Jump to content

Jon Lord

From Wikipedia, the free encyclopedia
For other people named Jon Lord, seeJon Lord (disambiguation).

Jon Lord
Lord in 1976
Lord in 1976
Background information
Birth nameJohn Douglas Lord
Born(1941-06-09)9 June 1941
Leicester,England
Died16 July 2012(2012-07-16)(aged 71)
London, England
Genres
Occupations
  • Musician
  • composer
InstrumentKeyboards
Years active1960–2012
Labels
Formerly of

John Douglas "Jon" Lord(9 June 1941 – 16 July 2012)[1]was an English keyboardist and composer. In 1968, Lord co-founded thehard rockbandDeep Purple,and he became regarded as its leader in the early years. Lord performed on most of the band's most popular songs; he and drummerIan Paicewere the only continuous members in the band between 1968 and 1976, and also from when it was re-established in 1984 until Lord's retirement in 2002. He also spent time in the bandsWhitesnake,Paice Ashton Lord,the Artwoods,the Flower Pot MenandSanta Barbara Machine Head.

Lord became known for his pioneering work in fusing rock with classical orbaroqueforms, especially with Deep Purple. His distinctive organ playing during Deep Purple's hard rock period was essential to the band's signature heavy sound and contributed to the early development ofheavy metal.On 11 November 2010, he was inducted as anHonorary FellowofStevenson Collegein Edinburgh, Scotland. On 15 July 2011, he was awarded an honoraryDoctor of Musicdegree atDe Montfort Hallby theUniversity of Leicester.Lord was posthumously inducted into theRock and Roll Hall of Fameon 8 April 2016 as a member of Deep Purple.[2]

Early life

[edit]

Growing up in Leicester

[edit]

Lord was born inLeicesteron 9 June 1941 to Miriam (1909–1995; née Hudson) and Reginald Lord, growing up at 120 Averil Road[3]with a younger sibling Steven and retaining a strong bond with the city throughout his life. His father was an amateur saxophonist and encouraged Lord from an early age. He studied classical piano from the age of five, with a local teacher, Frederick Allt, and this focus on a classical grounding to his material was a recurring trademark in his work, both in composition, arranging and his instrumental solos on piano, organ and electronic keyboards. In particular his influences ranged fromJohann Sebastian Bach(a constant reference in his music and in his keyboard improvisation) to Medieval popular music and the English tradition ofEdward Elgar.He attendedWyggeston Grammar School for Boysbetween 1952 and 1958 where he gainedO Levelpasses in French, music and mathematics, participated in amateur dramatics and the school choir alongside his organ and piano studies, and then worked as a clerk in a solicitor's office for two years.[4]

Lord absorbed thebluessounds that played a key part in his rock career, principally the raw sounds of the great American jazz and blues organists, such asWild Bill Davis,Jimmy Smith,Jimmy McGriffand "Brother"Jack McDuff( "Rock Candy" ), as well as the stage showmanship ofJerry Lee Lewisand performers likeBuddy Holly,whom he saw perform at the De Montfort Hall in Leicester in March 1958.[5]The jazz-blues organ style of black R&B organ players in the 1950s and 1960s, using the trademark blues-organ sound of theHammond organ(B3 and C3 models) and combining it with theLeslie speakersystem (the well-known Hammond-Leslie speaker combination), were seminal influences on Lord. Lord also stated that he was heavily influenced by the organ-basedprogressive rockplayed byVanilla Fudgeafter seeing that band perform in Great Britain in 1967, and earlier by the personal direction he received from British organ pioneerGraham Bond.[6]

Move to London

[edit]

Lord moved to London in 1959–60, intent on an acting career and enrolling at theCentral School of Speech and Drama,in London'sSwiss Cottage.Following a celebrated student rebellion he became a founder ofDrama Centre London,from where he graduated in 1964. Small acting parts followed, including in the British TV series,Emergency - Ward 10,and Lord continued playing the piano and the organ innightclubsand as a session musician to earn a living. He started his band career in London in 1960 with the jazz ensembleThe Bill Ashton Combo.Ashton became a key figure in jazz education in Britain, creating what later became theNational Youth Jazz Orchestra.Between 1960 and 1963, Lord and Ashton both moved on to Red Bludd's Bluesicians (also known as The Don Wilson Quartet), the latter of which featured the singerArthur "Art" Wood,brother of guitaristRonnie Wood.Wood had previously sung withAlexis Korner'sBlues Incorporatedand was a junior figure in the British blues movement. Somewhere around this time, Lord altered his first name spelling from "John" to the perhaps more contemporary "Jon". In this period, Lord's session credits included playing the keyboards in the number one song "You Really Got Me"byThe Kinks', released in 1964; however in aGuitar Worldinterview, Kinks frontmanRay Daviesstated it was actually Arthur Greenslade playing piano on that particular track.[7]

Following the break-up of Redd Bludd's Bluesicians in late 1963, Wood, Lord, and the drummer Red Dunnage put together a new band, The Art Wood Combo. This also included Derek Griffiths (guitar) and Malcolm Pool (bass guitar). Dunnage left in December 1964 to be replaced byKeef Hartley,who had previously replacedRingo StarrinRory Stormand the Hurricanes. This band, later known as "The Artwoods",focused on the organ as the bluesy, rhythmic core of their sound, in common with the contemporary bandsThe Spencer Davis Group(Steve Winwoodon organ) andThe Animals(withAlan Price). They made appearances on the BBC'sSaturday Clubradio show and on such TV programs asReady Steady Go!.It also performed abroad, and it appeared on the firstReady Steady Goes Live,promoting its first single theLead Bellysong "Sweet Mary" — but significant commercial success eluded it. Its only charting single was "I Take What I Want", which reached number 28 on 8 May 1966.

