This articleneeds additional citations forverification.(August 2018) |
Wolf Blood,also known asWolfblood: A Tale of the Forest,is an Americansilent1925werewolffilm starringGeorge Chesebro,who also co-directed it with B-serial veteran Bruce M. Mitchell. The film has been referenced in a number of books as being the first werewolf movie ever made. This however is erroneous; the first werewolf movie isThe Werewolf,a film made in 1913. However that film is considered to belost.Therefore,Wolf Bloodcould be called the earliest surviving werewolf film. Although this film is labeled as ahorror,there is very little in the feature film to be qualified as ahorrorfilm. Instead the film focuses more on romance and archaic action rather than suspense and fear as we have seen in otherhorrorfilms of the time. The film is said to have more in common withwesternsand adventure films of the 1920s.This film's importance to the genre ofhorrorcomes more so from its historical importance rather than historical impact.Wolf Bloodis available commercially as an extra on a DVD together withF.W. Murnau'sThe Haunted Castle.
Wolf Blood | |
---|---|
Directed by | George Chesebro Bruce Mitchell |
Written by | Cliff Hill Bennett Cohen |
Produced by | Ryan Brothers |
Starring | George Chesebro Roy Watson Milburn Morante Frank Clark Marguerite Clayton Ray Hanford Jack Cosgrave |
Cinematography | Lesley Selander |
Production company | Ryan Brothers Productions |
Distributed by | Lee-Bradford Corporation |
Release date |
|
Running time | 67 minutes |
Country | United States |
Language | Silent(Englishintertitles) |
Plot
editDick Bannister is the new field Boss of the Ford Logging Company, a Canadianlogging-crew during a time when conflicts with the powerful Consolidated Lumber Company, a bitter rival company, have turned bloody, like a private war. His Boss, Miss Edith Ford, comes to inspect the lumberjack camp, bringing her fiancé Dr. Horton with her. Dick is attacked by his rivals and left for dead. His loss of blood is so great that he needs atransfusion,but no human will volunteer, so the doctor uses awolfas a source of the blood. Afterwards, Dick begins having dreams in which he runs with a pack of phantom wolves, and some rival loggers are killed by wolves. Soon, the news has spread through the camp and most of the lumberjacks begin to believe that Dick is awerewolf.Jules Deveroux dies violently, and Dick wonders if he did it. Dick attempts to jump off a cliff, but is rescued by Edith, who reveals that Deveroux died in a fair fight, not from Dick supposedly becoming a werewolf. Dick and Edith embrace.
Cast
edit- George Chesebroas Dick Bannister.
- Marguerite Claytonas Miss Edith Ford, owner of the Ford Logging Company.
- Raymond "Ray" Hanford as Dr. Eugene "Gene" Horton, Edith's fiancé.
- Roy Watsonas Jules Deveroux, envious owner of the Consolidated Lumber Company.
- Milburn Moranteas Jacques Lebeq, notorious bootlegger.
- Frank Clark as Old Pop Hadley, alcoholic woods guard for the Ford Logging Company.
- Jack Cosgrave as Edith's uncle and manager.
Production
editThe film attempts to use modern techniques unique to horror films at the time with the use of techniques such aseye-line matches,cutaways, and continuity matching. The film also chooses to use many jump cuts and transitional dissolves. According to Neil Worcester[1]these techniques are used very clumsily and are considered jarring or mistimed. Other notable techniques used in this film are low-key lighting, long sequences with very wide angles and stretched-out travelogue sections. There is also the use of color tint on scenes to establish night time and day time in certain scenes[2]
Werewolf Myth
editUnlike its famous counterpartsvampires,ghosts,and witches,werewolveswere only known through old folktales and stories. Because of thisGeorge Chesebrowas able to use this lack of knowledge at the time to experiment with the myths and legends of werewolves in the later part of the film. Unlike laterwerewolfmovies we know today, this film does not mention any of the modern tropes such as transforming on a full moon, or killing one with a silver bullet. The “werewolf” depicted in this film is not a man transforming into a wolf or wolfman but rather a man changing into a very violent man. Although this film is considered the earliest survivingwerewolffilm this film would have no impact on later films such as Universal Studios 1935 filmWerewolf of London& Universal's 1941 filmThe Wolf Man.
Criticism
editMany people criticize the film for not truly embodying the genre ofhorrordue to its lack of scare factor and lack of anything actually supernatural. According to Neil Worcester many of the film's cinematography techniques are considered unappealing and jarring.[3]Watchers of the film also criticize the use of romance and drama because they believe it takes away from the original purpose of the film. The initial reception of the film is unknown however this film wasGeorge Chesebro's first and only directing role before he became a full time actor.
In his "modern" assessment ofWolf Bloodin the 2016 referenceTome of Terror: Horror Films of the Silent Era,film critic Troy Howarth describes its pace as sluggish and overall style a disappointment:
The film spends an eternity dwelling on its old-fashioned romantic scenario before even beginning to toy with the notion of a man turning into a wolf. Even more disappointing, no actual transformation ever occurs. The filmmaking is crude and antiquated, even for its time.[4]
References
edit- ^Worcester, Neil (October 13, 2018)."Retro Review: Wolf Blood (1925)".Deluxe Video Online.
- ^"Wolf Blood 1925".Internet Archive.Public Domain.
- ^Worcester, Neil (October 13, 2018)."Retro Review: Wolf Blood (1925)".Deluxe Video Online.
- ^Workman, Christopher; Howarth, Troy (2016).Tome of Terror: Horror Films of the Silent Era.Midnight Marquee Press. p.295.ISBN978-1936168-68-2.
External links
edit- Wolf BloodatIMDb
- Wolf Bloodis available for free viewing and download at theInternet Archive
- ‹ThetemplateAllMovie titleis beingconsidered for deletion.›Wolf BloodatAllMovie
- Wolf Blood (1925) Review J Luis Rivera