Vanilla Skyis a 2001 Americanscience fictionpsychological thrillerfilm[3]directed, written, and co-produced byCameron Crowe.It is an English-language remake ofAlejandro Amenábar's 1997 Spanish filmOpen Your Eyes,which was written by Amenábar andMateo Gil.The film starsTom Cruise,Penélope Cruz,Cameron Diaz,Jason Lee,andKurt Russell.It follows a magazine publisher who begins to question reality after being disfigured in a car crash.

Vanilla Sky
Theatrical release poster
Directed byCameron Crowe
Screenplay byCameron Crowe
Based on
Abre los Ojos
by
Produced by
Starring
CinematographyJohn Toll
Edited by
Music byNancy Wilson
Production
companies
Distributed byParamount Pictures
Release date
  • December 14, 2001(2001-12-14)
Running time
136 minutes
CountryUnited States
LanguageEnglish
Budget$68 million[2]
Box office$203.4 million[2]

Vanilla Skygrossed over $203 million against a production budget of $68 million and received mixed reception from critics. Diaz's performance was widely praised, earning her aScreen Actors Guildand aGolden Globe Awardnomination. The song "Vanilla Sky"byPaul McCartneywas nominated for anAcademy Award for Best Original Song.The film later gained acult following.[4][5][6]

Plot

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David Aames, the owner of a large publishing company he inherited from his father, is in prison. Wearing a prosthetic mask, David tells his life story to court psychologist Dr. Curtis McCabe. In flashbacks, David leaves the duties of the publisher to his father's trusted associates whileliving as a playboyinManhattan.He is introduced to Sofia Serrano by his best friend, Brian Shelby, during a party.

David and Sofia spend the night together at Sofia's apartment and fall in love, unaware that David's current lover, Julie Gianni, has followed them there. As David leaves, Julie offers him a ride and soon reveals her jealousy of Sofia. She purposely crashes the car, killing herself and disfiguring David. Doctors cannot repair his face using plastic surgery, forcing David to wear a prosthetic mask, and the mental and physical scarring from the accident causes him to become withdrawn and depressed. David joins Brian and Sofia at a club, but they all leave after David starts an argument while drunk. After David insults them and they part ways, David passes out on the street outside the club.

The next day, Sofia returns and apologizes to David. She takes him home, the two form a relationship and he slowly begins to recover. After surgeons find a way to repair David's face despite their prior prognosis, he is plagued by bizarre experiences, such as brief flashbacks of his disfigurement and an encounter with a mysterious man at a bar who informs him that David is omnipotent, demonstrated by the entire bar falling silent at David's command. One day, while at Sofia's, David awakens to find himself in bed with Julie, whose face has replaced Sofia's in their photographs. In shock, he suffocates Julie. David is arrested and imprisoned and his facial disfigurement is mysteriously restored.

McCabe conducts several more interviews, which serve to help David to recall the name "Life Extension". Seeing a company with that name nearby, McCabe arranges to take David there under guard. Rebecca Dearborn, a company representative, explains how Life Extension usescryonicsuspension to save those with terminal illnesses until a cure can be found, keeping them in alucid dreamstate to otherwise exercise their mind. David realizes that he is in cryonic suspension and that the world he inhabits is his lucid dream, which has become a nightmare. He escapes McCabe and the guards while calling for "tech support",and rushes for the building's lobby, which is suddenly empty. An elevator opens, revealing the strange man from the bar. As the elevator climbs to the top of an impossibly tall building, the man explains that he is Tech Support and that David has been in suspension for 150 years.

Unable to face the twin traumas of the loss of his love, Sofia, and his facial injuries, he had opted for Life Extension, to be awakened when technology could repair his face, and left the publishing company in the hands of his father's associates, ultimately overdosing on medication and causing Brian to arrange a three-day memorial for him in his home. As part of the program, David had chosen to experience a lucid dream, in which his life would resume the morning after Sofia left him; however, a glitch in the software had caused other elements of his subconscious to distort his dream.

David and Tech Support emerge on the rooftop, high above the clouds. There, Tech Support tells David that while they have corrected the flaw, he now has a choice of either being returned to the dream or being restored to life, requiring a literalleap of faithoff the roof that will wake him from his sleep. David chooses the latter, despite McCabe warning him against it. Before jumping, David envisions Brian and Sofia to say his goodbyes. He leaps from the edge of the building, and his life flashes before him. A female voice invites him to open his eyes, and the movie ends with a shot of his left eye opening.

Cast

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Production

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Development

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In the days after completingAlmost Famous,the opportunity to keep our film-making team together was too attractive to pass up. I'd always written my own original screenplays, butOpen Your Eyes,with its open-ended and impressionistic themes, felt like a great song for our 'band' tocover.

