Wikipedia

The Death of Superman

For the animated films, seeThe Death of Superman (film)andReign of the Supermen (film).

"The Death of Superman"is acrossoverstory event mostly featured inDC Comics'Superman-related publications. The crossover, which originated from editorMike Carlinand writersDan Jurgens,Roger Stern,Louise Simonson,Jerry Ordway,andKarl Kesel,began in December 1992 and lasted until October 1993. It was published inSuperman,Action Comics,The Adventures of Superman,Superman: The Man of Steel,Justice League America,andGreen Lantern.Since its initial publication, "The Death of Superman" has been reprinted in various formats and editions.

"The Death of Superman"
Cover ofSuperman,vol. 2, #75 (Jan 1993); art byDan JurgensandBrett Breeding.
PublisherDC Comics
Publication date
List
  • Over three arcs:
    "Doomsday!"
    December 1992 – January 1993
    "Funeral for a Friend"
    January–June 1993
    "Reign of the Supermen!"
    June–November 1993
GenreSuperhero
crossover
Title(s)
List
Main character(s)
List
Creative team
Writer(s)
List
Penciller(s)
List
Inker(s)
List
Editor(s)Mike Carlin
The Death of SupermanISBN1-56389-097-6
World Without a SupermanISBN1-56389-118-2
The Return of SupermanISBN1-56389-149-2
The Death and Return of Superman OmnibusISBN1-4012-1550-5

Development began after a planned story, in whichClark Kent(Superman) andLois Lanewould be married, was postponed to coincide with a similar storyline in the television seriesLois & Clark: The New Adventures of Superman.While pitching possible replacements, Ordway jokingly suggested that they should kill Superman. As Superman comic sales had declined in recent years, the writing teams felt the character had been taken for granted and decided to temporarily kill him to emphasize his importance. They wanted the crossover to surprise readers and show Superman is not invincible.

"The Death of Superman" is divided into threestory arcs:"Doomsday!", "Funeral for a Friend", and "Reign of the Supermen!". The first arc chronicles Superman's fight with the monsterDoomsdayand concludes with his death. The second depicts Superman's fellow superheroes and the rest of theDC Universemourning his death, ending with hisadoptivefatherJonathan Kenthaving a heart attack. The third sees the emergence of four Superman impostors before the original is resurrected. A number of characters in "The Death of Superman", such as Doomsday,Superboy,theCyborg Superman,Steel,andThe Eradicatorwould recur in later DC publications.

When news broke that DC planned to kill Superman, a belovedcultural icon,"The Death of Superman" received unprecedented coverage from themainstream media.Superman#75, which features Superman's death, sold over six million copies and became the top-selling comic of 1992. Retrospective reviewers are divided on the story, with some finding it ambitious and influential, while others dismiss it as apublicity stunt.

The story has been adapted into various forms of media, including two novelizations in 1993 and abeat 'em upvideo game,The Death and Return of Superman,in 1994. A looseanimatedfilm adaptation,Superman: Doomsday,was released in 2007. A second animated adaptation was released as a two-part film,The Death of SupermanandReign of the Supermen,in 2018 and 2019, respectively.

Publication history

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Background

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Mike CarlinatSan Diego Comic-Conin 2007.

Supermanis asuperherocreated byJerry SiegelandJoe Shusterwho appears inAmerican comic bookspublished byDC Comics.[1]The character debuted inAction Comics#1on April 18, 1938,[2]to immediate success,[3]and the following year became the first superhero to headline his own comic book,Superman.[4]Since his debut, Superman has been acultural iconin the United States.[5][6]

In 1985, DC launched thecrossovereventCrisis on Infinite Earths,which took place in a variety of comics. Its conclusion resulted in theDC Universe—theshared universethat the publisher's comics, including those related to Superman, take place in—beingrebooted.Writer/artistJohn Byrnere-envisioned Superman in his 1986limited series,The Man of Steel.The following year, ByrnerelaunchedSupermanwith a new first issue and the original series was renamedThe Adventures of Superman.[7][a]In the reboot, Byrne removed various elements of the Supermanmythos,likeSupergirl,to streamline the character for modern audiences,[8]which also allowed him to reintroduce them in a new way later on.[7]The relaunch was a major success for DC andThe Man of Steel#1 became the bestselling comic book issue of 1986.[9]: 155, 157 Byrne also wrote and illustratedAction Comics,and scriptedThe Adventures of Supermanwith artistJerry Ordway.[8]Under Byrne, a new Superman comic was released every week and each series maintainedcontinuitywith the others.[10]He spent two years on the Superman comics before leaving in 1988,[8]dissatisfied with DC's lack of "conscious support" for him and that the version of Superman licensed for merchandising did not reflect Byrne's stories.[11]

As a result of Byrne's departure, Superman group editorMike Carlinhad to assemble new creative teams to replace him. Ordway began to writeThe Adventures of Superman,whileRoger Stern,who had recently finished a 12-year stint at rival publisherMarvel Comics,took overAction Comics.Connecting stories also became harder due to the new, more diverse creative teams, whereas Byrne had managed most of them on his own.[10]To control consistency in stories, the teams regularly attended a "SupermanSummit",[6][10]which started in 1988. The summit was a unique method of making the writers work together, focusing their attention to the next year's worth of stories. These meetings were often dysfunctional, withSupermanwriter/pencilerDan Jurgensnoting they frequently disagreed when discussing story ideas and argued until one person was "left standing".[12]Carlin recalled that he had to act like a "babysitter" for the 18 creators during summits, and the teams often compromised.[12]When the writing teams were having trouble deciding stories, Ordway would jokingly suggest they kill Superman.[10][13][14]

