G. K. Chesterton

(Redirected fromG.K. Chesterton)

Gilbert Keith ChestertonKC*SG(29 May 1874 – 14 June 1936) was an Englishauthor,philosopher,Christian apologist,andliteraryandart critic.[2]

G. K. Chesterton

Chesterton in 1909
Chesterton in 1909
BornGilbert Keith Chesterton
(1874-05-29)29 May 1874
Kensington,London, England
Died14 June 1936(1936-06-14)(aged 62)
Beaconsfield,Buckinghamshire, England
Resting placeRoman Catholic Cemetery, Beaconsfield
Occupation
  • Journalist
  • novelist
  • essayist
  • poet
EducationUniversity College London
Period1900–1936
GenreEssays,fantasy,Christian apologetics,Catholic apologetics,mystery,poetry
Literary movementCatholic literary revival[1]
Notable works
Spouse
(m.1901)
Relatives
Signature

Chesterton created the fictional priest-detectiveFather Brown,[3]and wrote onapologetics,such as his worksOrthodoxyandThe Everlasting Man.[4][5]Chesterton routinely referred to himself as anorthodoxChristian, and came to identify this position more and more withCatholicism,eventually converting fromhigh church Anglicanism.Biographers have identified him as a successor to such Victorian authors asMatthew Arnold,Thomas Carlyle,John Henry NewmanandJohn Ruskin.[6]

He has been referred to as the "prince ofparadox".[7]Of his writing style,Timeobserved: "Whenever possible, Chesterton made his points with popular sayings, proverbs, allegories—first carefully turning them inside out."[4]His writings were an influence onJorge Luis Borges,who compared his work with that ofEdgar Allan Poe.[8]

Biography

edit

Early life

edit
Chesterton at the age of 17

Chesterton was born inCampden HillinKensington,London, on 29 May 1874. His father was Edward Chesterton, an estate agent, and his mother was Marie Louise,néeGrosjean, of Swiss-French origin.[9][10][11]Chesterton was baptised at the age of one month into theChurch of England,[12]though his family themselves were irregularly practisingUnitarians.[13]According to his autobiography, as a young man he became fascinated with theoccultand, along with his brotherCecil,experimented withOuija boards.[14]He was educated atSt Paul's School,then attended theSlade School of Artto become an illustrator. The Slade is a department ofUniversity College London,where Chesterton also took classes in literature, but he did not complete a degree in either subject. He marriedFrances Bloggin 1901; the marriage lasted the rest of his life. Chesterton credited Frances with leading him back toAnglicanism,though he later considered Anglicanism to be a "pale imitation". He entered in full communion with theCatholic Churchin 1922.[15]The couple were unable to have children.[16][17]

A friend from schooldays wasEdmund Clerihew Bentley,inventor of theclerihew,a whimsical four-line biographical poem. Chesterton himself wrote clerihews and illustrated his friend's first published collection of poetry,Biography for Beginners(1905), which popularised the clerihew form. He became godfather to Bentley's son,Nicolas,and opened his novelThe Man Who Was Thursdaywith a poem written to Bentley.[citation needed]

Career

edit

In September 1895, Chesterton began working for the London publisher George Redway, where he remained for just over a year.[18]In October 1896, he moved to the publishing houseT. Fisher Unwin,[18]where he remained until 1902. During this period he also undertook his first journalistic work, as a freelance art and literary critic. In 1902,The Daily Newsgave him a weekly opinion column, followed in 1905 by a weekly column inThe Illustrated London News,for which he continued to write for the next thirty years.

Early on Chesterton showed a great interest in and talent for art. He had planned to become an artist, and his writing shows a vision that clothed abstract ideas in concrete and memorable images.Father Brownis perpetually correcting the incorrect vision of the bewildered folks at the scene of the crime and wandering off at the end with the criminal to exercise his priestly role of recognition, repentance and reconciliation. For example, in the story "The Flying Stars",Father Brown entreats the characterFlambeauto give up his life of crime: "There is still youth and honour and humour in you; don't fancy they will last in that trade. Men may keep a sort of level of good, but no man has ever been able to keep on one level of evil. That road goes down and down. The kind man drinks and turns cruel; the frank man kills and lies about it. Many a man I've known started like you to be an honest outlaw, a merry robber of the rich, and ended stamped into slime."[19]

CaricaturebyMax Beerbohm

Chesterton loved to debate, often engaging in friendly public disputes with such men asGeorge Bernard Shaw,[20]H. G. Wells,Bertrand RussellandClarence Darrow.[21][22]According to his autobiography, he and Shaw played cowboys in a silent film that was never released.[23]On 7 January 1914 Chesterton (along with his brotherCeciland future sister-in-lawAda) took part in the mock-trial of John Jasper for the murder ofEdwin Drood.Chesterton was Judge and George Bernard Shaw played the role of foreman of the jury.[24]

Chesterton was a large man, standing 6 feet 4 inches (1.93 m) tall and weighing around 20 stone 6 pounds (130 kg; 286 lb). His girth gave rise to an anecdote during the First World War, when a lady in London asked why he was not "out at theFront";he replied," If you go round to the side, you will see that I am. "[25]On another occasion he remarked to his friend George Bernard Shaw, "To look at you, anyone would think a famine had struck England." Shaw retorted, "To look at you, anyone would think you had caused it."[26]P. G. Wodehouseonce described a very loud crash as "a sound like G. K. Chesterton falling onto a sheet of tin".[27]Chesterton usually wore a cape and a crumpled hat, with aswordstickin hand, and a cigar hanging out of his mouth. He had a tendency to forget where he was supposed to be going and miss the train that was supposed to take him there. It is reported that on several occasions he sent a telegram to his wife Frances from an incorrect location, writing such things as "Am inMarket Harborough.Where ought I to be? "to which she would reply," Home ".[28]Chesterton himself told this story, omitting, however, his wife's alleged reply, in his autobiography.[29]

In 1931, theBBCinvited Chesterton to give a series of radio talks. He accepted, tentatively at first. He was allowed (and encouraged) to improvise on the scripts. This allowed his talks to maintain an intimate character, as did the decision to allow his wife and secretary to sit with him during his broadcasts.[30]The talks were very popular. A BBC official remarked, after Chesterton's death, that "in another year or so, he would have become the dominating voice from Broadcasting House."[31]Chesterton was nominated for theNobel Prize in Literaturein 1935.[32]

Chesterton was part of theDetection Club,a society of British mystery authors founded byAnthony Berkeleyin 1928. He was elected as the first president and served from 1930 to 1936 until he was succeeded byE. C. Bentley.[33]

Chesterton was one of the dominating figures of the London literary scene in the early 20th century.

