Wikipedia

The End (Beatles song)

"The End"is a song by the English rock bandthe Beatlesfrom their 1969 albumAbbey Road.It was composed byPaul McCartneyand credited toLennon–McCartney.It was the last song recorded collectively by all four Beatles,[2]and is the final song of themedleythat constitutes the majority of side two of the album. The song features the only drum solo recorded byRingo Starrwith the Beatles.

"The End"
Cover of the song's sheet music
Songbythe Beatles
from the albumAbbey Road
Released26 September 1969(1969-09-26)
Recorded23 July – 20 August 1969
StudioEMI,London
Genre
Length2:05
LabelApple
Songwriter(s)Lennon–McCartney
Producer(s)George Martin

Composition and recording

edit

McCartney said, "I wanted [the medley] to end with a little meaningful couplet, so I followedthe Bardand wrote acouplet."[3]In his 1980 interview withPlayboy,John Lennonacknowledged McCartney's authorship by saying, "That's Paul again... He had a line in it, 'And in the end, the love you get is equal to the love you give,' which is a very cosmic, philosophical line. Which again proves that if he wants to, he can think."[4]Lennon misquoted the line; the actual words are, "And in the end, the love you take, is equal to the love you make..."[5]

Recording began on 23 July 1969, when the Beatles recorded a one-minute, thirty-second master take that was extended viaoverdubsto two minutes and five seconds. At this point, the song was called "Ending".[6]The first vocals for the song were added on 5 August, additional vocals and guitar overdubs were added on 7 August, and bass and drums on 8 August, the day theAbbey Roadcover picture was taken.[7]Orchestral overdubs were added on 15 August, and the closing piano and accompanying vocal on 18 August.[8][9]

The closing lyrics of "The End" inspired this plaque.

All four Beatles have a solo in "The End", including aRingo Starrdrum solo.Starr disliked solos, preferring to cater drum work to whoever sang in a particular performance,[10]and in fact this is the only drum solo Starr recorded with the Beatles.[11]His solo on "The End" was recorded with twelve microphones around his drum kit; in his playing, he said he copied part ofRon Bushy's drumming on theIron Butterflytrack "In-A-Gadda-Da-Vida".[12]The take in which Starr performed the solo originally had guitar and tambourine accompaniment,[6]but other instruments were muted duringmi xing,giving the effect of a drum solo.[13]

McCartney,George Harrisonand Lennon perform a rotating sequence of three, two-bar guitar solos.[2][14]The idea for a guitar instrumental over this section was Harrison's, and Lennon suggested that the three of them each play a section.[15]The solos begin approximately 53 seconds into the song.Geoff Emerick,the Beatles' recording engineer, later recalled: "John, Paul and George looked like they had gone back in time, like they were kids again, playing together for the sheer enjoyment of it. More than anything, they reminded me of gunslingers, with their guitars strapped on, looks of steely-eyed resolve, determined to outdo one another. Yet there was no animosity, no tension at all – you could tell they were simply having fun."[16]

The first two bars are played by McCartney, the second two by Harrison, the third two by Lennon, and then the sequence repeats twice.[2][17]Each has a distinctive style which McCartney felt reflected their personalities. McCartney's was more melodic, Harrison made heavy use of string bends, and Lennon used heavy distortion. Immediately after Lennon's third solo, the piano chords of the final line "And in the end..." begin. Then the orchestration arrangement takes over with a humming chorus and Harrison playing a final guitar solo that ends the song.

"The End" was initially intended to be the final track onAbbey Road,but it ended up being followed by "Her Majesty".Although" The End "stands as the last known new recording involving all four members of the Beatles during the band's existence, one additional song,"I Me Mine",was recorded by three members of the group (Lennon being absent due to having privately left in September 1969) in January 1970 for the albumLet It Be.

The 1996 compilation albumAnthology 3contains a remixed version of "The End", restoring tambourine and guitar overdubs mixed out of the original, and edited to emphasise the guitar solos and orchestral overdub.[9]The track is followed by a variant on the long piano chord that ends "A Day in the Life",concluding the compilation.[9]The drum solo was later used at the beginning of "Get Back"on the 2006 albumLove.

Musical structure

edit

The song commences in A major, with an initial I–IV–II–V–I structure matching the vocals on "Oh, yeah, all right!" This is followed by a♯iv dim–I pattern (D♯dim to A chord) on "dreams tonight." During this, the accompanying bass and one guitar move chromatically from A to B and D♯,while the second guitar harmonises a minor third higher to reach F♯.[18]An eight-bar drum solo as a final statement of recognition to their "steady, solid drummer"[19]ends with a crescendo of eighth notes and bass and rhythm guitar in seventh chords to the chant "Love you."[20]The sequential three guitar solos rotate through I7(A7chord)–IV7(D7chord) changes in the key of A in a mix of "major and minor pentatonic scales with slides, double-stops, repeated notes, low-bass string runs and wailing bends".[21]Gould terms these live studio takes "little character sketches":

Paul opens with a characteristically fluid and melodically balanced line that sounds a high A before snaking an octave down the scale; George responds by soaring to an even higher D and sustaining it for half a bar before descending in syncopated pairs of 16th notes; John then picks upon the pattern of George's 16ths with a series of choppy thirds that hammer relentlessly on the second and flattened seventh degrees of the scale. The second time through, Paul answers John's bluesy flattened 7ths with bluesy minor thirds and then proceeds to echo George's earlier line, spiraling up to that same high D; George responds with some minor thirds of his own, while mimicking the choppy rhythm of John's part; John then drops two octaves to unleash a growling single-note line. On this final two-bar solo, Paul plays almost nothing but minor thirds and flattened sevenths in a herky-jerky rhythm that ends with a sudden plunge to a low A; George then reaches for the stars with a steeply ascending line that is pitched an octave above any notes heard so far; and John finishes with a string of insistent and heavily distorted 4ths, phrased in triplets, that drag behind the beat and grate against the background harmony.[20]

