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Avatar (computing)

From Wikipedia, the free encyclopedia
For the text terminal protocol, seeAdvanced Video Attribute Terminal Assembler and Recreator.For Other uses, seeAvatar (disambiguation).

An avatar in the virtual worldSecond Life
ATwitterpost, with the user's profile picture

Incomputing,anavataris agraphical representationof auser,the user'scharacter,orpersona.Avatars can be two-dimensionaliconsinInternet forumsand other online communities, where they are also known asprofile pictures,userpics,or formerlypicons(personal icons, or possibly "picture icons" ). Alternatively, an avatar can take the form of athree-dimensional model,as used in online worlds and video games, or an imaginary character with no graphical appearance,[1]as in text-based games or worlds such asMUDs.

The termavatāra(/ˈævətɑːr,ˌævəˈtɑːr/) originates fromSanskrit,and was adopted by early computer games and science fiction novelists.Richard Garriottextended the term to an on-screen user representation in 1985, and the term gained wider adoption inInternet forumsandMUDs.Nowadays, avatars are used in a variety of online settings includingsocial media,virtual assistants,instant messagingplatforms, and digital worlds such asWorld of WarcraftandSecond Life.They can take the form of an image of one's real-life self, as often seen on platforms likeFacebookandLinkedIn,or a virtual character that diverges from the real world. Often, these are customised to show support for different causes, or to create a unique online representation.

Academic research has focused on how avatars can influence the outcomes of communication and digital identity. Users can employ avatars with fictional characteristics to gain social acceptance or ease social interaction. However, studies have found that the majority of users choose avatars that resemble their real-world selves.

Origins

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See also:Player character

The wordavataris ultimately derived from theSanskritword (avatāra/ˈævətɑːr,ˌævəˈtɑːr/); inHinduism,it stands for the "descent" of a deity into a terrestrial form.[2][3]It was first used in acomputer gameby the 1979PLATOrole-playing gameAvatar.InNorman Spinrad's novelSongs from the Stars(1980), the termavataris used in a description of a computer generated virtual experience. In the story, humans receive messages from an alien galactic network that wishes to share knowledge and experience with other advanced civilizations through "songs". The humans build a "galactic receiver" that allows its users to engage in "artificial realities". One experience is described as such:[4]

You stand in a throng of multifleshed being, mind avatared in all its matter, on a broad avenue winding through a city of blue trees with bright red foliage and living buildings growing from the soil in a multitude of forms.

The use of the termavatarfor the on-screen representation of the user was coined in 1985 by Richard Garriott for the computer gameUltima IV: Quest of the Avatar.In this game, Garriott desired the player's character to be their Earth self manifested into the virtual world. Due to the ethical content of his story, Garriott wanted the real player to be responsible for their character; he thought only someone playing "themselves" could be properly judged based on their in-game actions. Because of its ethically nuanced narrative approach, he took the Hindu word associated with a deity's manifestation on earth in physical form, and applied it to a player in the game world.[5]Other early uses of the term includeLucasfilmandChip Morningstar's 1986online role-playinggameHabitat,[6]and the 1989pen and paperrole-playing gameShadowrun.[citation needed]

The use ofavatarto mean online virtual bodies was popularised byNeal Stephensonin his 1992cyberpunknovelSnow Crash.[7]InSnow Crash,the termavatarwas used to describe the virtual simulation of the human form in theMetaverse,a fictional virtual-reality application on theInternet.Social statuswithin the Metaverse was often based on the quality of a user's avatar, as a highly detailed avatar showed that the user was a skilledhackerandprogrammerwhile the less talented would buy off-the-shelf models in the same manner a beginner would today. Stephenson wrote in the "Acknowledgments" toSnow Crash:

The idea of a "virtual reality" such as the Metaverse is by now widespread in the computer-graphics community and is being used in a number of different ways. The particular vision of the Metaverse as expressed in this novel originated from idle discussion between me and Jaime (Captain Bandwidth) Taaffe... The wordsavatar(in the sense used here) andMetaverseare my inventions, which I came up with when I decided that existing words (such asvirtual reality) were simply too awkward to use... after the first publication ofSnow Crash,I learned that the termavatarhas actually been in use for a number of years as part of a virtual reality system calledHabitat...in addition to avatars,Habitatincludes many of the basic features of the Metaverse as described in this book.[8]

Types and usage

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2016 Facebook post fromBarack Obama,with his photo next to his name at the top of the post

An avatar can refer to a two-dimensional picture akin to aniconinInternet forumsand other online communities.[9][10]This is also known as a profile picture or userpic, or in early Internet parlance, a 'picon' (personal icon).[11]With the advent of social media platforms likeFacebook,where users are not typically anonymous, these pictures often are a photo of the user in real life.[12][13]

Alternatively, avatars can also bethree-dimensionaldigital representations, as ingamessuch asWorld of Warcraftorvirtual worldslikeSecond Life.[14][15]InMUDsand other early systems, they were a construct composed of text.[16]The term has been also sometimes extended to refer to the personality connected with thescreen name,or handle, of an Internet user.[17]

Internet forums

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Despite the widespread use of avatars, it is unknown whichInternet forumswere the first to use them; the earliest forums did not include avatars as a default feature, and they were included in unofficial "hacks" before eventually being made standard. Avatars on Internet forums serve the purpose of representing users and their actions, personalizing their contributions to the forum, and may represent different parts of theirpersona,beliefs, interests or social status in the forum.

Example of an avatar image on an internet forum

The traditional avatar system used on most Internet forums is a small (80x80 to 100x100pixels,for example) square-shaped area close to the user's forum post, where the avatar is placed in order for other users to easily identify who has written the post without having to read their username. Some forums allow the user touploadan avatar image that may have been designed by the user or acquired from elsewhere. Other forums allow the user to select an avatar from a preset list or use an auto-discovery algorithm to extract one from the user's homepage.

Some avatars areanimated,consisting of asequenceof multiple images played repeatedly. In such animated avatars, the number of images as well as the time in which they are replayed vary considerably.[18]

Other avatar systems exist, such as onGaia Online,WeeWorld,Frenzoo orMeez,where a pixelized representation of a person or creature is used, which can then be customized to the user's wishes.[19]There are also avatar systems (e.g. Trutoon) where a representation is created using a person's face with customized characters and backgrounds.

Another avatar-based system is one wherein an image is automatically generated based on the identity of the poster.Identiconsare formed as visually distinct geometric images derived from a digest hash of the poster'sIP addressor user ID. These serve as a means to associate a particular user with a particular geometric representation. When used with an IP address, a particular anonymous user can be visually identified without the need for registration or authentication. If an account is compromised, a dissimilar identicon will be formed as the attacker is posting from an unfamiliar IP address.[20][21]

Internet chat and messaging

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GIFavatars were introduced as early as 1990 in theImagiNation Network(also known as Sierra On-Line) game and chat hybrid. In 1994, Virtual Places offered VOIP capabilities which were later abandoned for lack of bandwidth. In 1996Microsoft Comic Chat,anIRCclient that used cartoon avatars for chatting, was released.

America Onlineintroduced instant messaging for its membership in 1996 and included a limited number of "buddy icons," picking up on the avatar idea from PC games. When AOL later introduced the free version of its messenger, AIM, for use by anyone on the Internet, the number of icons offered grew to be more than 1,000 and the use of them grew exponentially, becoming a hallmark feature of instant messaging. In 2002, AOL introduced "Super Buddies," 3D animated icons that talked to users as they typed messages and read messages. The term Avatar began to replace the moniker of "buddy icon" as 3D customizable icons became known to its users from the mainstream popularity of PC Games. Yahoo's instant messenger was the first to adopt the term "avatar" for its icons. Instant messaging avatars were usually very small; AIM icons have been as small as 16×16 pixels but are used more commonly at the 48×48 pixel size, although many icons can be found online that typically measure anywhere from 50×50 pixels to 100×100 pixels in size.