DC editorPaul Levitzliked the success of the three interconnected Superman comics, so a fourth,Superman: The Man of Steel(written byLouise Simonsonand penciled byJon Bogdanove), started.[10]While the creative teams believed the quality of the comics increased because there were more people working on them, they experienced a decline in sales,[10][13]primarily due to the popularity of violentantiheroeslike thePunisher,Spawn,andWolverine.[4][10][15]A new Superman comic was released every week,[7]each selling roughly 150,000 copies an issue— "a fraction" of the numbers bestselling comics like those featuringSpider-Manenjoyed.[15][b]The writing teams increased the romantic tension betweenClark Kent(Superman's civilian identity) andLois Lanein an effort to make the comics more appealing. Eventually, they had Kent propose to Lane and reveal he was Superman, and began to plan a storyline about their marriage.[13]According to Carlin, they developed the wedding arc between 1990 and 1991, and planned for it to conclude inThe Adventures of Superman#500 (June 1993). They also considered a "Death of..." story, but did not work on it in depth.[10]

Development

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Jerry Ordway(pictured in 2012) jokingly suggested that DC should kill Superman.[10]

While the Superman comics struggled, DC's sister companyWarner Bros.developedLois & Clark: The New Adventures of Superman,a television series forABCcentered around the relationship between Lane and Kent.[6][13]One of the ideas that arose during production was the wedding of Lane and Kent. Although the series did not exist in the samecontinuityas the comics, Warner Bros. wanted the Superman brand to remain consistent across all forms of media.[6]As a result, Carlin and DC presidentJenette Kahndecided to put the wedding in the comics on hold untilLois & Clarkreached its wedding episode in order that the stories could coincide.[10][13]With the original storyline set aside in the comics, the teams needed a new event to replace it.[6][13]

The postponement disappointed the writing teams, as they had to put aside a year's worth of story planning and, according to Simonson, essentially had to come up with something at the last minute.[6][10]At the 1991 summit, Ordway again made his joke, but no one laughed. Simonson spoke up and said, based on her experience from editingX-Mencomics at Marvel, killing a major character "show[s] just how much that character means – to his friends, family, enemies, to the whole world!"[10]Carlin liked the idea,[14]and in the documentary filmLook, Up in the Sky: The Amazing Story of Superman(2006), he recalled, "the world was taking Superman for granted, so we literally said 'let's show what the world would be like without Superman'".[17]Jurgens formally pitched "The Death of Superman",[18]and DC let the project move forward, which shocked Ordway.[19]

Prior to moving forward, Carlin asked Siegel if he had any concerns with the concept of killing Superman. Siegel felt it was "a good way to shake things up"; the teams felt better knowing he approved.[20]Bogdanove recalled how the story "almost began to write itself, from the end backwards. It felt like a story that could make the readers care again, the way we had always cared about Superman".[19]"The Death of Superman" forced DC to cancel a non-canon,four-issue limited seriesNeil GaimanandMatt Wagnerwere working on, as it also featured the character's death.[21]The initial plan called for Superman to be killed inSuperman#75 (January 1993) and resurrected inThe Adventures of Superman#500, as both were milestone issues.[10]

Dan Jurgens in 2018.

Jurgens created the concepts of a monster tearing apartMetropolisand an issue dedicated to a single fight sometime before "The Death of Superman"; the teams combined these when developing the story.[6][18][19]Carlin had previously rejected the fight idea whenever Jurgens brought it up, feeling it would not be effective without a good story.[19]When deciding which villain should kill Superman, the writers determined thathis existing foesrelied too much on technology and intellect, and did not want to use one of them or his traditionalweakness,Kryptonite.Thus, they concluded that a new villain had to take him on physically.[10]They chose to name this villain "Doomsday"after Carlin wrote the phrase" doomsday for Superman "on the whiteboard used for planning, and did not feel giving him an origin was important.[6][10]The teams wanted Doomsday to have a distinctive look, so they gave all artists a few minutes to create designs and voted for the one they thought was best.[6]Jurgens' design—a massive, muscular humanoid with bones ripping through his skin, inspired by the design style ofImage Comics—won.[6][10][22]

The four issues showing Superman's fight with Doomsday feature a "countdown" of panels: the first has four per page, the second has three, the third has two, and the last simply comprisessplash pages.[23]InkerBrett Breedingconceived this, as he thought it would increase the suspense and speed of the action. Furthermore, Jurgens wanted to make an issue told through splash pages and the fight seemed like the perfect fit.[10]The story was partly an effort to show the ramifications of a superpowered fight in a city,[9]: 174 because, as Ordway said, it "had to have consequences".[10]The final page of issue #75—a triple-page spread depicting Lane mourning Superman—took considerable time to create.[10]The writers wanted "The Death of Superman" to surprise readers, as they hoped to emphasize that Superman is not invincible and could be killed by something besides Kryptonite.[6]

Interior artwork fromSuperman#75 (January 1993), depicting Lois Lane mourning the dead Superman; art by Dan Jurgens and Brett Breeding.