This band regrouped in 1967 as the "St. Valentine's Day Massacre". This was an attempt to cash in on the 1930s gangster craze set off by the American filmBonnie and Clyde.Hartley left the band in 1967 to joinJohn Mayall & the Bluesbreakers.Lord next founded the blues-influencedSanta Barbara Machine Head,featuring Art's brother,Ronnie Wood,writing and recording three powerful keyboard-driven instrumental tracks, giving a preview of the future style ofDeep Purple.Soon thereafter, Lord went on to cover for the keyboard player Billy Day inThe Flower Pot Men,where he met the bass guitaristNick Simperalong with drummerCarlo Littleand guitaristGed Peck.Lord and Simper then toured with this band in 1967 to promote its hit single "Let's Go to San Francisco",but the two men never recorded with this band.[citation needed]

Formation of Deep Purple

[edit]

In early 1967, through his roommateChris Curtisof theSearchers,Lord met businessmanTony Edwardswho was looking to invest in the music business alongside partners Ron Hire and John Coletta (HEC Enterprises). Session guitaristRitchie Blackmorewas called in and he met Lord for the first time, but Chris Curtis's erratic behaviour led the trio nowhere. Edwards was impressed enough by Jon Lord to ask him to form a band after Curtis faded out. Said Edwards, "I couldn't really cope with [Curtis] but I had a great rapport with Jon Lord; here was somebody sensible, somebody I could communicate with on my level."[8]Simper was contacted, and Blackmore was recalled fromHamburg.Although top British playerBobbie Clarkewas the first choice as drummer, during the auditions for a singer,Rod Evansof "The Maze" came in with his own drummer,Ian Paice.Blackmore, who had been impressed by Paice's drumming when he met him in 1967, set up an audition for Paice as well. The band was called the "Roundabout" at first and began rehearsals at Deeves Hall in Hertfordshire. In March 1968, this became the "Mark 1" line-up of "Deep Purple":Lord, Simper, Blackmore, Paice, and Evans.

Lord also did session work in the late 1960s with the band "Boz", along with Blackmore (guitar) and Paice (drums), given that Boz was being produced byDerek Lawrencewho produced Deep Purple's first three albums. Boz was led byBoz Burrell(vocals/guitar, later bassist forKing CrimsonandBad Company) and also includedChas Hodges(bass guitar).[9]

Deep Purple (1968-1976/1984-2002)

[edit]

1968–1970

[edit]

It was in these three years that Lord's trademark keyboard sound emerged. Ignoring the emergence of theMoog synthesizer,as pioneered in rock by such players asKeith Emerson,Lord began experimenting with a keyboard sound produced by driving the Hammond organ throughMarshall amplifiersin an effort to match the attack and volume of Blackmore's guitar. Lord's version was heavier than a blues sound, and it often featured distortion and a far harder, industrial type sound that became the trademark Jon Lord organ sound. Both Emerson andRick Wakemanpublicly expressed admiration for Lord's mould-breaking work on the organ.[citation needed]This delivered a rhythmic foundation to complement Blackmore's speed and virtuosity on lead guitar. Lord also loved the sound of anRMI 368 Electra-Piano and Harpsichord,which he used on such songs as "Demon's Eye" and "Space Truckin'".

In 1973, Lord's original Hammond C3 gave out and he bought another fromChristine McVieofFleetwood Mac.Also around this time, Lord and his keyboard technician, Mike Phillips, combined his Hammond C3 Organ with the RMI. Lord kept this particular Hammond C3 until his retirement from the band in 2002, when he passed it to successorDon Airey.That instrument was retired from stage use a few years later, as it had become "pretty knackered" according to Airey.[10]

By pushing the Hammond-Leslie sound through Marshall amplification, Lord created a growling, heavy, mechanical sound which allowed him to compete with Blackmore as a soloist, with an organ that sounded as prominent as the lead guitar. Said one reviewer, "many have tried to imitate [Lord's] style, and all failed."[11]Said Lord himself, "There's a way of playing a Hammond [that's] different. A lot of people make the mistake of thinking that you can play a Hammond with a piano technique. Well, you can, but itsoundslike you are playing a Hammond with a piano technique. Really, you have to learn how to play an organ. It's alegatotechnique; it's a technique to achieve legato on a non-legato instrument. "[12]

In early Deep Purple recordings, Lord had appeared to be the leader of the band.[13]Despite the cover songs "Hush"and"Kentucky Woman"becoming hits in North America, Deep Purple never made chart success in the UK until theConcerto for Group and Orchestraalbum dented the UK charts in early 1970. Lord's willingness later to play many of the key rhythm parts gave Blackmore the freedom to let loose both live and on record.

