that "in her mythological role as the chooser of half the fallen warriors for her death realm Fólkvangr, the goddess Freyja, however, emerges as the mythological role model for the Valkyrjar [sic] and thedísir."

The Oriental hypothesis

Gustav Neckel,writing in 1920, connects Freyja to thePhrygiangoddessCybele.According to Neckel, both goddesses can be interpreted as "fertility goddesses" and other potential resemblances have been noted. Some scholars have suggested that the image of Cybele subsequently influenced the iconography of Freyja, the lions drawing the former's chariot becoming large cats. These observations became an extremely common observation in works regarding Old Norse religion until at least the early 1990s. In her book-length study of scholarship on the topic of Freyja, Britt-Mari Näsström (1995) is highly critical of this deduction; Näsström says that "these 'parallels' are due to sheer ignorance about the characteristics of Cybele; scholars have not troubled to look into the resemblances and differences between the two goddesses, if any, in support for their arguments for a common origin."

In art and literature

Freia—a combination of Freyja and the goddessIðunn—fromRichard Wagner's operaDer Ring des Nibelungenas illustrated (1910) byArthur Rackham

Into the modern period, Freyja was treated as a Scandinavian counterpart to the Roman Venus in, for example, Swedish literature, where the goddess may be associated with romantic love or, conversely, simply as a synonym for "lust and potency".In the 18th century, Swedish poetCarl Michael Bellmanreferred toStockholmprostitutes in hisFredman's Epistlesas "the children of Fröja".In the 19th century, Britt-Mari Näsström observes, Swedish Romanticism focused less on Freyja's erotic qualities and more on the image of "the pining goddess, weeping for her husband".

Freyja is mentioned in the first stanza ( "it is called old Denmark and it is Freja's hall" ) of the civilnational anthemof Denmark,Der er et yndigt land,written by 19th century Danish poetAdam Gottlob Oehlenschlägerin 1819.In addition, Oehlenschläger wrote a comedy entitledFreyjas alter(1818) and a poemFreais salfeaturing the goddess.

The 19th century German composerRichard Wagner'sDer Ring des Nibelungenopera cycle featuresFreia,the goddess Freyja combined with the apple-bearing goddessIðunn.

In late 19th century and early 20th century Northern Europe, Freyja was the subject of numerous works of art, includingFreyjabyH. E. Freund(statue, 1821–1822),Freja sökande sin make(painting, 1852) byNils Blommér,Freyjas Aufnahme uner den Göttern(charcoal drawing, 1881), andFrigg; Freyja(drawing, 1883) byCarl Ehrenberg (illustrator),Freyja(1901) byCarl Emil Doepler d. J.,andFreyja and the BrisingamenbyJ. Doyle Penrose(painting, 1862–1932).Like other Norse goddesses, her name was applied widely in Scandinavia to, for example, "sweetmeats or to stout carthorses".

Vanadís,one of Freyja's names, is the source of the name of thechemical elementvanadium,so named because of its many colored compounds.

In popular culture

Frigga (sometimes called Freyja) is a fictional character appearing in Marvel Comics starting in 1963. The character in particular is based on goddess Freyja of the Norse mythology.

Starting in the early 1990s, derivatives ofFreyjabegan to appear as a given name for girls.According to the Norwegian name database from the Central Statistics Bureau, around 500 women are listed with the first nameFrøya(the modern Norwegian spelling of the goddess's name) in the country. There are also several similar names, such as the first element of the dithematic personal nameFrøydis.

Freyja is featured in several video games including the 2002Ensemble StudiosgameAge of Mythology,the 2014third-personmultiplayer online battle arenagameSmite,the 2018Santa Monica StudiogameGod of War,and in its 2022 sequelGod of War Ragnarök.

"Freya"is a song by Americanheavy metalbandThe Swordfrom their 2006 debut albumAge of Winters.A playablecover versionwas featured inGuitar Hero II,released the same year.

See also

• List of Germanic deities
• List of people, items and places in Norse mythology
• Category:Norse underworld

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External links

• Media related toFreyjaat Wikimedia Commons