Chronicling the fallout of Superman's death did not take long, according to Bogdanove. He thought, as "the real meat of the story", it allowed them to accomplish their goal: explaining why the character matters.[10]Ordway recalled the most exciting part for him was exploring what the DC Universe would be like without Superman and had fun writing about other characters' reactions to his death.[19]DC did not intend for Superman's death to be permanent and the teams kept this a secret; they signednon-disclosure agreementspreventing them from revealing the character would return.[6]Carlin expected fans to know the death would be temporary,[20]and in 2018 said he still could not believe many did not. However, the teams delayed all Superman comics for three months to create the illusion that he had really been killed because DC'ssolicitationcycle would havespoiledthe resurrection.[10]

The media attentioncaused Carlin to delay Superman's resurrection beyondThe Adventures of Superman#500.[21]Furthermore, the teams knew bringing Superman back in that issue would be illogical and held an emergency summit at a hotel inTerrytown, New York,where they plotted the final parts of the story.[10]The teams considered bringing Superman back harder than killing him, as they did not want to make fans feel like they had been cheated.[12]They decided to introduce a new version of Superman before bringing back the original, but the writers each had different ideas. Simonson suggested that each writer create their own Superman, which not only solved the problem of what this new character should be like but also let the creative teams have independence after years of forced collaboration.[10]These characters, known as the Supermen, were created using three existing characters (Eradicator,Superboy,andHank Henshaw) and a new one (John Henry Irons).[21]According to Bogdanove, they used the Supermen to reinforce "what makes Superman so super".[12]

Stern characterized Eradicator as an "Old Testament"Superman who was more alien than human and compared his character toJack Kirby'sSilver Surfer.[24]He wanted the character to be introduced in a way that readers would not be able to tell he was Eradicator until revealed.[10]Karl Keselconceived Superboy for another series he pitched to editorKaren Bergerbeforehand and characterized him as "anMTVgeneration "Superman. Jurgens chose to reintroduce Henshaw, whom he created a few years earlier, with his Cyborg Superman. He hoped to trick readers into thinking Henshaw was the real Superman before revealing him as a villain. Simonson and Bogdanove based Irons (Steel), an "everyman as Superman", on the African American folk heroJohn Henryand the Marvel characterIron Man.[10][24]Additional replacements, including "Little-Boy Superman" and "Rock-Creature Superman" were created but never used. Even if their original idea was altered, each writer maintained a sense of individuality for their Superman.[12]

The Adventures of Superman#500 was Ordway's last issue on the title, as he wanted to spend time with his family.[10]His contract was supposed to expire with issue #499 (February 1993) but he desired to end his run on a "historical" note. Ordway also hoped to use a character fromThe Sandman,Death,in issue #500 but was unable to do so because of an editorial mandate barring characters from DC's mature comics line appearing in mainstream books likeSuperman.[24][c]Kesel replaced him afterward.[10]Because Jurgens did not want to simply use Superman's classic design when he was revived, he gave him long hair.[12]The teams also deepened the red and blue of Superman's costume to signify that things would not be entirely the same for him.[10]Superman briefly wore a black suit after his revival; this design came from a sketch Bogdanove made at a meeting.[12]

Publication

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"The Death of Superman" was first alluded to in Simonson'sSuperman: The Man of Steel#17 (November 1992); after the issue's story, ateaserpanel shows Doomsday's fist repeatedly punching a wall.[7]The crossover began the following issue, in which Doomsday is unleashed and begins to carve a brutal path of destruction across America. This leads to Superman's death inSuperman#75,[6]which DC published on November 18, 1992.[27]There were several variants of issue #75: a standard newsstand edition; adirect marketedition; and a collector's edition sold in apolybagwith ablack armband,poster, stickers, and atrading card,which cost more than the standard edition.[7][21][28][29]Following the in-comics funeral, all the Superman publications went on hiatus until the release ofThe Adventures of Superman#500.[30]LikeSuperman#75, collector's editions ofThe Adventures of Superman#500 came in polybags. One version had a translucent white bag with the redSuperman logo,while another came in a black bag with a white logo.[30]Each installment of the story received a second printing.[21]

According toVulture's Abraham Riesman, DC "aggressively" promoted "The Death of Superman" since it had financial incentives to do so, as comic bookspeculationwas at its peak. Publishers like DC would designate certain comic book issues as significant, causingmint conditioncopies to be sold for more money.[6]ForSuperman#75, DC issued apress kitto stores with a cardboard coffin, stickers, and a poster.[31]At the height of the crossover, in May 1993 DC published a special issue,Newstime: The Life and Death of The Man of Steel.It compiled fictional news stories about Superman's death, providing an in-universe look at the event.[32]

Collected editions

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DC published the story in three collected volumes from 1992 to 1993:The Death of Superman,[33]World Without a Superman,[34]andThe Return of Superman.[35]The Death of Supermanwas released in time for the 1992Christmas shopping seasonand, according to comics historian Matthew K. Manning, is the bestsellingtrade paperbackof all time.[7][21]Reprints of these collections were published in 2003,[36]1998,[37]and 2004, respectively,[38]while a recolored edition ofThe Death of Supermanwas released in 2013.[39]

In September 2007, DC released anomnibus editionof the story,The Death and Return of Superman Omnibus.[19]It features all the issues from previous collections along with 40 pages dedicated to promotional materials and interviews, for a total of 784 pages. Jurgens also contributed new cover art.[40]A new version of the omnibus edition was published in 2013,[41]while another reissue was released in 2019.[42]

