Marathi cinema
Marathi Cinema | |
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No.ofscreens | Approx 610 inMaharashtrastate of India.[1] |
Main distributors | Aatpat Production Rasika Productions Dreaming 24/7 Productions Almonds Creations Everest Entertainment Pickle Entertainment and Media AP Communications Swarali Films Creation Six Sense Film Production Mulakshar Productions Planet Marathi |
Produced feature films (2022)[2] | |
Total | 120 (Theatrical) |
Gross box office (2023)[3] | |
National films | India:₹201 crore(US$24 million) |
Part ofa serieson the |
Culture of Maharashtra |
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Marathi Cinema,also known asMarathi film industry,is the segment ofIndian cinema,dedicated to the production of motion pictures in theMarathi languagewidely spoken in the state ofMaharashtra.It is based inMumbai.It is the oldest film industry of India and one of the leaders infilmmakingin the Indian film industry.[4]
Raja Harishchandra,directed byDadasaheb Phalkeand released in 1913, was the first Marathi-language film ever made, and was also India's first full-lengthfeature film.The claim is disputed and some claim thatDadasaheb Torne'sShree Pundalik(1912) was the first film made in Maharashtra.[5][6][7]The first Marathitalkiefilm wasAyodhyecha Raja,[8]released in 1932, one year afterAlam Ara,the firstHinditalkie. All Marathi films until then weresilent filmswithintertitles.Pinjara(1972), directed byV Shantaram,was first colour film in Marathi cinema.[9]
Kolhapurwas a centre for film production during the 20th century, though currently, a majority of films are made in Mumbai.[4]During Marathi cinema's infancy between the 1910s and 1930s, which only had silent films, the majority of films were made onHindu mythologicalsubjects. Later during the 1970s, films were made on rural stories. Between the 1980s and 1990s,comedyandthriller filmsstarted to flourish. Since the turn of the millennium, there have been films based on social subjects and biographical dramas. Although the industry is much smaller thanBollywood(which is also based in Mumbai), Marathi cinema is tax free at the privilege of the government of Maharashtra, and is experiencing growth in recent years.
History
[edit]Silent era
[edit]![](https://upload.wikimedia.org/wikipedia/commons/thumb/2/20/PundalikAd.jpg/220px-PundalikAd.jpg)
![](https://upload.wikimedia.org/wikipedia/commons/thumb/4/4d/Raja_Harishchandra.jpg/200px-Raja_Harishchandra.jpg)
Marathi cinema is the oldestfilm industryof India.[4]Dadasaheb Phalkewidely considered as pioneer and founder of Marathi cinema andCinema of India.[10]He brought the revolution of motion pictures to India with his first indigenously made filmRaja Harishchandra,released in year 1913. Although the film had Marathi and EnglishIntertitles,it is considered as a Marathi film, byIFFIand NIFD,[clarification needed]citing while filming director Phalke had employed full Marathi crew including actors.[11]Some claim that the first ever Marathi movie wasShree PundalikofDadasaheb Torne,it was released on 18 May 1912 at Coronation Cinematograph, Bombay.[6]But this claim is disputed, it is not considered as first Marathi or Indian movie, because it was not a movie in true sense, it was a recording of a then popular theatre play, the cameraman who filmed that movie, Jonson was a British national, it was processed in London and negative also remained inUnited Kingdom.[7]
Kolhapurwas a centre of film production in the twentieth century. In 1919Baburao Mistrypopularly known as Baburao Painter, founded theMaharashtra Film Companywith the blessings of the Maharaja of Kolhapur and released the first significant historical film,Sairandhari(1920) starring Balasheb Pawar,Kamala Deviand Zunzarrao Pawar. Because of his special interest in sets, costumes design and painting, he chose episodes from Maratha history for interpreting in the new medium and specialized in the historical genre.[12]Baburao Painter made many silent movies till 1930. However, after a few more silent films, the Maharashtra Film Company pulled down its shutters with the advent of sound. Baburao was not particularly keen on the talkies for he believed that they would destroy the visual culture so painfully evolved over the years.[13]
Early sound era
[edit]Ayodhyecha Raja(1932) was the firsttalkieof Maharashtra, prior to it all the movies wasSilent filmswith Marathi, EnglishIntertitles.It was released one year after the first sound film of the nation,Alam Ara(1931) and five years after firstHollywoodsound filmThe Jazz Singer(1927), which is first sound film made in the world.[14][15]
As cinema grew in Union of India, major production houses rose and one of them was again a company owned wholly byMaharashtrians,thePrabhat Film Company.Prabhat'sSant Tukaram(1936) was the first Indian work to win the Best Film Award at theVenice Film Festivalin1937.[16][dubious–discuss]In 1954 at the very first edition of the National Awards,Shyamchi Aai,won the first President's gold medal for Cinema. It was directed byAcharya P K Atre,and it was an adaptation of the eponymous novel bySane Guruji.[17]Marathi cinema was in its full bloom by this time with the advent of greats likeV. Shantaram,Master Vinayak,Bhalji Pendharkar,Acharya Atre,followed byRaja Paranjpe,Jyotiram, sonal and mumtaz, Dinkar D Patil,G. D. Madgulkar,Sudhir Phadke,Raja Thakur.
