Wikipedia

Marvel's Guardians of the Galaxy

This article is about the 2021 action-adventure game. For the 2017 episodic video game, seeGuardians of the Galaxy: The Telltale Series.For other uses, seeGuardians of the Galaxy.

Marvel's Guardians of the Galaxyis a 2021action-adventure gamedeveloped byEidos-Montréaland originally published bySquare Enix.Set in an original universe based on theMarvel Comicssuperhero teamof the same name,the game's plot follows the Guardians who, while attempting to capture a beast for a wealthy collector, inadvertently trigger a catastrophe which threatens the peace of the galaxy. The player controls the team's self-proclaimed leader,Star-Lord,and issues commands to other Guardians includingDrax the Destroyer,Gamora,Rocket RaccoonandGroot.At certain points in the game, the player makes key decisions viadialogue treesthat affect the relationships between Guardians and change the outcome of missions.

Marvel's Guardians of the Galaxy
Developer(s)Eidos-Montréal
Publisher(s)Square Enix
Director(s)Jean-François Dugas
Producer(s)
  • Olivier Proulx
  • Hubert Corriveau
Designer(s)Patrick Fortier
Programmer(s)Daniel Letendre
Artist(s)Bruno Gauthier-Leblanc
Writer(s)
  • Mary DeMarle
  • Kasper Hartman
  • Ethan Petty
  • Craig Towsley
  • Dave Stager
  • Stef Jolin
  • Jocelyn Baxter
Composer(s)Richard Jacques
SeriesMarvel
EngineDawn Engine
Platform(s)
(Cloud)
ReleaseOctober 26, 2021
Genre(s)Action-adventure
Mode(s)Single-player

Guardians of the Galaxywas the second game developed in partnership betweenMarvel Entertainmentand Square Enix. The game is strictly single-player and has no downloadable content or microtransactions, marking a departure from Marvel Entertainment and Square Enix's previous game,Marvel's Avengers.Marvel collaborated closely with the team at Eidos to create an original version of the Guardians. Despite the game's lighthearted tone, themes of trauma and grief are central to the story. The soundtrack comprises an original score composed byRichard Jacques,various licensed songs from the 1970s and 1980s, and a 1980s-inspired album by the game's audio director, Steve Szczepkowski.

The game was announced in June 2021 and released forPlayStation 4,PlayStation 5,Windows,Xbox One,andXbox Series X/Sand released on October 26th 2021. A cloud streaming version forNintendo Switchwas released on the same day. While anticipation for the game was low due to the lackluster reception ofMarvel'sAvengers,it was favorably reviewed at launch. It was praised for its narrative, music, characters, and cast performance, but its gameplay and combat systems drew mixed reactions. The game was nominated for several year-end accolades by gaming publications, as well as winning awards for "Best Narrative" atThe Game Awards 2021,and "Adventure Game of the Year"and"Outstanding Achievement in Story"at the25th Annual D.I.C.E. Awards.Despite positive critical reception, the game did not meet Square Enix's sales expectations.

Gameplay

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Star-Lord in combat with a creature on the planet Seknarf Nine

InMarvel's Guardians of the Galaxy,the player controlsPeter Quill,also known as Star-Lord, from athird-person perspective.The player can attack enemies with elemental guns which have four shooting modes;[1]ice shots temporarily freeze enemies, lightning shots stun them, wind shots pull in faraway enemies, and plasma shots deal fire damage toBoss characters.[2][3]The other Guardians, includingGamora,Rocket Raccoon,Groot,andDrax the Destroyer,arenon-player characterscontrolled byartificial intelligence,but the player can issue commands to them during combat. Each Guardian has four unique abilities which can be chained to inflict more damage;[4]Groot uses his roots to immobilize enemies, Rocket deploys various explosives and bombs, Drax can easily stagger enemies with his strength, and Gamora uses her sword to deal powerful melee damage.[5]Players can also use environmental features to their advantage, for instance, by instructing Drax to hurl a large boulder at enemies.[6]