An edition ofThe Death of Supermancontaining theDVD/Blu-rayversions of the 2007film adaptation,Superman: Doomsday,was released in 2015.[43]DC reissued "The Death of Superman" in four "New Edition" volumes on April 5, 2016:Superman: The Death of Superman;[44]Superman: Funeral for a Friend;[45]Superman: Reign of the Supermen;[46]andSuperman: The Return of Superman.[47]DC published another collection,Superman: Doomsday,around the same time; it compiles comics that feature Doomsday's return.[48]

Overview

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Arcs

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Title Issues Cover dates Writers Pencilers Inkers
"Doomsday!" Action Comics#684 December 1992 – January 1993 Roger Stern Jackson Guice Denis Rodier
The Adventures of Superman#497 Jerry Ordway Tom Grummett Doug Hazelwood
Justice League America#69 Dan Jurgens Dan Jurgens Rick Burchett
Superman: The Man of Steel#18–19 Louise Simonson Jon Bogdanove Dennis Janke
Superman#74–75 Dan Jurgens Dan Jurgens;Brett Breeding Brett Breeding
"Funeral for a Friend" Action Comics#685–686 January–June 1993 Roger Stern Jackson Guice Denis Rodier
The Adventures of Superman#498–500 Jerry Ordway Tom Grummett Doug Hazelwood
Justice League America#70 Dan Jurgens Dan Jurgens Rick Burchett
Superman#76–77; 83[d] Dan Jurgens Dan Jurgens Brett Breeding
Superman: The Man of Steel#20–21 Louise Simonson Jon Bogdanove Dennis Janke
"Reign of the Supermen!" Action Comics#687–691 June–October 1993 Roger Stern Jackson Guice Denis Rodier
The Adventures of Superman#501–505 Karl Kesel Tom Grummett Doug Hazelwood
Green Lantern#46 Gerard Jones M.D. Bright Romeo Tanghal
Superman#78–82 Dan Jurgens Dan Jurgens Brett Breeding
Superman: The Man of Steel#22–26 Louise Simonson Jon Bogdanove Dennis Janke

"The Death of Superman" is divided into a trilogy ofstory arcs;the first is known as "Doomsday!",[32]which leads to Superman's death at the hands of Doomsday.[6]The second story arc, "Funeral for a Friend", which focuses on the immediate aftermath of Superman's death, began withThe Adventures of Superman#498 (January 1993).[50]The final story arc, "Reign of the Supermen!",[32]began with a prologue inThe Adventures of Superman#500 and introduced the Supermen.[51]The title of this arc references Siegel and Shuster's first Superman story, "The Reign of the Superman".[10]It crosses into the larger DC Universe,[24]withGreen Lantern#46 (October 1993) featuring a tie-in story.[52]Despite the gap between the releases of "Funeral for a Friend" and "Reign of the Supermen!", no time passed within the continuity of the comics.[24]"The Death of Superman" concluded in October 1993 withThe Adventures of Superman#505, in which Superman returns to Metropolis.[53]

Characters

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  • Superman (Kal-El / Clark Kent) is a superhero with a strong sense of justice, morality, and righteousness. He is the last remaining resident from the planetKryptonafter his father,Jor-El,sent him to Earth in a small spaceship before the planet exploded.[54]He has the powers of flight,x-ray vision,and super-strength, among others.[55]
  • Jonathan and Martha Kentare Superman'sadoptiveparents who found him after his spaceship crash-landed on their farm. They raised him from his youth with a strong sense of morals and encourage him to use his powers for the betterment of humanity.[54]
  • Lois Lane is a reporter for theDaily Planet,a newspaper based in Metropolis.[56]She is an ambitious woman who is strong and opinionated.[57]As Clark's fiancée, she knows he is Superman.[10]
  • Jimmy Olsenis a photographer for theDaily Planet.Olsen is close friends with Superman and designed a watch which emits a high-pitched signal only he can hear.[58]
  • TheJustice League International(Guy Gardner,Blue Beetle,Booster Gold,Maxima,Fire,Ice,andBloodwynd) is a team of superheroes who defend the world from catastrophic threats.[59]
  • Supergirlis a being made from protoplasm who comes from an alternate reality in which Superman was killed. She possesses powers similar to his and can alsoshapeshift.[60]She attempts to help Superman when Doomsday attacks.[61]
  • Lex Luthoris a businessman with an "ends justify the means"approach to life. He is wealthy, powerful, intelligent, and Superman'sarchenemy,viewing him as a threat to humanity.[62]
  • Guardianis a skilled fighter with enhanced strength and reflexes. He is accomplished at gymnastics and deduction, and defends himself with a golden helmet and shield.[63]
  • Doomsdayis an ancient Kryptonian monster who, after escaping from his ancient prison, carves a murderous path of destruction across America.[6]He can easily heal from damage and develop resistance to injuries.[64]The name "Doomsday" comes from Booster Gold comparing his rampage toend times.[6]
  • Professor Emil Hamiltonis a former employee ofS.T.A.R. Labsand Superman's scientific advisor. He has designed and built devices such as a force field generator.[65]
  • Bibbo Bibbowskiis the owner of the Ace o' Clubs bar in Metropolis. He admires Superman and identifies himself as the hero's biggest fan.[66]When Doomsday attacks, Bibbowski assists Hamilton and Superman in their efforts to stop him.[61]
Four promotional images for "Reign of the Supermen!", each of one of the four Supermen. Clockwise from top left: Eradicator (art by Jackson Guice and Denis Rodier), Steel (art by Jon Bogdanove and Dennis Janke), Superboy (art by Tom Grummett and Doug Hazelwood), and the Cyborg Superman (art by Dan Jurgens and Brett Breeding).
  • The "Supermen" are four individuals who claim to be Superman, each representing a different moniker or trait he is associated with taken to the extreme.[24]
    • Steelrepresents Superman's nickname "the Man of Steel", wears a suit of armor, and wields a hammer. As a boy, he witnessed the death of his parents, while Superman later saved him during a construction site accident.[67]
    • TheCyborg Supermanrepresents Superman's nickname "the Man of Tomorrow" and has a half-robotic body. A former astronaut, he holds a grudge against Superman, who saved him after asolar flarekilled everyone in his spaceship crew.[67]
    • Superboyis a teenagecloneof Superman created by thegenetic engineeringcorporationProject Cadmus.He represents the placeholder's heroing residence as "The Metropolis Kid". While he possesses many of Superman's abilities, Superboy is brash and impulsive.[67]
    • Eradicatorrepresents Superman's status as "the Last Son of Krypton" and is a visored, energy-powered alien. He has little time for civilian life, instead focusing on delivering justice.[67]
  • Mongulis the ruler ofWarworld,a space empire where citizens are entertained bygladiatorialgames.[68]An enemy of Superman, Mongul is stronger than him, intelligent, and can usetelekinesis.[69]
  • Green Lantern(Hal Jordan) is a member of theGreen Lantern Corpsand a former fighter pilot.[70]He gets his powers from aspecial ringthat allows him to channelwill powerto create objects out of light.[71]