Death

edit
Telegram sent by CardinalEugenio Pacelli(the future Pius XII) on behalf ofPope Pius XIto the people of England following the death of Chesterton

Chesterton died ofcongestive heart failureon 14 June 1936, aged 62, at his home inBeaconsfield,Buckinghamshire. His last words were a greeting of good morning spoken to his wife Frances. The sermon at Chesterton'sRequiem MassinWestminster Cathedral,London, was delivered byRonald Knoxon 27 June 1936. Knox said, "All of this generation has grown up under Chesterton's influence so completely that we do not even know when we are thinking Chesterton."[34]He is buried in Beaconsfield in theCatholicCemetery. Chesterton's estate wasprobatedat £28,389, equivalent to £2,436,459 in 2023.[35]

Near the end of Chesterton's life,Pope Pius XIinvested him as Knight Commander with Star of the PapalOrder of St. Gregory the Great(KC*SG).[31]The Chesterton Society has proposed that he bebeatified.[36]

Writing

edit

Chesterton wrote around 80 books, several hundred poems, some 200 short stories, 4,000 essays (mostly newspaper columns), and several plays. He was a literary and social critic, historian, playwright, novelist, and Catholic theologian[37][38]andapologist,debater, and mystery writer. He was a columnist for theDaily News,The Illustrated London News,and his own paper,G. K.'s Weekly;he also wrote articles for theEncyclopædia Britannica,including the entry onCharles Dickensand part of the entry on Humour in the 14th edition (1929). His best-known character is the priest-detectiveFather Brown,[3]who appeared only in short stories, whileThe Man Who Was Thursdayis arguably his best-known novel. He was a convinced Christian long before he was received into the Catholic Church, and Christian themes and symbolism appear in much of his writing. In the United States, his writings ondistributismwere popularised throughThe American Review,published bySeward Collinsin New York.

Of his nonfiction,Charles Dickens: A Critical Study(1906) has received some of the broadest-based praise. According toIan Ker(The Catholic Revival in English Literature, 1845–1961,2003), "In Chesterton's eyes Dickens belongs toMerry,notPuritan,England "; Ker treats Chesterton's thought in chapter 4 of that book as largely growing out of his true appreciation of Dickens, a somewhat shop-soiled property in the view of other literary opinions of the time. The biography was largely responsible for creating a popular revival for Dickens's work as well as a serious reconsideration of Dickens by scholars.[39]

Chesterton's writings consistently displayed wit and a sense of humour. He employed paradox, while making serious comments on the world, government, politics, economics, philosophy, theology and many other topics.[40][41]

T. S. Eliotsummed up his work as follows:

He was importantly and consistently on the side of the angels. Behind theJohnsonianfancy dress, so reassuring to the British public, he concealed the most serious and revolutionary designs—concealing them by exposure... Chesterton's social and economic ideas... were fundamentally Christian and Catholic. He did more, I think, than any man of his time—and was able to do more than anyone else, because of his particular background, development and abilities as a public performer—to maintain the existence of the important minority in the modern world. He leaves behind a permanent claim upon our loyalty, to see that the work that he did in his time is continued in ours.[42]

Eliot commented further that "His poetry was first-rate journalistic balladry, and I do not suppose that he took it more seriously than it deserved. He reached a high imaginative level withThe Napoleon of Notting Hill,and higher withThe Man Who Was Thursday,romances in which he turned theStevensonianfantasy to more serious purpose. His book onDickensseems to me the best essay on that author that has ever been written. Some of his essays can be read again and again; though of his essay-writing as a whole, one can only say that it is remarkable to have maintained such a high average with so large an output. "[42]

In 2022, a three-volume bibliography of Chesterton was published, listing 9,000 contributions he made to newspapers, magazines, and journals, as well as 200 books and 3,000 articles about him.[43]

Contemporaries

edit

"Chesterbelloc"

edit
George Bernard Shaw,Hilaire Belloc,and G. K. Chesterton

Chesterton is often associated with his close friend, the poet and essayistHilaire Belloc.[44][45]George Bernard Shaw coined the name "Chesterbelloc"[46]for their partnership,[47]and this stuck. Though they were very different men, they shared many beliefs;[48]in 1922, Chesterton joined Belloc in the Catholic faith, and both voiced criticisms of capitalism and socialism.[49]They instead espoused a third way:distributism.[50]G. K.'s Weekly,which occupied much of Chesterton's energy in the last 15 years of his life, was the successor to Belloc'sNew Witness,taken over fromCecil Chesterton,Gilbert's brother, who died in World War I.

In his bookOn the Place of Gilbert Chesterton in English Letters,Belloc wrote that "Everything he wrote upon any one of the great English literary names was of the first quality. He summed up any one pen (that ofJane Austen,for instance) in exact sentences; sometimes in a single sentence, after a fashion which no one else has approached. He stood quite by himself in this department. He understood the very minds (to take the two most famous names) ofThackerayand ofDickens.He understood and presentedMeredith.He understood the supremacy inMilton.He understoodPope.He understood the greatDryden.He was not swamped as nearly all his contemporaries were byShakespeare,wherein they drown as in a vast sea – for that is what Shakespeare is. Gilbert Chesterton continued to understand the youngest and latest comers as he understood the forefathers in our great corpus of English verse and prose. "[51]

Wilde

edit

In his bookHeretics,Chesterton said this ofOscar Wilde:"The same lesson [of the pessimistic pleasure-seeker] was taught by the very powerful and very desolate philosophy of Oscar Wilde. It is thecarpe diemreligion; but the carpe diem religion is not the religion of happy people, but of very unhappy people. Great joy does not gather the rosebuds while it may; its eyes are fixed on the immortal rose which Dante saw. "[52]More briefly, and with a closer approximation to Wilde's own style, he wrote in his 1908 bookOrthodoxyconcerning the necessity of making symbolic sacrifices for the gift of creation: "Oscar Wilde said that sunsets were not valued because we could not pay for sunsets. But Oscar Wilde was wrong; we can pay for sunsets. We can pay for them by not being Oscar Wilde."