On Deep Purple's second and third albums, Lord began indulging his ambition to fuse rock with classical music. An early example of this is the song "Anthem" from the albumThe Book of Taliesyn(1968), but a more prominent example is the song "April" from the band'sself-titled third album(1969). The song is recorded in three parts: (1) Lord and Blackmore only, on keyboards and acoustic guitar, respectively; (2) an orchestral arrangement complete with strings; and (3) the full rock band with vocals. Lord's ambition enhanced his reputation among fellow musicians, but caused tension within the group. Simper later said, "The reason the music lacked direction was Jon Lord fucked everything up with his classical ideas."[14]Blackmore agreed to go along with Lord's experimentation, provided he was given his head on the next band album.[11]

The resultingConcerto For Group and Orchestrawas one of rock's earliest attempts to fuse two distinct musical idioms. Performed live at theRoyal Albert Hallon 24 September 1969 (with new band membersIan GillanandRoger Glover,Evans and Simper having been fired), it was recorded by theBBCand later released as an album in December 1969.Concertogave Deep Purple their first highly publicised taste of mainstream fame and gave Lord the confidence to believe that his experiment and his compositional skill had a future, as well as giving Lord the opportunity to work with established classical figures, such as conductor SirMalcolm Arnold,who brought his skills to bear by helping Lord realise the work and to protect him from the inevitable disdain of the older members of the orchestra.[citation needed]

1970–1976

[edit]
Lord withDeep Purpleon tour at theNiedersachsenhalle,Hanover,Germany, 1970

Purple began work onDeep Purple in Rock,released by their new labelHarvestin 1970 and now recognised as one ofhard rock's key early works. Lord and Blackmore competed to out-dazzle each other, often in classical-style, midsection 'call and answer' improvisation (on tracks like "Speed King" and "Bloodsucker" ), something they employed to great effect live. Ian Gillan said that Lord provided the idea on the main organ riff for "Child in Time"although the riff was also based onIt's a Beautiful Day's 1969 psychedelic hit song "Bombay Calling".[15]Lord's experimental solo on "Hard Lovin' Man" (complete with police-siren interpolation) from this album was his personal favourite among his Deep Purple studio performances.

Deep Purple released another six studio albums between 1971 (Fireball) and 1975 (Come Taste the Band). Gillan and Glover left in 1973 and Blackmore in 1975, and the band disintegrated in 1976. The highlights of Lord's Purple work in the period include the 1972 albumMachine Head(featuring his rhythmic underpinnings on "Smoke on the Water"and"Space Truckin'",plus the organ solos on"Highway Star","Pictures of Home"and"Lazy"), the sonic bombast of theMade in Japanlive album (1972), an extended, effect-laden solo on "Rat Bat Blue" from theWho Do We Think We Arealbum (1973), and his overall playing on theBurnalbum from 1974.

Roger Gloverwould later describe Lord as a true "Zen-archer soloist", someone whose best keyboard improvisation often came at the first attempt. Lord's strict reliance on the Hammond C3 organ sound, as opposed to the synthesizer experimentation of his contemporaries, places him firmly in the jazz-blues category as a band musician and far from the progressive-rock sound ofKeith EmersonandRick Wakeman.Lord rarely ventured into the synthesizer territory on Purple albums, often limiting his experimentation to the use of thering modulatorwith the Hammond, to give live performances on tracks like Space Truckin' a distinctive 'spacey' sound. Instances of his Deep Purple synthesizer use (he became an endorser of theARP Odyssey) include "'A' 200", the final track fromBurn,and "Love Child" on theCome Taste the Bandalbum.

In early 1973 Lord stated: "We're as valid as anything by Beethoven."[16]

As a composer

[edit]

Lord continued to focus on his classical aspirations alongside his Deep Purple career. TheBBC,buoyed by the success of the Concerto, commissioned him to write another piece and the resulting "Gemini Suite" was performed by Deep Purple and the Light Music Society underMalcolm Arnoldat theRoyal Festival Hallin September 1970, and then inMunichwith theKammerorchesterconducted byEberhard Schoenerin January 1972. It then became the basis for Lord's first solo album,Gemini Suite,released in November 1972, with vocals byYvonne EllimanandTony Ashtonand with theLondon Symphony Orchestrabacking a band that includedAlbert Leeon guitar.

Lord's collaboration with the highly experimental and supportive Schoener resulted in a second live performance of the Suite in late 1973 and a new Lord album with Schoener, entitledWindows,in 1974. It proved to be Lord's most experimental work and was released to mixed reactions. However, the dalliances withBachonWindowsand the pleasure of collaborating with Schoener resulted in perhaps Lord's most confident solo work and perhaps his strongest orchestral album,Sarabande,recorded in Germany in September 1975 with thePhilharmonia Hungaricaconducted by Schoener. Composed of eight pieces (from the opening sweep of Fantasia to the Finale), at least five pieces form the typical construction of a baroque dance suite. The key pieces (Sarabande,Gigue,Bouree,PavaneandCaprice) feature rich orchestration complemented sometimes by the interpolation of rock themes, played by a session band comprisingPete York,Mark NauseefandAndy Summers,with organ and synthesizers played by Lord.