As the Guardians engage in combat, a Momentum gauge will fill, allowing the player to perform a "Call-to-Action" attack which deals significant damage to stronger enemies.[2]Some enemies also have a "stagger bar" which temporarily stuns them when depleted.[7]Defeated enemies drop pick-ups which replenish Star-Lord'shealth.As the player progresses through the game, they earnexperience pointswhich can be used to unlock new abilities for team members.[2]Another meter that fills during combat allows the player to perform a special ability called "Team Huddle", which briefly stops the fighting and prompts Star-Lord to make amotivational speech,accompanied bybackground music,to inspire his teammates. A good speech will grant the other Guardians combat bonuses and revive all fallen Guardians, though Star-Lord's abilities will be boosted regardless of the quality of the speech.[3][8]Players have to listen to what the Guardians are saying and observe their emotional states in order to select the best response option during Team Huddle.[9]

While the game is mostly linear, players are encouraged to explore each location to find components,collectibles,andcostumes.The player navigates the environment with Star-Lord's jet boots and can use hisvisorto scan for objects of interest.[5][10]There are also some segments where the player pilots the Guardians'spaceship,theMilano,in battle against hostile ships.[3]Occasionally, players must utilize the skills of the other Guardians in order to progress. For instance, Rocket can use his engineering knowledge to open locked doors, allowing the team to reach otherwise inaccessible areas.[10]Rocket can also use components at workbenches to craft combat perks for Star-Lord, which grant passive advantages such as increased health and shield regeneration.[11]

At certain points in the game, the player makes key decisions viadialogue treesthat affect the relationships between Guardians and change the outcome of missions. These choices are referenced by characters throughout the game.[12]Players may also engage in optional conversations with other Guardians members aboard theMilanoafter the gifting them an object of interest.[13]Despite the branching dialogue paths, the overall plot is always the same and the game has only one ending.[14]

Synopsis

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Characters

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Marvel's Guardians of the Galaxyfeatures the eponymous team, theGuardians of the Galaxy,includingPeter Quill / Star-Lord(Jon McLaren), a Terran-Spartoi hybrid and leader of the group;Gamora(Kimberly-Sue Murray), the "deadliest woman in the galaxy" and adopted daughter ofThanos;Rocket Raccoon(Alex Weiner), a former bounty hunter, weapons specialist, and inventor;Groot(Robert Montcalm), Rocket's loyal partner and fellow former bounty hunter, who is the last of his species;Drax the Destroyer(Jason Cavalier), famed throughout the galaxy as the killer of Thanos.

The main antagonist groups are theUniversal Church of Truth,led by Grand Unifier Raker (Andreas Apergis), and theLethal Legion,a group of bounty hunters hired by Lady Hellbender (Sarah Levesque) which includes theBlood Brothers(Kwasi Songuiand Christian Jadah) and Captain Glory (Danny Blanco Hall). Other characters include Peter Quill's former lover and Nova Corps Centurion Ko-Rel (Judith Baribeau), Ko-Rel's daughterNikki Gold(Romane Denis), the "Celestial Madonna"Mantis(Emmanuelle Lussier Martinez),Cosmo the Spacedog(Alex Ivanovici), theXandarian Worldmind(Robert Montcalm &Leni Parker), andAdam Warlock(Brent Skagford). The Guardians also face beasts such as theDweller-in-Darknessand the legendary dragonFin Fang Foom.

Plot

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On Peter Quill's 13th birthday,Chitauriwarriors attack his home, kidnapping him and killing his motherMeredith.Many years later, Quill—now a mercenary called Star-Lord—is the leader of the Guardians of the Galaxy, a group of "heroes for hire" hoping to make money during their adventurous wanderings around the galaxy.

In the years following a massive interstellar war, the Guardians have accepted a job to capture a rare monster for their patron, Lady Hellbender. They head to the Quarantine Zone, a restricted sector established by theNova Corpsto store debris from the war. However, they are forced to flee the zone when Quill accidentally releases an alien entity from a yellow gem. The Guardians are intercepted by the Nova Corps patrol shipHala's Hope,captained by Quill's former lover, Centurion Ko-Rel. Ko-Rel detains the Guardians along with Grand Unifier Raker of the Universal Church of Truth, who was caught in the Quarantine Zone searching for his church's "golden god". While being processed, Quill meets a teenage Nova Corps cadet named Nikki Gold. Upon learning that Nikki is Ko-Rel's daughter, Quill suspects that he might be her father. Ko-Rel releases the Guardians with a time limit to pay their fine for trespassing.

