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National Ballet of Canada

TheNational Ballet of Canadais a Canadianballet companythat was founded in 1951 inToronto,Ontario, withCelia Franca,the firstartistic director.A company of 70 dancers with its own orchestra, the National Ballet has been led since 2022 by artistic directorHope Muir.Renowned for its diverse repertoire, the company performs traditional full-length classics, embraces contemporary work and encourages the creation of new ballets, as well as the development of Canadian dancers and choreographers.

National Ballet of Canada
General information
NameNational Ballet of Canada
Year founded1951
First artistic directorCelia Franca
Principal venueFour Seasons Centre
Toronto,Ontario
Websitenational.ballet.ca
Senior staff
Executive DirectorBarry Hughson
Artistic staff
Artistic DirectorHope Muir
Music DirectorDavid Briskin
Other
Associated schoolsThe National Ballet School of Canada
Formation
  • Principal Dancer
  • Principal Character Artist (1985–2023)
  • First Soloist
  • Second Soloist
  • Corps de Ballet
  • Apprentice

The company's repertoire includes works bySir Frederick Ashton,George Balanchine,John Cranko,Rudolf Nureyev,John Neumeier,William Forsythe,James Kudelka,Wayne McGregor,Alexei Ratmansky,Crystal Pite,Christopher Wheeldon,Aszure Barton,Guillaume Côtéand Robert Binet. The National Ballet tours in Canada and internationally, with appearances in London, Paris, Hamburg, Moscow, St. Petersburg,New York City,Washington, D.C.,Los Angeles,andSan Francisco.

Creation of the National Ballet of Canada

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In 1951, the two major ballet companies in Canada were theRoyal Winnipeg Balletheaded by Gweneth Lloyd, and the Volkoff Canadian Ballet founded byBoris Volkoff,which was based in Toronto. With the aim of creating a more widely based Canadian ballet troupe, following the example set by theSadler's Wells Royal Ballet,a group of Canadian ballet enthusiasts set out to create the National Ballet of Canada.[1]

English ballet enthusiasts Sheila Bloom, Rosemary Winckley and Patricia Barnes (née Winckley), who were living in Toronto at the time, were responsible for the initial fundraising, which enabled the company to attract its first dancers, choreographers and artistic director. Both Lloyd and Volkoff were interested in being the first artistic director of the company, but the organizers agreed that the only way to ensure an unbiased selection of dancers for the new ballet company was to hire an outsider. They chose British dancer and choreographerCelia Franca,who had many connections within the dance community and had been to Canada only twice at that point, as artistic director.[2]

The National Ballet of Canada performingCoppéliain 1952.

Franca at first showed little interest in heading this new company; she had refused similar invitations inAustraliaandSouth Africaand liked living in theUnited Kingdom.Nevertheless, when she came to Canada in 1951 to attend a festival, the founders again asked her to consider the position.[3]Franca accepted the job and became the first artistic director, while Volkoff was appointed as Resident Choreographer.[2]ConductorGeorge Crumacted as Musical Director.

In August 1951, what was then The National Ballet Guild of Canada launched its first cross-country audition tour.[4]By the end of the month, the ballet had chosen 29 dancers for the troupe and was rehearsing for their first performance in theSt. Lawrence Hall.[5]

For The National Ballet Guild of Canada's early performances, Franca chose classic ballets, as she believed this would allow the dancers to be properly judged by the international dance community.[1]The first performance was in theEaton Auditoriumon November 12, 1951.[4]The program includedLes Sylphidesand Polovtsian Dances fromPrince Igor.

Development

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The company toured Canada extensively, with Franca, Lois Smith and David Adams as its stars.[6]In 1964, the National Ballet adopted the 3200-seat O'Keefe Centre (now known asMeridian Hall) in Toronto as its home venue. The company moved in 2006 to new facilities at theFour Seasons Centre for the Performing Arts,which was purpose-built for ballet and opera, and is shared with theCanadian Opera Company.

In 1976, Alexander Grant, former Principal Dancer with London'sRoyal Balletand Artistic Director of Ballet for All, became the Artistic Director of the National Ballet. Under his leadership, the company added a number of works byFrederick Ashtonto its repertoire. The National Ballet of Canada became the first Canadian company to perform at theRoyal Opera House,Covent Garden, London in 1979.

In 1981 the company participated alongsideLes Grands Ballets Canadiens,theRoyal Winnipeg Ballet,le Groupe de la Place Royale, the Danny Grossman Dance Company, theToronto Dance Theatre,Winnipeg Contemporary Dancers and the Anna Wyman Dance Theatre in the Canadian Dance Spectacular,[7]a dance show at Ottawa'sNational Arts Centrewhich was filmed by theNational Film Board of Canadafor the 1982 documentary filmGala.[8]

In 1989,Reid Andersonbecame the artistic director. He led the company through adifficult economic recession[1]by choreographing traditional ballet pieces while also commissioning Canadian and international choreographers to create contemporary pieces.[9]In 1995, he left the company citing a frustration of the continued funding cuts from the government,[1][10]and the directorship was taken up in 1996 by choreographerJames Kudelka.[3]

In 2005,Karen Kain,former Principal Dancer, became Artistic Director of the company. In 2009,Innovationdebuted, a mixed programme featuring three world premieres by Canadian choreographersCrystal Pite,Sabrina MatthewsandPeter Quanz.[6]In 2011, the company premiered a new version of Prokofiev'sRomeo and JulietbyAlexei Ratmansky.The National Ballet of Canada remains Canada's largest and most influential dance company.

