Harold Arnold "Herk" Harvey(June 3, 1924 – April 3, 1996) was an American film director, screenwriter, actor and film producer,[3]perhaps best known for his 1962 horror filmCarnival of Souls.

Herk Harvey
Pale man with dark shadows around his eyes, reaching forward
Harvey as "The Man" inCarnival of Souls.
Born(1924-06-03)June 3, 1924
DiedApril 3, 1996(1996-04-03)(aged 71)
Occupation(s)Film director,screenwriter,film producer,actor
Years active1950–1983
Spouses
Bernice Luella Brady
(m.1950;div.1960)
Pauline G. Pappas
(m.1967)
[1][2]

Early life

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Harvey was born inWindsor, Colorado,the son of Everett and Minnie R. Prewitt Harvey. He grew up inWaverly, Illinoisand inFort Collinsand was a graduate of Fort Collins High School before serving in theU.S. Navyas aQuartermaster,3rd Class, duringWorld War II,during which time he was studyingchemical engineering."But when I got out," Harvey said, "I decided that wasn't for me and so I went into the theater."

Harvey came toLawrence, Kansasin 1945 to study at theUniversity of Kansas,where he majored in theater and acted in scores of college stage productions, includingHay Fever,The Skin of Our Teeth,Beggar on Horseback,Juno and the Paycock,A Midsummer Night's Dream,Joan of Lorraine,Blithe Spirit,Harvey,andHamlet.During his years at KU, Harvey served as vice-president of the Dramatics Workshop and was a member of the Owl Society, an honorary organization for male juniors. He earned a bachelor of science degree in education from the KU speech and drama department in 1948 and subsequently became employed by that department as an instructor, while also a graduate student.

Harvey made his directorial debut with an "experimental" production ofIrwin Shaw'sBury the Deadin 1949, and went on to direct several other plays and pageants at the university. He received his master of arts degree in speech and dramatics from KU in 1950.[2]The subject of his master's thesis was his experience directingBury the Deadfor the KU stage. Besides his student appearances, Harvey gained acting experience through some work in summer stock, performing on the stages of theTopekaCivic Theater andKansas City's Resident Theater. It was with the latter organization that Harvey portrayedStanley Kowalskiin a 1958 production ofA Streetcar Named Desire.

On June 3, 1950, Harvey's 26th birthday, he married Bernice "Bea" Brady, a Wichita native with whom he had performed in numerous KU theater productions. Immediately following the marriage, Harvey did a graduate study in drama during the 1950 summer session at theUniversity of Denver,and then studied at theUniversity of Coloradofor a doctorate. "I made it through summer school and then I decided to go back to Kansas," Harvey has said. He and his wife then returned to Lawrence and both landed jobs teaching theater, Harvey at KU and his wife at the local high school.

Centron Films

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While teaching and directing at the university, Harvey broke into the film business as an actor in some of the movies being made byCentron Corporationof Lawrence, an independent industrial and educational film production company.[4]Founded in 1947 in Lawrence by Arthur H. Wolf and Russell A. Mosser, Centron would come to the forefront of the industrial and educational film companies in the United States. Harvey joined the staff in 1952 and went on to work for Centron as a film director, writer, and producer for over three decades, making a variety of short industrial, educational, documentary, and government films. Films created by Harvey includeShake Hands With Danger,which won a 1980 Golden Eagle award from theCouncil on International Nontheatrical Events.[5]Centron competed with large companies on both coasts to become one of the top producers of industrial and educational films. Harvey was known for his high quality films, coming in on time and under budget. Harvey and his film crews were dispatched to far-flung locations around the globe to bring back images for geography and travel films. Harvey also worked with many well-known professional actors and entertainers in Centron films, such asWalter Pidgeon,Rowan and Martin,Dennis Day,Louis Nye,George Gobel,Billy Barty,Anita Bryant,Eddie Albert,Ed Ames,Jesse White,andRicardo Montalbán.The director won many national and international awards for his work, including the highest honors from the American Film Festival, C.I.N.E., and the Columbus Film Festival.

An article written by Harvey was published in the March 1956 issue ofAmerican Cinematographermagazine, concerning innovative special effects techniques that had been developed by the Centron crew during the production of an industrial film.[6]Harvey also occasionally penned reviews of local theater productions for the Lawrence newspaper. In 1957, Harvey commissioned the construction of a custom-built house within a block of the Centron studios. The resultant home was hailed regionally as an exceptional display of modern suburban architecture and attracted thousands of spectators when opened for public inspection upon its completion. The home's hillside yard was criss-crossed with a winding network of stone walls and terraces, built by Harvey himself.