In order to make money, the Guardians plan to scam money from Lady Hellbender by passing off Rocket or Groot as a rare creature. When their plan goes awry, the Guardians are once again forced to flee, though not before obtaining payment from Lady Hellbender to cover their fine. The Guardians then travel to "The Rock", a Nova Corps outpost whereHala's Hopeis docked. There they find that several officers have mutinied in order to spread "the Promise". After theHopeleaves the station, the Guardians seek help fromCosmo the Spacedog,Head of Security onKnowhere.Cosmo agrees to aid the Guardians in investigating theHope,which is now transmitting a strange signal; he sends them to the ship using a transportation system called the Continuum Cortex.

The Guardians boardHala'sHopeand find a massive cannon siphoning "Faith Energy" from the planet below. They are then captured by Raker, who takes them to meet the "Matriarch" of his Church; To Quill's horror, the Matriarch is revealed to be Nikki. She is using the yellow gem to brainwash thousands of alien followers with the "Promise" by trapping them in illusions crafted from their deepest desires, then harnessing their devotion as Faith Energy to power the Church's fleet. Nikki tempts each of the Guardians with the Promise, and while they each manage to resist and escape the Church, Drax is shaken by what he saw. Quill also learns that Ko-Rel was killed by the mysterious entity he released.

The Guardians attempt to enlist theXandarianWorldmind, but it concludes that the Church's victory is inevitable and flees the galaxy with the remainder of the Nova Corps. Drax then succumbs to the Promise and imprisons the rest of the team. With help fromMantis,the Guardians enter Drax's mind and convince him that the Promise is not real. They also encounterAdam Warlock,the Church's original "golden god" who faked his death and went into hiding on Mantis' planet. Warlock reveals that the alien entity controlling Nikki is his dark side,Magus,whom he sealed in theSoul Stone.Magus is manipulating Raker and the Church to gather Faith Energy on which he can feed.

The Guardians turn to Lady Hellbender as a last resort. To gain her favor, they subdue and gift her the legendary monsterFin Fang Foom,and she agrees to aid in an assault on the Church's flagship, theSacrosanct.During their assault, Raker traps the Guardians in an energy field, but Quill manages to infiltrate Nikki's Promise. With the help of Ko-Rel's spirit—who reveals Nikki is an adopted warorphanand not Quill's daughter—Quill convinces Nikki to accept Ko-Rel's death, freeing her from Magus' control and unlocking her hidden powers. The Guardians kill Raker while Warlock absorbs Magus back into his body, ending the threat of the Church. As the galaxy celebrates being freed from the Church's brainwashing, the Guardians take their leave with Nikki as their new recruit.

Magus proves to be too much for Warlock to contain and takes over his body. Guided by Mantis, Quill risks his own life by wielding the Soul Stone to imprison Magus once again. Warlock thanks the Guardians for their help and takes custody of the Soul Stone, promising to find them should he need their help again. Quill contemplates how to care for Nikki as the Guardians set off to handle their next assignment: printing new business cards. However, if the player never paid the Guardians' fine, the ship is disabled by a Nova Corps tracker and the team is left stranded in space.

Development

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Marvel's Guardians of the Galaxywas developed byEidos-Montréal.It is the second game made in partnership betweenMarvel Entertainmentand publisherSquare Enix,followingMarvel's Avengersin 2019.[15]The game features an original storyline, withMary DeMarleserving as the game's narrative director, Jean-François Dugas as the game's director, andRichard Jacquesas composer.

Development completed on September 16, 2021, with Eidos confirming that the game was finished and ready for release.[16]The game is powered by Eidos' Dawn Engine, which was used inDeus Ex: Mankind Divided(2016).[17]Guardians of the Galaxywould be the last title from Eidos-Montréal to utilize the in-house Dawn Engine as the company switched toUnreal Engine 5for future projects.[18]

Design

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UnlikeMarvel's Avengers,Marvel's Guardians of the Galaxyis exclusivelysingle-player.The team experimented withmultiplayerandcooperative gameplaymodes, but scrapped them to focus on telling a character-driven story.[19]Additionally, the designers did not want the player to be able to directly control other Guardians in order to prevent them from projecting their own personality onto them, allowing characters the freedom to grow and develop more complex relationships with each other.[20]DeMarle has stated that they wanted the player to feel like they were "hanging out" with and "guiding" the characters rather than being them.[21]The team at Eidos chose to portray the Guardians of the Galaxy as "underdogs", with Dugas and DeMarle feeling that this mirrored the public perception of their studio.[22]