In March 1974, Lord and Paice had collaborated with friendTony AshtononFirst of the Big Bands,credited to 'Tony Ashton & Jon Lord' and featuring a rich array of session talent, includingCarmine Appice,Ian Paice,Peter FramptonandPink Floydsaxophonist/sessioner,Dick Parry.They performed much of the set live at theLondon Palladiumin September 1974.

This formed the basis of Lord's first post-Deep Purple projectPaice Ashton Lord,which lasted only a year and spawned a single album,Malice in Wonderlandin 1977, recorded atMusicland Studiosat the Arabella Hotel in Munich. A second album was begun but subsequently abandoned. He created an informal group of friends and collaborators including Ashton, Paice,Bernie Marsden,Boz Burrelland later, Bad Company'sMick Ralphs,Simon Kirkeand others. Over the same period, Lord guested on albums byMaggie Bell,Nazarethand even folk artistRichard Digance.

Lord also guested as one of several keyboard players on the live performance of David Bedford'sThe Odyssey.The composer and musician (The Orchestral Tubular Bells(1975),Star's End(1974),The Rime Of The Ancient Mariner(1975)), performed a live concert of a musical version of Homer's play, at the Royal Albert Hall on 25 January 1977.Andy Summers,who found fame inThe Policeplayed guitar on The Odyssey studio recording and asked Lord to be one of the keyboard players for this concert. The set began with a cut down live version ofSarabande,on which Summers had played on the studio recording session in September 1975.

Eager to pay off a huge tax bill upon his return the UK in the late-1970s (Purple's excesses included their own tour jet and a home Lord rented in Malibu from actressAnn-Margretand where he wrote theSarabandealbum), Lord joined former Deep Purple band memberDavid Coverdale's new band,Whitesnakein August 1978 (Ian Paice joined them in 1980 and stayed until 1982).

Whitesnake, 1978–1984

[edit]

Lord's job in Whitesnake was largely limited to adding colour (or, in his own words, a 'halo') to round out a blues-rock sound that already accommodated two lead guitarists,Bernie MarsdenandMicky Moody.He added aYamahaCP-70 electric pianoto his set-up and finally a huge bank of synthesizers onstage courtesy of Moog (Minimoog,Opus,Polymoog) so he could play the 12-bar blues the band often required and recreate string section and other effects. Such varied work is evident on tracks like "Here I Go Again","Wine, Women and Song "," She's a Woman "and" Till the Day I Die ". A number of singles entered the UK chart, taking the now 30-something Lord ontoTop of the Popswith regularity between 1980 and 1983. He later expressed frustration that he was a poorly paid hired-hand, but fans saw little of this discord and Whitesnake's commercial success kept him at the forefront of readers' polls as heavy rock's foremost keyboard maestro. His dissatisfaction (and Coverdale's eagerness to revamp the band's line-up and lower the average age to help crack the US market) smoothed the way for the reformation of Deep Purple Mk II in 1984.

Jon Lord's lastWhitesnakeconcert took place in theSwedish TVprogrammeMåndagsbörsenon 16 April 1984.

During his tenure in Whitesnake, Lord had the opportunity to record two distinctly different solo albums. 1982sBefore I Forgetfeatured a largely conventional eight-song line-up, no orchestra and with the bulk of the songs being either mainstream rock tracks ( "Hollywood Rock And Roll", "Chance on a Feeling" ), or – specifically on side two – a series of English classical piano ballads sung by the mother and daughter duoVicki BrownandSam Brown(wife and daughter of entertainerJoe Brown) and vocalistElmer Gantryas well as piano and synthesiser instrumentals such as "Burntwood", named after Lord's stately Oxfordshire home at the time. The album also boasted the cream of British rock talent, including the session drummer (andNational Youth Jazz Orchestraalumnus)Simon Phillips,Cozy Powell,Neil Murray,Simon Kirke,Boz BurrellandMick Ralphs.

Additionally, Lord was commissioned by producer Patrick Gamble forCentral Televisionto write the soundtrack for their 1984 TV series,Country Diary of an Edwardian Lady,based on the book byEdith Holden,with an orchestra conducted by Alfred Ralston and with a distinctly gentle, pastoral series of themes composed by Lord. Lord became firmly established as a member of UK rock's "Oxfordshiremansion aristocracy "– with a home, Burntwood Hall, set in 23.5 acres (9.5 ha) atGoring-on-Thames,complete with its own cricket pitch and a hand-painted Challen babygrand piano,previously owned byShirley Bassey.He was asked to guest on albums by friendsGeorge Harrison(Gone Troppofrom 1982) and Pink Floyd'sDavid Gilmour(1984'sAbout Face), Cozy Powell (Octopussin 1983) and to play on an adaptation ofKenneth Grahame's 1908 classic,The Wind in the Willows.He composed and produced the score forWhite Fire(1984), which consisted largely of two songs performed by Limelight. In 1985 he made a brief appearance as a member of The Singing Rebel's band (which also featuredEric Clapton,George HarrisonandRingo Starr) in theDick ClementandIan La Frenais-scripted filmWater(1985) (Handmade Films).

In the 1980s he was also a member of an all-star band calledOlympic Rock & Blues Circusfronted byPete Yorkand featuring a rotating line-up ofMiller Anderson,Tony Ashton,Brian Auger,Zoot Money,Colin Hodgkinson,Chris Farloweand many others. Olympic Rock & Blues Circus toured primarily in Germany between 1981 and 1989. Some musicians, including Lord, took part in York's TV musical extravaganzaSuperdrummingbetween 1987 and 1989.

