Richard Elman (writer)

Richard M. Elman(April 23, 1934 – December 31, 1997) was an American novelist, poet, journalist, and teacher. He was born inBrooklyn, New York.His parents wereYiddish-speaking and came to the United States at the turn of the 20th century from Russo-Poland. His boyhood is captured in his comic novelFredi & Shirl & The Kids: An Autobiography In Fables.[1]

Richard Elman
Born
Brooklyn, New York
NationalityAmerican
Occupations
  • Novelist
  • poet
  • journalist
  • teacher
Known forNovels and journalism

AtSyracuse University(B. A., 1955), Elman's teachers, Daniel Curley and Donald Dike, encouraged his writing.[2]At Syracuse, Elman met Emily Schorr, who became a painter. They married in 1955, and in 1964 their daughter Margaret was born. The marriage ended in divorce. In 1979, Elman married Alice (Neufeld) Goode, a teacher, who was his wife until his death. Their daughter Lila was born in 1981.[3]

Elman thought of himself as a socialist[4]and his journalism reflected his concerns about social and political injustice.

Stanford University and its later influence

edit

Elman studied English and creative writing atStanford University(M.A. 1957), where he came under the influence of poet and criticYvor Winters.[5]

In the 1930s, Winters had been a friend of David Lamson,[6]who had worked atStanford University Press.Winters defended his friend when Lamson was accused and convicted of killing his wife; after serving time on death row, Lamson was retried and freed after two more trials and hung juries. Elman became familiar with the events, and the crime became the springboard for his novelAn Education In Blood.[7]Winters was portrayed in the novel as the character Jim Hill.[8]

Elman describes Winters as well as others he met and befriended at Stanford, such as the poetThom Gunn[9]and the writerTillie Olsen,[10]in his memoir,Namedropping: Mostly Literary Memoirs.

New York and the 1960s

edit

Elman returned to New York and worked for the Pacifica Foundation,WBAI,as a public affairs director from 1961 to 1964. He helpedBob Fass,a boyhood friend, get work there. At WBAI, Elman produced radio documentaries, such as the sound montage "The Last Days ofHart Crane",which featured tape-recorded interviews of people who had been close to Crane. The poetRobert Lowellcame to the studio to listen to the montage, and later contributed to a second montage onFord Madox Ford's American years.[11]

In 1965, Elman worked as a research associate for the School of Social Work Research Center at Columbia University. His nonfictionThe Poorhouse State: The American Way of Life On Public Assistanceevolved from those experiences; he spent two years interviewing people on relief on New York's Lower East Side.[12]

In 1967, Elman published another book of reportage,Ill-at-Ease in Compton,about the mechanisms of discrimination at work inCompton, California,a city with a large lower-middle-class population.

Between 1963 and 1966 much of Elman's income came from writing freelance pieces for magazines, includingCavalier,Commonweal,The Nation,andThe New Republic.[13]He also reviewed books forThe New York Times.

In 1968, Elman publishedThe 28th Day of Elul,the first of a trilogy of novels, followed byLilo's Diary(1968) andThe Reckoning(1969). Each novel tells the same story from a different point of view about the fate of the Yagodahs, a Hungarian family at the end of World War II.Elie Wieselsaid ofThe 28th Day of Elulin his review forThe New York Times:"Born and raised in New York City, Richard M. Elman was barely 10 when the nightmare ended in Europe. Yet he evokes some of its living fragmentary images as though his voice came from within."[14]

In 1968, Elman signed the "Writers and Editors War Tax Protest"pledge, vowing to refuse tax payments to protest the Vietnam War.[15]

Nicaragua and the 1970s and 1980s

edit

Elman worked as a journalist in Central America, covering the war in Nicaragua against theSomozaregime. He traveled on assignment forGEO (magazine)with the photojournalistSusan Meiselasand his text accompanied her photos of the Sandinistan rebels.[16]Elman's account of that trip and succeeding visits to Nicaragua are told in hisCocktails at Somoza's: A Reporter's Sketchbook.

Throughout the 1980s, Nicaragua colored Elman's imaginative life. His book of poemsIn Chontales,his comic novelThe Menu Cypher,and his collection of storiesDisco Fritoare all set in Nicaragua.

1990s

edit

In his novelTar Beach,Elman returned to the subject of family life in Brooklyn after World War II. In John Domini's review of the novel, he wrote, "rarely has a slice of life been cut so thin, so elegantly."[17]

His book of poemsCathedral-Tree-Train(1992) is a brooding, unsentimental but loving elegy for a friend, abstract-expressionist painter Keith Sanzenbach.