Synopsis

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Doomsday emerges from an underground bunker and encounters the Justice League International. He easily defeats them, but Superman arrives and the two fight across America.[59]Lois Lane and Jimmy Olsen are sent to cover the battle for television, while Lex Luthor dissuades Supergirl from joining the fight and convinces her that she is needed in Metropolis. Doomsday sees a commercial for a Metropolis wrestling competition and heads for the city.[72][73]

Superman throws Doomsday on the mountain housing Project Cadmus, but fails to stop him from reaching Metropolis.[73]Supergirl rebels against Luthor and goes to Superman's aid, but a single punch from Doomsday knocks her to the ground. Professor Emil Hamilton and Bibbo Bibbowski fire a laser cannon at Doomsday, but it does not harm him.[61]Doomsday and an exhausted and badly injured Superman fight and strike each other with so much force that the shockwaves from their punches shatter windows. At the struggle's culminating moment in front of theDaily Planetbuilding, both lay a massive blow upon each other, killing Doomsday and mortally wounding Superman. In the arms of a frantic Lane, Superman succumbs to his wounds and dies. Olsen, Justice League members Ice and Bloodwynd, and Guardian are also present at the end, with Olsen bitterly photographing Superman's fall.[74]

Superman's death stuns and traumatizes the residents of the DC Universe.[50][75]His funeral is attended by nearly every superhero, as well as somesupervillains,thenPresidentBill Clinton,andFirst LadyHillary Clinton.[76]Every hero wears ablack arm bandfeaturingSuperman's crest.After the funeral, Project Cadmus steals Superman's body from his mausoleum to clone him, but Lane and Supergirl recover it.[77][78]With Superman gone, the crime rate rises; the costumed heroes of Metropolis, including a team funded by Luthor, rise to fill in as protectors but are insufficient.[75][79]

Jonathan Kent takes Superman's death the hardest. One night, while reading a newspaper story Lane wrote in Superman's honor, Jonathan begins to feel responsible for his son's death and has a heart attack in his wife Martha's arms.[80]In a coma, Jonathan meets Superman in the afterlife and convinces him to come back, before reawakening. Meanwhile, four men claiming to be Superman—Steel, the Cyborg Superman, Superboy, and Eradicator—emerge, and Lane discovers his grave is empty.[81]Steel and Superboy are disproven as the original Superman,[82][83]but the Cyborg and Eradicator both seem to recall some of his memories.[84][85]Hamilton tests the Cyborg and concludes he is the real Superman.[85]In actuality, Eradicator stole Superman's body and placed it in a regeneration matrix in theFortress of Solitude,drawing on his recovering energies for power.[86]

A powerless Superman, wearing a black costume, escapes the matrix.[87]The Cyborg helps Mongul destroyCoast Cityand, in its ruins, they begin to build Engine City in an effort to recreate Mongul's home planet, Warworld.[88][89][90]Superboy asks Steel to help him fight the Cyborg,[90]and Superman and Supergirl join the two. They travel to Engine City,[87]where the Cyborg launches a missile at Metropolis with the intent of destroying it and building a second Engine City in its place. Superboy manages to stop the missile before it strikes.[91]Hal Jordan returns from space to find Coast City destroyed. Devastated, Jordan attacks Engine City and defeats Mongul.[52]Eradicator joins the fight and shields Superman from Kryptonite gas. The gas kills Eradicator but also evolves within him. It passes into Superman, allowing him to regain his powers and defeat the Cyborg. Supergirl uses her powers to reconstruct Superman's original costume and they return to Metropolis.[92]

Alternate versions

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Tales from the Dark Multiverse

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Lois becomes enraged and bitter after the death of Superman by Doomsday's hands, believing the world failed him. After meeting the Eradicator, who failed to bring Superman back to life, Lois proposes that the two merge, turning Lois into the Eradicator. Taking extreme measures to 'make the world a better place', Lois kills Lex Luthor, theJokerandBatmanand goes to fight the Cyborg Superman. When the real Superman returns, only for him to be killed by the Cyborg Superman, Lois kills the latter and continues her role as Earth's "savior".