1960s to early 80s
[edit]The 1960s saw the emergence of directors such asV ShantaramandAnant Manewho made Marathi films based on the folk art formTamasha.Shantaram'sPinjara(1972) was a hit, it is the first movie of Marathi cinema that was made in colour.[18][9]Then came directors like Datta Dharmadhikari and Raj Dutt who made traditional family dramas. The early 70s saw the advent ofDada Kondkewho captured the audiences with his sense of humour that includedsexual innuendo.He went on to create satirical, pun-ridden films often including social and political commentary, many of which becamecult classics.By this time Marathi cinema was caught in either theTamashagenre or tragedies revolving around traditional family dramas on one side and the comedies of Dada Kondke.[19]
Mid 80s to mid 90s
[edit]The mid-1980s saw two comedy heroes raised to stardom,Ashok SarafandLaxmikant Berdebecame popular superstars. In mid '80sMahesh KothareandSachin Pilgaonkarmade many box-office hit films. Kothare used to make action-comedy-thrillers genre movies, while Sachin Pilgaonkar used to make mainly comedy movies. Pilgaonkar made hit classics such asbuddy filmGammat Jammat(1987),Ashi Hi Banwa Banwi(1988), supernatural revange drama filmBhutachaBhau(1989), feel good movieAayatya Gharat Gharoba(1991),Aamchya Sarkhe Aamhich(1990),[20][21]and around the same time Kothare made hit filmzDhoom Dhadaka,Dhadakebaaz(1990),DeDanadan(1987), horror-thrillerZapatlela(1993) which was an unofficial remake of Hollywood cult classicSlasher filmChild'sPlay(1988).[22]He introduced technological advancements, such as he was the first director who filmed his movie inCinemaScope,usedChroma keytechnique and didWire-flyinginDhadakebaaz(1990), usedPuppetryinZapatlela(1993), he filmedZapatlela's sequelin3D format,probably this film was first eversequel filmmade in Marathi cinema, he ventured in film genre suchhorror comedy,thriller,fantacy.[23]Both Kothare and Sachin acted and directed their respective films, latter even sang many song for his movies. Few other director also made entertaining movies during this time: fantacy and political satire genre'sEk Gadi Baki Anadi,Bin Kamacha Navra(1984) respectively.[24]
Mid 90s to late 2000s: Decline and struggle
[edit]While the theatre ofMaharashtraearned recognition at the national level, the cinema failed to make a mark. A major reason was the proximity to the production centre of Hindi cinema (Bollywood), which encroached on the identity of Marathi cinema. Other reasons include the shortage of cinema halls for distribution due to poor marketing, lack of money magnets, a vibrant theatre scene and the emergence of private television. It also lacked the powerful lobby at the national level unlike South Indian cinema because the state encouraged Hindi cinema for profit mainly; the regional film industrial advantage being soaked up by Bollywood.[17]
Marathi cinema received critical acclaim in 2004 with the filmShwaaswinning the Golden Lotus National Award. It was India's official entry to the 77th Academy Awards. It won the President's medal for best film, beating Bollywood's prolific output with quality.[25]Shwaaswas the second Marathi film to win the President's Medal afterShyamchi Aai(1950).
