The Alan Parsons Project

The Alan Parsons Projectwere a Britishrockband formed inLondonin 1975.[1]Its core membership consisted of producer, audio engineer, musician and composerAlan Parsons,and singer, songwriter and pianistEric Woolfson.They shared writing credits on almost all of their songs, with Parsons producing or co-producing all of the recordings, while being accompanied by various session musicians, some relatively consistent.

The Alan Parsons Project
Eric Woolfson (left) and Alan Parsons
Background information
OriginLondon,England
Genres
Years active1975–1990
Labels
Formerly of
Past members
Websitethe-alan-parsons-project

The Alan Parsons Project released eleven studio albums over a 15-year career, the most successful ones beingI Robot(1977),The Turn of a Friendly Card(1980) andEye in the Sky(1982). Many of their albums areconceptualin nature and focus onscience fiction,supernatural,literaryandsociologicalthemes. Among the group's most popular songs are "I Wouldn't Want to Be Like You","Games People Play","Time","Sirius","Eye in the Sky",and"Don't Answer Me".

Career

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1974–1976: Formation and debut

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Alan ParsonsmetEric Woolfsonin thecanteenofAbbey Road Studiosin the summer of 1974. Parsons was assistant engineer onthe Beatles' albumsAbbey Road(1969) andLet It Be(1970), engineeredPink Floyd'sThe Dark Side of the Moon(1973), and produced several acts forEMI Records.[2]Woolfson, a songwriter and composer, was working as a session pianist while composing material for a concept album based on the work ofEdgar Allan Poe.[3]

Woolfson's idea was to manage Alan and help his already successful production career. It was the start of a longstanding friendly business relationship. He managed Parsons's career as a producer and engineer through a string of successes, includingPilot,Steve Harley,Cockney Rebel,John Miles,Al Stewart,Ambrosia,andthe Hollies.[2]Woolfson came up with the idea of making an album based on developments in thefilm industry—the focal point of the films' promotion shifted from film stars to directors such asAlfred HitchcockandStanley Kubrick.If the film industry was becoming a director's medium, Woolfson felt the music business might well become a producer's medium.[4]

Recalling his earlier Edgar Allan Poe material, Woolfson saw a way to combine his and Parsons's talents. Parsons produced and engineered songs written and composed by the two, and the first Alan Parsons Project was begun. The Project's first album,Tales of Mystery and Imagination(1976), released by20th Century Fox Recordsand including major contributions by all members of Pilot and Ambrosia, was a success, reaching theTop 40in the USBillboard200chart.[2]The song "The Raven"featured lead vocals by the actorLeonard Whiting.According to the 2007 re-mastered album liner notes, this was the first rock song to use avocoder,with Alan Parsons speakinglyricsthrough it, although others such asBruce Haackpioneered this field in the previous decade.

1977–1990: Mainstream success and final releases

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Arista Recordsthen signed the Alan Parsons Project for further albums. Through the late 1970s and early 1980s, the Project's popularity continued to grow. The Project was always more popular in North America,Ibero-America,andContinental Europethan in Parsons' home country, never achieving a UK Top 40 single or Top 20 album.[5]Thesingles"I Wouldn't Want to Be Like You","Games People Play","Damned If I Do "," Time "(the first single to feature Woolfson's lead vocal) and"Eye in the Sky"had a notable impact on theBillboardHot 100."Don't Answer Me"became the Project's last successful single in the United States; it reached the top 15 on the American charts in 1984.

After those successes, the Project began to fade from view. There were fewer hit singles, and declining album sales. 1987'sGaudiwas the Project's final release, though it had planned to record an album calledFreudiana(1990) next.

The musicalFreudiana

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Even though the studio version ofFreudianawas produced by Parsons (and featured the regular Project session musicians, making it an 'unofficial' Project album), it was primarily Woolfson's idea to turn it into a musical. While Parsons pursued his own solo career and took many session players of the Project on the road for the first time in a successful worldwide tour, Woolfson went on to produce musical plays influenced by the Project's music.Freudiana,Gaudi,andGamblerwere three musicals that included some Project songs like "Eye in the Sky", "Time", "Inside Looking Out", and "Limelight". The live music fromGamblerwas only distributed at the performance site inMönchengladbach,Germany.