Reception

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At release

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As DC did not reveal that Superman would be revived at the end of the story, many fans believed "The Death of Superman" had permanently killed Superman, a beloved cultural icon.[6]Thus, it attracted unprecedented coverage from themainstream media;NPR'sGlen Weldonstated "news outlets likeNewsweek,People,and New York'sNewsdaypounced upon "the killing of Superman,[4]and it made the front page ofNewsday.[20]Details of "The Death of Superman" were covered by the media before DC wanted them to and the company's publicists were not ready to talk about the story when it appeared inNewsday.[28][31]Mark Potts ofThe Washington Postspeculated the death would not last, but nonetheless expressed interest in what a world without Superman would be like.[15]

Saturday Night Live(SNL) parodied "The Death of Superman" in a sketch in the seventh episode of itseighteenth season.[93]The sketch depicts the casts of DC and Marvel attending Superman's funeral.Black Lightning,portrayed bySinbad,tries to enter, but no one knows him even though he claims to have taught Superman how to fly.Den of Geek!named this the best ofSNL's superhero-themed sketches.[94]

The attention caused "The Death of Superman" to become an unforeseen success. Comic book retailers ordered five million copies ofSuperman#75 in advance and many people who had never read comics bought the issue hoping it would become an expensivecollector's item.[4]Numerous former readers looking for nostalgia also purchasedSuperman#75.[29]DC shipped between 2.5 and 3 million copies of the issue on the day of release and it sold out across America. Some stores had one-per-customer limits on the issue to avoid mobs and lines of customers longer than acity block.[20][28]The issue brought in a total ofUS$30 million during its first day on sale and ultimately sold more than six million copies,[4][95]making it the bestselling comic book issue of 1992.[96]Sales fromSuperman#75 doubled DC's market share in November 1992.[9]: 174 After the issue was released, Siegel met with Carlin to tell him that "The Death of Superman" impressed him.[19]The success of the event turned Jurgens, who had been an average writer and penciller, into an industry star.[97]

The four bestselling issues of 1993 wereThe Adventures of Superman#500,Action Comics#687,Superman#78, andSuperman: The Man of Steel#22.[98]Additionally, the first installments of "Reign of the Supermen!" were among the top five bestselling comic books of June 1993.[99]Valiant Comicstimed the release ofBloodshot#1 to the release of #75, andTurok: Dinosaur Hunter#1 to the release ofThe Adventures of Superman#500 to take advantage of the increased customers and boost sales. Both books included cover enhancements to attract customer attention.[100]However, many retailers sayThe Adventures of Superman#500 was the beginning of a decline in the comic industry. Retailers and distributors were stuck with unsold copies,[28]and thousands of stores closed.[4]Additionally, those who boughtSuperman#75 could only sell first printings for cover price a few months after its release.[22]

In later years

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Some commentators have retrospectively dismissed "The Death of Superman" as little more than apublicity stuntto give the Superman comics a brief surge in sales.[4][19][101]Indeed, each series' sales immediately declined following Superman's resurrection.[4]While most fans figured the death was only temporary,[31]those who did not felt deceived.[6]"Worst Episode Ever"(2001), the eleventh episode ofThe Simpsons'twelfth season,mocks this frustration through a scene in whichNelson Muntzholds the comicThe Death ofSad Sackand declares "this better not be another fake-out".[102]Wizardcompared the phenomenon to theNew Cokedebacle,[24]in whichThe Coca-Cola Companyupdated theformulato itssignature drinkbefore quickly changing it back after negative publicity, leading to rumors that the company simply did so in an effort to spike sales.[103]

ComicsAlliancewriter Chris Sims believed that most people boughtSuperman#75 just to see Superman's death,[23]while Weldon speculated its sales were propelled by hopes it would become valuable.[7]Gerard Jones,who wrote theGreen Lanterntie-in story, theorized that the phenomenon may have been due in part to the then-relatively recent poor ending of theSupermanfilm franchise.[20]Sims recalled that when he worked in a comic book store in 2009, some customers were shocked that DC was still publishing Superman comics, as they did not read the story's conclusion.[23]

Generally, DC writers have denied "The Death of Superman" was a publicity stunt. Jurgens, for instance, stated he did not anticipate the attention,[18]while Stern believed the sensation was caused only because it was a good story.[19]Levitz said DC had no reason to think the wider public would care because they killed Superman in stories before.[9]: 174 

Despite these accusations, many view "The Death of Superman" favorably. Sims called the crossover DC's greatest success of the 1990s and a definitive Superman story. He thought that while killing off an important comics character was not an original idea, "The Death of Superman" was more ambitious and had a greater legacy than other similar events.[23]Steve Morris ofComics Beatalso thought it had a major impact, with "strong storytelling and a simple, if well-done, central narrative". He said the main story was well planned, especially considering that it could have easily misfired.[104]Brian Salvatore, writing forMultiversity Comics,believed the story was effective and "present[ed] some pretty compelling arguments for why Superman is the greatest superhero of all time, without ever really coming out and saying that". He also praised the characterization, forcing Superman to rely on pure instinct.[105]