Elman died shortly before the publication of his memoir,Namedropping: Mostly Literary Memoirs.The book consists of brief portraits of people he met, includingIsaac Bashevis Singer,Faye Dunaway,Richard Penniman,andLouise Varèse.[18]

At various times during his career, he taught creative writing: at Bennington College (1967–68), Bennington College Summer Writing Workshop (1974–), Columbia University (1968–1976), Sarah Lawrence (1970), The University of Pennsylvania (1981–83), University of Arizona (Fall 1985), Notre Dame, and Stony Brook University.

Books

edit

Novels

edit
  • A Coat for the Tsar(1958)
  • The 28th Day ofElul(1967)
  • Lilo's Diary(1968)
  • The Reckoning(1969)
  • An Education In Blood(1971)
  • Fredi & Shirl & The Kids(1972)
  • Crossing Over and Other Tales(1973)
  • Taxi Driver(based on the screenplay byPaul Schrader) (1976)
  • Little Lives(as "John Howland Spyker" ) (1978)
  • The Breadfruit Lotteries(1980)
  • Smokey and the Bandit(novelization of films 1 & 2, as "Delmar Hanks" ) (1981)
  • Shannon(novelization of teleplays byAlbert Rubenfrom the US TV series, UK publication only, as "Michael Parnell" ) (1981)
  • The Gangster Chronicles(novelization of teleplays presented as autobiography, bylined as a collaboration between narrating character "Michael Lasker," andRichard Alan Simmons,who wrote an episode of the series) (1981)
  • The Menu Cyper(1982)
  • Disco Frito(1988)
  • Tar Beach(1991)

Nonfiction

edit
  • The Poorhouse State: The American Way of Life on Public Assistance(1966)
  • Ill-at-Ease in Compton(1967)
  • Charles Booth's London: A Portrait of the Poor at the Turn of the Century, Drawn from His 'Life and Labor of the People in London'by Albert Fried and Richard M. Elman, editors (1968)
  • Uptight with the Stones: A Novelist's Report(1973)
  • Cocktails atSomoza's: A Reporter's Sketchbook of Events in Revolutionary Nicaragua(1981)
  • Namedropping: Mostly Literary Memoirs(1998)

Poetry

edit
  • The Man Who Ate New York(1975)
  • Homage to Fats Navarro(1978)
  • In Chontales(1980)
  • Cathedral-Tree-Train and Other Poems(1992)
  • The Phoenician Women(translation) inEuripides, 3: Alcestis, Daughters of Troy, The Phoenician Women, Iphigenia at Aulis, and Rhesuseds. David Slavitt and Palmer Bovie (1998)
  • The Girl from Samos(translation) inMenander: The Grouch, Desperately Seeking Justice, Closely Cropped Locks, The Girl from Samos, and The Shieldeds. David Slavitt and Palmer Bovie (1998)ISBN0-8122-1652-0(paper)

Further reading

edit

Contemporary Authors Autobiography Series,Volume 3, ed. Adele Sarkissisan, Gale Research Company, Detroit, Michigan, 1986.

References

edit
  1. ^Contemporary Authors Autobiography Series, pp.69-70
  2. ^CAAS, Vol 3., p. 73
  3. ^Contemporary Authors Autobiography Series, p. 79
  4. ^The New York Times, Obituaries, January 2, 1998 by Wolfgang Saxon
  5. ^Contemporary Authors Autobiography Series, and Namedropping: Mostly Literary Memoirs pp. 15-22
  6. ^Namedropping, "David Lamson," pp. 38-45
  7. ^Namedropping. p. 44
  8. ^CAAS, vol. 3, p. 75.
  9. ^Namedropping, pp. 16-22
  10. ^Namedropping, pp.26-37
  11. ^Namedropping, p. 127
  12. ^See also, "Poverty, Injustice and the Welfare State," by Richard A. Cloward and Richard Elman,The Nation,February 28 and March 7, 1966, andSaturday Review, "If You Were On Welfare," May 23, 1970.
  13. ^CAAS volume 3, p. 74.
  14. ^"Legacy of Evil, The New York Times Book Review, May 28, 1967.
  15. ^"Writers and Editors War Tax Protest" January 30, 1968New York Post
  16. ^Das Drama von Managua,GEO (German edition) December 1978
  17. ^New York Times, December 15, 1991
  18. ^Namedropping: Mostly Literary Memoirs, State University of New York Press, Albany, 1999 pp. 47, 219, 203.
edit

Review ofCocktails at Somoza'sinThe Boston Phoenix