Shaw

edit

Chesterton andGeorge Bernard Shawwere famous friends and enjoyed their arguments and discussions. Although rarely in agreement, they each maintained good will toward, and respect for, the other.[53]In his writing, Chesterton expressed himself very plainly on where they differed and why. InHereticshe writes of Shaw:

After belabouring a great many people for a great many years for being unprogressive, Mr Shaw has discovered, with characteristic sense, that it is very doubtful whether any existing human being with two legs can be progressive at all. Having come to doubt whether humanity can be combined with progress, most people, easily pleased, would have elected to abandon progress and remain with humanity. Mr Shaw, not being easily pleased, decides to throw over humanity with all its limitations and go in for progress for its own sake. If man, as we know him, is incapable of the philosophy of progress, Mr Shaw asks, not for a new kind of philosophy, but for a new kind of man. It is rather as if a nurse had tried a rather bitter food for some years on a baby, and on discovering that it was not suitable, should not throw away the food and ask for a new food, but throw the baby out of window, and ask for a new baby.[54]

Views

edit

Advocacy of Catholicism

edit

Chesterton's views, in contrast to Shaw and others, became increasingly focused towards the Church. InOrthodoxyhe wrote: "The worship of will is the negation of will... If Mr Bernard Shaw comes up to me and says, 'Will something', that is tantamount to saying, 'I do not mind what you will', and that is tantamount to saying, 'I have no will in the matter.' You cannot admire will in general, because the essence of will is that it is particular. "[55]

Chesterton'sThe Everlasting Mancontributed toC. S. Lewis's conversion to Christianity. In a letter toSheldon Vanauken(14 December 1950),[56]Lewis called the book "the best popular apologetic I know",[57]and to Rhonda Bodle he wrote (31 December 1947)[58]"the [very] best popular defence of the full Christian position I know is G. K. Chesterton'sThe Everlasting Man".The book was also cited in a list of 10 books that" most shaped his vocational attitude and philosophy of life ".[59]

Chesterton's hymn "O God of Earth and Altar" was printed inThe Commonwealthand then included inThe English Hymnalin 1906.[60]Several lines of the hymn appear in the beginning of the song "Revelations" by the British heavy metal bandIron Maidenon their 1983 albumPiece of Mind.[61]Lead singerBruce Dickinsonin an interview stated "I have a fondness for hymns. I love some of the ritual, the beautiful words,Jerusalemand there was another one, with words by G. K. ChestertonO God of Earth and Altar– very fire and brimstone: 'Bow down and hear our cry'. I used that for an Iron Maiden song, "Revelations". In my strange and clumsy way I was trying to say look it's all the same stuff. "[62]

Étienne Gilsonpraised Chesterton's book onThomas Aquinas:"I consider it as being, without possible comparison, the best book ever written on Saint Thomas... the few readers who have spent twenty or thirty years in studying St. Thomas Aquinas, and who, perhaps, have themselves published two or three volumes on the subject, cannot fail to perceive that the so-called 'wit' of Chesterton has put their scholarship to shame. "[63]

ArchbishopFulton J. Sheen,the author of 70 books, identified Chesterton as the stylist who had the greatest impact on his own writing, stating in his autobiographyTreasure in Clay,"the greatest influence in writing was G. K. Chesterton who never used a useless word, who saw the value of a paradox, and avoided what was trite."[64]Chesterton wrote the introduction to Sheen's bookGod and Intelligence in Modern Philosophy; A Critical Study in the Light of the Philosophy of Saint Thomas.[65]

Common Sense

edit

Chesterton has been called "The Apostle of Common Sense".[66]He was critical of the thinkers and popular philosophers of the day, who though very clever, were saying things that he considered nonsensical. This is illustrated again inOrthodoxy:"Thus when Mr H. G. Wells says (as he did somewhere), 'All chairs are quite different', he utters not merely a misstatement, but a contradiction in terms. If all chairs were quite different, you could not call them 'all chairs'."[67]

Chesterton was an early member of theFabian Societybut resigned at the time of theBoer War.[68]He is often identified as atraditionalist conservative[69][70]due to his staunch support of tradition, expressed inOrthodoxyand other works withBurkeanquotes such as the following:

Tradition means giving votes to the most obscure of all classes, our ancestors. It is the democracy of the dead. Tradition refuses to submit to the small and arrogant oligarchy of those who merely happen to be walking about. All democrats object to men being disqualified by the accident of birth; tradition objects to their being disqualified by the accident of death. Democracy tells us not to neglect a good man's opinion, even if he is our groom; tradition asks us not to neglect a good man's opinion, even if he is our father.[71]

Chesterton also called himself "the last liberal".[72]

On War

edit

Chesterton first emerged as a journalist just after the turn of the 20th century. His great, and very lonely, opposition to theSecond Boer War,set him very much apart from most of the rest of the British press. Chesterton was aLittle Englander,opposed toimperialism,British or otherwise. Chesterton thought that Great Britain betrayed her own principles in the Boer Wars.

In vivid contrast to his opposition to the Boer Wars, Chesterton vigorously defended and encouraged the Allies inWorld War I."The war was in Chesterton's eyes a crusade, and he was certain that England was right to fight as she had been wrong in fighting the Boers."[73]Chesterton saw the roots of the war in Prussian militarism. He was deeply disturbed by Prussia's unprovoked invasion and occupation of neutral Belgium and byreports of shocking atrocitiestheImperial German Armywas allegedly committing in Belgium. Over the course of the War, Chesterton wrote hundreds of essays defending it, attacking pacifism, and exhorting the public to persevere until victory. Some of these essays were collected in the 1916 work,The Barbarism of Berlin.[74]

One of Chesterton's most successful works in support of the War was his 1915 tongue-in-cheekThe Crimes of England.[75]The work is masterfully ironic, supposedly apologizing and trying to help a fictitious Prussian professor named Whirlwind make the case for Prussia in WWI, while actually attacking Prussia throughout. Part of the book's humorous impact is the conceit that Professor Whirlwind never realizes how his supposed benefactor is undermining Prussia at every turn. Chesterton "blames" England for historically building up Prussia against Austria, and for its pacifism, especially among wealthy British Quaker political donors, who prevented Britain from standing up to past Prussian aggression.