Conversely,The Escapist's Bob Chipman described the event as a "dumb story full of crappy characters embodying almost all of the worst trends of dreadful [1990s] comics",[106]and lamented its influence on subsequent Superman films and comics in general.[107]Chad Nevett ofComic Book Resourcescalled the story boring and jumbled, comparing issue #75 to "trading cards that intend[ed] to tell a story than an actual comic story".[108]Morris did criticize its subplots as nonsensical and felt Doomsday was terribly designed, disagreeing with Sims that it was a definitive Superman story.[104]Salvatore felt it had missed opportunities and criticized the Justice League's role in the story, comparing them to punching bags. Both Salvatore and Nevett thought Doomsday came out of nowhere,[105][108]and Nevett joked he was a "walking plot device" rather than a true villain.[108]PencilerCurt Swandisliked the story because he thought it "came out of the blue. There was no build-up, no suspense developed. Superman had no foreboding of some force out there that would conquer him. It all occurred too quickly".[24]

Legacy in comics

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"The Death of Superman" had an immediate effect on DC's comics.[4]DC timed a similar event featuringBatman,"Knightfall",to happen shortly after" The Death of Superman ", followed by the deaths ofWonder Woman,Green Arrow,and theFlash.[4][7]Green Lantern's event, "Emerald Twilight",in which he turned into the villainParallax,ties to events that occur during "The Death of Superman".[13]Marvel published the Spider-Man "Clone Saga"as a response to the media attention" The Death of Superman "garnered. It featured Spider-Man having a baby, which Marvel believed would appeal to news outlets.[9]: 174 Despite these similar story attempts, Weldon commented that the industry "was in freefall" and "death/disabling stunts offered only brief sales spikes".[4]

Some characters established during "The Death of Superman" became recurring characters in DC's comics. Superboy and Steel receivedongoing seriesafter the story's conclusion and Steel appears in aself-titled film(1997), portrayed by basketball player and Superman fanShaquille O'Neal.[7][109]Eradicator received a limited series,[10]Superboy remained a fixture of the DC Universe until he was killed inInfinite Crisis(2005–2006), and the Cyborg Superman became a recurring enemy of Superman and Green Lantern.[7]Later comics featuring Doomsday includedSuperman/Doomsday: Hunter/Prey(1995), which explores his origin,[6]and "Reign of Doomsday"(2011), which heavily references" The Death of Superman "and features him hunting down the Supermen.[110]

In 2011, DC relaunched its entire comics line in an initiative calledThe New 52,which revamped the DC Universe and erased certain events. The relaunch altered Superman considerably, characterizing him as shorter-tempered and no longer married to Lois Lane.[111]However, "The Death of Superman" remained intact in the new DC Universe.[112]To coincide with the release of the animatedfilm adaptation of the crossoverin 2018, a 12-partDeath of Supermanwebcomicseries began, written by Simonson and illustrated by Cat Staggs, Joel Ojeda, and Laura Braga, among others. The first parts chronicle Superman's actions hours before Doomsday kills him; later parts follow Jimmy Olsen during the confrontation and the aftermath of Superman's death.[113]

The 2019one-shotTales from the Dark Multiverse:The Death of Supermanimagines a reality where Superman's death causes Lois Lane to have a psychological breakdown. Lois goes to the Fortress of Solitude and learns the Eradicator failed to restore Superman. Lois merges with the Eradicator and uses her new abilities to force the world to accept Superman's ideals. Her murder of criminals leads other heroes to oppose her, including the Cyborg Superman, Steel, and Superboy. Convinced she is correct, Lois fully adopts the identity of the Eradicator.

Adaptations

edit

Stern wrote a novelization of "The Death of Superman",The Death and Life of Superman,in 1993.[114]Additionally, Simonson wrote another adaptation,Superman: Doomsday & Beyond,around the same time. It features cover art byAlex Ross.[115]

Blizzard EntertainmentandSunsoftdeveloped a video game based on the story,The Death and Return of Superman,which was released in 1994 for theSuper Nintendo Entertainment Systemand in 1995 for theSega Genesis.[116][117]The Death and Return of Supermanis abeat 'em upin which the player controls Superman and the Supermen as they attempt to save Metropolis.[116]Retrospectively,Nintendo Life's Dave Cook considered it the game that "finally [gave] Superman the video game justice he deserves in what is undoubtedly one of his most celebrated stories" andIGN's Greg Miller called it one of his favorite games and said it was what inspired him to become a video game journalist.[118][119]

In the wake of "The Death of Superman", Warner Bros. acquired the rights to produce Superman films, and hiredJon Petersto write a script for a sequel toSuperman IV: The Quest for Peace(1987). The script, calledSuperman Reborn,borrowed liberally from "The Death of Superman", including the fight between Superman and Doomsday, but Warner Bros. disliked it due to its similarthemestoBatman Forever(1995). Later rewrites altered the story considerably and the film ultimately never came to fruition.[120]Superman Lives,another canceled Superman film that would have been directed byTim Burton,started as an adaptation of "The Death of Superman"; Warner Bros. executives believed the story was "the key" to revive theSupermanfranchise.[121][122]