"Solo teamplay" mechanics were instrumental to the game's combat design.[23]The mechanic of controlling Star-Lord while indirectly commanding other team members was inspired byteam sportsvideo games that lock players into a defined role.[24]Each Guardian is capable on their own, but their perks and abilities are more effective when the player strategically commands them to act as a cohesive unit.[25]Theartificial intelligencebehaviours of each character are based on their personality. For instance, Drax, being the most courageous, tends to charge first into battle and attack multiple enemies at once.[23]At times the AI characters will make independent choices, leaving the player to decide if they trust them to follow through.[21]The designers chose to limit Quill's abilities to prevent the other Guardians from feeling like "dead weight"[26]and encourage them to engage the whole team in combat; If the player ignores the other Guardians and leaves them to fight on their own, they will tend to lose in battle.[27]

The designers utilized "social mechanics", such as the team huddle and dialogue trees, to make the characters feel more alive. These social features impacted many other aspects of the game design. For instance, levels were designed to ensure that dialogue would not be interrupted by the player's traversal through the game world.[24]By positioning Star-Lord at the heart of most social interactions, the player experiences the team dynamics by witnessing the other character's reactions to Quill's choices.[28][19]While Quill is the team's self-proclaimed leader,[23]other members of the Guardians may disagree with him and make their own choices, and Quill often has to rally the team towards a common goal.[29]The designers drew inspiration from their previous game,Deus Ex,for the campaign structure and branching paths mechanic.[28]Dugas has stated that the transition from working onDeus ExtoGuardianswas a significant "brain shift" for the developers due to the contrast in tone and scale of the franchises.[20]

DeMarle has said that incorporating humour into the dialogue was a challenge for the writing team. She and a team of seven writers would regularly gather to read drafts, workshop ideas, and bounce jokes off each other, then share credit for the resulting script.[21]DeMarle added that it was not a "conscious decision" for the characters to be constantly talking to each other in the game; They were initially worried thatplaytesterswould be irritated by the non-stop banter, but Dugas decided to keep it in the game.[25]Despite the game's humorous tone, grief, loss, and tragedy are major themes of the story, with the backdrop of an intergalactic war drawing attention the characters' traumatic experiences both past and present. Brief flashback sequences featuring Quill's mother Meredith, who was killed during his childhood, communicate how loss shapes Quill's personality and behaviours. DeMarle also said that the balance between comedic and tragic scenes was an important aspect of the game's storytelling.[30][31]

Characters

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Mary DeMarle,the game's narrative director, had previously worked on Eidos' previous projects including the rebootedDeus Exvideo games.

The development team worked closely withMarvelto ensure that the version of the characters featured were unique from those in both theMarvel Cinematic Universe(MCU) and the comics. The team also made a point of including lesser-known characters from the franchise, such as Lady Hellbender, who had not previously appeared outside of the comics.[20]They felt encouraged to do so followingMarvel's Avengers,which featured the lesser-knownKamala Khanas a member of the Avengers.[32]

The origins of each Guardian were reinvented to better fit the context of the intergalactic war[33]and their appearances were altered to align with their background while still being recognizable to the general public.[29]Star-Lord was designed as a "time capsule of 1980s culture" sporting an exaggerated 80s haircut; Gamora wears full tactical body armor to reflect her status as the "deadliest woman in the galaxy"; Drax has many tattoos which chronicle important events in his life, such as the death of his family. Groot and Rocket are an inseparable duo; Rocket has a bead-shapedgoateethat resembles Groot, and Groot wears a harness created by Rocket. Groot's armour design was inspired by Japanesemechs.[34]Early drafts of character designs were more outlandish; For instance, Quill was compared to a "cosmonaut",Drax was fat, and Rocket Raccoon was the size of a human. These designs elicited a lukewarm reaction from Marvel, prompting the team to rework their designs.[35]

Another significant theme reflected in the story isfound family.While the Guardians began as a ragtag group of mercenaries, each with their own personal agendas, the events of the story bring them closer together.[20]DeMarle has said that it was difficult for the gameplay and writing teams to balance the strong personalities andcharacter arcsof all five Guardians.[21]The moniker "Guardians of the Galaxy", which was chosen purely for marketing purposes, becomes a title they embrace, working together to save the galaxy from peril.[36]Additionally, by the end of the story, the Guardians are united by being parental figures for the Nikki Gold, further transforming them into a family unit.[30]