Later work, 1984–2006

[edit]

Lord's re-emergence with Deep Purple in 1984 resulted in huge audiences for the reformed Mk II line-up, including 1985's second largest grossing tour in the US and an appearance in front of 80,000 rain-soaked fans headliningKnebworthon 22 June 1985, all to support thePerfect Strangersalbum. Playing with a rejuvenated Mk. II Purple line-up (including spells at a health farm to get the band including Lord into shape) and being onstage and in the studio with Blackmore, gave Lord the chance to push himself once again. His 'rubato' classical opening sequence to the album's opener, "Knocking at Your Back Door"(complete with F-Minor to G polychordal harmony sequence), gave Lord the chance to do his most powerful work for years, including the song"Perfect Strangers".Further Deep Purple albums followed, often of varying quality, and by the late-1990s, Lord was clearly keen to explore new avenues for his musical career.

Lord performing forThe Sunflower Jam,London, 2007

In 1997, he created perhaps his most personal work to date,Pictured Within,released in 1998 with a European tour to support it. Lord's mother Miriam had died in August 1995 and the album is inflected at all stages by Lord's sense of grief. Recorded largely in Lord's home-away-from-home, the city ofCologne,the album's themes areElgarianand alpine in equal measure. Lord signed toVirgin Classicsto release it, and perhaps saw it as the first stage in his eventual departure from Purple to embark on a low-key and altogether more gentle solo career. One song fromPictured Within,entitled "Wait A While" was later covered byNorwegiansingerSissel Kyrkjebøon her 2003/2004 albumMy Heart.

Lord finally retired from Deep Purple amicably after their UK tour in February 2002, preceded by a knee injury that eventually resolved itself without surgery and which brought keyboardistDon Aireyinto the band, initially as his temporary replacement. He said subsequently, "Leaving Deep Purple was just as traumatic as I had always suspected it would be and more so – if you see what I mean". He even dedicated a song to it on 2004's solo effort,Beyond the Notes,called "De Profundis". The album was recorded inBonnwith producerMario Argandoña[es]between June and July 2004.

Tony Ashton(right) with Lord at a gig at the Hotel Post, March 1990

Pictured WithinandBeyond the Notesprovide the most personal work by Lord. He collaborated with formerABBAsuperstar and family friend Frida (Anni-Frid Lyngstad) on the 2004 track, "The Sun Will Shine Again" (with lyrics bySam Brown), and performed with her across Europe. He subsequently also performed European concerts to première the 2007-scheduled orchestral pieceBoom of the Tingling Strings.

In 2003 he also returned to his beloved R&B and blues heritage to record an album of standards in Sydney, with Australia'sJimmy Barnes,entitledLive in the Basement,by Jon Lord and theHoochie Coochie Men.Lord was also happy to support the Sam Buxton Sunflower Jam Healing Trust and in September 2006, performed at a star-studded event to support the charity led by Ian Paice's wife, Jacky (twin sister of Lord's wife Vicky). Featured artists on stage with Lord includedPaul Weller,Robert Plant,Phil Manzanera,Ian Paice and Bernie Marsden.

Final work, after 2006

[edit]

Two Lord compositions,Boom of the Tingling Stringsand "Disguises (Suite for String Orchestra)", were recorded inDenmarkin 2006 and released in April 2008 onEMI Classics.Both featured theOdenseorchestra, conducted by Paul Mann. Additionally, a secondHoochie Coochie Menalbum was recorded in July 2006 in London. This album,Danger – White Men Dancing,was released in October 2007. HisDurham Concerto,commissioned byDurham Universityfor its 175th anniversary celebrations, received its world premiere on 20 October 2007 inDurham Cathedralby theRoyal Liverpool Philharmonic Orchestra,and featured soloists Lord on Hammond Organ,Kathryn TickellonNorthumbrian pipes,Matthew Barley on cello andRuth Palmeron violin.[17]It became a hit inClassic FM's "Hall of Fame", alongside his piano concertoBoom of the Tingling Strings.[citation needed]

Lord played piano onGeorge Harrison's posthumously releasedBrainwashedalbum (2002) and became an important member of Harrison's social circle atFriar Parkin Oxfordshire (Lord by now living first at Yewden Lodge in Hambleden and then at the time of his death at Hill House, in Fawley, Henley-On-Thames), the two having first met at Abbey Road studios in the late 1960s.[18]He was also a close friend of SirJohn Mortimer,the English barrister, dramatist, screenwriter, author and creator of British television seriesRumpole of the Bailey,whom he had accompanied on many occasions during Mortimer's performances of "Mortimer Miscellany." In 2007, Lord joined Derek Griffiths, Colin Martin and Malcolm Pool at an Artwoods reunion at the ART Tribute night, at York House in Twickenham. Ali Mackenzie took over Art Wood's role on vocals, and Chris Hunt played drums. They were joined on stage by guitarist Ronnie Wood and vocalist Geno Washington. Lord released his solo albumTo Notice Such Thingson 29 March 2010.[19]Titled after the main work—a six movement suite for solo flute, piano and string orchestra—the album was inspired by, and was dedicated to the memory of Sir John Mortimer, who died in January 2009. On its first day of release, the album enteredAmazon's Movers And Shakers index, reaching No. 12 at the end of the day.[20]Six days later it entered the UK's official classical chart at No. 4.[21]Lord had been commissioned to compose a concerto for Hammond organ and orchestra with special parts for tympani. The piece was to be premiered with theOslo Philharmonic Orchestrawith Tom Vissgren ontympaniin Oslo, Norway in Spring 2012. WithVladimir AshkenazyandJosef Suk,Lord was one of three artistic sponsors ofToccata Classics.