Accusations of antisemitism

edit
The late Chesterton at work

Chesterton faced accusations ofantisemitismduring his lifetime, saying in his 1920 bookThe New Jerusalemthat it was something "for which my friends and I were for a long period rebuked and even reviled".[76]Despite his protestations to the contrary, the accusation continues to be repeated.[77]An early supporter ofCaptain Dreyfus,by 1906 he had turned into ananti-dreyfusard.[78]From the early 20th century, his fictional work included caricatures of Jews, stereotyping them as greedy, cowardly, disloyal and communists.[79]Martin Gardnersuggests thatFour Faultless Felonswas allowed to go out of print in the United States because of the "anti-Semitism which mars so many pages."[80]

TheMarconi scandalof 1912–1913 brought issues of anti-Semitism into the political mainstream. Senior ministers in the Liberal government had secretly profited from advance knowledge of deals regarding wireless telegraphy, and critics regarded it as relevant that some of the key players were Jewish.[81]According to historian Todd Endelman, who identified Chesterton as among the most vocal critics, "The Jew-baiting at the time of the Boer War and the Marconi scandal was linked to a broader protest, mounted in the main by the Radical wing of the Liberal Party, against the growing visibility of successful businessmen in national life and their challenge to what were seen as traditional English values."[82]

In a work of 1917, titledA Short History of England,Chesterton considers the royal decree of 1290 by which Edward Iexpelled Jews from England,a policy that remained in place until 1655. Chesterton writes that popular perception of Jewish moneylenders could well have led Edward I's subjects to regard him as a "tender father of his people" for "breaking the rule by which the rulers had hitherto fostered their bankers' wealth". He felt that Jews, "a sensitive and highly civilized people" who "were the capitalists of the age, the men with wealth banked ready for use", might legitimately complain that "Christian kings and nobles, and even Christian popes and bishops, used for Christian purposes (such as the Crusades and the cathedrals) the money that could only be accumulated in such mountains by a usury they inconsistently denounced as unchristian; and then, when worse times came, gave up the Jew to the fury of the poor".[83][84]

InThe New Jerusalem,Chesterton dedicated a chapter to his views on theJewish question:the sense that Jews were a distinct people without a homeland of their own, living as foreigners in countries where they were always a minority.[85]He wrote that in the past, his position:

was always called Anti-Semitism; but it was always much more true to call it Zionism.... my friends and I had in some general sense a policy in the matter; and it was in substance the desire to give Jews the dignity and status of a separate nation. We desired that in some fashion, and so far as possible, Jews should be represented by Jews, should live in a society of Jews, should be judged by Jews and ruled by Jews. I am an Anti-Semite if that is Anti-Semitism. It would seem more rational to call it Semitism.[86]

In the same place he proposed the thought experiment (describing it as "a parable" and "a flippant fancy" ) that Jews should be admitted to any role in English public life on condition that they must wear distinctively Middle Eastern garb, explaining that "The point is that we should know where we are; and he would know where he is, which is in a foreign land."[86]

Chesterton, like Belloc, openly expressed his abhorrence ofAdolf Hitler's rule almost as soon as it started.[87]As RabbiStephen Samuel Wisewrote in a posthumous tribute to Chesterton in 1937:

When Hitlerism came, he was one of the first to speak out with all the directness and frankness of a great and unabashed spirit. Blessing to his memory![88]

InThe Truth About the Tribes,Chesterton attackedNazi racial theories,writing: "the essence of Nazi Nationalism is to preserve the purity of a race in a continent where all races are impure".[89]

The historian Simon Mayers points out that Chesterton wrote in works such asThe Crank,The Heresy of Race,andThe Barbarian as Boreagainst the concept of racial superiority and critiqued pseudo-scientific race theories, saying they were akin to a new religion.[79]InThe Truth About the TribesChesterton wrote, "the curse of race religion is that it makes each separate man the sacred image which he worships. His own bones are the sacred relics; his own blood is theblood of St. Januarius".[79]Mayers records that despite "his hostility towards Nazi antisemitism… [it is unfortunate that he made] claims that 'Hitlerism' was a form of Judaism, and that the Jews were partly responsible for race theory".[79]InThe Judaism of Hitler,as well as inA Queer ChoiceandThe Crank,Chesterton made much of the fact that the very notion of "a Chosen Race" was of Jewish origin, saying inThe Crank:"If there is one outstanding quality in Hitlerism it is its Hebraism" and "the new Nordic Man has all the worst faults of the worst Jews: jealousy, greed, the mania of conspiracy, and above all, the belief in a Chosen Race".[79]

Mayers also shows that Chesterton portrayed Jews not only as culturally and religiously distinct, but racially as well. InThe Feud of the Foreigner(1920) he said that the Jew "is a foreigner far more remote from us than is a Bavarian from a Frenchman; he is divided by the same type of division as that between us and a Chinaman or a Hindoo. He not only is not, but never was, of the same race".[79]

InThe Everlasting Man,while writing abouthuman sacrifice,Chesterton suggested that medieval stories aboutJews killing childrenmight have resulted from a distortion of genuine cases of devil worship. Chesterton wrote:

[T]he Hebrew prophets were perpetually protesting against the Hebrew race relapsing into an idolatry that involved such a war upon children; and it is probable enough that this abominable apostasy from the God of Israel has occasionally appeared in Israel since, in the form of what is called ritual murder; not of course by any representative of the religion of Judaism, but by individual and irresponsible diabolists who did happen to be Jews.[79][90]

TheAmerican Chesterton Societyhas devoted a whole issue of its magazine,Gilbert,to defending Chesterton against charges of antisemitism.[91]Likewise, Ann Farmer, author ofChesterton and the Jews: Friend, Critic, Defender,[92][93]writes, "Public figures fromWinston ChurchilltoWellsproposed remedies for the 'Jewish problem' – the seemingly endless cycle of anti-Jewish persecution – all shaped by their worldviews. As patriots, Churchill and Chesterton embraced Zionism; both were among the first to defend the Jews from Nazism ", concluding that" A defender of Jews in his youth – a conciliator as well as a defender – GKC returned to the defence when the Jewish people needed it most. "[94]

Opposition to eugenics

edit

InEugenics and Other Evils,Chesterton attackedeugenicsas Parliament was moving towards passage of theMental Deficiency Act 1913.Some backing the ideas of eugenics called for the government to sterilise people deemed "mentally defective"; this view did not gain popularity but the idea of segregating them from the rest of society and thereby preventing them from reproducing did gain traction. These ideas disgusted Chesterton who wrote, "It is not only openly said, it is eagerly urged that the aim of the measure is to prevent any person whom these propagandists do not happen to think intelligent from having any wife or children."[95]He condemned the proposed wording for such measures as being so vague as to apply to anyone, including "Every tramp who is sulk, every labourer who is shy, every rustic who is eccentric, can quite easily be brought under such conditions as were designed for homicidal maniacs. That is the situation; and that is the point... we are already under the Eugenist State; and nothing remains to us but rebellion. "[95]He derided such ideas as founded on nonsense, "as if one had a right to dragoon and enslave one's fellow citizens as a kind of chemical experiment".[95]Chesterton mocked the idea that poverty was a result of bad breeding: "[it is a] strange new disposition to regard the poor as a race; as if they were a colony of Japs or Chinese coolies... The poor are not a race or even a type. It is senseless to talk about breeding them; for they are not a breed. They are, in cold fact, what Dickens describes: 'a dustbin of individual accidents,' of damaged dignity, and often of damaged gentility. "[95][96]