More recently, services such asDiscordhave added avatars. With a paid subscription, users can select individual identities for different communities.[22]

Online assistants

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An avatar used by anautomated online assistantprovidingcustomer serviceon a web page

Avatars can be used as virtual embodiments ofembodied agents,which are driven more or less byartificial intelligencerather than real people.Automated online assistantsare examples of avatars used in this way.

Such avatars are used by organizations as a part ofautomated customer servicesin order to interact with consumers and users of services. This can avail for enterprises to reduce their operating and training cost.[23]A major underlying technology to such systems isnatural language processing.[23]Some of these avatars are commonly known as "bots". Famous examples includeIKEA's Anna, an avatar designed to guide users around the IKEA website.

Such avatars can also be powered by adigital conversationwhich provides a little more structure than those using NLP, offering the user options and clearly defined paths to an outcome. This kind of avatar is known as a Structured Language Processing or SLP Avatar.

Video games

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Main article:Player character
The player character picks up a sword in the 1989 video gamePrince of Persia

Avatars invideo gamesare the player's representation in the game world. The first video games to include a representation of the player wereBasketball(1974) which represented players as humans,[24][25]andMaze War(1974) which represented players as eyeballs.[26]

In some games, the player's representation is fixed, however many games offer a basic character model, or template, and then allow customization of the physical features as the player sees fit. For example,Carl Johnson,the avatar fromGrand Theft Auto: San Andreas,can be dressed in a wide range of clothing, can be giventattoosandhaircuts,and can evenbody buildor becomeobesedepending upon player actions.[27]One video game in which the avatar and player are two separate entities is the gamePerspective,where the player controls both themself in a 3-dimensional world and the avatar in a 2-dimensional world.

Aside from an avatar's physical appearance, its dialogue, particularly incutscenes,may also reveal something of its character. A good example is the crude,action herostereotype,Duke Nukem.[28]Other avatars, such asGordon FreemanfromHalf-Life,whonever speaks at all,reveal very little of themselves (the original game never showed the player what he looked like without the use of a console command for third-person view).

ManyMassively multiplayer online games(MMOGs) also include customizable avatars. Customization levels differ between games; for instance, inEVE Online,players construct a wholly customized portrait, using a software that allows for several changes to facial structure as well as preset hairstyles, skin tones, etc.[18]However, these portraits appear only in in-game chats and static information view of other players. Usually, all players appear in gigantic spacecraft that give no view of their pilot, unlike in most other RPGs. Alternatively,City of Heroesoffers one of the most detailed and comprehensive in-game avatar creation processes, allowing players to construct anything from traditionalsuperheroesto aliens, medieval knights, monsters, robots, and many more.Robbie Cooper's 2007 book "Alter Ego, Avatars and their creators" pairs photographs of players of a variety of MMO's with images of their in-game avatars and profiles; recording the player's motivations and intentions in designing and using their avatars. The survey reveals wide variation in the ways in which players of MMO's use avatars.[29]Felicia Day,creator and star ofThe Guildweb series,created a song called "(Do You Wanna Date My) Avatar"which satirizes avatars andvirtual dating.

A Xbox 360 avatar
A Nintendo Mii avatar
Universal animated avatars from theXbox 360(shown left) andNintendo Switch(shown right)

Nintendo'sWii,3DSandSwitchconsoles allow for the creation of avatars called "Miis"that take the form of stylized, cartoonish people and can be used in some games as avatars for players, as inWii Sports.[30][31]In some games, the ability to use a Mii as an avatar must be unlocked, such as inMario Kart 8.[32]

In late 2008,Microsoftreleased anXbox 360Dashboard update which featured the introduction ofAvatarsas part of the console'sNew Xbox Experience.[33]With the update installed users can personalize the look of their Avatars by choosing from a range of clothing and facial features. In October 2018, Microsoft launched a new version of their Xbox avatars for Xbox One and Xbox onWindows 10,featuring increased detail and having a focus on inclusivity.[34]PlayStation HomeforSony'sPlayStation 3console also featured the use of avatars, but with a more realistic style than Nintendo's Miis or Microsoft's Avatars.[35]

