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Oboe Concerto (Marcello)

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TheOboe ConcertoinD minor,SD935, is an early 18th-centuryconcerto for oboe,stringsandcontinuoattributed to theVenetiancomposerAlessandro Marcello.The earliest extant manuscript containingJohann Sebastian Bach's solokeyboardarrangement of the concerto,BWV974, dates from around 1715. As a concerto foroboe,strings andcontinuogroup, its oldest extant sources date from 1717: that year it was printed inAmsterdam,and aC minorvariant of the concerto, S Z799, was written down.

Bach's keyboard version was published as an arrangement of a concerto byAntonio Vivaldiin the 19th century. In 1923 the C minor version of the oboe concerto was published as a composition byBenedetto Marcello,Alessandro's brother. In the second half of the 20th century several publications indicated Alessandro again as the composer of the piece, as it had been in its early 18th-century print, and the oboe concerto was again published in its D minor version.

In the 20th and 21st centuries the concerto developed into a well-establishedrepertoirepiece, as well as an oboe concerto as performed on keyboard.[1]

History

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The Concerto in D minor, S D935, was published by Jeanne Roger in Amsterdam in 1717, as aConcerto a Cinque(concerto in five parts) for oboe (soloist), strings (two violin and one viola parts) and continuo composed by Alessandro Marcello.[2][3][4]No publication date appears in the print: although the year of publication is, depending on author, sometimes given as "ca. 1714-1717"[5]or "c.1716 "[6]it can be inferred from the consecutive testaments of the publisher's father (Estienne Roger) and from the sequence of publication numbers.[7]The publication presents the melody lines unadorned, that is: it is left to the performing musician to embellish melodies withornamentssuch astrills,mordentsandgrace notes.[8]Alessandro Marcello published most of his works under a pseudonym (Eterio Stinfalico): the oboe concerto publication was an exception in that sense as it used his real name.[9]

In hisWeimarperiod (1708–17) Johann Sebastian Bach arranged several concertos by Venetian composers, most of them byAntonio Vivaldi,for solo keyboard, known ashis Weimar concerto transcriptions.In July 1713Prince Johann Ernstreturned to Weimar fromthe Netherlandswith several compositions by Italian masters. Vivaldi'sOp.3,L'estro Armonicohad been published in Amsterdam in 1711, and there is little doubt that the Prince brought this edition, containing twelve concertos, to Weimar in 1713, as Bach apparently used this print for five of his solo keyboard arrangements. The Prince, who also composed Italianate concertos, presumably encouraged Bach to produce solo keyboard arrangements of such works. As the Prince left Weimar in July 1714 it is estimated that most of Bach's solo keyboard arrangements of Italian and Italianate concertos originated in the period from July 1713 to July 1714. That is, at least those arrangements that could be performed on aharpsichordwithoutpedalboard,while the Weimar courtorgan(which would be needed for arrangements including pedals such as BWV 592–597) would have been unavailable for undergoing repairs in this period.[2][6]

Adagio (2nd movement), BWV 974, Bach's transcription for keyboard
Performed by Constantin Stephan
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Bach'smanualiterarrangement, BWV 974, of the Marcello concerto was apparently not based on the Amsterdam edition, but must have been based on a (lost) manuscript version of the concerto that circulated before it was printed.[2]The July 1713 to July 1714 timeframe may fit for the production of the arrangement of this concerto, although an earlier or later date is possible too. Bach's autograph of the solo keyboard arrangement is lost, but the arrangement was copied around 1715 by Bach's second cousinJohann Bernhard,as the third item in a manuscript containing 12 of Johann Sebastian's keyboard transcriptions of Italian and Italianate concertos. In 1739 Johann Bernhard's sonJohann Ernstwrote a title page for this collection, suggesting that the collection contained Vivaldi arrangements for organ exclusively. He may have intended this title page for the first concerto in the collection only (which was indeed an arrangement of a Vivaldi concerto), but an unknown hand later added the number "XII" before the title, thus causing the misunderstanding that all 12 were Vivaldi arrangements.[10]Another copy of Bach's arrangement indicates "Marcello" (without first name) as the composer of the original work, and J. S. Bach as the arranger. That copy, specifying harpsichord as the intended instrument for the arrangement, originated after Johann Bernhard's, but may have been copied from an earlier stage of Bach's arrangement.[11]Another manuscript containing Bach's arrangement of Marcello's oboe concerto indicated "J. S. B."as composer on the title page, without mentioning an earlier model, or its composer, for the composition.[12]

