Love Fieldis a 1992 Americandrama filmwritten byDon Roosand directed byJonathan Kaplan,starringMichelle PfeifferandDennis Haysbert.It was released in the United States on December 11, 1992, byOrion Pictures.[3]It is an example of a representation of theassassination of John F. Kennedy in popular culture.For her performance, Pfeiffer earned anAcademy Award for Best Actressnod.
Love Field | |
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Directed by | Jonathan Kaplan |
Written by | Don Roos |
Produced by |
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Starring | |
Cinematography | Ralf Bode |
Edited by | Jane Kurson |
Music by | Jerry Goldsmith |
Distributed by |
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Release date |
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Running time | 102 minutes |
Country | United States |
Language | English |
Box office | $1 million[2] |
Plot
editOn November 22, 1963,Dallashousewife Lurene Hallett is obsessed withFirst LadyJacqueline Kennedy.Lurene feels a special connection with Jackie through her own loss of a child after Jackie's loss. Knowing thatPresidentJohn F. Kennedyand his wife will be visiting Dallas, Lurene travels toDallas Love Fieldto try to catch a glimpse of the couple as they arrive by plane. Lurene just misses shaking Jackie’s hand. Shortly afterward, she learns that the President has beenassassinated.Lurene leaves her car in the street and rushes to watch the news through a store window. Lurene's anguish over Kennedy's death reflects the collective grief of the nation over this tragedy. She is determined to attend Kennedy's burial, even though her overbearing husband, Ray, vetoes the plan.
A defiant Lurene leaves Ray a note, indicating she will be staying at the motel where they spent their honeymoon inWashington, D.C.,intending to travel by bus to attend thefuneral.During the bus journey, she befriends Jonell, the young black daughter of Paul Cater. After the bus has an accident, Lurene takes Jonell to the restroom and notices old wounds on Jonell's body. Sensing something is wrong, Lurene asks Jonell whether Paul is her father, and the child replies he isn’t. Lurene calls theFBIto report a kidnapping. Moments after her well-intentioned interference, Paul explains that Jonell's wounds are from an orphanage where she was taken after her mother's death. He is indeed her father, who rescued Jonell, without permission, from the Texas orphanage where she was being abused. Jonell does not remember him because he never married her mother, but he shows Lurene pictures of himself, Jonelle's mother, and Jonelle as a baby. Paul must now elude the authorities until he can reach Pennsylvania and fight for custody on his home turf.
Paul and Jonelle must now leave the bus. While Lurene watches Jonelle, Paul steals a car from a repair shop to continue their journey. Lurene misses the bus and joins them in the car on an increasingly difficult road trip across America. Meanwhile, the FBI believes Lurene has been kidnapped by Paul and informs Ray.
The car breaks down near Tazewell, Virginia, where local rednecks spot the white woman travelling with a black man and beat him severely. Lurene recalls that the parents of Hazel Enright, a work associate, live in Tazewell, and seeks help there. They tend to Paul's wounds and spend the night there, with Paul and Lurene sharing a furtive one-night sexual encounter. The next morning, Mrs. Enright's disapproval of Lurene’s extramarital interracial relationship reminds Lurene that she is complicating the journey, and she offers to let Paul and Jonell go on without her, but Paul wants her to continue with them. The Enrights lend them their car.
In Washington DC, on the day of the Kennedy funeral, Ray is waiting for Lurene at the motel. Lurene prefers to deal with Ray alone, leaving Paul and Jonelle in the car. Ray argues with Lurene, and the argument turns violent. Paul intervenes, pretending to be the motel manager. Ray figures out that Lurene is allied with Paul and pulls a gun, but Paul wrestles the gun from him. Lurene and Paul manage to get back unscathed to the car with Jonelle and leave, but Ray notes the car and license. The police eventually catch the pair, and Paul is sentenced to a year in jail for theft of the car he stole from the repair shop.