Non-gaming online worlds

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Avatars in non-gamingonline worldsare used as two- or three-dimensionalhuman orfantasticrepresentationsof a person's inworld self. Such representations are a tool which facilitates the exploration of the virtual universe, or acts as a focal point in conversations with other users, and can be customized by the user. Usually, the purpose and appeal of such universes is to provide a large enhancement to common online conversation capabilities, and to allow the user to peacefully develop a portion of a non-gaming universe without being forced to strive towards a pre-defined goal.[36]

Avatars socialising in the 2003 virtual worldSecond Life

The earliest avatars of this form were text-based descriptions employed by players withinMUDs.These often allowed players to express an identity disparate from their public one within an interactive environment. For instance,LambdaMOOallowed a choice of 11 differentgenders,which could be changed at the user's will.[14]The visually-based gameHabitatalso used the term to refer to players within the game world. A later example is Linden Lab'sSecond Life,which has the player use a custom avatar to interact in a virtual 3D world; after peaking in 2007, its user count declined due to the encroachment of more traditional platforms such asFacebook.More recently, the concept has been combined withvirtual reality;VRChatallows the user to interact with other avatars in custom environments, andMark Zuckerberg'sMeta Platformshas promoted it as part of his vision of ametaverse.[37][38]

Many modern virtual worlds provide users with advanced tools to customize their representations, allowing them to change shapes, hair, skins and also genre. Moreover, there is a secondary industry devoted to the creations of products and items for the avatars. Some companies have also launched social networks[39]and other websites for avatars such asKoinup,Myrl, andAvatars United.

Lisa Nakamura has suggested that customizable avatars in non-gaming worlds tend to be biased towards lighter skin colors and against darker skin colors, especially in those of the male gender.[40]InSecond Lifeavatars are created by residents and take any form, and range from lifelikehumansto robots,animals,plantsandlegendary creatures.Avatar customizationis one of the most important entertainment aspects in non gaming virtual worlds, such asSecond Life,IMVU,andActive Worlds.[41]Some evidence suggests that avatars that are more anthropomorphic are perceived to be less credible and likeable than images that are less anthropomorphic.[j 1]Social scientists atStanford's Virtual Human Interaction Lab[42]examine the implications, possibilities, andtransformed social interactionthat occur when people interact via avatars.

Social media

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Another use of the avatar has emerged with the widespread use ofsocial mediaplatforms. There is a practice in social media sites: uploading avatars in place of real profile image. Profile picture is a distinct graphics that represent the identity of profile holder. It is usually the portrait of an individual, logo of an organization, organizational building or distinctive character of book, cover page etc. Using avatars as profile pictures can increase users' perceived level ofsocial presencewhich in turn fosters reciprocity and sharing behavior in online environments.[43]According to MIT professor Sherry Turkle: "...we think we will be presenting ourselves, but our profile ends up as somebody else – often the fantasy of who we want to be ".[44]

Motion capture

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Another form of use for avatars is for video chats/calls. Some services, such as Skype (through some external plugins) allow users to usetalking avatarsduring video calls, replacing the image from the user's camera with an animated, talking avatar.[45]Through the use offacial motion captureand awebcam,an avatar can be configured to mimic the motions and expressions of the user. This can be integrated directly into games, such asStar Citizen,and via standalone software such as FaceRig.[46][47]

Both 3D and 2D avatars have been used inLearning and Developmentcontent for education, onboarding, employee training and more. Photorealistic 3D AI avatars have been used as stand-ins for real actors via video editing tools like those made bySynthesiaamong others.[48]