Cameron Crowe,explaining his reason for directingVanilla Sky.[7]

After the American debut ofAlejandro Amenábar's 1997 Spanish filmAbre los ojos(Open Your Eyes)at the 1998Sundance Film Festival,Tom Cruiseand his producing partnerPaula Wagneroptioned the remake rights. Hoping to entice directorCameron Crowe,who collaborated with Cruise onJerry Maguire,Cruise invited Crowe over to his house to view the film.[8]Cruise has stated:

I've been offered a lot of films to buy and remake, and I never have because I felt it was too connected with the culture of that place, whatever country it was from. But this was a universal story that was still open-ended, that still felt like it needed another chapter to be told.[9]

The titleVanilla Skyrefers to the sky as painted byClaude Monet,specifically as inThe Seine at Argenteuil(1873) which is featured in the film.

The title of the film is a reference to depictions of skies in certain paintings byClaude Monet.[10]In addition to Monet'simpressionisticartwork, the film's tone was derived from the acoustic ballad "By Way of Sorrow" byJulie Millerand a line from an early interview ofElvis Presleyin which he said, "I feel lonely, even in a crowded room."[7]

Filming

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Principal photography forVanilla Skybegan in late 2000 and lasted six weeks.[11][12]On November 12, 2000, shooting for the scene of the desertedTimes SquareinNew Yorktook place in the early hours of the day. A large section of traffic was blocked off around Times Square while the scene was shot. "There was a limit on how long the city would let us lock everything up even on an early Sunday morning when much of NYC would be slow getting up," saidSteadicamoperator Larry McConkey. "Several times we rehearsed with Steadicam and Crane including a mockup of an unmovable guardrail that we had to work the crane arm around. [Cruise] participated in these rehearsals as well so we shared a clear understanding of what my limitations and requirements would be."[13]

Filming lasted for six weeks around theNew York Cityarea, which included scenes inCentral Park,theUpper West Side,SoHo,andBrooklyn.One prominent location in the area was theCondé Nast Buildingthat served as Aames Publishing and David's office. After filming finished in New York, production moved toLos Angeles,where the remaining interior shots were completed atParamount Studios.[11]Crowe intentionally left in shots of theWorld Trade Centerafter theSeptember 11 attacksas a tribute.[14]

Despite the film's distorted aspects of reality, the style ofcinematographyremains grounded for much of the film. "I didn't do anything that was overtly obvious, because the story revolves around the main character not knowing whether he's in a state of reality, a dream or a nightmare, so we want it to feel a little ambiguous," said cinematographerJohn Toll."We want the audience to make discoveries as [Cruise]'s character does, rather than ahead of him."[12]American Cinematographermagazine wrote a feature story on the lighting designerLee Rose's work on the film.[15]

Alternate ending

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The 2015 Blu-ray release offers the option to watch the film with an alternative ending. This ending expands on the details at the end of the film. While it all leads to the same conclusion, there are additional scenes, alternative takes, and alternative dialogue.[16]

After Rebecca describes the lucid dream, David rushes out of the room but does not immediately dash towards the elevator. He meets McCabe in the restroom who tries to convince him that this is all a hoax and a con and that his case is going to trial. David tells him that he's only in his imagination. Much like in the theatrical cut, the Beach Boys' "Good Vibrations" plays, but this version makes it clear that David hears the music and that he chose it; meanwhile, McCabe tries to convince him there is no music.

At this point, David dashes out of the restroom for the elevator the way he does in the theatrical cut, but the scene in the lobby is expanded: David shoots the police officer who is firing at him and is then surrounded by a SWAT team whom McCabe tries to talk down, but the SWAT team fires at both of them. They black out and wake up in the emptied lobby where McCabe continues to applaud what he believes is a performance while David gets into the elevator with Ventura, who tells him what happened at the end of his real life.

Once they reach the roof, McCabe reenters again and his pleas to David not to believe Ventura become more and more desperate until he collapses onto the ground in despair. David's interaction with Sofia is extended as he tells her he loves her but "can't settle for a dream". He then jumps off the building, screaming "I want to wake up!" as images from his life flash before his eyes. He wakes up in bed and a voice tells him "Open your eyes. You're going to be fine."