In 2009,Harishchandrachi Factory(with a budget of Rs. 6 crore), told the struggle ofDadasaheb Phalkein makingRaja Harishchandra(1913), directed by theatre-veteranParesh Mokashi,it was selected as India'sofficial entrytoAcademy Awardin theBest Foreign Language Filmcategory, making it the second Marathi film, afterShwaas,to receive this honour.[26][27][28]
Road movieDe Dhakka(2008),SatirefilmNishani Dava Anghatha(2009) based on failure of government of India's Adult education programme, political satireGallitGondhal Dillit Mujra(2009), period drama and musical hitNatarang(2009), film raising state's farmar's issue, rampant corruption in government officials, satireJau Tithe Khau(2007),Kaydyach Bola(2005) made impacts on the audience's mind during this period.[18]
Resurgence: 2010s to present
[edit]Since the new decade beginning in 2010, several contemporary Marathi artistic films were released includingVihir(2009) andDeool(2011), andNagraj Manjule'sFandry(2013). They have given a new direction to Marathi films.Ritesh Deshmukh'sLaiBhaari(2014) achieved eyeballs.
Deoolbecame the third movie afterShyaamchi Aaiand Shwaas to win theNational Film Award for Best Feature Film.Deool Band(2015) grabbed audience attention.
Acclaimed director DrJabbar Patelexplains the reasons behind the change, "The kind of Marathi cinema that is being made today is very fresh and different. This is thanks to directors and writers getting exposed to world cinema via television, film festivals etc. They are coming up with new storylines and innovative concepts."
With outstanding contribution and efforts from different producers and directors of the Mumbai film industry, Marathi cinema relatively outshone other Indian film industries such asBollywoodin the first quarter of 2010 in box office collections and critical appreciation.[29]
Sairat(2016) musical romantic drama starringRinku RajguruandAkash Thosar,directed by Nagraj Manjule emerged as the biggest weekend opener for a Marathi film breaking record previously held byNatsamrat.Sairatwas the first Marathi film to cross ₹50 crore (US$7.8 million) mark. The film has become the first Marathi film to gross over ₹100 crore (US$16 million) worldwide.
In recent past Ritesh Deshmukh'sMauli(2018) earned audience's attention, hisVed(2022) became a hit.
Highest grossing movies
[edit]Rank | Movie | Year | Studio(s) | Worldwide Gross | ref(s) |
---|---|---|---|---|---|
1 | Sairat | 2016 | Aatpat Production,Essel Vision Productions | ₹110 crore(US$13 million) | [30] |
2 | Baipan Bhaari Deva | 2023 | EmVeeBee Media, Jio Studio | ₹92 crore(US$11 million) | [31] |
3 | Ved | 2022 | Mumbai Film Company | ₹75 crore(US$9.0 million) | [32] |
4 | Pawankhind | 2022 | Almond Creations | ₹75 crore(US$9.0 million) | [33] |
5 | Natsamrat | 2016 | Fincraft Media and Entertainment Pvt. Ltd., Gajanan Chitra, Great Maratha Entertainment | ₹50 crore(US$6.0 million) | [34] |
6 | Lai Bhaari | 2014 | Mumbai Film Company | ₹40 crore(US$4.8 million) | [35] |
Katyar Kaljat Ghusali | 2015 | Zee Studios,Shree Ganesh Marketing & Films | ₹40 crore(US$4.8 million) | [36] | |
8 | Daagdi Chaawl | 2015 | Manglmurti Films | ₹37 crore (US$4.9 million) | [37] |