The voice cast featuresJon McLarenas Peter Quill, Kimberly-Sue Murray as Gamora, Jason Cavalier as Drax, Alex Weiner as Rocket, and Robert Montcalm as Groot. While McLaren, Murray and Weiner stayed away from MCU content during the game's production, Cavalier watched the films and adopted that version of Drax's deadpan humour, literal speech, and unique mannerisms. Unlike the films, Gamora is not Quill's love interest as the team felt that a love story would detract from her own character and identity. Weiner also said that he tried to bring "animalistic qualities" to his version of Rocket, citing moments where Rocket bears his teeth. Montcalm had 1630 lines in the game, all of which were "I am Groot". However, each instance of the phrase has a unique meaning depending on the context. Weiner received a translated version of Groot's lines from the writing team, and worked closely with Montcalm on the performance.[37][38][30]

Music

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Richard Jacques,the game's composer

Game director Jean-François Dugas described music as an "additional character" in the game.[29]Licensed songs, such as those byPat Benatar,Wham!,Iron Maiden,andJoan Jett,[8]are closely tied into the game's story, with their lyrics reflecting actions on screen.[39]Quill's love ofmusic from the 1980swas inspired by his character in the 2014Guardians of the Galaxy film;[40]music is instrumental to Quill's character development, being described by senior gameplay director Patrick Fortier as his last link to his childhood on Earth. Music is also connected to gameplay through the huddle mechanic, as Quill will select a song from his cassette to motivate his companions during his speech.[23]In the game, Star-Lord is the name of a 1980srock bandon Earth. This helps established his connection to Earth, and provides context to his love forhard rockandmetal musicin the game.[39]Audio director Steve Szczepkowski and sound designer Yohann Boudreault collaborated to write an album namedSpace Riderfor the fictitious band.[41]The game includes a "streaming mode" for content creators which disables all licensed music.[42]

Szczepkowski approached composerRichard Jacquesto work on the project in 2017. Jacques said that one of the biggest challenges was ensuring that transition from licensed music to the game's original orchestral music felt natural. To that effect, he paid special attention to make sure the orchestral score matched in key to the licensed songs which played alongside it. Jacques and Szczepkowski also tried to sync the tone of the music to game's branching dialogue options; Jacques stated that he mapped out the game's dialogue branches on large sheets of paper to analyze the difference in tone between each branch for each conversation, then scored them as if they were one singular scene.[43]He said he did not want to emulate the score from the MCU films, and wanted it to have "a sense of trepidation and adventure" fitting for theGuardiansfranchise. The game's six-hour orchestral soundtracks were recorded atAbbey Road Studios,and the choral sections were performed by Pinewood Singers choir.[44]

Release

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Marvel's Guardians of the Galaxywas revealed on in January 2017 when Marvel Entertainment announced that it had partnered with Eidos' parent companySquare Enix.[45]The game was officially announced atE3 2021and released forPlayStation 4,PlayStation 5,Windows,Xbox One,andXbox Series X and Series S,on October 26, 2021.[46]ANintendo Switchversion released the same day but utilizescloud streaming,and thus saw no physical releases.[47]The Windows version was produced in collaboration withD3T.[48]The game has not offered anymicrotransactionsand Eidos has not released anydownloadable contentfor the game,[49]but players who pre-ordered the game received additional outfits for the Guardians.[50]

The Cosmic Deluxe Edition, which included a steel case and an art book, released alongside the regular edition.[50]Square Enix and Marvel also partnered withAdidasto launch a collection of six different sneakers inspired by the Guardians.[51]

Reception

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Critical response

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According to review aggregatorMetacritic,reception toMarvel's Guardians of the Galaxywas "generally favorable", but thecloud streamingversion forNintendo Switchwas met with "mixed or average" response.[52][53][54]Multiple critics called it a fun single-player adventure game elevated by a strong story.[61][62][63]It was often remarked as a surprise hit of the year since expectations were low following lukewarm reception ofMarvel's Avengers.[64]Several reviewers noted that the game suffered from technical issues at launch.[58][59][65]

