Jerónimo de la Gándara(1825–1877) was a Spanish architect who designed a number of public buildings during the reign ofIsabella II of Spain.[1]
Jerónimo de la Gándara | |
---|---|
Born | 1825 |
Died | 1877 |
Nationality | Spanish |
Occupation | Architect |
Known for | Lope de Vega Theater, Valladolid |
Biography
editJerónimo de la Gándara was born in 1825 inCeceñas,Cantabria. He was a student of Antonio de Zabaleta. In 1848 he graduated as the first in his class from the Special School of Architecture of Madrid. He undertook further studies in Germany and the United Kingdom, and traveled throughout Europe. He was the first Spanish architect to gain first hand knowledge of the ruins of the Parthenon of Athens, making a drawing of their plans. In 1853 Jerónimo de la Gándara became a teacher at the Madrid School of Architecture, where he became a Professor in 1855 and held academic positions until 1873.[1]
Gándara was a member of the commission that investigated Spanish monuments and reported their findings in the major illustrated bookMonumentos arquitectonicos de Espanapublished by the state in 1859, with text in Spanish and French.[2] In this role, he was involved in excavations, exploring ruins in central Spain that predated theAl-Andalusperiod, some from the time of the emperorJustinian Iand his successors.[3] He resisted pressure to attempt to move ancient mosaics to Madrid from the site in which they were found due to the great difficulty of preserving them intact.[4]
Works
editIn 1845 Gándara and Aníbal Álvarez Bouquet remodeled the facade of the Senate building.[1] He designed theTeatro de la Zarzuelain Madrid, which was undertaken by José María Sánchez Guallart and opened on the birthday of Queen Isabella II in 1856. It provided a venue for "Zarzuela Theatre", which combines spoken scenes with scenes where the performers sing and dance. The original building burned down in 1909, but Cesareo Iradier later reconstructed it.[5] The theater followed the Italian tradition, with a horseshoe-shaped hall containing three levels of boxes.[6] In 1857 he designed the Palace of the Marquis de Viluma, which opened in 1859.[1]
Jerónimo de la Gándara was the architect of theLope de Vega Theater, Valladolid,which was inaugurated on 8 December 1861. The facade, restored in 1920, is in the classical style. It has two levels, each with three arches, and a pediment that holds a medallion with the likeness ofLope de Vegasculpted byPonciano Ponzano.[7] In 1864 he built the pantheon ofManuel Beltran de Lis,Minister of Finance of Isabel II, in the cemetery at the Sacramental de San Isidro.[8] Another major work is theTeatro Calderón de la BarcainValladolid.[9] One of the largest theaters in Spain, it was designed in an eclectic neo-classical style. The Calderón opened in 1864.[1] In 1867 he constructed the Spanish pavilion for theUniversal Exposition of Parisin a strictlyNeo-Plateresquestyle.[10]
Gallery
edit-
Teatro Lope de Vega, Valladolid
-
Teatro Calderón de la Barca in Valladolid
References
edit- ^abcdeCeceñas.
- ^Société française d'archéologie 1868,p. 357.
- ^Gebhardt 1864,p. 559.
- ^Rodes 2008,p. 113.
- ^Isserlis 2009,p. 408.
- ^MobileReference 2007,p. 221.
- ^Teatro Lope de Vega.
- ^Bermejo 1998,p. 181.
- ^Gómez 2001,p. 308.
- ^Serrano 2000,p. 88.
- Sources
- Bermejo, Carmen Lorenzo (1998).Arte y arquitectura funeraria: Los cementerios de Asturias, Cantabria y Vizcaya(1787-1936)(in Spanish). University of Oviedo.ISBN8483170558.
- Ceceñas."Personajes: Jerónimo de la Gándara".Retrieved2012-05-27.
- Gebhardt, Victor (1864).Historia general de España y de sus Indias: desde los tiempos más remotos hasta nuestros días...(in Spanish). Libreria española.
- Gómez, Antonio López (2001).Madrid Desde la Academia(in Spanish). Real Academia de la Historia.ISBN8489512817.
- Isserlis, Steven (2009).Anthem Guide to the Opera, Concert Halls and Classical Music Venues of Europe.Anthem Press.ISBN978-1843312727.
- MobileReference (2007).Travel Madrid, Spain: Illustrated Travel Guide, Phrasebook, and Maps (Mobi Travel).MobileReference.ISBN978-1605010359.
- Rodes, Concha Papí (2008).Aureliano Ibarra y La Alcudia: Una mirada a la arqueología del XIX(in Spanish). Universidad de Alicante.ISBN978-8479088477.
- Serrano, Carlos (2000).Nations en quête de passé: la Péninsule ibérique (XIXe-XXe siècles)(in French). Presses Paris Sorbonne.ISBN2840501589.
- Société française d'archéologie (1868).Bulletin monumental(in French). Vol. 34. Société française d'archéologie, Musée des monuments français.
- "Teatro Lope de Vega".Info Vallodilid(in Spanish). Archived fromthe originalon 2012-04-25.Retrieved2011-11-10.