Chesterton's fence

edit

"Chesterton's fence" is the principle that reforms should not be made until the reasoning behind the existing state of affairs is understood. The quotation is from Chesterton's 1929 book,The Thing: Why I Am a Catholic,in the chapter, "The Drift from Domesticity":

In the matter of reforming things, as distinct from deforming them, there is one plain and simple principle; a principle which will probably be called a paradox. There exists in such a case a certain institution or law; let us say, for the sake of simplicity, a fence or gate erected across a road. The more modern type of reformer goes gaily up to it and says, "I don't see the use of this; let us clear it away." To which the more intelligent type of reformer will do well to answer: "If you don't see the use of it, I certainly won't let you clear it away. Go away and think. Then, when you can come back and tell me that you do see the use of it, I may allow you to destroy it."[97]

Distributism

edit
Self-portrait based on thedistributistslogan "Three acres and a cow"

Inspired byLeo XIII'sencyclicalRerum novarum,Chesterton's brotherCeciland his friend,Hilaire Bellocwere instrumental in developing the economic philosophy ofdistributism,a word Belloc coined. Gilbert embraced their views and, particularly after Cecil's death in World War I, became one of the foremost distributists and the newspaper whose care he inherited from Cecil, which ultimately came to be namedG. K.'s Weekly,became its most consistent advocate. Distributism stands as a third way, against both unrestrained capitalism, and socialism, advocating a wide distribution of both property and political power.

Scottish and Irish nationalism

edit

Despite his opposition to Nazism, Chesterton was not an opponent of nationalism in general and gave a degree of support toScottishandIrish nationalism.He endorsedCunninghame GrahamandCompton Mackenziefor the post ofLord Rector of Glasgow Universityin 1928 and 1931 respectively and praised Scottish Catholics as "patriots" in contrast to Anglophile Protestants such asJohn Knox.[98]Chesterton was also a supporter of theIrish Home Rule movementand maintained friendships with members of theIrish Parliamentary Party.This was in part due to his belief thatIrish Catholicshad a naturally distributist outlook on property ownership.[99]

Legacy

edit

James Parker, inThe Atlantic,gave a modern appraisal:

In his vastness and mobility, Chesterton continues to elude definition: He was a Catholic convert and an oracular man of letters, a pneumatic cultural presence, an aphorist with the production rate of a pulp novelist. Poetry, criticism, fiction, biography, columns, public debate...Chesterton was a journalist; he was a metaphysician. He was a reactionary; he was a radical. He was a modernist, acutely alive to the rupture in consciousness that produced Eliot's "The Hollow Men"; he was an anti-modernist...a parochial Englishman and a post-Victorian gasbag; he was a mystic wedded to eternity. All of these cheerfully contradictory things are true...for the final, resolving fact that he was a genius. Touched once by the live wire of his thought, you don't forget it... His prose... [is] supremely entertaining, the stately outlines of an older, heavier rhetoric punctually convulsed by what he once called (in reference to the Book of Job) "earthquake irony". He fulminates wittily; he cracks jokes like thunder. His message, a steady illumination beaming and clanging through every lens and facet of his creativity, was really very straightforward: get on your knees, modern man, and praise God.[100]

Possible sainthood

edit

TheBishop Emeritus of Northampton,Peter Doyle,in 2012 had opened a preliminary investigation into possibly launching a cause forbeatificationand thencanonization(for possible sainthood). but eventually decided not to open the cause. The current Bishop of Northampton,David Oakley,has agreed to preach at a Mass during a Chesterton pilgrimage in England (the route goes through London and Beaconsfield, which are both connected to his life), and some have speculated he may be more favourable to the idea. If the cause is actually opened at the diocesan level (the Vatican must also give approval, that nothing stands in the way – the "nihil obstat"), then he could be given the title"Servant of God".It is not known if his alleged anti-Semitism (which would be considered a serious matter by the Church if it is true) may have played a role. His life and writings and views and what he did for others would be closely examined, in any case.[101]

Literary

edit

Chesterton's socio-economic system of Distributism affected the sculptorEric Gill,who established a commune of Catholic artists atDitchlingin Sussex. The Ditchling group developed a journal calledThe Game,in which they expressed many Chestertonian principles, particularly anti-industrialism and an advocacy of religious family life.[citation needed]His novelThe Man Who Was Thursdayinspired the Irish Republican leaderMichael Collinswith the idea that "If you didn't seem to be hiding nobody hunted you out."[102]Collins's favourite work of Chesterton wasThe Napoleon of Notting Hill,and he was "almost fanatically attached to it", according to his friendSir William Darling.[103]HiscolumninThe Illustrated London Newson 18 September 1909 had a profound effect onMahatma Gandhi.[104]P. N. Furbankasserts that Gandhi was "thunderstruck" when he read it,[105]while Martin Green notes that "Gandhi was so delighted with this that he toldIndian Opinionto reprint it ".[106]Another convert was Canadian media theoristMarshall McLuhan,who said that the bookWhat's Wrong with the World(1910) changed his life in terms of ideas and religion.[107]The authorNeil Gaimanstated that he grew up reading Chesterton in his school's library, and thatThe Napoleon of Notting Hillinfluenced his own bookNeverwhere.Gaiman based the characterGilbertfrom the comic bookThe Sandmanon Chesterton,[108]andGood Omens,the novel Gaiman co-wrote withTerry Pratchett,is dedicated to Chesterton. The Argentine author and essayistJorge Luis Borgescited Chesterton as influential on his fiction, telling interviewerRichard Burginthat "Chesterton knew how to make the most of a detective story".[109]

Education

edit

Chesterton's many references to education and human formation have inspired a variety of educators including the 69 schools of the Chesterton Schools Network,[110]which includes theChesterton Academyfounded byDale Ahlquist.[111]and the Italian Scuola Libera G. K. Chesterton in San Benedetto del Tronto, Marche.[112]The publisher and educatorChristopher Perrin(who completed his doctoral work on Chesterton) makes frequent reference to Chesterton in his work withclassical schools.[113]

Namesakes

edit

In 1974,Ian Boyd,foundedThe Chesterton Review,a scholarly journal devoted to Chesterton and his circle. The journal is published by the G. K. Chesterton Institute for Faith and Culture based in Seton Hall University, South Orange, New Jersey.[114]

In 1996,Dale Ahlquistfounded the American Chesterton Society to explore and promote Chesterton's writings.[115]

In 2008, aCatholichigh school,Chesterton Academy,opened in theMinneapolisarea. In the same year Scuola Libera Chesterton opened inSan Benedetto del Tronto,Italy.[116]

In 2012, a crater on the planetMercurywas named Chesterton after the author.[117]

In 2014, G. K. Chesterton Academy of Chicago, aCatholichigh school, opened inHighland Park, Illinois.[118]

A fictionalised G. K. Chesterton is the central character in theYoung Chesterton Chronicles,a series ofyoung adultadventure novels by John McNichol,[119][120]and in theG K Chesterton Mystery series,a series of detective novels by the Australian authorKel Richards.[121]

Another fictional character named Gil Chesterton is a food and wine critic who works for KACL, the Seattle radio station featured in the American television seriesFrasier.

