Wendy Mulford

Wendy Mulford(born 1941)^[1]is a Welsh-bornpoet,associated with the contemporaryavant gardescene, with theBritish Poetry Revival,and with the development offeminist poetryin the 1970s. Her poetry has been viewed as "difficult to categorise"^[2]and as "multi- and non-linear".^[3]Her early poetry had particularly strong feminist andMarxistelements,^[4]but latterly she has moved towards more personal themes.

Mulford's prose works include a combined biography ofSylvia Townsend WarnerandValentine Ackland,a book about female saints, and essays about poetry.

Writing and teaching

She wrote a biography ofSylvia Townsend WarnerandValentine Ackland(besides providing an introduction to a 1989 reprint of Townsend Warner's 1938 novelAfter The Death of Don Juan) and co-wrote withSara Maitlanda book on the subject of femalesaints.Mulford also has used her experience teaching in Cambridge to write a number of critical essays about poetry, saying that women poets are still "too tied to the familiar".^[5]

Publishing

Mulford also has been active in the publishing business, foundingStreet Editionsin 1972 and running the company until it was merged withKen Edwards' Reality Studios to formReality Street Editionsin 1993. During this period, Street Editions published such poets asJohn James,Sarah Kirsch,Tom Raworth,John Wilkinson,Stephen RodeferandRod Mengham,and was at its peak regarded as a leading outlet for experimental literature that could not be published by mainstream presses. Mulford left the company in 1998,^[6]but her 2009 poetry collectionThe Land Betweenwas published by the company.

Personal life

Mulford grew up in Wales but moved toCambridge Universityin the 1960s^[7]to study English. She remained at Cambridge throughout the 1970s before moving toThames Polytechnicin the early 1980s^[8]and then returning to Cambridge. In the 1990s and 2000s she lived inNorfolkandSuffolk,which inspired her 1998 collectionThe East Anglia Sequence.

She married fellow poetJohn Jamesin the 1970s and they have one daughter. More recently, her partner was the composerGordon Crosse,with whom she bought a cottage onPapa Westray,the northern-most of the Orkney Islands.^[9]Crosse made a choral setting of her poemsong for a cold easterin 2021.^[10]Since 2007, Mulford has been training herself to be aJungian analyst.^[11]

Works

Poetry

In the Big Red Chair(1975)
Bravo to Girls & Heroes(1977)
No Fee(withDenise Riley;1979)
Reactions to Sunsets(1980)
The Light Sleepers(1980)
Some Poems 1968-1978(with Denise Riley; 1982)
The A. B. C. of Writing and Other Poems(1985)
Late Spring Next Year: Poems 1979-1985(1987)
The Bay of Naples(1992)
The East Anglia Sequence: Norfolk 1984 – Suffolk 1994(1998)
A Handful Of Morning: Poems 1993-1997(1999)
and suddenly, supposing: Selected Poems^[12](2002)
The Land Between(2009)

Non-fiction

This Narrow Place: Sylvia Townsend Warner and Valentine Ackland 1930-1951(1988)
Virtuous Magic: Women Saints and Their Meanings(with Sara Maitland; 1998)

As editor

The Virago Book of Love Poetry(with Helen Kidd, Julia Mishkin andSandi Russell;1991)

As translator

The Brontes' Hats,bySarah Kirsch(1991)
Tby Sarah Kirsch (1995)

References

^Caddel, Richard and Quartermain, Peter;Other: British and Irish Poetry since 1970;p. 274.ISBN 0-8195-2258-9
^Dowson, Jane and Entwistle, Alice;A History of Twentieth-Century British Women's Poetry;p. 153; published 2005 by Cambridge University Press.ISBN 0-521-81946-6
^AFTER FREE VERSE: THE NEW NON-LINEAR POETRIES
^Jarvis, Matthew; "Saving the Earth: Wendy Mulford's Salthouse"; inInterdisciplinary Studies in Literature and Environment,28 July 2009.
^See Stevenson, Randall;The Oxford English Literary History: Volume 12: 1960-2000: The Last of England?;p. 226; published 2004 by Oxford University Press.ISBN 0-19-818423-9
^History of Reality Street Editions
^Dowson and Entwistle;A History of Twentieth-Century British Women's Poetry;p. 160
^Widdowson, Peter;Re-Reading English;p.ix;published May 1982 by Routledge Kegan and Paul.ISBN 0-416-31150-4
^Obituary, Gordon Crosse, British Music Society
^Gordon Crosse,song for a cold easter,Composer Edition
^Poetry reading
^The lowercase in the title is an affectation

External links

Reality Street Editions

[1] Caddel, Richard and Quartermain, Peter;Other: British and Irish Poetry since 1970;p. 274.ISBN 0-8195-2258-9

[2] Dowson, Jane and Entwistle, Alice;A History of Twentieth-Century British Women's Poetry;p. 153; published 2005 by Cambridge University Press.ISBN 0-521-81946-6

[3] AFTER FREE VERSE: THE NEW NON-LINEAR POETRIES

[4] Jarvis, Matthew; "Saving the Earth: Wendy Mulford's Salthouse"; inInterdisciplinary Studies in Literature and Environment,28 July 2009.

[5] See Stevenson, Randall;The Oxford English Literary History: Volume 12: 1960-2000: The Last of England?;p. 226; published 2004 by Oxford University Press.ISBN 0-19-818423-9

[6] History of Reality Street Editions

[7] Dowson and Entwistle;A History of Twentieth-Century British Women's Poetry;p. 160

[8] Widdowson, Peter;Re-Reading English;p.ix;published May 1982 by Routledge Kegan and Paul.ISBN 0-416-31150-4

[9] Obituary, Gordon Crosse, British Music Society

[10] Gordon Crosse,song for a cold easter,Composer Edition

[11] Poetry reading

[12] The lowercase in the title is an affectation

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