In July 2011, Lord performed his final live concert appearance, the Sunflower Jam at the Royal Albert Hall, where he premiered his joint composition, "It's not as big as it was", withRick Wakeman.[22]At that point, they had begun informal discussion on recording an album together. Up until 2011, Lord had also been working on material with recently formed rocksupergroupWhoCares,also featuring singerIan GillanfromDeep Purple,guitaristTony IommifromBlack Sabbath,second guitaristMikko LindströmfromHIM,bassistJason Newstedformerly fromMetallicaand drummerNicko McBrainfromIron Maiden,specifically the composition "Out of My Mind," in addition to new compositions withSteve Balsamoand a Hammond Organ concerto.[23][24]Lord subsequently cancelled a performance of his "Durham Concerto"in Hagen, Germany,[25]for what his website said was a continuation of his medical treatment (the concert, scheduled for 6 July 2012, would have been his return to live performance after treatment).[26]

Lord'sConcerto for Group and Orchestrawas effectively recommissioned by him, recorded in Liverpool and atAbbey Road Studiosacross 2011 and under post-production in 2012 with theLiverpool Philharmonic Orchestraperforming, conducted by long-time collaborator, conductor Paul Mann. The recording was at completion at the time of Lord's death, with Lord having been able to review the final master recordings. The album and DVD were subsequently released in 2012.

Personal life

[edit]

Lord has a younger brother, Steven. Lord's first marriage, from 1969 to 1975, was to Judith Feldman, with whom he had one daughter, Sara. Lord's second wife, Vickie Gibbs, was a former girlfriend of Purple bandmateGlenn Hughesand twin sister of Ian Paice's wife, Jacky Paice (founder of the charity Sunflower Jam). The sisters' father was Frank Gibbs, owner of the Oakley House Country Club inBrewood,South Staffordshire.Jon and Vickie also had one daughter, Amy.[27]

Illness and death

[edit]

In July 2011, Lord was diagnosed withpancreatic cancer.After treatment in both England and in Israel,[28]he died on 16 July 2012 at theLondon Clinicfollowing apulmonary embolism.[29][30][31][32]His interment was at the new churchyard of Saint Mary the Virgin Church inHambleden.

Influence and legacy

[edit]

Lars Ulrich,founding member and drummer inMetallicacommented, "Ever since my father took me to see them in 1973 in Copenhagen, at the impressionable age of 9, Deep Purple has been the most constant, continuous and inspiring musical presence in my life. They have meant more to me than any other band in existence, and have had an enormous part in shaping who I am. We can all be guilty of lightly throwing adjectives like 'unique,' 'one-of-a-kind' and 'pioneering' around when we want to describe our heroes and the people who've moved us, but there are no more fitting words than those right now and there simply was no musician like Jon Lord in the history of hard rock. Nobody. Period. There was nobody that played like him. There was nobody that sounded like him. There was nobody that wrote like him. There was nobody that looked like him. There was nobody more articulate, gentlemanly, warm, or fucking cooler that ever played keyboards or got anywhere near a keyboard. What he did was all his own."[33]

Interviewed in 2012 forBlabbermouth.net,Motörhead frontmanLemmysaid: "It's just a shame, because Jon Lord was, to a large extent, responsible for me being in rock and roll. He was in a band called the Artwoods years ago, withRonnie Wood's brother Arthur. They were sort of a jazz-blues band, I guess. They played at the place in Wales where I was living, this dingy little boozer, and I was talking to Jon and, like an idiot, he gave me his address in London. So, of course, I went down there and he wasn't there, but he was living at Art's mother's house where Ronnie Wood who was in a band calledThe Birdswas living and they let me crash on the couch.... I saw him late last year in a hotel in Germany inCologne.He was over there doing some orchestral stuff, and we talked in the bar for awhile... I'm glad I saw him, since he's since departed. "[34]

Also in 2012, music critic Terence Towles Canote wrote shortly after Lord's death: "While many of his contemporaries would turn to the Moog synthesiser, Jon Lord continued to rely primarily on the Hammond organ. Of course, it must be pointed out that Jon Lord could make a Hammond organ do things that other keyboardists could only dream about. Jon Lord's playing not only stood out from the pack, it also held up over time. As a youth in the Eighties I could listen to old Deep Purple songs and they would not sound dated at all. It is an incredible achievement for any artist to create works that are essentially timeless, and that is precisely what Jon Lord did."[35]

Former keyboard player of the rock bandYes,Rick Wakeman,who was a friend of Lord's, said he was "a great fan" and added "We were going to write and record an album before he became ill. His contribution to music and to classic rock was immeasurable and I will miss him terribly." In mid-2013, Wakeman presented a BBC One East Midlands-produced TV programme about Lord and his connection to the town of his birth.[36]