Major works

edit

Books

edit
  • Chesterton, Gilbert Keith (1904), Ward, M. (ed.),The Napoleon of Notting Hill
  • ——— (1903),Robert Browning,Macmillan[122]
  • ——— (1905),Heretics,John Lane
  • ——— (1906),Charles Dickens: A Critical Study,Dodd, Mead & Co., p. 299
  • ——— (1908a),The Man Who Was Thursday
  • ——— (1908b),Orthodoxy
  • ——— (1911a),The Innocence of Father Brown
  • ——— (1911b),The Ballad of the White Horse
  • ——— (1912),Manalive
  • ——— (1916),The Crimes of England
  • ———,Father Brown(short stories)(detective fiction)
  • ——— (1920), Ward, M. (ed.),The New Jerusalem,archived fromthe originalon 15 January 2017
  • ——— (1922),The Man Who Knew Too Much,Simon & Brown,ISBN1731700563
  • ——— (1922),Eugenics and Other Evils
  • ——— (1923),Saint Francis of Assisi
  • ——— (1925),The Everlasting Man
  • ——— (1925),William Cobbett
  • ——— (1933),Saint Thomas Aquinas
  • ——— (1935),The Well and the Shallows
  • ——— (1936),The Autobiography
  • ——— (1950), Ward, M. (ed.),The Common Man,archived fromthe originalon 15 January 2017

Short stories

edit
  • "The Trees of Pride",1922
  • "The Crime of the Communist",Collier's Weekly,July 1934.
  • "The Three Horsemen",Collier's Weekly,April 1935.
  • "The Ring of the Lovers",Collier's Weekly,April 1935.
  • "A Tall Story",Collier's Weekly,April 1935.
  • "The Angry Street – A Bad Dream",Famous Fantastic Mysteries,February 1947.

