Wikipedia

Thomas Hearne (artist)

Thomas Hearne(22 September 1744 – 13 April 1817) was an English landscape painter,engraverand illustrator.[2][3]Hearne'swatercolourswere typified by applying awashof subtle subdued colours over a clear outline in fine brush, pen or pencil.[4][5]His techniques were studied by younger artists such asThomas GirtinandJ. M. W. Turner.[6]

Portrait of Thomas Hearne by William Daniell
View ofGloucesterThomas Hearne
Greystoke castle, Cumbria (engraving from "Antiquities of Great Britain" )
Lancaster Castlefrom the South West (1778)[1]
Norwich MarketCross
Engraving ofHoly Rood Palace,1800

Early life

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Thomas Hearne was born atMarshfield, Gloucestershire.When he was five years old, his father, William, died and Thomas moved with his mother, Prudence, toBrinkworth, Wiltshire.One of his biographers, Simon Fenwick, suggests that the nearbyMalmesbury Abbeyproved an inspiration to Hearne's later interest in Gothic architecture. As a teenager he was apprenticed to his uncle who worked as a pastry cook in Maiden Lane,Covent Garden.Next door was a print shop; Miller, the engraver, no doubt facilitated his move to the profession of artist.[6]

In its early years, theRoyal Society of Artsoffered prizes—which it called "premiums" —for people who could successfully achieve one of a number of published challenges. In 1763 Hearne was awarded aguineapremium for astill life.The next year he received 8 guineas for an equestrian piece.[6]By 1765 he had become apprenticed to the engraverWilliam Woollett,who came to consider him the finest landscape engraver of his day and with whom he stayed for six years.

Early in 1771 Hearne spent six weeks with Woollett and the youngGeorge BeaumontinHenstead, Suffolkat the home of the latter's tutor atEton,RevdCharles Davy. For Beaumont it proved the inspiration for his future profession as a landscape painter himself.[7]Beaumont would later accompany Hearne on location to the north of England and Scotland in 1777 and 1778.[4]

Career

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Before the invention of photography it was the custom for topographical watercolour artists to travel abroad with the Governors of Colonies.[8]In 1771 Hearne travelled to theLeeward Islandsafter newly appointed Governor-General,Sir Ralph Paynecommissioned 20 large landscapes (including ten ofAntigua).[4]Hearne remained there for three-and-a-half years, making drawings of the characteristic features of the islands. This work also employed him for a further two years in London, paintingwatercoloursfrom the sketches.[4]Hearne's portrait of Payne himself is in the collection of theVictoria and Albert Museumin London.

In 1777, in conjunction with engraverWilliam Byrne(1743–1805), Hearne began work recording and illustrating the country's historic monuments forThe Antiquities of Great Britain.First Hearne produced drawings specifically for the project, then Byrne produced 10 in × 7 in (250 mm × 180 mm)engravingsafter them, and descriptions were added in French and English.[9]The works were issued in series for individual sale from 1778.[6]In 1786 the first 52 plates were bound as a book; a second volume of 32 plates was published in 1807.[10]By this time an individual print sold for 15scompared to a complete set of the proof impressions for 26l5s(2011: £1,700).[9]Many of the drawings were exhibited at a gallery inSpring Gardens,London. During the extensive tour of Britain which the work necessitated, Hearne studied nature with care, investing his topographical drawings with effects of light and atmosphere seldom attempted by previous draughtsmen in watercolour. He may thus be said to have done much to revive attention toGothic architecture,and to have been one of the founders of the English school of watercolours.

Byrne further worked with Hearne, using the artist's designs forRural Sportsfrom 1780.[11]

Influence and impact

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Landscape with Cottage and Figures

Richard Payne Knight,enthusiast of the 'picturesque' style, commissioned Hearne to produce several drawings of the grounds of his home,Downton Castlein Herefordshire.[12]

Hearne's art influencedThomas GirtinandJ. M. W. Turner,both of whom copied his drawings at the houses of DrThomas Monroand John Henderson Snr, well-known patrons of the arts at the time. From 1781 to 1802 Hearne exhibited drawings of landscape and antiquarian remains at theRoyal Academy,London. He was a fellow of theSociety of Antiquaries.

Hearne, as part of Regency London's artistic establishment was sketched byGeorge Dance.Dance's highly finished pencil profile portraits were subsequently etched byWilliam Danielland published over ten years from 1804 inA Collection of Portraits.[13]The depiction of Hearne was published in release VI in December 1809.[14]In 1812Henry Monropainted Hearne inpastel.TheNational Portrait Gallerypurchased this portrait in 1912.[15]

Posthumous

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Hearne died in Macclesfield Street,Soho,London on 13 April 1817, and was buried atBushey,Hertfordshire.

At the 1857 Manchester Exhibition works by Hearne included:Old Ruin and Trees;Glasgow;andHoly Island Cathedral.[16]In 1891 Hearne's work was included in theRoyal Academy's 22nd annual winter collection ofOld Masters and Deceased Masters of the English School.[17]

From the 1900s, art historian and collector Adolph Oppé, took an interest in 18th- and early 19th-century British watercolours, a subject which had been little studied before. In 1996 theTate Galleryacquired over 3000 artworks from the Oppé collection.[18]Works by Hearne includedLinlithgow Castle;Hills, Ships and River;Landscape with Road and Castle;andThe Moat in Kent, the Seat of Lord Romney.