SingerAnni-Frid Lyngstad(ABBA), who described Jon Lord as her "dearest friend", paid him tribute at the 2013 edition of Zermatt Unplugged, the annual music festival which both he and she served as patrons. "He was graceful, intelligent, polite, with a strong integrity," she said. "(He) had a strong empathy and a great deal of humour for his own and other people's weaknesses."[37]

KeyboardistKeith Emersonsaid of Lord's death, "Jon left us now but his music and inspiration will live forever. I am deeply saddened by his departure."[38]In a later interview in November 2013, he added, "In the early years I remember being quite jealous of Jon Lord – may he rest in peace. In September 1969 I heard he was debuting his" Concerto For Group & Orchestra "at theRoyal Albert Hall,with none other thanMalcolm Arnoldconducting. Wow! I had to go along and see that. Jon and I ribbed each other, we were pretty much pals, but I walked away and thought: 'Shit, in a couple of weeks' time I'm going to be recordingThe Nice'sFive Bridges Suite... not at the Albert Hall but at theFairfield Halls,Croydon!' A much more prosaic venue. Later, Jon wanted me to play on his solo album,Gemini Suite,but that was around the timeELPwere breaking big and we were touring. He was a lovely guy, a real gentleman. "[39]

A tribute concert to Lord took place on 4 April 2014 at the Royal Albert Hall. Performers and presenters includedDeep Purple,Bob Harris,Paul Weller,Bruce Dickinson,Alfie Boe,Jeremy Irons,Rick Wakeman,Joe Brown,Glenn Hughes,Kasia Laska,Miller AndersonandSteve Balsamo.Musical Director of the event was PaulWix Wickensand the performance featured the Orion Orchestra conducted by Paul Mann.[40]

In December 2012 the Mayor of Leicester, SirPeter Soulsby,joined the campaign to honour Lord with ablue plaqueat his childhood home at 120 Averill Road, where he lived until he was 20 years old, saying it would be "an important reminder of the city's contribution to the world of contemporary music."[41]

Lord was posthumously inducted into theRock and Roll Hall of Fameas a member of Deep Purple in April 2016.[42]

In May 2019 Lord was posthumously awarded anIvor Novello Awardfor International Achievement along with the surviving members of the Deep Purple MK II line up, at a ceremony at theGrosvenor House Hotelin London.[43]

The Concerto For Group and Orchestra is toured regularly with Paul Mann conducting. Most recently in March and April 2023, a European and Brazilian tour took place across 11 dates in cities including Bucharest, Sofia, Zagreb and Sao Paolo featuringBruce Dickinsonperforming the vocal parts. Members of Orquestra Sinfônica do Estado de São Paulo featured alongside Kaitner Z Doka on guitar, Bernhard Welz on drums, John O'Hara (Jethro Tull) on keyboards, Tanya O'Callaghan (Whitesnake) on bass and Mario Argandoña on percussion.

Discography

[edit]
Main articles:Deep Purple discography,Paice Ashton Lord,Whitesnake discography,andThe Artwoods