9 | Timepass | 2014 | Zee Talkies | ₹33 crore(US$4.0 million) | [38] |
10 | Naal | 2018 | Zee Studios | ₹31.3 crore(US$3.8 million) | [37] |
11 | Duniyadari | 2013 | Dreaming 24/7 Productions | ₹30 crore(US$3.6 million) | [39] |
12 | Dharmaveer | 2022 | Zee Studios,Sahil Motion Arts | ₹29 crore(US$3.5 million) | |
13 | Timepass 2 | 2015 | Essel Vision Productions | ₹28 crore(US$3.4 million) | [40] |
14 | Faster Fene | 2017 | Mumbai Film Company, Zee Studios | ₹27 crore(US$3.2 million) | |
15 | Mauli | 2018 | Mumbai Film Company,Hindustan Talkies | ₹26 crore(US$3.1 million) | |
16 | Me Shivajiraje Bhosale Boltoy | 2009 | Everest Entertainment | ₹25.5 crore(US$3.1 million) | [41] |
17 | Ventilator | 2016 | Purple Pebble Pictures | ₹25.5 crore(US$3.1 million) | |
18 | Har Har Mahadev | 2022 | Zee Studios,Shree Ganesh Marketing & Films | ₹25 crore(US$3.0 million) | |
19 | Chandramukhi | 2022 | Planet Marathi, Golden Ratio Films, Flying Dragon Entertainment, Creative Vibe | ₹24 crore(US$2.9 million) | [42] |
20 | Ti Saddhya Kay Karte | 2017 | Zee Studios | ₹22.54 crore(US$2.7 million) | |
21 | Naal | 2018 | ₹22.15 crore(US$2.7 million) | ||
22 | Classmates | 2015 | Mahalasa Entertainment, Media Monks | ₹21 crore(US$2.5 million) | |
23 | Deool Band | 2015 | Vatavruksha Entertainment | ₹20 crore(US$2.4 million) | |
24 | Double Seat | 2015 | Essel Vision Productions,Pratisaad Production, A Huge Production | ₹20 crore(US$2.4 million) | |
25 | Aapla Manus | 2018 | Ajay Devgn FFilms,Watergate Production | ₹20 crore(US$2.4 million) | [43] |
26 | Sarsenapati Hambirrao | 2022 | Urvita Productions LLP | ₹18.20 crore(US$2.2 million) | |
27 | Subhedar | 2023 | Mulakshar Productions, Raajwarasa Productions, Prithviraj Productions, Rajau Productions, Parampara Productions | ₹18 crore(US$2.2 million) | [44] |
Mumbai Pune Mumbai 2 | 2015 | Yashlita Enterprises Pvt. Ltd. | ₹18 crore(US$2.2 million) | [45] | |
28 | Lochya Zala Re | 2022 | Ideas The Entertainment Company, Mumbai Movie Studios Pvt. Ltd. | ₹17 crore(US$2.0 million) | |
29 | Ani... Dr. Kashinath Ghanekar | 2018 | Viacom18 Motion Pictures,Shree Ganesh Marketing & Films | ₹15.90 crore(US$1.9 million) | |
30 | Jhimma | 2021 | Chalchitra Company, Crazy Few Films | ₹14.07 crore(US$1.7 million) | [46] |
31 | Hirkani | 2019 | Irada Entertainment | ₹14 crore(US$1.7 million) | |
32 | Kaksparsh | 2012 | Zee Talkies | ₹14 crore(US$1.7 million) | [47] |
34 | Mitwaa | 2015 | Sagar Pictures Entertainment | ₹13.5 crore(US$1.6 million) | |
35 | Lokmanya: Ek Yugpurush | 2015 | Neena Raut Films | ₹13 crore(US$1.6 million) | [48] |
36 | Boyz 2 | 2018 | Everest Entertainment, Supreme Motion Pictures, Ekvira Productions, L.V.Shinde Group | ₹13 crore(US$1.6 million) | |
37 | Bucket List | 2018 | Dharma Productions | ₹12.1 crore(US$1.4 million) | |
38 | Dr. Prakash Baba Amte - The Real Hero | 2014 | Essel Vision Productions | ₹12 crore(US$1.4 million) | [49] |
39 | Natarang | 2010 | Zee Talkies | ₹12 crore(US$1.4 million) | [50] |
40 | Balak-Palak | 2013 | Mumbai Film Company | ₹12 crore(US$1.4 million) | [51] |
Awards
[edit]Production Year | Film | Director | Actor | Actress | Music |