In June 2020, Kain stepped down from the company. The following month, it was announced thatHope Muirwill succeed Kain, effective January 1, 2022.[11]

Canada's National Ballet School

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Main article:The National Ballet School of Canada

The Canada's National Ballet School was founded in 1959 by Celia Franca and Julia Bondy and was directed for many years by co-founderBetty Oliphant.[12]The primary goal of the school is to train dancers for the National Ballet of Canada and also for companies across Canada and around the world. Graduates of the School includeFrank Augustyn,Neve Campbell,Anne Ditchburn,Rex Harrington,Karen Kain(former Artistic Director of the Company),[13]James Kudelka(former Artistic Director of the Company),Veronica Tennant,Martine Lamy,John Alleyne,Emmanuel Sandhu,and Mavis Staines (Artistic Director and Co-CEO of the School).

International recognition

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Rudolf Nureyevdanced with the company in 1965 and returned in 1972 to stage his version ofThe Sleeping Beauty.His work is credited to raising the standards of the company.[1]He was responsible for bringing the Company toLincoln Center'sMetropolitan Opera HouseinNew York Citywhere he showcased the company. The Ballet met with rave reviews and this was a pivotal point in receiving recognition internationally.[14]Karen KainandFrank Augustyn,two members of NBC, received the prize for bestpas de deuxat the International Ballet Competition in Moscow in 1973.[15]The following year, in 1974, while on a tour in Canada,Mikhail Baryshnikovdefected and requested political asylum in Toronto and joined the Royal Winnipeg Ballet.[16]His first televised performance after coming out of temporary seclusion in Canada was with the National Ballet of Canada in a version ofLa Sylphide.[17]More recently the company co-producedChristopher Wheeldon’sThe Winter’s TalewithThe Royal Balletin London.The New York Times’Alastair MaCauleydeclared that he admired it more in The National Ballet of Canada’s performance than when he "saw the ballet’s first performances in London, principally because ofEvan McKie’s eloquent interpretation of Leontes. "Macaulay also highly praisedFrancesco Gabriele Frola,Svetlana Lunkina&Jurgita Dronina;all four dancers being Kain recruits. A duet between Hermione (Dronina) and Leontes (McKie) was "a particular breakthrough for Mr. Wheeldon" as well.[18]

Dancers

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See also:Category:National Ballet of Canada dancers

Principal Dancers

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See also:Category:National Ballet of Canada principal dancers
  • Tirion Law

Prominent National Ballet dancers

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See also

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References

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  1. ^abcdeCrabb, Michael; Cornell, Katherine (2015-03-04)."National Ballet of Canada".The Canadian Encyclopedia.Historica Canada.Retrieved2015-05-23.
  2. ^abJames Neufeld (1996).Power to Rise: The Story of National Ballet of Canada.Toronto, Ontario, Canada: University of Toronto Press.ISBN0-8020-4109-4.
  3. ^ab"National Ballet founder dies at 85".Globe and Mail,Sandra Martin, February 19, 2007
  4. ^abSandra Gwyn (1971).Women in the Arts in Canada.Information Canada. pp. 55–57.
  5. ^"Celia Franca".Telegraph.2007-02-21.Retrieved2007-07-20.[dead link‍]
  6. ^ab"The National Ballet of Canada".national.ballet.ca.Retrieved2018-09-20.
  7. ^Stephen Godfrey, "Dance Spectacular is just that".The Globe and Mail,May 30, 1981.
  8. ^Stephen Godfrey, "Gala: a dance milestone makes a fascinating film".The Globe and Mail,May 1, 1982.
  9. ^Crabb, Michael; Cornell, Katherine (2015-03-04)."Reid Bryce Anderson".The Canadian Encyclopedia.Historica Canada.Retrieved2015-05-23.
  10. ^Citron, Paula (2013-10-10)."Keeping a legacy alive is a labour of love for Reid Anderson".The Globe and Mail.Philip Crawley.Retrieved2015-05-20.
  11. ^Benchetrit, Jenna (July 7, 2021)."National Ballet of Canada names Toronto-born dancer Hope Muir as artistic director".CBC.
  12. ^Crabb, Michael."The National Ballet School of Canada".Canadian Encyclopedia.Retrieved2007-07-20.
  13. ^Doob, Penelope Reed; Crabb, Michael."Kain, Karen".Retrieved2007-07-20.
  14. ^"National Ballet's 'Sleeping Beauty' to awaken in new home".CBC.ca.2006-02-06.Retrieved2007-07-20.
  15. ^Doob, Penelope Reed; Bowring, Amy."Augustyn, Frank".Retrieved2007-07-20.
  16. ^"Mikhail Baryshnikov archive".New York Public Library.Retrieved2015-10-13.
  17. ^Natalia Makarova, A Dance Autobiography (Knopf 1979), p. 152.
  18. ^Macaulay, Alastair (2016-01-21)."Review: Dark Suspicions in Jumps and Gestures in 'The Winter's Tale'".The New York Times.ISSN0362-4331.Retrieved2023-02-21.
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