Music

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Vanilla Sky's score was by Crowe's then wife,Nancy Wilson,who also scoredJerry MaguireandAlmost Famous.Wilson spent nine months on the film's music, which was done through experimentation ofsound collages."We were trying to balance out the heaviness of the story with sugary pop-culture music," she said. "We made sound collages of all kinds. We were channelingBrian Wilsonto a large extent. I was recording things through hoses, around corners, playing guitars with cello bows, and with [music editor] Carl Kaller, we tried all kinds of wacky stuff. In the murder–sex scene sound collage, Cameron even used Brian Wilson's speaking voice from aPet Soundsmix session. "[17]

Besides the publicly available soundtrack album,Music from Vanilla Sky,the original score was released as a "for your consideration"release for Academy Awards nomination and never released publicly for sale.[18]

Theeponymous songfrom the soundtrack, written and recorded byPaul McCartney,was nominated for anAcademy Award for Best Original Song.[19]Additional songs featured includedRadiohead's song "Everything in Its Right Place",and"Svefn-g-englar"by the Icelandic groupSigur Rós.[20]

Interpretations

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According to Cameron Crowe's commentary, there are five different interpretations of the ending:[21]

  1. "Tech support" is telling the truth: 150 years have passed since Aames killed himself and subsequent events form alucid dream.
  2. The entire film is a dream, evidenced by a sticker on Aames's car that reads "2/30/01" (February 30does not occur in theGregorian calendar).
  3. The events after the crash are a dream Aames has while comatose.
  4. The entire film is the plot of the book that Brian is writing.
  5. The entire film after the crash is a hallucination caused by drugs administered during Aames'sreconstructive surgery.

Crowe notes that the presence of a "Vanilla Sky" during the morning reunion after the nightclub scene marks the first lucid dream scene, and that everything that follows from then on is a dream.[10]

Reception

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Box office

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Vanilla Skyopened at number one at the box office in the United States when it was first presented on December 14, 2001. The opening weekend took in a gross income of $25,015,518 (24.9%).[22]The final domestic gross income was $100.61 million while the international gross income was slightly higher at $102.76 million for a total worldwide gross income of $203.39 million.[2]

Critical response

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OnRotten Tomatoes,43% of 174 critic reviews are positive and the average rating is 5.3/10. The site's consensus states: "An ambitious mix of genres,Vanilla Skycollapses into an incoherent jumble. Cruise's performance lacks depth, and it's hard to feel sympathy for his narcissistic character. "[23]OnMetacritic,the film has a weighted average score of 45 out of 100 based on 33 reviews, indicating "mixed or average reviews".[24]Audiences polled byCinemaScoregave the film a grade "D−" on a scale from A to F.[25]

Roger Ebert's printed review ofVanilla Skyawarded the film three out of four stars:

Think it all the way through, and Cameron Crowe'sVanilla Skyis a scrupulously moral picture. It tells the story of a man who has just about everything, thinks he can have it all, is given a means to have whatever he wants, and loses it because—well, maybe because he has aconscience.Or maybe not. Maybe just because life sucks. Or maybe he only thinks it does. This is the kind of movie you don't want to analyze until you've seen it two times.

Ebert interpreted the ending as an explanation for "the mechanism of our confusion", rather than a device that tells "us for sure what actually happened."[26]Film criticRichard Roeperranked the film the second best of 2001.[27]

Stephen HoldenofThe New York TimescallsVanilla Skya "highly entertaining, eroticscience-fictionthriller that takes Mr. Crowe intoSteven Spielbergterritory ", but then says:" As it leaves behind the real world and begins exploring life as a waking dream (this year's most popular theme inHollywoodmovies with lofty ideas),Vanilla Skyloosens its emotional grip and becomes a disorganised and abstract if still-intriguing meditation on parallel themes. One is the quest for eternal life and eternal youth; another is guilt and the ungovernable power of theunconscious mindto undermine science'sutopiandiscoveries. David's redemption ultimately consists of his coming to grips with his own mortality, but that redemption lacks conviction. "[28]

SaloncalledVanilla Skyan "aggressively plotted puzzle picture, which clutches many allegedly deep themes to its heaving bosom without uncovering even an onion-skin layer of insight into any of them."[29]The reviewrhetorically asks:"Who would have thought that Cameron Crowe had a movie as bad asVanilla Skyin him? It's a punishing picture, a betrayal of everything that Crowe has proved he knows how to do right.... But the disheartening truth is that we can see Crowe taking all the right steps, the most Crowe-like steps, as he mounts a spectacle that overshoots boldness and ambition and idiosyncrasy and heads right for arrogance and pretension—and those last two are traits I never would have thought we'd have to ascribe to Crowe. "[29]Edward Guthmann of theSan Francisco Chroniclegave the film 2/4 and wrote: "The film's aim—to dazzle and inspire—is sapped by Cruise's vein-popping, running-the-marathon performance."[30]

