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M. G. Vassanji

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M. G. Vassanji

CM
Vassanji in 2009
Vassanji in 2009
BornMoyez G. Vassanji
30 May 1950(1950-05-30)(age74)
Kenya
OccupationNovelist and editor, academic
NationalityCanadian
Alma materMassachusetts Institute of Technology
University of Pennsylvania
GenreNovels, short stories, memoir, and a biography

Moyez G. VassanjiCM(born 30 May 1950 in Kenya) is a Canadian novelist and editor, who writes under the nameM. G. Vassanji.[1][2]Vassanji's work has been translated into several languages. As of 2020, he has published nine novels, as well as two short-fiction collections and two nonfiction books. Vassanji's writings, which have received considerable critical acclaim, often focus on issues of colonial history, migration, diaspora, citizenship, gender and ethnicity.[3][4]

Early life and education

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M. G. Vassanji was born inKenyato Indian immigrants and raised inTanganyika(nowTanzania).[5]He attended theMassachusetts Institute of Technologyand theUniversity of Pennsylvania,where he specialised in nuclear physics, before moving to Canada as a postdoctoral fellow in 1978.[citation needed]

Career

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From 1980 to 1989 Vassanji was a research associate at theUniversity of Toronto.During this period he developed an interest in medieval Indian literature and history, co-founded and edited a literary magazine (The Toronto South Asian Review,later renamedThe Toronto Review of Contemporary Writing Abroad), and began writing fiction. Between 1989 and 2012, Vassanji published six novels, two collections of short stories, a memoir of his travels in India, and a biography ofMordecai Richler.[citation needed]

In 1989, after the publication of his first novel,The Gunny Sack,[6][7]Vassanji was invited to spend a season at theInternational Writing Programof theUniversity of Iowa.The Gunny Sackwon a regionalCommonwealth Writers Prizein 1990. He won the inauguralGiller Prizein 1994 forThe Book of Secrets.That year, he also won theHarbourfront Festival Prizein recognition of his "achievement in and contribution to the world of letters," and was one of twelve Canadians chosen forMaclean'sMagazine's Honour Roll. In 1996 he was a Fellow of the Indian Institute of Advanced Study in Shimla, India.

He again won the Giller Prize in 2003 forThe In-Between World of Vikram Lall,the first writer to win this prize twice.[8]In 2006,When She Was Queenwas shortlisted for theCity of Toronto Book Award.The Assassin's Song,released in 2007, was short-listed for the 2007 Giller Prize, the Rogers Prize, and the Governor General's Prize in Canada, as well as the Crossword Prize in India. In 2009 his travel memoir,A Place Within: Rediscovering India,won theGovernor-General's Prize for nonfiction.He has also been awarded the Commonwealth Regional Prize (Africa).

His novelThe Magic of Saida,set in Tanzania, was published in Canada in 2012, and in 2014 he published his memoirs,Home Was Kariakoo,based on his childhood and recent travels in East Africa.[8]and in 2016 he published another novel,Nostalgia.[9]In 2019, his ninth novelA Delhi Obsessionwas published to wide acclaim.

He is a member of theOrder of Canadaand has been awarded several honorary doctorates. In 2016, he received the Canada CouncilMolson Prizefor his career achievement.

Themes

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Vassanji's works have been extensively reviewed by literary critics, such as in works edited by 2021 Nobel prize winnerAbdulrazak Gurnah.[3]Several themes emerge.[10][11][12]Mainly, his characters are the Asians ofEast Africa (Kenya, Uganda, and Tanzania),whose historical record, as of that region as a whole, is sparse. In telling the story of his subjects, in his earlier novels he has used memory, written record, and folklore, in an intersection oforaland written histories. Thus inThe Gunny Sack,his first novel, he starts with many memories, but his narrator has to delve into written history, primarily through colonial journals and travelogues, to complete and give shape to his created history. His third novel,The Book of Secretsstarts with the journal of a colonial administrator at the border between German and British East Africa and brings to his creation memories and archival material. InThe In-between World of Vikram Lall, he looks at the condition and involvement of the Asians of Kenya during the Mau Mau War of the 1950s. The past and unresolved issues cast strong shadows in his works. In his other works, for example No New Land, his characters have undergone a second migration, starting in the 1970s, to Europe, Canada, or the United States. Vassanji then examines how the lives of these characters are affected by their migrations.[13][14][15]Though few of his African Asian characters ever return to India, the country's presence looms throughout his work. His 2007 novelThe Assassins Song,inspired by the devotional, mystical songs of his Khoja Ismaili community, which deeply influenced him in childhood, is set almost entirely in India, where it was received as an Indian novel and short-listed for the Crossword Prize. His second novel,No New Land,describes the travails of Asian immigrants arrived in Canada from Tanzania; as the title implies, there is no new land, the characters continue in their minds to lead the same lives. In the dystopic novelNostalgia Vassanjitackles the topic of assimilation, in which characters can have their memories erased and replaced by new ones in order to be better integrated. But, the novel asks, is the process of erasure perfect?