Plays

edit

References

edit

Citations

edit
  1. ^Ker, Ian (2003).The Catholic Revival in English Literature (1845–1961): Newman, Hopkins, Belloc, Chesterton, Greene, Waugh.University of Notre Dame Press.
  2. ^"Obituary",Variety,17 June 1936
  3. ^abO'Connor, John (1937).Father Brown on Chesterton(PDF).Frederick Muller Ltd.Archived(PDF)from the original on 3 April 2013.Retrieved7 April2013.
  4. ^ab"Orthodoxologist",Time,11 October 1943, archived fromthe originalon 20 November 2009,retrieved24 October2008
  5. ^Douglas 1974:"Like his friendRonald Knoxhe was both entertainer and Christian apologist. The world never fails to appreciate the combination when it is well done; evenevangelicalssometimes give the impression of bestowing a waiver on deviations if a man is enough of a genius. "
  6. ^Ker 2011,p. 485.
  7. ^Douglas, J. D. (24 May 1974)."G. K. Chesterton, the Eccentric Prince of Paradox".Christianity Today.Archivedfrom the original on 1 November 2014.Retrieved8 July2014.
  8. ^Chesterton, Gilbert Keith (2002).Čovjek koji je previše znao(in Croatian). Translated by Darko Mitin. Zlatar: Partenon. p. 134.ISBN953-6840-03-0.
  9. ^Bergonzi, Bernard (2004)."Chesterton, Gilbert Keith [G. K. C.] (1874–1936), writer".Oxford Dictionary of National Biography(online ed.). Oxford University Press.doi:10.1093/ref:odnb/32392.ISBN978-0-19-861412-8.(Subscription orUK public library membershiprequired.)
  10. ^Simkin, John."G. K. Chesterton".Spartacus Educational.Archivedfrom the original on 4 February 2015.Retrieved4 February2015.
  11. ^Haushalter, Walter M. (1912),"Gilbert Keith Chesterton",The University Magazine,vol. XI, p. 236 – via Internet Archive
  12. ^Ker 2011,p. 1.
  13. ^Ker 2011,p. 13.
  14. ^Chesterton 1936,Chapter IV.
  15. ^Ker 2011,p. 265–266.
  16. ^Chesterton and the child – A Collection of Papers presented at a conference of the Australian Chesterton Society on October 20, 2018, at Campion College Australia, Sydney(PDF).Sydney, Australia: Australian Chesterton Society. 2018. p. 41.Archived(PDF)from the original on 1 August 2019.Retrieved13 November2019.
  17. ^Ker 2011,p. 162–163.
  18. ^abKer 2011,p. 41.
  19. ^Chesterton, G. K. (1911),"The Flying Stars",The Innocence of Father Brown,London: Cassell & Company, Ltd., p. 118
  20. ^Do We agree? A Debate between G. K. Chesterton and Bernard Shaw, with Hilaire Belloc in the Chair,London: C. Palmer, 1928
  21. ^"Clarence Darrow debate".American Chesterton Society. 30 April 2012.Archivedfrom the original on 21 May 2014.Retrieved21 May2014.
  22. ^"G. K. Chesterton January, 1915".Clarence Darrow digital collection.University of Minnesota Law School.Archived fromthe originalon 21 May 2014.Retrieved21 May2014.
  23. ^Chesterton 1936,pp. 231–235.
  24. ^Programme,The Trial of John Jasper for the Murder of Edwin Drood,at King's Hall, Covent Garden, 7 January 1914. (A copy in a private collection, annotated by the original owner.)
  25. ^Wilson, A. N. (1984),Hilaire Belloc,London: Hamish Hamilton, p. 219
  26. ^Cornelius, Judson K.Literary Humour.Mumbai: St Paul's Books. p. 144.ISBN978-81-7108-374-9.
  27. ^Wodehouse, P.G.(1972),The World of Mr. Mulliner,Barrie and Jenkins, p. 172
  28. ^Ward 1944,chapter XV.
  29. ^Chesterton 1936,Chapter 16.
  30. ^Ker 2011,p. 675.
  31. ^ab"Gilbert Keith Chesterton (1874–1936)".Catholic Authors.Archivedfrom the original on 11 May 2011.Retrieved23 March2011.
  32. ^Nomination archive – Gilbert K Chestertonnobelprize.org
  33. ^"Detection Club, The".Gadetection / Detection Club, The,gadetection.pbworks /w/page/7930445/Detection%20Club%2C%20The.
  34. ^Lauer, Quentin (1991),G. K. Chesterton: Philosopher Without Portfolio,New York City, NY: Fordham University Press, p. 25
  35. ^Barker, Dudley (1973),G. K. Chesterton: A Biography,New York: Stein and Day, p. 287
  36. ^Gaspari, Antonio (14 July 2009)."'Blessed' G. K. Chesterton?: Interview on Possible Beatification of English Author ".Zenit: The World Seen from Rome.Rome. Archived fromthe originalon 15 June 2010.Retrieved18 October2010.
  37. ^Bridges, Horace J. (1914)."G. K. Chesterton as Theologian".In:Ethical Addresses.Philadelphia: The American Ethical Union, pp. 21–44.
  38. ^Caldecott, Stratford (1999). "Was G. K. Chesterton a Theologian?",The Chesterton Review.(Rep. byCERC: Catholic Education Research CenterArchived13 July 2013 at theWayback Machine.)
  39. ^Ahlquist, Dale (2006).Common Sense 101: Lessons from G. K. Chesterton.Ignatius Press. p. 286.
  40. ^Douglas, J. D."G. K. Chesterton, the Eccentric Prince of Paradox",Archived20 April 2016 at theWayback MachineChristianity Today,8 January 2001.
  41. ^Gray, Robert."Paradox Was His Doxy",Archived10 June 2013 at theWayback MachineThe American Conservative,23 March 2009.
  42. ^abEliot, T. S. (20 June 1936)."Gilbert Chesterton by T. S. Eliot".The Tablet.167(5015): 785.Archivedfrom the original on 1 August 2020.Retrieved19 April2020.
  43. ^Hasnes, Geir (2022).G. K. Chesterton. A Bibliography.Kongsberg, Norway: Classica forlag.ISBN978-82-7610-013-6.
  44. ^Mccarthy, John P. (1982). "The Historical Vision of Chesterbelloc",Modern Age,Vol. XXVI, No. 2, pp. 175–182.
  45. ^McInerny, Ralph."Chesterbelloc",Archived29 April 2013 at theWayback MachineCatholic Dossier,May/June 1998.
  46. ^Shaw, George Bernard (1918)."Belloc and Chesterton",Archived11 September 2006 at theWayback MachineThe New Age,South Africa Vol. II, No. 16, pp. 309–311.
  47. ^Lynd, Robert (1919)."Mr. G. K. Chesterton and Mr. Hilaire Belloc".In:Old and New Masters.London: T. Fisher Unwin Ltd., pp. 25–41.
  48. ^McInerny, Ralph."The Chesterbelloc Thing"Archived29 December 2012 at theWayback Machine,The Catholic Thing,30 September 2008.
  49. ^Wells, H. G. (1908)."About Chesterton and Belloc",Archived11 September 2006 at theWayback MachineThe New Age,South Africa Vol. II, No. 11, pp. 209–210 (Rep. inSocial Forces in England and America,1914).
  50. ^"Belloc and the Distributists",The American Review,November 1933.
  51. ^Belloc, Hilaire (1940).On the Place of Chesterton in English Letters.London: Sheed & Ward.Archivedfrom the original on 17 February 2020.Retrieved19 April2020.
  52. ^Chesterton 1905,chapter 7.
  53. ^"Misguided Superman Fan: George Bernard Shaw (1856–1950)".Christian History Institute.
  54. ^Chesterton 1905,chapter 4.
  55. ^Chesterton 1905,chapter 20.
  56. ^Vanauken, S.,A Severe Mercy(New York:Harper & Row,1977), p. 90.
  57. ^Letter to Sheldon Vanauken,Archived3 March 2013 at theWayback Machine14 December 1950.
  58. ^Lewis, Clive Staples,The Collected Letters,vol. 2, p. 823
  59. ^The Christian Century,6 June 1962
  60. ^Routley, Erik (2005).An English-speaking Hymnal Guide.GIA publications. p. 129.
  61. ^Edmondson, Jacqueline, ed. (2013).Music in American Life: An Encyclopedia of the Songs, Styles, Stars, and Stories That Shaped Our Culture.Santa Barbara, CA: Greenwood. p. 39.
  62. ^"Bruce Dickinson: Faith And Music (1999)".25 July 2012.Archivedfrom the original on 18 February 2017.Retrieved11 September2017– via YouTube.