Peter BradshawofThe Guardian[31]and Gareth Von Kallenbach of the publicationFilm Threat[32]comparedVanilla Skyunfavorably toOpen Your Eyes.Bradshaw saysOpen Your Eyesis "certainly more distinctive than"Vanilla Sky,which he describes as an "extraordinarily narcissistic high-concept vanity project for producer-star Tom Cruise." Other reviewers extrapolate from the knowledge that Cruise had bought the rights to do a version of Amenábar's film.[30]AVillage Voicereviewer characterizedVanilla Skyas "hauntingly frank about being a manifestation of its star's cosmicnarcissism".[33]

Kenneth Turan of theLos Angeles TimescalledCameron Diaz"compelling as the embodiment of crazed sensuality"[34]andThe New York Timesreviewer said she gives a "ferociously emotional" performance.[28]Edward Guthmann of theSan Francisco Chroniclesimilarly says of the film, "most impressive is Cameron Diaz, whose fatal-attraction stalker is both heartbreaking and terrifying."[30]For her performance, Diaz won multiple critics' groups awards, as well as being nominated for theGolden Globe Award,Screen Actors Guild Award,Critics' Choice Movie Award,Saturn Award,andAFI Award.Penélope Cruz's performance earned her aRazzie Awardnomination for Worst Actress (in addition to her roles inBlowandCaptain Corelli's Mandolin).

Awards

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Accolades forVanilla Sky
Organization Year Category Recipient(s) Result Ref.
Academy Awards 2002 Best Original Song Paul McCartney(for the song "Vanilla Sky") Nominated
AFI Awards 2002 Featured Actress of the Year Cameron Diaz Nominated
ALMA Awards 2002 Outstanding Actress in a Motion Picture Penélope Cruz Nominated
Outstanding Supporting Actress in a Motion Picture Cameron Diaz Nominated
Boston Society of Film Critics Awards 2001 Best Supporting Actress Cameron Diaz Won
Chicago Film Critics Association Awards 2001 Best Supporting Actress Cameron Diaz Won
Critics' Choice Movie Awards 2002 Best Supporting Actress Cameron Diaz Nominated
Best Song Paul McCartney(for the song "Vanilla Sky") Won[a]
Dallas–Fort Worth Film Critics Association Awards 2002 Best Supporting Actress Cameron Diaz Nominated
Golden Globe Awards 2002 Best Supporting Actress – Motion Picture Cameron Diaz Nominated
Best Original Song Paul McCartney(for the song "Vanilla Sky") Nominated
Golden Raspberry Awards 2002 Worst Actress[b] Penélope Cruz Nominated
Golden Reel Awards 2002 Outstanding Achievement in Sound Editing – Dialogue and ADR for Feature Film List of sound editors[c] Nominated
Outstanding Achievement in Sound Editing – Feature Underscore Carlton Kaller Nominated
Grammy Awards 2003 Best Song Written for Visual Media Paul McCartney(for the song "Vanilla Sky") Nominated
Satellite Awards 2002 Best Original Song Paul McCartney(for the song "Vanilla Sky") Nominated
Cameron CroweandNancy Wilson(for the song "I Fall Apart" ) Nominated
Saturn Awards 2002 Best Science Fiction Film Vanilla Sky Nominated
Best Actor Tom Cruise Won
Best Supporting Actress Cameron Diaz Nominated
Best Make-Up Michèle Burkeand Camille Calvet Nominated
Best Music Nancy Wilson Nominated
2016 Best DVD or Blu-ray Special Edition Release Vanilla Sky(Alternate Ending) Nominated
Screen Actors Guild Awards 2002 Outstanding Performance by a Female Actor in a Supporting Role Cameron Diaz Nominated

Home media

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Vanilla Skywas released onDVDandVHSon May 21, 2002,[50]Blu-rayin 2015, andUltra HD Blu-rayin 2023.[51]

Explanatory notes

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  1. ^Tied with "May It Be"fromThe Lord of the Rings: The Fellowship of the Ring.
  2. ^also forBlowandCaptain Corelli's Mandolin.
  3. ^Michael D. Wilhoit (supervising sound editor); Kerry Dean Williams (supervising ADR editor); Laura Harris Atkinson (supervising dialogue editor); Tammy Fearing, Eliza Pollack Zebert (ADR editors); Mark Gordon, Vic Radulich, Clare C. Freeman, Susan Kurtz (dialogue editors).

References

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  10. ^abMentioned by the director in thecommentary trackfor the DVD release.
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  12. ^ab"John Toll, ASC".Local 600: International Cinematographers Guild.August 11, 2001. Archived fromthe originalon July 19, 2012.RetrievedAugust 17,2013.
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