Harvey and his first wife Bea were divorced in 1960, due to the latter's infidelity, and shortly afterward Harvey met Pauline G. Pappas, who was one of the investors forCarnival of Souls.The two were married in 1967.

When a crew fromABCcame to Lawrence in 1982 to shoot the controversial television movie on nuclear war,The Day After,they cast Harvey in a small speaking role as a farmer, while also casting a handful of other local thespians. The film was broadcast to much international publicity and controversy in 1983.

In 1981, Arthur Wolf and Russell Mosser had sold Centron to theCoronetdivision of Esquire, Inc., though production operations continued in Lawrence until decade's end. After 33 years with the firm, Harvey retired from Centron in 1985.[2]His last project for the company was a prize-winning series of educational travelogues shot inKorea.

After his retirement, Harvey continued in various activities, teaching film production at theUniversity of Kansas,adjudicating films for the American Film Festival and the Kansas Film and Video Festival, and directing and acting in plays for the Lawrence Community Theater. He also had small speaking parts in the made-for-TV moviesMurderer OrdainedandWhere Pigeons Go to Die,both of which were filmed on location inKansas.

Carnival of Souls

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Carnival of Souls(1962) by Herk Harvey

Harvey is best known for his sole feature film,Carnival of Souls,alow budget1962horror filmstarringCandace Hilligoss.It was produced and directed by Harvey for an estimated $33,000. Harvey had witnessed the recent success of Elmer Rhoden Jr. and fellow industrial filmmakerRobert Altmanin producing low-budget feature films in nearby Kansas City, and began to secure backing from local investors in order to mount a similar project in Lawrence. While returning to Kansas after shooting a Centron film inCalifornia,Harvey developed the idea forCarnival of Soulsafter driving past the abandonedSaltairPavilion inSalt Lake City, Utah.Hiring an unknown New York actress,Lee Strasberg-trained Hilligoss, and otherwise employing mostly local talent, Harvey shotCarnival of Soulsin three weeks, on location in Lawrence and Salt Lake City, using a script penned by Centron associate John Clifford. Harvey also played an uncredited role as the film's most prominent "ghoul."Originally marketed as a B film and released by an upstart distribution company that quickly went bankrupt,Carnival of Soulsnever gained widespread public attention upon its original release but today has become hailed as acult classic.Set to anorganscore by Gene Moore,Carnival of Soulsrelies more on atmosphere than on special effects to create its mood of psychological horror. The film has a largecult following,built up primarily via late-night television screenings, and has been released onDVDby theCriterion Collection(complete with a host of special features, including an hour of excerpts from Harvey's Centron productions). To this day, the movie is still discussed by film buffs and occasionally has screenings atHalloweenand art film festivals.

Discouraged by the apparent failure ofCarnival of Soulsand busy with Centron assignments, Harvey never directed another feature, though he did make several aborted attempts. One wasFlannagan's Smoke,a comedy script written by John Clifford concerning an escaped gas from a chemist's laboratory and its effect on the townspeople. Another wasThe Reluctant Witch,with a screenplay adapted by KU professorJames E. Gunnfrom his ownscience fictionshort story of the same title. UnlikeCarnival of Souls,this was actually to be a Centron production, as Harvey had persuaded the company to delve into feature films. Shooting did begin, in the late 1960s, but it was not long before budgetary problems and conflicts with the lead actor ultimately shut down the production ofThe Reluctant Witch.Some unedited footage still survives. Harvey also wrote an un-produced feature screenplay of his own, entitledWindwagon,which was a historical dramatization of the Kansas territorial period and "sailing wagon" innovations of the late nineteenth century.

Harvey did live to see the belated recognition ofCarnival of Souls,which began in earnest during the mid-1980s. The peak of this revival of interest was a nationally publicized cast and crew reunion in Lawrence in 1989, followed by the movie's first legal release on home video, which sparked a number of high-profile reviews and articles. Several years later, Harvey was diagnosed withpancreatic cancer.On April 3, 1996, weeks after the sound stage at KU's Oldfather Studios (home of the KU film school and formerly Centron's headquarters) was officially christened the "Herk Harvey Sound Stage" in a large ceremony, Harvey died at his home in Lawrence.