---|---|---|---|---|---|
1943 | Chhattrapati Shivaji | Suryakant Mandhare | |||
1947 | Ganimi Kawa | Suryakant Mandhare | |||
1951 | Swarajyacha Shiledar | Suryakant Mandhare | |||
1956 | Pavan Khind | Suryakant Mandhare | |||
1959 | Sangte Aika | Suryakant Mandhare | |||
1965 | Sadhi Mansa | Suryakant Mandhare | |||
1966 | Malhari Martand | Suryakant Mandhare | |||
1963 | Maza Hoshil Ka | L.B.Thakur | |||
1964 | Sant Nivrutti dnyandev | Vinayak Sarasvate & Bal Chavan | |||
1965 | Lakshmi Aali Ghara | Madhav Shinde | |||
1966 | Gurukilli | Raja Paranjpe | |||
1967 | Pawnakanthcha Dhondi | Vinayak Thakur | |||
1968 | Ekti | G. Chaugule | |||
1969 | Jiwhala | Atmaram | |||
1970 | Apradh | Sharad Pilgaonkar | Ramesh Deo | ||
1971 | Shantata! Court Chaloo Ahe | Satyadev Dubey&Govind Nihalani | |||
1972 | Kunku Mazhe Bhagyache | Pradeep eknath nehete | |||
1973 | Andhala Marto Dola | Dada Kondke | |||
1974 | Sugandhi Katta | Not Awarded | Shreeram Lagoo(Sugandhi Katta) | Sarla Yevlekar (Sugandhi Katta) | |
1975 | Samna | Jabbar Patel(Samna) | Shreeram Lagoo(Samna) | Sandhya (Chandanachi Choli Ang Ang Jali) | |
1976 | Aaram Haram Aahe | Vasant Joglekar (Ha Khel Saavlyancha) | Ravindra Mahajani(Zunj) | Asha Kale(Ha Khel Saavlyancha) | |
1977 | Naon Mothan Lakshan Khotan | Murlidhar Kapdi (Naon Mothan Lakshan Khotan) | Shreeram Lagoo(Bhingree) | Usha Chavan(Naon Mothan Lakshan Khotan) | |
1978 | Devki Nandan Gopala | Jabbar Patel(Jait Re Jait) | Yashwant Dutt (Bhairu Pahilwan Ki Jai) | Smita Patil(Jait Re Jait) | |
1979 | Sinhasan | Jabbar Patel(Sinhasan) | Sachin(Ashtavinayak) | Ranjana(Sushila) | |
1980 | 22 June 1897 | Jayu & Nachiket Patwardhan (22 June 1897) | Nilu Phule(Sahkar Samrat) | Usha Chavan(Ran Pakhre) | |
1981 | Umbartha | Jabbar Patel(Umbartha) | Girish Karnad(Akriet) | Smita Patil(Umbartha) | |
1982 | Shapit | Raj Dutt & Arvind Deshpande (Shapit) | Ashok Saraf(Gondhalat Gondhal) | Madhu Kambikar(Shapit) | |
1983 | Gupchup Gupchup | V. K. Naik (Gupchup Gupchup) | Ashok Saraf(Goshta Dhamal Namyachi) | Ranjana(Savitri) | |
1984 | Lek Chalali Sasarla | N. S. Vaidya (Lek Chalali Saasarla) | Laxmikant Berde | Supriya Sabnis(Navri Mile Navryala) | |
1985 op | Dhoom Dhadaka | Mahesh Kothare(Dhoom Dhadaka) | Laxmikant Berde | ?? | |
1994 | Vazir | Sanjay Rawal (Vazir) | Vikram Gokhale(Vazir) | Sukanya Kulkarni (Varsa Laxmicha) | Shridhar Phadke(Varsa Laxmicha) |
1995 | Aai | Mahesh Manjrekar(Aai) | Sayaji Shinde(Aboli) | Renuka Shahane(Aboli) | Anand Modak(Mukta) |
1996 | Putravati | Nichiket & Jayoo Patwardhan (Limited Manuski) | Ashok Saraf(Soona Yeti Ghara) | Sonali Kulkarni(Doghi) | Shridhar Phadke(Putravati) |
1997 | Bangarwadi | Amol Palekar(Bangarwadi) | Mohan Joshi(Rao Saheb) | Sukanya Kulkarni (Sarkarnama) | Anand Modak(Sarkarnama) |
1998 | Tu Tithe Mee | Sanjay Surkar(Tu Tithe Mee) | Mohan Joshi(Tu Tithe Mee) | Suhas Joshi(Tu Tithe Mee) | Anand Modak(Tu Tithe Mee) |
1999 | Bindhaast | Chandrakant Kulkarni(Bindhaast) | Dilip Prabhavalkar(Ratra Aarambh) | Sharvari Jamenis (Bindhast) | Shridhar Phadke(Lekru) |
Maharashtra State Awards
[edit]Production Year | Best Film 1 | Best Film 2 | Best Film 3 |
---|---|---|---|