In February 1966The Tower of Londonby Hearne sold for 320 guineas (2011: £4,900).[19]By 1994 a Hearne Leeward Islands panoramic would expect to reach £10,000.[20]In June 2006 Hearne'sRowing on the River Wear Before Lumley Castlewas sold atSotheby'sfor £19,200.[21]

Thomas Hearne's paintings are now owned by many museums and public art galleries across the world, includingTate Britain,[18]theBritish Museum,[22]theIndianapolis Museum of Art,[23]theMuseum of New Zealand,[24]theYale Center for British Art,[25]theVictoria and Albert Museum,[26]theUniversity of Michigan Museum of Art,[27]theMuseum of Fine Arts, Budapest,[28]theHarvard Art Museums,[29]theAshmolean Museum,[30]theToledo Museum of Art,[31]and theFine Arts Museum of San Francisco.[32]

References

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  1. ^Champness 1993,p. 4
  2. ^Thomas Hearne – biography(handprint ).
  3. ^Biography of Thomas Hearne(Answers ).
  4. ^abcdMichael Pidgley "Hearne, Thomas" The Oxford Companion to Western Art. Ed. Hugh Brigstocke.Oxford University Press,2001.
  5. ^Patrick Conner. "Hearne, Thomas." Grove Art Online. Oxford Art Online (accessed 21 October 2011)
  6. ^abcdFenwick, Simon (2004). "Hearne, Thomas (1744–1817)".Oxford Dictionary of National Biography(online ed.). Oxford University Press.doi:10.1093/ref:odnb/12828.(Subscription orUK public library membershiprequired.)
  7. ^Owen, Felicity; Blayney Brown, David (2015) [2004]. "Beaumont, Sir George Howland, seventh baronet (1753–1827)".Oxford Dictionary of National Biography(online ed.). Oxford University Press.doi:10.1093/ref:odnb/1872.(Subscription orUK public library membershiprequired.)
  8. ^watercolor-essentialsTomas Hearne
  9. ^ab"Category: Classified Advertising".The Times.30 April 1806.
  10. ^"Hearne, Thomas" The Oxford Dictionary of Art. Ed. Ian Chilvers.Oxford University Press,2004. Oxford Reference Online
  11. ^Clayton, Timothy; McConnell, Anita (2007) [2004]. "Byrne family (per. 1765–1849)".Oxford Dictionary of National Biography(online ed.). Oxford University Press.doi:10.1093/ref:odnb/65026.(Subscription orUK public library membershiprequired.)
  12. ^V&A:The River Teme at Downton, Herefordshire
  13. ^Bowdler, Roger (2004). "Dance, George, the younger (1741–1825)".Oxford Dictionary of National Biography(online ed.). Oxford University Press.doi:10.1093/ref:odnb/7096.(Subscription orUK public library membershiprequired.)
  14. ^"Category: Classified ads".The Bury and Norwich Post.13 December 1809.
  15. ^"National Portrait Gallery – Portrait – NPG 1653; Thomas Hearne".Retrieved10 November2010.
  16. ^"Original Jottings".Glasgow Herald.16 September 1857.
  17. ^"The Royal Academy".The Morning Post.3 January 1891.
  18. ^abFord, Brinsley(2004). "Oppé, Adolph Paul (1878–1957)".Oxford Dictionary of National Biography(online ed.). Oxford University Press.doi:10.1093/ref:odnb/35318.(Subscription orUK public library membershiprequired.)
  19. ^"£3,000 Paid for a Pair of Meissen Plaques".The Times.23 February 1966.
  20. ^"Charge of the medal brigade".The Times.10 July 1994.
  21. ^browse.sothebysHearne+Thomas
  22. ^"drawing | British Museum".The British Museum.Retrieved8 January2021.
  23. ^"Beverstone Castle, West View".Indianapolis Museum of Art Online Collection.Retrieved8 January2021.
  24. ^"Loading... | Collections Online - Museum of New Zealand Te Papa Tongarewa".collections.tepapa.govt.nz.Retrieved8 January2021.
  25. ^"Goodrich Castle on the Wye - YCBA Collections Search".collections.britishart.yale.edu.Retrieved8 January2021.
  26. ^"The River Teme at Downton, Herefordshire | Hearne, Thomas | V&A Search the Collections".V and A Collections.8 January 2021.Retrieved8 January2021.
  27. ^"Exchange: The Cistercian Abbey at Roche, Yorkshire".exchange.umma.umich.edu.Retrieved8 January2021.
  28. ^"Old Tree".Museum of Fine Arts, Budapest.Retrieved8 January2021.
  29. ^Harvard."From the Harvard Art Museums' collections Pristwick Church".harvardartmuseums.org.Retrieved8 January2021.
  30. ^"Ashmolean".collections.ashmolean.org.Retrieved8 January2021.
  31. ^"Richmond, Surrey".emuseum.toledomuseum.org.Retrieved8 January2021.
  32. ^"Thomas Hearne".FAMSF Search the Collections.21 September 2018.Retrieved8 January2021.

Attribution:

Further reading

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  • Champness, John (1993).Lancaster Castle: A Brief History.Lancashire County Books.ISBN1-871236-26-6.
  • Hearne, Thomas:Antiquities of Great-Britain(London: Printed by J. Phillips and published by T. Hearne and W. Byrne, 1786–1807).
  • Graves, Algernon.Dictionary of Artists(London, G. Bell and sons, 1907).
  • Morris, David.Thomas Hearne and his landscape(London: Reaktion Books, 1989).
  • Hargraves, Matthew.Great British Watercolors: From the Paul Mellon Collection at the Yale Center for British Art(Yale University Press, 2007) p. 38 ff.
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