Virtual YouTubersuse animated avatars designed in software such asLive2D,which often resembleanimecharacters.[49]A whole ecosystem of talent agencies and investors exists to manage these online personalities, which often differ from the creator's real-life persona.[50]YouTube's 2020 Culture and Trends report highlighted VTubers as one of the notable trends of that year, with 1.5 billion views per month by October,[51]and in May 2021,Twitchadded a VTuber tag for streams as part of a wider expansion of its tag system.[52]

Miscellaneous

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Samsung'sAR Emojiwhich comes onSamsung Galaxysmartphones lets users create animated avatars of themselves.[53][54]

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Cartoons and stories sometimes have a character based on their creator, either a fictionalised version (e.g. theMatt Groeningcharacter in some episodes ofThe Simpsons) or an entirely fictional character (e.g.Hermione Grangerin theHarry Potterserieshas been said[55]byJ. K. Rowlingto be based upon herself). Such characters are sometimes[citation needed]known as "author surrogates"or" author avatars ".

Customisation

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Early examples of customizable avatars include multi-user systems, includingMUDs.[56]Gaia Onlinehas a customizable avatar where users can dress it up as desired.[57]Users may earn credits for completing sponsored surveys or certain tasks to purchase items and upgrades to customize their avatar.[58]Linden Lab'sSecond Lifecreates avirtual worldin which avatars, homes, decorations, buildings and land are for sale.[59]Less-common items may be designed to appear better than common items, and an experienced player may be identified from a group of new characters before in-game statistics are seen.[56]

Generators

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To meet the demand for millions of unique, customised avatars, generator tools and services have been created.[60]Many of them, such as the websitePicrew,are based around works by original artists.[61]The 2021Electronic Entertainment Expofeatured an avatar creator, to align with its new all-digital nature.[62]

Awareness avatars

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Example user image with arainbow flagacross one corner

Some people add visual details or effects to their avatars to show support for a movement or issue, in a similar way to a physicalawareness ribbon.

The awareness avatar may have first been used in theNew Zealand Internet Blackout,to protest copyright law changes in New Zealand. Globally, protesters replaced their icons with black squares to show solidarity. The protest was successful and proved the method effective at both raising awareness and effecting change. Campaigns have used this method include:

Academic study

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Avatars have become an area of study in the world of academics. According to psychiatrist David Brunski, the emergence of online avatars have implications for domains of scholarly research such astechnoselfstudies, which is concerned with all aspects of identity in a technological society.[j 2] Across the literature, scholars have focused on three overlapping aspects that influence users' perceptions of the social potential of avatars: agency, anthropomorphism, and realism.[j 3]According to researchers K. L. Novak and J. Fox, researchers must differentiateperceived agency(whether an entity is perceived to be human),anthropomorphism(having human form or behavior),identomorphism[70](how much the form of the avatar resembles the player), andrealism(the perceived viability of something realistically existing). Perceived agency influences people's responses in the interaction regardless of who or what is actually controlling the representation. An earlier meta-analysis of studies comparing agents and avatars found that both agency and perceived agency mattered: representations controlled by humans were more persuasive than those controlled by bots, and representations believed to be controlled by humans were more persuasive than those believed to be controlled by bots.[j 4]

Additionally, researchers have investigated how anthropomorphic representations influence communicative outcomes and found that more human-like representations are judged more favorably; people consider them more attractive, credible, and competent.[j 5]Higher levels of anthropomorphism also lead to higher involvement, social presence, and communication satisfaction.[j 6]Moreover, people communicate more naturally with more anthropomorphic avatars.[j 7]Anthropomorphism is also tied to social influence, as more human-like representations can be more persuasive.[j 8]

For theHarvard Business Review,Paul Hemp analysed the effects of avatars on real-world business. He focuses on the game "Second Life", demonstrating that the creators of virtual avatars are willing to spend real money to purchase goods marketed solely to their virtual selves.[71]In addition, research indata collectionvia Second Life avatars suggested important considerations related to research participant engagement, burden, and retention, as well as accuracy of the data collected.[72]