The Sicilian Defence

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In 1979, Parsons, Woolfson, and theirrecord labelArista, had been stalled in contract renegotiations when the two submitted an all-instrumental album tentatively titledThe Sicilian Defence,named after anaggressive opening movein chess. Arista's refusal to release the album had two known effects: the negotiations led to a renewed contract, and the album was not released at that time.

The Sicilian Defencewas our attempt at quickly fulfilling our contractual obligation afterI Robot,Pyramid,andEvehad been delivered. The album was rejected by Arista, not surprisingly, and we then renegotiated our deal for the future and the next album,The Turn of a Friendly Card.The Sicilian Defencealbum was never released and never will be, if I have anything to do with it. I have not heard it since it was finished. I hope the tapes no longer exist.

— Alan Parsons[6]

In interviews he gave before his death in 2009,[7]Woolfson said he planned to release one track from the "Sicilian" album, which in 2008 appeared as a bonus track on a CD re-issue of theEvealbum. Sometime later, after he had relocated the original tapes, Parsons reluctantly agreed to release the album and announced that it would finally be released on an upcoming Project box set calledThe Complete Albums Collectionin 2014 for the first time as a bonus disc.[8]

Parsons's and Woolfson's solo careers

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Parsons released titles under his name:Try Anything Once(1993),On Air(1996),The Time Machine(1999),A Valid Path(2004),The Secret(2019) andFrom the New World(2022). Meanwhile, Woolfson madeconcept albumstitledFreudiana(1990), aboutSigmund Freud's work onpsychology,andPoe: More Tales of Mystery and Imagination(2003), continuing from the Alan Parsons Project's first album about Poe literature.

Tales of Mystery and Imagination(1976) wasre-mixedin 1987 for release on CD, and included narration byOrson Wellesrecorded in 1975, but delivered too late to be included on the original album. For the 2007 deluxe edition release, parts of this tape were used for the 1976 Griffith Park Planetarium launch of the original album, the 1987 remix, and various radio spots. All were included as bonus material.

Sound

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The band's sound is described asprogressive rock,[9][10]art rock,[10][11]progressive pop,[9]andsoft rock.[12]"Sirius"is their best-known and most-frequently heard of all Parsons/Woolfson songs. It was used as entrance music by various American sports teams, notably by theChicago Bullsduring their 1990sNBAdynasty.It was also used as the entrance theme forRicky Steamboatin pro wrestling of the mid-1980s. In addition, "Sirius" is played in a variety of TV shows and movies including theBBCseriesRecord Breakers,the episode "Vanishing Act" ofThe Adventures of Jimmy Neutron: Boy Geniusand the 2009 filmCloudy with a Chance of Meatballs.

Vocal duties were shared by guests to complement each song. In later years, Woolfson sang lead on many of the group's hits, including "Time", "Eye in the Sky", and "Don't Answer Me". The record company pressured Parsons to use Woolfson more, but Parsons preferred to use polished proficient singers; Woolfson admitted he was not in that category. In addition to Woolfson, vocalistsChris Rainbow,Lenny Zakatek,John Miles,David Paton,andColin Blunstoneare regulars.[2]Other singers, such asArthur Brown,Steve Harley,Gary Brooker,Dave Terry a.k.a. Elmer Gantry,Vitamin Z's Geoff Barradale, andMarmalade's Dean Ford, recorded only once or twice with the Project. Parsons sang lead on one song ( "The Raven") through avocoderand backing on a few others, including "To One in Paradise". Both of those songs appeared onTales of Mystery and Imagination(1976). Parsons also sings a prominent counter melody on "Time".