In 1964,[a]Lurene visits Jonell in a foster home where Lurene has been visiting Jonell regularly. Lurene explains to Jonell that her father is coming back to take her home later that day. As Lurene leaves the group home, Paul arrives to pick up Jonell. They stop to talk, and Lurene informs Paul that she and Ray are divorced. Paul and Lurene hug, and both declare that they have no regrets. Lurene drives away; however, she turns her car around and rushes back into the group home to join Paul and Jonell.[4]
Cast
edit- Michelle Pfeifferas Louise Irene "Lurene" Hallett
- Dennis Haysbertas Paul Cater
- Stephanie McFadden as Jonell, Paul's daughter
- Brian Kerwinas Ray Hallett, Lurene's husband
- Louise Lathamas Mrs. Enright, Hazel's mother
- Peggy Reaas Mrs. Heisenbuttal, Lurene's neighbor
- Beth Grantas Hazel Enright, Lurene's Boss
- Cooper Huckabeeas Deputy Swinson
- Troy Evansas Lt. Galvan
- Mark Miller as Trooper Exley
- Pearl Jones as Mrs. Baker
- Rhoda GriffisasJacqueline Kennedy
- Bob Gill asJohn F. Kennedy
- Nick Searcyas FBI man
- Joe Maggard as Redneck
Production
editThe film was partially filmed on location inRocky MountandWilson,North Carolina,United States.[5] Denzel Washingtonwas attached to the role of Paul Cater, but was replaced byDennis Haysbertjust before filming commenced.[6] The character of Lurene Hallett was based on screenwriterDon Roos' mother.[6]
Depictions of racism
editRacism is prevalent throughout the film, as well as displays of discontent from the black community concerning Kennedy's efforts to improve race relations. Despite the efforts of the filmmakers to include the black perspective during this era, one critic complains that the black characters function "merely as analogies of oppression."[7]Criticism aside, it is realistic in its portrayals of violence against Paul by white men, by Lurene, and by her husband, Ray. Historically, it relates to findings of theKerner Commissionfrom 1968. This commission found that "Our nation is moving toward two societies, one black, one white, separate and unequal." Love Field shows differing opinions about Kennedy in the white and black communities, represented respectively by Lurene and Paul, specifically through Lurene's naïve point of view. For example, in one interaction between Mrs. Enright and Paul, she states, "I don't know when we started killing people to solve things," and he responds, "I didn't know we stopped."[8]
Reception
editAlthough the film was made in 1990,Orion Picturessuffered crippling financial losses and filed for bankruptcy. It was not released until December 1992, in time for Oscar consideration.[6]
Release
editThe film was released on December 11, 1992, and grossed $1,949,148 in the United States.[9]
Critical response
editOnRotten Tomatoes,the film has an approval rating of 40% based on reviews from 10 critics, with an average rating of 5.7/10.[10]
Janet MaslininThe New York Timeswrote: "This modest film actually covers a lot of ground...Love Fieldbrings remarkably few preconceptions to the telling of its understated story. The characters transcend stereotypes, but what really matters is the actors' ability to breathe these people to life. "[11]Time Outwas similarly positive, writing: "This affecting romantic comedy probes the gradations of racial prejudice still prevalent in the South despite JFK's best efforts... unaccountably denied a theatrical release in Britain, this is a most impressive and enjoyable work."[12]On the negative side,Varietydescribed it as "a sincere, not fully realized 1960s drama that is yet another variation on the 'Where were you when you heard JFK was shot?' theme."[13]Hal Hinson inThe Washington Postthought that "the interracial love affair that develops between this oddly matched pair never makes much sense."[14]Roger Ebertin theChicago Sun-Timeswrote that "the essential truth of the characters was being undercut by all the manufactured gimmicks of the plot."[15]