The game's story received praise. Tom Marks wrote forIGNthat the team successfully balanced spectacle and heartfelt moments, noting that the constant banter between characters maintained an entertaining experience.[58]Ryan Gilliam ofPolygonpraised the story for being "emotionally resonant" and commended the Guardians' character development.[62]Andrew Reiner ofGame Informercalled the dialogue the best aspect of the game, saying that its "witty humor, heartfelt intimacy, and sheer chaos" were fitting for theGuardiansfranchise. He noted that Quill was "grating" at first, but he slowly grew to adore him.[56]Ramée concurred that the story was well-written, adding that the characters and conflicts were "deeply relatable". Ramée also praised the voice cast, particularlyRomane Denis' performance as Nikki Gold.[3]He said that listening to dialogue was rewarding, but that the changes in the game'sNew Game Pluswere not substantial enough to warrant a second playthrough.[56][3][58]Sam Loveridge ofGamesRadarcalled the game's script "brilliantly funny", "touching", and "emotional", stating that players will be invested in the personal stories of each Guardian.[57]

The gameplay had more mixed reactions. Marks noted that while the combat and level design were enjoyable and entertaining, they were neither deep nor innovative.[58]Vikki Blake wrote forEurogamerthat the on-screen action sometimes became too chaotic, and that the game's wealth of systems did not add any complexity.[66]Malindy Hetfeld ofThe Guardiancalled the gameplay "disappointingly simple", stating that "combat takes little more than two buttons".[60]Ramée also described the combat as "unremarkable", saying there was no incentive to use the combat abilities of each Guardian or Star-Lord's elemental guns.[3]The combat system was further criticized for the way that enemies absorb damage due to their extended health bar.[60][66]Ramée added that because of this, combat encounters often devolved into "grind-fests".[3]Reiner compared the exploration to theUnchartedgames; He said that combat was enjoyable, satisfying, and entertaining, but the start of the game felt uneventful as most of the game's powerful abilities were locked.[56]The environmental puzzles were frequently criticized for being monotonous and static in difficulty; Ramee described them as "mildly annoying speedbumps".[57][3][56]

The music of the game was also praised. Reiner wrote that the game had "a wonderful soundtrack filled with 1980s hits and great orchestration", which further heightens the dramatic moments in the game's story.[56]Jordan Ramée ofGameSpotsaid the soundtrack was "wonderful", and the licensed 80s tracks strongly complemented the game's original score.[3]Oscar Gonzalez ofCNETcalled it the "best '80s soundtrack for any video game".[67]NME's Dom Peppiatt also lauded Eidos for their implementation of licensed tracks.[65]

Sales

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Guardianswas the second best-selling boxed game in the UK at release, behindFIFA 22.[68]It was also the seventh best-selling video game in the US in October 2021.[69]In February 2022, Square Enix stated that despite "strong reviews", the game's had failed to meet their sales expectations.[70]By November 2022, the game had attracted more than 8 million players, including players on thePlayStation PlusExtra andXbox Game Passsubscription services,[71][72]with Square Enix stating holiday discounts stabilized earnings fromGuardians.[73]

Awards and accolades

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Year Award Category Result Ref.
2021 The Game Awards 2021 Best Narrative Won [74]
Best Action/Adventure Game Nominated
Best Score and Music Nominated
Innovation in Accessibility Nominated
National Academy of Video Game Trade Reviewers Outstanding Game, Franchise Adventure Nominated [75]
Outstanding Original Dramatic Score, Franchise Nominated
Outstanding Song Collection Won
2022 Steam Awards Best Soundtrack Won [76]
25th Annual D.I.C.E. Awards Adventure Game of the Year Won [77]
Outstanding Achievement in Story Won
22nd Game Developers Choice Awards Best Audio Nominated [78]
Best Narrative Nominated
Ivor Novello Awards Best Original Video Game Score (Richard Jacques) Won [79]
18th British Academy Games Awards Audio Achievement Nominated [80][81]
Narrative Nominated
Performer in a Leading Role(Jon McLarenas Star-Lord/Peter Quill) Nominated
Performer in a Supporting Role(Jason Cavalier as Drax) Nominated
Performer in a Supporting Role (Alex Weiner as Rocket) Nominated
20th Annual G.A.N.G. Awards Best Physical Soundtrack Release Nominated [82]
Music of the Year Won
Sound Design of the Year Nominated
Best Ensemble Cast Performance Won
Best Voice Performance (Jon McClaren as Star-Lord/Peter Quill) Nominated
Audio of the Year Nominated
Best Cinematic & Cutscene Audio Nominated
Creative and Technical Achievement in Music Nominated
Best Non-Humanoid Performance (Robert Montcalm as Groot) Nominated
Dialogue of the Year Nominated
Excellence in Audio Accessibility Nominated
2023 65th Annual Grammy Awards Best Score Soundtrack for Video Games and Other Interactive Media Nominated [83]

References

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