Vassanji writes about the effects of history and the interaction between personal and public histories, including folk and colonial history.[16]Vassanji's narratives follow the personal histories of his main characters; the historical perspective provided often leaves mysteries unsolved. Thecolonial history of KenyaandTanzaniaserves as the backdrop for much of his work;[17]in theAssassin's Song,however, he tackles Indian folk culture and myths.

Bibliography

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Novels

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  • The Gunny Sack(1989)ISBN0-385-66065-0
  • No New Land(1991)ISBN0-7710-8722-5
  • The Book of Secrets(1994)ISBN0-312-15068-7
  • Amriika(1999)ISBN0-7710-8725-X
  • The In-Between World of Vikram Lall(2003)ISBN0-385-65991-1
  • The Assassin's Song(2007)ISBN0-385-66351-X
  • The Magic of Saida(2012)ISBN9780385667142
  • Nostalgia(2016)ISBN978-0385667166[18]
  • A Delhi Obsession(2019)
  • Everything There Is[19]

Short story collections

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  • Uhuru Street(1992) inspired by Naipaul's Miguel Street.
  • When She Was Queen(2005)
  • What You Are(2021)

Non-fiction collections

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  • A Place Within(2008)
  • Extraordinary Canadians: Mordecai Richler(2008)
  • And Home Was Kariakoo: A Memoir of East Africa(2014)

References

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  1. ^W. H. New, ed.,Encyclopedia of Literature in Canada.Toronto: University of Toronto Press, 2002. p. 1166.
  2. ^Desai, Gaurav. `Ambiguity is the driving force or the nuclear reaction behind my creativity ": An E-Conversation with M. G. Vassanji'Research in African Literaturesforthcoming.
  3. ^abNeloufer de Mel,"Mediating Origins: Moyez Vassanji and the Discursivities of Migrant Identity," in Essays on African Writing: vol 2, Contemporary Literature, ed.Abdulrazak Gurnah(Portsmouth, N.H.: Heinemann, 1995): 159–177
  4. ^Dan Odhiambo Ojwang, "The Pleasures of Knowing: Images of ‘Africans’ in East African Asian Literature," English Studies in Africa 43, no. 1 (2000): 43–64.
  5. ^James, Jamie (1 April 2000)."The Toronto Circle".The Atlantic.
  6. ^Tuomas Huttunen, "M. G. Vassanji’sThe Gunny Sack:Narrating the Migrant Identity, "inTales of Two Cities: Essays on New Anglophone Literature,ed. John Skinner (Turku, Finland: Anglicana Turkuensia, 2000): 3–20
  7. ^Charles Ponnuthurai Sarvan, "M. G. Vassanji’sThe Gunny Sack:A Reflection on History and the Novel, "Modern Fiction Studies37, no. 3 (1991): 511–518
  8. ^abCharles Foran."M.G. Vassanji travels back to Tanzania".Maclean's,19 October 2014
  9. ^Philip Marchand."Don't look back: Nostalgia can be fatal in M.G. Vassanji's near future-set novel".National Post,14 December 2016
  10. ^Amin Malik, "Ambivalent Affiliations and the Postcolonial Condition: The Fiction of M. G. Vassanji," World Literature Today 67, no. 2 (1993): 277–282;
  11. ^Dan Odhiambo Ojwang, "Between Ancestors and Amarapurs: Immigrant Asianness in M. G. Vassanji’s Fiction," in Re-Imagining Africa: New Critical Perspectives, eds. Sue Kossew and Diane Schwerdt (Huntington, N.Y.: Nova Science Publishers, 2001): 57–80;
  12. ^Tuomas Huttunen, "M. G. Vassanji’s The Gunny Sack: Emplotting British, Asian and African Realities," The Atlantic Review 3, no. 2 (2002): 56–76
  13. ^Ashok Mohapatra, "The Paradox of Return: Origins, Home and Identity in M.G. Vassanji’s The Gunny Sack," Postcolonial Text 2, no. 4 (2006): 1–21
  14. ^Rosemary Marongoly George, "`Traveling Light’: Home and the Immigrant Genre," in The Politics of Home (New York: Cambridge University Press, 1996): 171–197.
  15. ^Godwin Siundu, "The Unhomeliness of Home: Asian Presence and Nation Formation in M. G. Vassanji’s Works," Africa Insight 35, no. 2 (2005): 15–25
  16. ^Jeanne Delbaere, "Re-Configuring the Postcolonial Paradigm: The Fiction of M. G. Vassanji," in Reconfigurations: Canadian Literatures and Postcolonial Identities, eds. Marc Maufort and Franca Bellarsi (Brussels: Peter Lang, 2002): 159–171.
  17. ^Brenda Cooper, "A Gunny Sack, Chants and Jingles, a Fan and a Black Trunk: The Coded Language of the Everyday in a Post-colonial African Novel," Africa Quarterly 44, no. 3 (2004): 12–31
  18. ^Zane Schwartz."M.G. Vassanji delivers a dystopian story".Maclean's,1 October 2016
  19. ^Sheikh, Nazneen (26 January 2024)."Everything There Is spins theoretical physics into a page-turner of a story".The Globe and Mail.Retrieved17 July2024.His protagonist, Nurul Islam, is in fact based on the life of the late Dr. Abdus Salam.
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