Representation of identity

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The Journal of Computer-Mediated Communication published a study of the reactions to certain types of avatars by a sample group of human users. The results showed that users commonly chose avatars which were humanoid and matched their gender. The conclusion was that in order to make users feel more "at home" in their avatars, designers should maximise the customizability of visual criteria common to humans, such as skin and hair color, age, gender, hair styles and height.[j 9]Researchers at York University studied whether avatars reflected a user's real-life personality.[73]Student test groups were able to infer upon extraversion, agreeableness, and neuroticism, but could not infer upon openness and conscientiousness.[73]

Researchers have also studied avatars that differ from real-life identity.Sherry Turkledescribed a middle-aged man who played an aggressive, confrontational female character in his online communities, displaying personality traits he was embarrassed to display in the offline world.[74]Research by Nick Yee of the Daedelus Project demonstrates that an avatar may differ considerably from a player's offline identity, based on gender.[75]However, most players will make an avatar that is (proportionately) equal to their height (or slightly taller).[75]Turkle has observed that some players seek an emotional connection they cannot establish in the real world. She described a case in which a man with a serious heart condition preventing him from ordinary socializing found acceptance and friendship through his online identity.[74]Others have pointed out similar findings in those withmental disordersmakingsocial interactiondifficult, such as those withautismor similar disabilities.[76]

See also

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Academic sources

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  1. ^Nowak, Kristine L. (2004)."The Influence of Anthropomorphism and Agency on Social Judgment in Virtual Environments".Journal of Computer-Mediated Communication.9(2): n.p.doi:10.1111/j.1083-6101.2004.tb00284.x.
  2. ^Brunskill, David (December 2013). "Social media, social avatars and the psyche: is Facebook good for us?".Australasian Psychiatry.21(6): 527–532.doi:10.1177/1039856213509289.PMID24159052.S2CID7526092.
  3. ^Nowak, K. L.; Fox, J. (2018). "Avatars and Computer-Mediated Communication: A Review of the Definitions, Uses, and Effects of Digital Representations".Review of Communication Research.6:30–53.doi:10.12840/issn.2255-4165.2018.06.01.015(inactive March 7, 2024).{{cite journal}}:CS1 maint: DOI inactive as of March 2024 (link)
  4. ^Fox, J.; Ahn, S. J.; Janssen, J. H.; Yeykelis, L.; Segovia, K. Y.; Bailenson, J. N. (2015). "Avatars versus agents: A metaanalysis quantifying the effects of agency on social influence".Human-Computer Interaction.30(5): 401–432.doi:10.1080/07370024.2014.921494.S2CID21235038.
  5. ^Westerman, D.; Tamborini, R.; Bowman, N. D. (2015). "The effects of static avatars on impression formation across different contexts on social networking sites".Computers in Human Behavior.53:111–117.doi:10.1016/j.chb.2015.06.026.S2CID43018984.
  6. ^Kang, S. H.; Watt, J. H. (2013). "The Impact of Avatar Realism and Anonymity on Effective Communication via Mobile Devices".Computers in Human Behavior.29(3): 1169–1181.doi:10.1016/j.chb.2012.10.010.
  7. ^Heyselaar, E.; Hagoort, P.; Segaert, K. (2017)."In dialogue with an avatar, language behavior is identical to dialogue with a human partner".Behavior Research Methods.49(1): 46–60.doi:10.3758/s13428-015-0688-7.PMC5352801.PMID26676949.
  8. ^Gong, L (2008). "How social is social responses to computers? The function of the degree of anthropomorphism in computer representations".Computers in Human Behavior.24(4): 1494–1509.doi:10.1016/j.chb.2007.05.007.
  9. ^Nowak, K. L.; Rauh, C. (2005)."The Influence of the Avatar on Online Perceptions of Anthropomorphism, Androgyny, Credibility, Homophily, and Attraction".Journal of Computer-Mediated Communication.11(1): 153–178.doi:10.1111/j.1083-6101.2006.tb00308.x.

Further reading

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Look upavatarin Wiktionary, the free dictionary.
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