References

[edit]
  1. ^"FreeBMD Entry Info".2.freebmd.org.uk.Retrieved12 August2017.
  2. ^"Deep Purple Rocks Hall of Fame With Hits-Filled Set"Archived6 May 2016 at theWayback Machine.Rolling Stone.Retrieved 13 April 2016
  3. ^"Celebrating Jon's childhood home | Jon Lord – The Official Website".Jon Lord. 13 January 2013.Retrieved4 June2014.
  4. ^"Jon Lord profile".Deep-purple.net.Retrieved16 July2012.
  5. ^"Buddy Holly — Leicester — De Montfort Hall — 16 March 1958".Songkick. 16 March 1958.Retrieved4 June2014.
  6. ^Welch, Chris. "The Story of Deep Purple", inDeep Purple: HM Photo Book,copyright 1983, Omnibus Press.
  7. ^Alan de Perna (January 1997). "You Really Got Me".Guitar World.
  8. ^Tyler, KieronOn The Roundabout With Deep PurpleRetrieved 31 August 2020
  9. ^Eder, Bruce."Boz Burrell - Artist Biography by Bruce Eder".AllMusic.Retrieved30 November2020.
  10. ^"CRR Interview – Don Airey: It's Deep Purple & There's a Hammond".Classicrockrevisited.com.Retrieved28 July2014.
  11. ^abVan der Lee, Matthijs."In Rockreview ".Sputnikmusic.com.Retrieved13 September2014.
  12. ^"Jon Lord Interview - Complete Unedited transcription".Web.archive.org.10 April 2009.Retrieved9 June2024.
  13. ^"A Highway Star: Deep Purple's Roger Glover Interviewed".The Quietus.20 January 2011.
  14. ^"Nick Simper Interview from" Darker than Blue ", July 1983".Thehighwaystar.com.Retrieved14 March2016.
  15. ^Kusnur, Narendra (3 May 2002)."Deep Purple. Ian Gillan interview, Mumbai 2002".Mid-Day.Retrieved20 July2012.
  16. ^Tobler, John (1992).NME Rock 'N' Roll Years(1st ed.). London: Reed International Books Ltd. p. 248. CN 5585.
  17. ^"International rock star pens classical concerto for Durham".Dur.ac.uk.Retrieved13 September2014.
  18. ^"YouTube".M.youtube.com. Archived fromthe originalon 24 August 2013.Retrieved4 June2014.
  19. ^"Former DEEP PURPLE Keyboardist JON LORD To Release New Album in March".Blabbermouth.net.Archived fromthe originalon 24 January 2010.Retrieved10 January2010.
  20. ^"Jon Lord's new album attracts great sales".JonLord.org. 30 March 2010.Retrieved30 March2010.
  21. ^"To Notice Such Things charts at no. 4".JonLord.org.Retrieved5 April2010.
  22. ^"It's Not As Big As It Was"onYouTube
  23. ^"New Supergroup? WhoCares".Ultimate-guitar.com.Retrieved3 January2012.
  24. ^"Video: Paul Mann's Concerto interview | Jon Lord – The Official Website".Jon Lord. 5 September 2012.Retrieved4 June2014.
  25. ^"Durham Concerto takes Jon to Germany | Jon Lord – The Official Website".Jon Lord. 27 May 2012.Retrieved4 June2014.
  26. ^"Jon Lord Dead: Deep Purple Keyboardist Dies at Age 71".Huffington Post.Retrieved13 September2014.
  27. ^"Obituary".The Daily Telegraph.London.Archivedfrom the original on 12 January 2022.Retrieved13 September2014.
  28. ^"Lord undergoing pancreatic cancer treatment in Israel | Showbiz | News | Daily Express".Express.co.uk. 29 February 2012.Retrieved4 June2014.
  29. ^"Jon Lord has sadly passed away".Jonlord.org.Retrieved13 September2014.
  30. ^"Deep Purple Keyboardist Jon Lord Dead at 71".rollingstone.com. Archived fromthe originalon 7 November 2017.Retrieved17 July2012.
  31. ^"Deep Purple's Jon Lord dies at 71".BBC News. 16 July 2012.Retrieved17 July2012.
  32. ^"Obituary: Jon Lord, composer and Deep Purple founder".Gramophone.Haymarket.Retrieved19 July2012.
  33. ^"News | A Master Passes: R.I.P. Jon Lord".Metallica.com. Archived fromthe originalon 19 July 2012.Retrieved4 June2014.
  34. ^"LEMMY: 'JON LORD Was, To A Large Extent, Responsible For Me Being in Rock And Roll'".Blabbermouth.net.1 August 2012.Retrieved23 March2019.
  35. ^"A Shroud of Thoughts: The Late Great Jon Lord".16 July 2012.Retrieved30 November2020.
  36. ^VideoonYouTube
  37. ^"ABBA's Anni-Frid Lyngstad's Tribute To Jon Lord ( Zermatt Unplugged 2013 )".Archived fromthe originalon 29 July 2013.Retrieved13 September2014– via YouTube.
  38. ^"Emerson, Lake & Palmer website".Emersonlakepalmer.com.Retrieved13 September2014.
  39. ^"Keith Emerson: I was jealous of Jon Lord".Web.archive.org.7 November 2013.Retrieved9 June2024.
  40. ^"Jon Lord the rock legend celebrated".Jon Lord - The Official Website.18 September 2018.Retrieved15 August2019.
  41. ^"Jon Lord to be honoured with blue plaque? | Rock News | News".Planet Rock. 13 December 2012.Retrieved4 June2014.
  42. ^Greene, Andy (17 December 2015)."N.W.A, Deep Purple, Cheap Trick Chosen for Rock and Roll Hall of Fame".Rolling Stone.Archived fromthe originalon 12 June 2018.Retrieved14 March2016.
  43. ^Winners Announced for The Ivors 2019https://ivorsacademy.com/news/winners-announced-for-the-ivors-2019/
  44. ^Lalaina, Joe."Jon Lord's Purple Reign".The Highway Star (archived from Modern Keyboard Magazine, January 1989).Retrieved24 June2011.
  45. ^Hinman, Doug (2004).The Kinks: All Day and All of the Night: Day-by-Day Concerts, Recordings and Broadcasts, 1961–1996.San Francisco, California: Backbeat Books. p. 29–30, 37.ISBN978-0-87930-765-3.

Further reading

[edit]
  • Deep Purple: Charlesworth, Chris (Omnibus Press, 1983)ISBN9780711901742
  • Deep Purple, Heavy Metal Photo Book: Welch, Chris with Hasebe, Koh (Omnibus Press, 1984)
  • Deep Purple: Tomasz Szmajter, Roland Bury (In Rock, 1998, 2003, 2009, 2013)
  • Deep Purple: Sailor, Michael (Hannibal Verlag, 2005)
  • Smoke on the Water, The Deep Purple Story: Thompson, Dave (ECW Press, 2004)
  • The Complete Deep Purple: Heatley, Michael (Reynolds & Hearn, 2005)
  • The Gemini Man: an Introduction to the Orchestral Works of Jon Lord, Vincent Budd (Gnosis Press, 2003)
[edit]
Wikimedia Commons has media related toJon Lord.
Retrieved from "https://en.wikipedia.org/w/index.php?title=Jon_Lord&oldid=1247031072"