Warner Bros. released an animateddirect-to-videofilm adaptation,Superman: Doomsday,in 2007.[123]Superman: Doomsdayis loosely based on "The Death of Superman"; to fit within a 75-minute runtime, the story was condensed and greatly altered.[124]For example, the Justice League is not present and most aspects of "Reign of the Supermen!" were removed.[125][126]The film was a commercial success and started theDC Universe Animated Original Moviesline of direct-to-video releases.[7][124][127]

TheDC Extended Universeseries of films contains references to "The Death of Superman", beginning with the appearance of Superman's black suit inMan of Steel(2013).[128]The climax ofBatman v Superman: Dawn of Justice(2016) draws narrative elements from "Doomsday!". In the film, Lex Luthor uses forbidden Kryptonian genetic engineering projects to combineGeneral Zod's corpse with his own DNA, creating Doomsday. During their fight, Superman and Doomsday deliver killing blows, respectively, and both die. Jurgens received a "Special Thanks" credit at the end of the film.[129]InJustice League(2017), the black suit reappears as anEaster eggin a deleted scene. Costume designerMichael Wilkinsonexplained that directorZack Snyderplanned to have Superman wear the suit when he was resurrected in the film, but scrapped the idea in pre-production.[128]Superman wore the black suit in Snyder's 2021director's cutof the film,Zack Snyder's Justice League.[130]

A second animated film adaptation was made in two parts:The Death of Superman(2018) andReign of the Supermen(2019), part of the DC Universe Animated Original Movies line and ofDC Animated Movie Universe.[131]Compared toSuperman: Doomsday,the new adaptation is more faithful to the comic story.[126]DC's Tim Beedle considered the films "much less condensed" and said they "include many of the fan-favorite moments from the story that were left out ofDoomsday".[124]

Elements ofThe Death of SupermanandReign of the Supermen!appear in television series set in theArrowverse:

  • During the 2019-2020 crossover "Crisis on Infinite Earths",a scene set on Earth-75 depicting their Earth's Lois Lane (Elizabeth Tulloch) mourning a dead Superman (Tyler Hoechlin) can be shown on the news after being killed by Earth-38'sLex Luthor(Jon Cryer).
  • The character John Henry Irons appears inSuperman & Lois,portrayed byWole Parks.This version is from a pre-Crisis Earth, before it was anti-mattered, and was married to his Earth's Lois Lane and together had a daughter named Natalie. One day, their Earth is suddenly invaded by an army of evil Kryptonians unleashed byMorgan Edge/Tal-Rhoand led by a rogue Kal-El, bearing a black suit. John and Nat build a Steel made suit equipped with a kinetic heavy hammer and an A.I which is set for Lex Luthor. After finding Kal-El, Irons goes after him promising Nat he will return after he'd kill Kal. However, when plans don't go as they seem, Kal kills Lois during a news broadcast and Irons flees in a ship that is being attacked by Kal. Just before Irons escapes, a wave of anti-matter destroys his Earth and crash lands on Earth-Prime. Sometime later, Irons discovers Earth-Prime's Superman is alive. Fearing what would happen on this Earth like what happened on his Earth, Irons swears to kill Superman. In his Steel armor, Iron grabs Superman's attention by attacking several oil rigs due to them containing lead, one of Superman's weaknesses. Irons manages to stab Superman with Kryptonite, weakening Superman. Returning to his base somewhere in the pole, Irons is notified by his A.I, who has recognized Irons as "Captain Luthor", that he has no Kryptonite left, prompting Irons to search for more around the globe while also building a new ship. Later, Irons introduces himself asMarcus Bridgewaterto Lois and offers his help on her investigation on Earth-Prime's Edge. When Lois becomes suspicious of Marcus, she deduces that she is actually John Henry Irons, who on Earth-Prime died six years ago in 2015 during a tour in Afghanistan. Superman then confronts Irons, who brutally injures Superman with his hammer. Superman is saved by his son Jordan and is taken into custody at theD.O.D.to be interrogated. Irons reveals to Superman what happened on his Earth and his plans to kill him. While being taken back to his cell, the facility is attacked by one of Edge's X-Kryptonians who attacks Irons but is saved by Superman. Irons is released by the D.O.D. and makes amends with Superman, who wants to team up with Irons in a potential war on Earth-Prime before Irons drives off in the distance in his R.V. He then properly authorizes the A.I. to call him by his real name and erase the Luthor protocol.
  • The Death of SupermanStoryline appears inSuperman & Lois'season 3and4whereLex LuthorexperimentedKal-El / Bizarroand transformed intoDoomsdayto get revenge the couple.

Notes

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  1. ^This lasted until 2006, whenThe Adventures of Supermanreturned to theSupermantitle and the 1987 comic was canceled.[7]
  2. ^In 1992,The Amazing Spider-Mansold an average of 519,804 copies through retailers and 25,096 through subscriptions.[16]
  3. ^After the success ofThe Dark Knight ReturnsandWatchmenin 1986, DC began to publish morecomics aimed at adults,such asThe Sandman.These comics eventually formed animprint,DC Vertigo,which launched in 1993.[7]While these comics take place in the DC Universe, they rarely cross over,[25]primarily due to the mandate,[24]and mainstream DC writers were not allowed to use characters from these comics for around 20 years.[26]
  4. ^Although it was published after "Reign of the Supermen!",Superman#83 (November 1993) serves as an "epilogue" to the events of "Funeral for a Friend".[49]

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