Areredos(/ˈrɪərˌdɒs,ˈrɪərɪ-,ˈrɛrɪ-/REER-dos,REER-ih-,RERR-ih-) is a largealtarpiece,a screen, or decoration placed behind thealtarin achurch.It often includesreligious images.

Reredos depicting theImmaculate Conception.Portuguese, 17th century. Santarém, Portugal

The termreredosmay also be used for similar structures, if elaborate, in secular architecture, for example very grand carvedchimneypieces.[1]It also refers to a simple, low stone wall placed behind ahearth.

Description

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A reredos can be made of stone, wood, metal,ivory,or a combination of materials. The images may be painted, carved,gilded,composed ofmosaics,and/or embedded withnichesforstatues.Sometimes atapestryor another fabric such assilkorvelvetis used.

Derivation and history of the term

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ReredosisderivedthroughMiddle Englishfrom the 14th-century Anglo-Normanareredos,which in turn is fromarere'behind' +dos'back', fromLatindorsum.(Despite its appearance, the first part of the word is not formed by doubling the prefix "re-", but by an archaic spelling of "rear".) In the 14th and 15th centuries the term referred generally to an open hearth of a fireplace or to a screen placed behind a table, then became nearlyobsoleteuntil it was revived in the 19th century.

Reredosvsretable

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The termreredosis sometimes confused with the termretable.While areredosgenerally forms or covers the wall behind an altar,[2]aretableis placed either on the altar or immediately behind and attached to the altar. "Many altars have both a reredos and a retable."[3]But this distinction may not always be observed. The retable may have become part of the reredos when an altar was moved away from the wall. For altars that are against the wall, the retable often sits on top of the altar, at the back, particularly when there is no reredos (in which case adossalcurtain or something similar is used instead of a reredos). The retable may hold flowers and candlesticks.

InFrench(and sometimes inEnglishby confusing the terms), a reredos is called aretable;inSpanisharetablo,etc.

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See also

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References

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  1. ^"Reredos",Baca, Murtha, and Visual Resources Association,Cataloging Cultural Objects: A Guide to Describing Cultural Works and Their Images,2006, American Library Association,ISBN0838935648,9780838935644
  2. ^Bradshaw, Paul F. (24 April 2013).New SCM Dictionary of Liturgy and Worship.Hymns Ancient and Modern Ltd.ISBN978-0-334-04932-6.
  3. ^Art & Architecture Thesaurus Online"Retable"
  4. ^"TEMPLO DE SANTA ROSA DE LIMA (TEMPLO DE LAS ROSAS)".michoacan.travel.
  5. ^Beckwith, Sarah (1996).Christ's Body: Identity, Culture and Society in Late Medieval Writings.London: Routledge. p. 22.ISBN978-0415144261.Retrieved17 December2019.
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