A variety of session musicians worked with the Alan Parsons Project regularly, contributing to the recognizable style of a song despite the varied singer line-up. With Parsons and Woolfson, the studio band consisted of the groupPilot,withIan Bairnson(guitar),David Paton(bass) andStuart Tosh(drums).[2]Pilot's keyboardistBilly Lyallcontributed. FromPyramid(1978) onward, Tosh was replaced byStuart ElliottofCockney Rebel.Bairnson played on all albums, and Paton stayed almost until the end.Andrew Powellappeared as arranger of orchestra (and often choirs) on all albums exceptVulture Culture(1985); he was composing thescoreofRichard Donner's filmLadyhawke(1985). This score was partly in the APP style, recorded by most of the APP regulars, and produced and engineered by Parsons. Powell composed some material for the first two Project albums. ForVulture Cultureand later, Richard Cottle played as a regular contributor on synthesizers and saxophone.

Alan Parsons Live Project, Congress Centrum, Ulm Germany in 2017

The Alan Parsons Project played live only once under that name during its original incarnation because Woolfson and Parsons held the roles of writing and production, and because of the technical difficulties of re-producing on stage the complex instrumentation used in the studio. In the 1990s, musical production evolved with the technology of digital samplers. The one occasion the band was introduced as 'the Alan Parsons Project' in a live performance was at The Night of the Proms in October 1990. The concerts featured all Project regulars except Woolfson, present behind the scenes, while Parsons stayed at the mixer except for the last song, when he played acoustic guitar.

Since 1993,Alan Parsonscontinues to perform live as theAlan Parsons Live Projectto be distinct from the Alan Parsons Project. The current line up consists of lead singerP.J. Olsson,guitaristJeffrey Kollman,drummer Danny Thompson, keyboardistTom Brooks,bass guitaristGuy Erez,vocalist and saxophonist Todd Cooper, and guitarist and vocalist Dan Tracey. In 2013, Alan Parsons Live Project played inColombiawith a full choir and orchestra (theMedellinPhilharmonic) as 'Alan Parsons Symphonic Project'. A 2-CD live set and a DVD version of this concert were released in May 2016.

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InAustin Powers: The Spy Who Shagged Me(1999), Dr. Evil devised a plan to turn the moon into a "Death Star" using a "laser" invented by Dr. Alan Parsons. He called this "The Alan Parsons Project".[13]

The opening theme song for theChicago Bullshas been the song "Sirius" since 1984.[citation needed]

Members

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Official members
Notable contributors

Discography

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References

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  1. ^"Alan Parsons – Bio FAQ Discography".Alanparsonsmusic. Archived fromthe originalon 12 December 2009.Retrieved20 July2011.
  2. ^abcdeStrong, Martin C. (2000).The Great Rock Discography(5th ed.). Edinburgh: Mojo Books. pp.729–730.ISBN1-84195-017-3.
  3. ^"History @".The-alan-parsons-project. Archived fromthe originalon 16 July 2011.Retrieved20 July2011.
  4. ^Vare, Ethlie Ann (15 March 1986)."Parsons' Latest Project – 'Stereotomy': Wide-Range Personality".Billboard.p. 76.Retrieved7 June2020.
  5. ^"Alan Parsons Project".Official Charts.Retrieved7 June2020.
  6. ^"Alanparsonsmusic".Alanparsonsmusic. 20 December 1948. Archived fromthe originalon 7 July 2011.Retrieved20 July2011.
  7. ^"Eric Woolfson on Facebook".Facebook.Retrieved20 July2011.
  8. ^Mansfield, Brian (14 February 2013)."Alan Parsons on the road again".USA Today.Retrieved8 June2013.
  9. ^abWilson, Rich (25 November 2015)."Alan Parsons Project:" I think we were part of the punk rebellion "".Team Rock.Retrieved14 December2016.
  10. ^abHoule, Zachary (3 December 2013)."The Alan Parsons Project: I Robot (Legacy Edition)".PopMatters.Retrieved12 January2020.
  11. ^"The Alan Parsons Project | Biography & History".AllMusic.Retrieved18 July2020.
  12. ^Stuessy, Joe (1990).Rock and Roll: Its History and Stylistic Development.Prentice Hall.p.380.ISBN0-13-782426-2.
  13. ^jesperisbo (10 December 2011).Dr. Evil - The Alan Parsons Project.Retrieved11 February2025– via YouTube.
  14. ^John Miles, Laurence Cottle, Ian Bairnson, Contributed to The Alan Parsons ProjectArchived31 October 2007 at theWayback Machine
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