Makoto Shinohara(Tiêu nguyên chân,Shinohara Makoto,December 10, 1931 – March 3, 2024)was a Japanese composer.

Biography

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Born inOsaka,Japan, Shinohara studied at theTokyo University of the Artsfrom 1952 to 1954, studying composition withTomojirō Ikenouchi,piano withKazuko Yasukawa[ja],and conducting withAkeo WatanabeandKurt Wöss.From 1954 to 1960, he studied in Paris withTony Aubin,Olivier Messiaen,Simone Plé-Caussade,Pierre Revel andLouis Fourestier.From 1962 to 1964 he studied at theHochschule für Musik Münchenand at theSiemens-Studio für elektronische Musik[de];following this he studied withBernd Alois ZimmermannandGottfried Michael Koenigat theRheinische Musikschule[de]in Cologne and then withKarlheinz Stockhausenfrom 1964 to 1965. He held a scholarship from theGerman Academic Exchange Servicein 1966 and 1967 and won a scholarship from the Italian government in 1969. In 1971, he was awarded the Rockefeller Prize from theColumbia Princeton Electronic Music Centerand in 1978 won a scholarship from the Dutch government.

Shinohara worked withelectronic musicat theInstitute of Sonologyin Utrecht, at the electronic studio at theTechnische Universität Berlin,at the Columbia Princeton Electronic Music Center in New York (1971–72) and at StudioNHK(Nippon Hōsō Kyōkai) in Tokyo. In 1978 Shinohara was a visiting professor of composition atMcGill UniversityinMontreal,Canada.[1]

From the 1970s onwards, he was best known for combining Western and traditional Japanese music, as well as versatile experimentation with Western acoustic and electronic music.[2]

Shinohara died of stomach cancer on 3 March 2024, at the age of 92.[3]

Works

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Orchestral

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  • 1975Egalisationfor 24 instruments (piccolo, flute, alto flute, oboe, English horn, clarinet, bass clarinet, trumpet, trombone, tuba, piano, celesta, cembalo, harp, guitar, vibraphone, marimba, percussion, violin, viola, cello, and double bass)
  • 1970Visionsfor 3 flutes, 4 oboes, 4 clarinets, 4 bassoons, 4 horns, 4 trumpets, 4 trombones, 6 percussion, harp, celesta, 24 violins, 8 violas, 8 cellos, 4 double basses
  • 1975Visions II
  • c1977Liberationfor 20 string instruments
  • 1992Yumeji (Ways of Dreams)for an orchestra of Japanese and Western instruments and mixed choir
  • Solitude pour orchestra

Wind orchestra

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  • 1982/1985Play for Nine Wind Instruments(flute, alto flute, oboe, clarinet, bass clarinet, bassoon, horn, trumpet, and trombone)

Chamber music

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  • 1958Sonatafor violin and piano
    1. Allegro moderato
    2. Lento
    3. Allegro brutale
  • 1960Obsessionfor oboe and piano
  • c1960Kassougafor flute and piano
  • 1968Fragmentefor tenor recorder
  • 1970Reflexionfor solo oboe
  • 1983/1993Turnsfor violin andkoto
  • 1984Tabiyuki (On travel)for mezzo-soprano and small ensemble (flute, oboe, clarinet, bassoon, horn, trumpet, trombone, percussion, violin, viola, cello and double bass)
  • 1986/1990Evolutionfor solo cello
  • 1990Cooperationfor 8 traditional Japanese and 8 Western instruments (English horn, clarinet, trumpet, trombone, percussion, piano, violin, and cello)
  • 1993Situationsfor alto saxophone and digital keyboard
  • 2005Turnsfor violin and koto
  • Consonancefor flute, horn, vibraphone, marimba, harp and cello
  • Relationsfor flute and piano

Percussion ensemble

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  • 1962Alternance

Keyboard

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  • Elevationfor organ
  • 1963/1969Tendence pour piano
  • 1996Undulation Afor piano
  • The Bear who saw the Seafor two pianos

Music for traditional Japanese instruments

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  • 1972Tatuyai (Fluctuation)for koto, percussion, and singer
  • 1972Tuyatai (Fluctuation)for sangen
  • 1973Kyudo A (In quest of enlightenment)forshakuhachi
  • 1973Kyudo B for shakuhachi and harp
  • 1981Jushichigen-no-Umare (Birth of the bass koto)for 17-Gen
  • 1981Nagare for Shamisenfor shamisen, sangen, kin and gongs

Electronic music

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  • 1966Memoires4-channel electronic composition composed at theInstitute of Sonologyin Utrecht
  • 1974Broadcasting
  • 1979City Visitfor 4-channel tape
  • 1980Passage for bass flute and stereophony
  • To Rain and Windfor koto, percussion and live electronics
  • Personnage

References

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Sources

  • Herd, Judith. 2001. "Shinohara, Makoto."The New Grove Dictionary of Music and Musicians,second edition, edited byStanley SadieandJohn Tyrrell.London: Macmillan.
  • Rea, John. 2008. "Better Than a Thousand Days of Diligent Study Is One Day with a Great Teacher: Visiting Foreign Artist Residencies at McGill's Faculty of Music, 1975–1981". InCompositional Crossroads: Music, McGill, Montreal,edited by Eleanor V. Stubley. Montréal: McGill-Queen's University Press.ISBN0-7735-3278-1

Further reading

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  • Landy, Leigh. 1987. "An Analysis ofTayutaifor Koto (1972) Composed by Makoto Shinohara ".Interface: Journal of New Music Research16:75–96
  • Shinohara, Makoto. 2003. "Zusammenspiel westlicher und japanischer Instrumente". InKomposition und Musikwissenschaft im Dialog. III (1999–2001),edited by Imke Misch andChristoph von Blumröder.Signale aus Köln 6. Münster: Lit-Verlag.
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