Critical consensus held that the primary reason to see the film was the Oscar-nominated performance ofMichelle Pfeiffer.The New York Timeswrote that a "character this flamboyant would risk sinking any film. But Ms. Pfeiffer, again demonstrating that she is as subtle and surprising as she is beautiful, plays Lurene with remarkable grace."[11]The Washington Postcalled the characterization "a marvel, but by now that is only to be expected. Watching her [Pfeiffer] discover new facets of her talent is one of the real pleasures of going to the movies these days. Done up with a '60s platinum bouffant and butterfly fake eyelashes, Pfeiffer plays Lurene as a big-hearted, motor-mouth ditz. But, even in the movie's earliest scenes, Pfeiffer suggests that Lurene has hidden depth; not unrevealed smarts, really, but innate decency and guilelessness... She's fully alive up there on the screen: a grounded angel, tarnished, funny and exquisitely soulful, even when the movie is dead."[14]Desson Howewrote: "there is strong reason to watchLove Fieldsimply for Pfeiffer. As the nobly oppressed father (a sort of clichéd,Sidney Poitierrole), Haysbert is respectable and doe-eyed McFadden makes a fetching innocent. But Pfeiffer is the movie's sole engine. Tucking away her gratuitous beauty behind pancake makeup and that blonde hay-er, she's in effortless, sassy command. "[16]Peter TraversinRolling Stonewas of the opinion that "Pfeiffer overcomes the poky direction of Jonathan Kaplan (The Accused) and the unfocused script by Don Roos (ofSingle White Femaleinfamy). She weaves magic in a portrayal of striking grace notes... long afterLove Fieldhits a dead end, Pfeiffer cuts a path to the heart. "[17]Time Outcalled it a "marvellously touching, funny and credible performance,"[12]while forVarietyit was "yet another memorable characterization."[13]Roger Ebert congratulated her for a performance "which takes a woman who could have become a comic target and invests her with a certain dignity."[15]Stephen Farber inMovielinewrote: "As Lurene Hallett, a dreamy beautician obsessed with Jackie Kennedy, Pfeiffer confirms her growing range and power. Her skill with accents is beginning to rivalMeryl Streep's, but even more impressive than her technical virtuosity is her emotional depth; she highlights the childlike romanticism and generosity of this simple woman. "[18]
Awards and nominations
editAward | Category | Nominee | Result | Ref. |
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Academy Awards | Best Actress | Michelle Pfeiffer | Nominated | [19] |
Berlin International Film Festival | Golden Bear | Jonathan Kaplan | Nominated | [20] |
Best Actress | Michelle Pfeiffer | Won | ||
Golden Globe Awards | Best Actress in a Motion Picture – Drama | Nominated | [21] | |
New York Film Critics Circle Awards | Best Actress | 3rd Place | [22] |
Notes
edit- ^The year is indicated by the shot of aLyndon Johnson-Hubert Humphrey campaignposter attached to a tree.
References
edit- ^"Love Field (1993)".BBFC.Retrieved9 January2022.
- ^Love FieldatBox Office Mojo
- ^"Love Field (1992) - Release dates".imdb.Retrieved2009-11-18.
- ^"Love Field Plot Summary and Details".moviefone. Archived fromthe originalon 2014-08-19.Retrieved2011-11-14.
- ^"Love Field (1992) - Filming locations".imdb.Retrieved2009-11-18.
- ^abc"Love Field (1992) - Trivia".imdb.Retrieved2009-11-18.
- ^"Love Field".moviefilmreview.Retrieved2011-11-14.
- ^American Culture in the 1960s.Sharon Monteith. 2008.ISBN9780748619474.Retrieved2011-11-14.
- ^"Love Field (1992) - Box office/business".imdb.Retrieved2009-11-18.
- ^"Love Field".Rotten Tomatoes.Retrieved2020-01-01.
- ^abMaslin, Janet(December 11, 1992)."Movie Review - Love Field - Michelle Pfeiffer in a Tale of a 1960s Interracial Friendship".movies.nytimes.
- ^ab"Love Field Review - Film - Time Out London".timeout. Archived fromthe originalon 2010-08-17.Retrieved2009-11-18.
- ^ab"Love Field Review".Variety. 1992-01-01.Retrieved2020-01-01.
- ^abHinson, Hal (February 12, 1993)."'Love Field' (PG-13) ".washingtonpost.
- ^abEbert, Roger(February 12, 1993)."Love Field".rogerebert.suntimes. Archived fromthe originalon June 6, 2011.
- ^Howe, Desson (February 12, 1993)."'Love Field' (PG-13) ".washingtonpost.
- ^Travers, Peter."Love Field: Review: Rolling Stone".rollingstone. Archived fromthe originalon June 16, 2008.Retrieved2009-11-18.
- ^Farber, Stephen."Review: Love Field".movieline.standard8media. Archived fromthe originalon 2006-12-15.Retrieved2009-11-18.
- ^"THE 65TH ACADEMY AWARDS".oscars.org.Retrieved26 April2022.
- ^"Berlinale: 1993 Prize Winners".berlinale.de.Archived fromthe originalon 2013-10-15.Retrieved2011-06-01.
- ^"Love Field – Golden Globes".HFPA.Retrieved5 July2021.
- ^"1992 New York Film Critics Circle Awards".New York Film Critics Circle.RetrievedJuly 5,2021.