In 1720 Johann Sebastian Bach compiled a short ornament guide for his eldest sonWilhelm Friedemann

The ornamentation as indicated in Bach's keyboard version of the concerto works well on harpsichord, but is less suitable for performance on an early 18th-century oboe. Nonetheless Bach's ornamentation has been used for 20th-century publications of the oboe concerto – the ornamentation causes fewer problems when performed on a modern oboe. Editions of the D minor version of the oboe concerto with an ornamentation which is better in line with the possibilities of a baroque oboe have been proposed since the late 20th century.[8][13][14]

Another transcription of the concerto, as concerto a 5 for oboe, strings and continuo in C minor, is found in a 1717 manuscript. The type of errors in this manuscript seems to suggest that the transposition from D minor to C minor may have been produced by its scribes while copying. This manuscript writes the composer's name as "Marcello" without specifying a first name: as Alessandro's brother Benedetto was far better known as a composer by the name Marcello, later generations would interpret the title of the manuscript as referring to the better known of the "Marcello" composers.[6][15]

Movements

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The piece has three movements:

  1. Andante espiccato
  2. Adagio
  3. Presto

The concerto survives in different printed and manuscript versions, one of these in C minor.[6]

Other versions

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The concerto has also been recorded played on apiccolo trumpet- a notoriously challenging transcription due to the breath control and tightembouchurerequired for its sustained passages in the higher register.[16]

Bach's keyboard transcription of the 2nd movement ( "Adagio" ) was adapted byJohn Williamsfor inclusion in his score forSteven Spielberg's 2022 semi-autobiographical filmThe Fabelmans,heard during the entire three-minute sequence whereSammy Fabelmanedits the footage he took of a family camping trip and uncovers the affair between his mother Mitzi and Bennie Lowey, his father Burt's loyal co-worker. The scene is intercut with Mitzi herself playing the piece on her piano while Burt sits on the couch, listening to it.[17][18]

References

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  1. ^Alessandro Marcello: Concerto for Oboe and String OrchestraandConcerto in D minor after Alessandro Marcello, BWV 974atArkivMusicwebsite.Retrieved 18 February 2020.
  2. ^abcJones 2006,pp. 143–144
  3. ^Rasch 2005, p. 72
  4. ^(score publication) Amsterdam [1717]
  5. ^Scarnati 1996
  6. ^abcdSchulenberg 2013,p. 130and endnotesp. 462
  7. ^Rasch 2005
  8. ^abScarnati 1996, pp. 12–13
  9. ^Scarnati 1996, pp. 16–17
  10. ^(manuscript) D-B Mus. ms. Bach P 280 (3)
  11. ^(manuscript) D-DS Mus. ms. 66
  12. ^(manuscript) D-B Mus. ms. Bach P 804, Fascicle 4
  13. ^Scarnati 1996, pp. 99–111
  14. ^(score publication) Voxman 1977
  15. ^(manuscript) SW Mus. Ms. 3530
  16. ^Eymard, Joel (17 July 2011)."Concerto in D Minor".Retrieved31 July2022.
  17. ^"The Fabelmans: A Review and Analysis".The Commentator.December 25, 2022.
  18. ^"John Williams Reflects on Scoring Spielberg's 'Deep Wound' for 'The Fabelmans': 'Children Suffer Greatly From Divorce' (Exclusive Video)".TheWrap.March 1, 2023.

Sources

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Manuscripts

Score publications

Writings

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