The final "Ah" is in C with a spiritually evocative Plagal cadence IV–I (F–C chord) on piano while the voices do an F to E shift.[22]"And in the end the love you take" is in A major, but the G/A chord supporting the word "love" begins to dissolve the listener's certainty that the chord is in A, by adding a♭VII. The next line shifts us to the fresh key of C, with a iv (F) chord that threatens the dominance of the departing A key's F♯:"Is eq-ual" (supported successively by IV (F)–iii (Em) chords with an A–G bass line) "to the love" (supported successively by ii (Dm)–vi (Am)–ii7(Dm7) chords with a F–E bass line) "you make" (supported by a V7(G7) chord).[23]The final bars in the key of C involve a I–II–♭III rock-type progression and a IV–I soothing cadence that appear to instinctively reconcile different musical genres.[24]

Critical reception

edit

Richie UnterbergerofAllMusicconsidered "The End" to be "the group's take on the improvised jamming common to heavy rock of the late '60s, though as usual, The Beatles did it with far more economic precision than anyone else."[25]John Mendelsohn ofRolling Stonesaid it was "a perfect epitaph for our visit to the world of Beatle daydreams: 'The love you take is equal to the love you make.'"[26]

In 2007, "The End" was ranked at number 7 onQmagazine's list "The 20 Greatest Guitar Tracks".[27]

Legacy

edit

Cover versions

edit

Personnel

edit

Personnel perIan MacDonald[2]andKenneth Womack:[37]

Notes

edit
  1. ^Unterberger, Richie."The BeatlesAbbey Road".AllMusic.Archivedfrom the original on 29 May 2012.Retrieved1 February2018.
  2. ^abcdMacDonald 2005,p. 361.
  3. ^Miles 1997,p. 558.
  4. ^Sheff 2000,p. 204.
  5. ^Hal Leonard 1993,pp. 252–253.
  6. ^abLewisohn 1988,p. 181.
  7. ^Lewisohn 1988,pp. 185–186.
  8. ^abLewisohn 1988,p. 190.
  9. ^abcWinn 2009,p. 317.
  10. ^Larry King Show 2007.
  11. ^Mike Haid (April 2006)."Top 25 Drum Solos of All Time".Modern Drummer.p. 97.Retrieved27 August2023.'The End'... was Ringo's only drum solo with The Beatles.
  12. ^Womack 2014,pp. 258, 259.
  13. ^Apple Records 1996.
  14. ^The Beatles 2000,p. 337.
  15. ^"100 Greatest Beatles Songs: 23. 'Abbey Road Medley'".Rolling Stone.19 September 2011. Archived fromthe originalon 22 January 2014.Retrieved10 March2018.
  16. ^Womack 2014,pp. 258–59.
  17. ^Winn 2009,p. 316.
  18. ^Dominic Pedler.The Songwriting Secrets of the Beatles.Music Sales Limited. Omnibus Press. NY. 2003. pp. 392–394
  19. ^Jonathan Gould.Can't Buy Me Love: The Beatles, Britain and America.Piatkus 2007 pp. 589–590.
  20. ^abGould, p. 590
  21. ^Pedler, p. 669
  22. ^Pedler, p. 33
  23. ^Pedler, pp. 669–670
  24. ^Pedler, p. 671
  25. ^Unterberger 2007.
  26. ^Mendelsohn 1969.
  27. ^Womack 2014,p. 259.
  28. ^Maremaa, Thomas (2004) [1972]. "Who Is This Crumb?". In Holm, D. K. (ed.).R. Crumb: Conversations.Univ. Press of Mississippi. p. 28.ISBN1-57806-637-9.
  29. ^"Search".Archived fromthe originalon 5 May 2013.Retrieved10 April2010.
  30. ^"KMET Rides The Wave, Becomes KTWV"(PDF).Radio and Records.20 February 1987.Retrieved23 April2018.
  31. ^"KMET Becomes Smooth Jazz 94.7 The Wave KTWV".Format Change Archive.Retrieved25 December2017.
  32. ^Larsen, Peter (16 November 2017)."The Sound of silence: Classic rock station The Sound FM 100.3 played its final songs and left the air on Thursday".The Orange County Register.Retrieved25 December2017.
  33. ^"KLOVE Comes To SoCal As 'The Sound' Is Silenced".RBR.16 November 2017.Retrieved18 November2017.
  34. ^Collins, Glenn (14 September 1999)."WNEW-FM, Rock Pioneer, Goes to All-Talk Format".The New York Times.Retrieved23 April2018.
  35. ^Martin, Roy (3 March 2023)."It's The End for Ken Bruce as he says goodbye to BBC Radio 2".RadioToday.Retrieved5 March2023.
  36. ^Shaffer, Claire (1 July 2021)."Tenacious D Cover the Beatles' 'You Never Give Me Your Money' and 'The End'".Rolling Stone.Retrieved1 July2021.
  37. ^Womack, Kenneth(2019).Solid State: The Story of "Abbey Road" and the End of the Beatles.Cornell University Press.p. 169.
  38. ^abcBabiuk, Andy (17 January 2018)."The Beatles' Casinos".
  39. ^abThe Abbey Road (Super Deluxe Book).Apple Corps. 2019. p. 55.

References

edit
edit
Wikiquote has quotations related toAbbey Road.
Retrieved from "https://en.wikipedia.org/w/index.php?title=The_End_(Beatles_song)&oldid=1275732220"