The Academy Film Archive preservedCarnival of Soulsin 2012.[7]

References

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  1. ^"Genuine Kansas - Herk Harvey - Film Director".
  2. ^abc"Papers of Herk Harvey".University of Kansas. Archived fromthe originalon July 6, 2019.RetrievedJuly 6,2019.
  3. ^Sandra Brennan (2016)."Herk Harvey".Movies & TV Dept.The New York Times.Archived fromthe originalon March 15, 2016.
  4. ^"Herk Harvey - Biography".IMDb.RetrievedJuly 6,2019.
  5. ^Hediger, Vinzenz; Vonderau, Patrick (2009).Films that Work: Industrial Film and the Productivity of Media.Amsterdam University Press. p. 238.ISBN978-90-8964-013-0.
  6. ^"American Cinematographer 1956-03".American Cinematographer.March 1956.RetrievedJuly 6,2019.pg. 162 and 178.
  7. ^"Preserved Projects".Academy Film Archive.

Bibliography

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  • Prather, Maurice, "Mosser-Wolf Shoot Official Football Movies,"University Daily Kansan,December 1, 1952
  • "Mr. N Comes to Lawrence,"Lawrence Journal-World,May 18, 1954
  • "'Star 34' Result of State's New Movie-Making Industry,"Kansas Business Magazine,July 1954
  • "New Centron Movie Seen by Kiwanians,"Lawrence Journal-World,March 11, 1954
  • Fowler, Giles M., "Off to a Ghoulish Start as: Cameras Roll in a Kansas Town,"Kansas City Star,September 16, 1962
  • "'Carnival of Souls' Might Open New Frontiers Here,"Lawrence Journal-World,September 21, 1962
  • "'Carnival' Cast Is Built Around Top TV Performers,"Lawrence Journal-World,September 25, 1962
  • "'Carnival' World Premiere Is Called Producer's Dream,"Lawrence Journal-World,September 27, 1962
  • Ogden, Ann, "MGM It Ain't... But In Its Own Field, a Lawrence Film Company Started By a Couple of Jayhawkers is Making a Pretty Fair-Sized Splash,"Alumni Magazine,February 1968
  • "Centron Films Win Awards in American Film Festival,"Lawrence Journal-World,May 20, 1971
  • "Centron Takes Two Film Honors,"Lawrence Journal-World,November 27, 1980
  • Bretz, Lynn, "A Play From a Stacked Deck,"Lawrence Journal-World,August 30, 1981
  • "Centron Wins Double Awards for Film Efforts,"Lawrence Journal-World,January 9, 1982
  • Warren, Andrea, "John Clifford's Play Set for Lawrence Premiere,"TeleGraphics,January 27, 1982
  • Bauman, Melissa, "ABC Official Denies Network Can't Find Sponsors for Show,"Lawrence Journal-World,October 12, 1983
  • Twardy, Chuck, "Power of Affection Concerns Clifford,"Lawrence Journal-World,November 13, 1983
  • "Community Theater Has Mixed Success In Trio of Local Plays,Lawrence Journal-World,November 18, 1983
  • "Farm Unit Honors Film by Centron,"Lawrence Journal-World,January 19, 1984
  • "Centron Wraps Several Projects,"Back Stage,May 25, 1984
  • Retzlaff, Duane, "Films Give Broad View of Farming at Area's Annual Farm-City Mixer,"Lawrence Journal-World,November 28, 1984
  • Gurley, George H., "Horror Need Not Be Vulgar,"Kansas City Star,October 31, 1989
  • Dekker, Mike, "A Screen Reunion,"Lawrence Journal-World,November 25, 1989
  • Butler, Robert W., "The Art of Budget Filmmaking,"Kansas City Star,January 12, 1990
  • Burnes, Brian, "Rising From Its Grave,"Kansas City Star,January 14, 1990
  • Smith, Nancy, "50s Flashbacks,"Lawrence Journal-World,February 28, 1993
  • Butler, Robert W., "'Carnival of Souls' to Come Back to Life on Englewood Screen,"Kansas City Star,February 25, 1996
  • Biles, Jan, "Lawrence-Made Movie Stays Hip Through Years,"Lawrence Journal-World,March 1, 1996
  • "Director Honored at KU Studios,"Lawrence Journal-World, "March 8, 1996
  • Biles, Jan, "University Pays Tribute to Film Maker Harvey,"Lawrence Journal-World,March 14, 1996
  • Pigg, Sherry, "Filmmaker Harvey Dies,"Lawrence Journal-World,April 4, 1996
  • "'Carnival of Souls' Director Dies,"Lawrence Journal-World,April 6, 1996
  • "Harold A. Harvey,"Lawrence Journal-World,April 17, 1996
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