  63. ^Gilson, Etienne (1987), "Letter to Chesterton's editor", in Pieper, Josef (ed.),Guide to Thomas Aquinas,University of Notre Dame Press, pp. 6–7
  64. ^Sheen, Fulton J. (2008).Treasure in Clay.New York: Image Books/Doubleday, p. 79.
  65. ^Sheen, Fulton J.God and Intelligence.IVE Press.
  66. ^Ahlquist, Dale (2003).G. K. Chesterton: The Apostle of Common Sense.San Francisco: Ignatius Press.
  67. ^Chesterton 1908b,chapter 3.
  68. ^Holroyd, Michael (1989).Bernard Shaw Vol 2.London: Chatto & Windus. p.214.ISBN978-0701133504.
  69. ^Fawcett, Edmund (2020).Conservatism: The Fight for a Tradition.Princeton: Princeton University Press. p. 252.ISBN978-0-691-17410-5.
  70. ^Kirk, Russell (2019).Russell Kirk's Concise Guide to Conservatism.Washington: Regnery Publishing. p. 4.ISBN978-1-62157-878-9.
  71. ^Hamilton, Andy (2020),"Conservatism",in Zalta, Edward (ed.),The Stanford Encyclopedia of Philosophy,Metaphysics Research Lab: Stanford University,retrieved26 November2023
  72. ^Ahlquist, Dale(March 2021)."Remembering G. K. Chesterton".Chronicles.Retrieved26 November2023.
  73. ^Ffinch, Michael (1986).G. K. Chesterton: A Biography.New York: Harper and Row. p. 228–29.ISBN0-06-252576-X.
  74. ^Chesterton, Gilbert Keith (1914).The Barbarism of Berlin.London: Cassell and Company.
  75. ^Chesterton, Gilbert Keith (1915).The Crimes of England.London: C. Palmer & Hayward.
  76. ^Chesterton, G. K. (1920)The New Jerusalem,Hodder and Stoughton,chapter 13.
  77. ^"Last orders",The Guardian,9 April 2005,archivedfrom the original on 27 August 2006,retrieved2 July2006
  78. ^Chesterton, Gilbert.G. K. Chesterton to the Editor.The Nation, 18 March 1911.
  79. ^abcdefgMayers, Simon (2013).Chesterton's Jews: Stereotypes and Caricatures in the Literature and Journalism of G. K. Chesterton.Simon Mayers. pp. 85–87.ISBN9781490392462.Archivedfrom the original on 29 May 2021.Retrieved4 October2020.
  80. ^Gardner, Martin(1989). "Introduction".Four Faultless Felons.Dover Publications.
  81. ^Donaldson, Frances (2011).The Marconi Scandal.Bloomsbury Publishing. p. 51.ISBN978-1448205547.Archivedfrom the original on 1 August 2020.Retrieved24 October2016.
  82. ^Endelman, Todd M. (2002).The Jews of Britain, 1656 to 2000.University of California Press. p. 155.ISBN9780520227194.Archivedfrom the original on 1 August 2020.Retrieved30 May2017.
  83. ^Julius, Anthony(2010),Trials of the Diaspora: A History of Anti-Semitism in England,Oxford University Press, p. 422
  84. ^Chesterton, G. K. (1917),A Short History of England,Chatto and Windus, pp. 108–109
  85. ^Chesterton 1920,Chapter 13.
  86. ^abChesterton 1920,Chapter 13.
  87. ^Pearce, Joseph(2005).Literary Giants, Literary Catholics.San Francisco: Ignatius Press. p. 95.ISBN978-1-58617-077-6.
  88. ^Ward 1944,p. 265.
  89. ^The Collected Works of G. K. ChestertonArchived1 August 2020 at theWayback Machine,Volume 5, Ignatius Press, 1987, page 593
  90. ^Chesterton, G. K. (2007).The Everlasting Man.Mineola, NY: Dover publications. p. 117.
  91. ^"Was G. K. Chesterton Anti-Semitic?",Archived29 April 2014 at theWayback Machineby Dale Ahlquist.
  92. ^Ann Farmer,Chesterton and the Jews: Friend, Critic, Defender(Angelico Press, 2015)
  93. ^Ahlquist, Dale."Defending the Defender of the Jews".catholicworldreport.Archived fromthe originalon 10 April 2021.
  94. ^"The debate: Was Chesterton an anti-Semite?".28 August 2019. Archived fromthe originalon 1 August 2020.
  95. ^abcdChesterton, Gilbert Keith (1922).Eugenics and Other Evils.London, UK: Cassell and Company.
  96. ^"The Enemy of Eugenics"Archived23 March 2017 at theWayback Machine,by Russell Sparkes.
  97. ^Chesterton, G. K. (1946) [1929]."The Drift from Domesticity".The Thing(Reprint ed.). London: Sheed & Ward. p. 29.OCLC977629776.Archivedfrom the original on 6 November 2018.Retrieved29 May2024.
  98. ^Brand, Jack (1978).The National movement in Scotland.London Henley Boston: Routledge and K. Paul.ISBN978-0-7100-8866-6.
  99. ^Davenport, John (2014)."G. K. Chesterton: Nationalist Ireland's English Apologist".Studies: An Irish Quarterly Review.103(410): 178–192.ISSN0039-3495.JSTOR24347821.
  100. ^Parker, James (April 2015)."A Most Unlikely Saint: The case for canonizing G. K. Chesterton, the bombastic man of letters and paradoxical militant for God".The Atlantic(15 April Issue).Archivedfrom the original on 17 May 2020.Retrieved19 April2020.
  101. ^"A pilgrimage in England traces G. K. Chesterton's path in hope of his beatification".
  102. ^Forester, Margery (2006).Michael Collins – The Lost Leader,Gill & MacMillan, p. 35.
  103. ^Mackay, James (1996).Michael Collins: A Life.London, England: Mainstream Publishing. p. Chapter 2.
  104. ^Gandhi, Rajmohan (2007).Gandhi: The Man, His People, and the Empire.Los Angeles: University of California Press. pp. 139–141.
  105. ^Furbank, P. N. (1974), "Chesterton the Edwardian", in Sullivan, John (ed.),G. K. Chesterton: A Centenary Appraisal,Harper and Row
  106. ^Green, Martin B. (2009),Gandhi: Voice of a New Age Revolution,Axios, p. 266
  107. ^Marchand, Philip (1998).Marshall McLuhan: The Medium and the Messenger: A Biography.Cambridge, Mass.: MIT Press, pp. 28–30.
  108. ^Bender, Hy (2000).The Sandman Companion: A Dreamer's Guide to the Award-Winning Comic SeriesDC Comics,ISBN1-56389-644-3.
  109. ^Burgin, Richard (1969).Conversations with Jorge Luis Borges.New York: Holt, Rinehart and Winston, p. 35.
  110. ^Kenney, Nora (14 February 2024)."An Atmosphere of Joy".City Journal.
  111. ^"Our Network Schools".Chesterton Schools Network.Retrieved23 December2022.
  112. ^"Scuola | Scuola Chesterton | San Benedetto Del Tronto".Scuola Chesterton.
  113. ^"The Teacher as Muse".Virtue (from the Great Hearts Institute).Retrieved23 December2022.
  114. ^"The Chesterton Review".Philosophy Documentation Center.Archivedfrom the original on 12 May 2021.Retrieved12 May2021.
  115. ^"Society of Gilbert Keith Chesterton – Apostolate of Common Sense".Archivedfrom the original on 26 December 2019.Retrieved13 November2019.
  116. ^"Scuola Libera G. K. Chesterton".Chesterton Schools Network.16 April 2019.Retrieved8 July2021.
  117. ^"Chesterton",Gazetteer of Planetary Nomenclature,United States: Geological Survey, 17 September 2012,archivedfrom the original on 18 February 2013,retrieved18 September2012
  118. ^School built around G. K. Chesterton to open in Highland Park,United States Chicago: highlandpark suntimes, 19 March 2014, archived fromthe originalon 25 May 2014,retrieved25 May2014
  119. ^McNichol, John (2017).The Tripods Attack!: The Young Chesterton Chronicles Book 1.Hillside Education.ISBN978-0-9991706-0-1.
  120. ^McNichol, John (2021).The Emperor of North America: Volume 2 of Young Chesterton Chronicles.Hillside Education.ISBN978-1-7331383-4-5.
  121. ^Richards, Kel (2002).Murder in the Mummy's Tomb: A G. K. Chesterton Mystery.RiverOak Pub.ISBN978-1589199637.
  122. ^"Review ofRobert Browningby G. K. Chesterton ".The Athenaeum(3946): 744–746. 13 June 1903.

Sources

edit

Cited biographies

Further reading

edit
edit