1962 | Prapanch (Madhukar Pathak) | Suvaasini (Raja Paranjpe) | Shaahir Parshuraam (Anant Mane) |
1963 | Ranglyaa Raatri Ashyaa (Raja Thakur) | Ha Maazaa Marg Ekla (Raja Paranjpe) | Phakir (Chandrashekhar) |
1964 | Chhotaa Jawaan, Paathlaag (Ram Gabale, Raja Paranjpye) | Pahu Re Kiti Vaat (Raja Thakur) | Thoraataanchi Kamalaa (Madhu Shinde) |
1965 | Vaawtal (Shantaram Aathavale) | Sawaal Majha Aika!(Anant Mane) | Third award not given |
1966 | Saadhi Maanse (Bhalji Pendharkar) | Kelaa Ishara Jaataa Jaataa (Anant Mane) | Shewatchaa Maalusaraa (Vasant Joglekar) |
1967 | Santh Vaahate Krushnaamaai (Madhukar Pathak) | Kaakaa Malaa Waachwaa (Raja Paranjpe) | Swapna Tech Lochani (Chandrawadan) |
1968 | Gharchi Raani (Rajdatt) | Aamhi Jaato Aamuchyaa Gaawaa (Kamalakar Torne) | Ekti (Raja Thakur) |
1969 | Apraadh (Rajdatt) | Mukkaam Post Dhebewaadi (Madhukar Paathak) | Dharmkanyaa (Maadhav Shinde) |
1970 | Mumbaicha Jawai (Raja Thakur) | Warnecha Wagh (Vasant Painter) | Laxmanresha (Manshav Shinde) |
1971 | Gharkul (Raja Thakur) | Shantata Court Chalu Aahe (Satyadev Dubey) | Dohni Gharcha Pahuna, Songadya (Garjanan Jagirdar, Govind Kulkarni) |
1972 | Jawai Vikat Ghene Aahe (Raja Thakur) | Bholibhabdi (Rajdutt) | Aandla Marto Dola (Dinesh) |
1973 | Sugandhi Katha (Vasant Painter) | Kartiki (Datta Mane) | Ashi Hi Sataryadi (Murlidhar Kapadi) |
1974 | Pandu Hawaldar (Dada Kondke) | Saamna (Dr.Jabbar Patel) | Bayanno Naure Sambhala (Dattatry Kulkarni) |
1975 | Charicha Mamla (Babsaheb Phattelal) | Tumch Aamch Jamle (Dada Kondke) | Pahuni (Anant Mane) |
1976 | Phrari (V. Ravindra) | Bala Gau Kashi Aangai (Kamlakar Torne) | Naav Motha Lakshan Khota (Murlidhar Kapadi) |
1977 | Devkinandan Gopala (Rajdutt) | Bhairu Phehelwan Ki Jai (Kamlakar Torne) | Jait Re Jait (Dr.Jabbar Patel) |
1978 | Janki (Vasant Joglekar) | Ashtavinayak (Rajdutt) | Bot Lavin Tithe Gudgulaya (Dada Kondke) |
1979 | 22 June 1897 (Nechiket and Jayu Patwardhan) | Sinhasan (Dr.Jabbar Patel) | Paij (Babasaheb Phattelal) |
1980 | Umbartha(Dr.Jabbar Patel) | Gondhlat Gondhal (V.K. Naik) | Aakrit (Amol Palekar) |
1981 | Shapit (Rajdutt and Arvind Deshpande) | Ek Dav Bhootacha (Ravi Namade) | Aali Angawar (Dada Kondke) |
1982 | Raghu-Maina (Rajdutt) | Goopchoop Goopchoop (V.K. Naik) | Thorli Jau (Kamlakar Torne) |
1983 | Hech Mazhe Maher (Rajdutt) | Thkas Mahathak (Raja Bargir), Mumbaicha Phoujdar (Rajdutt) (Divided) | Bahurupi (Satish Randive) |
1984 | Ardhangi (Rajadutt) | Deva Shapath Kharan Sangen (Bhaskar Jadhav) | Stridhan (Babasaheb Phattelal) |
1985 | Pudhcha Paul (Rajdutt) | Tuzhyavdachun Karmena (Damu Kenkare) | Aaj Zale Mukt Me (Rajdutt) |
1986 | Prem Karuyaa Khullam Khullaa (Girish Ghanekar) | Gammat Jammat (Sachin) | Khatyaal Saasoo Naathaal Soon (N.S. Vaidya) |
1987 | Ashi Hi Banwaa Banwi (Sachin) | Nashibwaan (N.S. Vaidya) | Rangat Sangat (Girish Ghanekar) |
1988 | Kalat Nakalat (Kanchan Nayak) | Aatmavishwaas (Sachin) | Hamaal De Dhamaal (Purushottam Berde) |
1989 | Aaghat (Ramakant Kavthekar) | Ekaapekshaa Ek (Sachin) | Kooldeepak (N.S. Vaidya) |
1990 | Chaukat Raja(Sanjay Surkar) | Vedh (Pradip Berlekar) | Anapekshit (Sanjiv Naik) |
1991 | Ek Hotaa Vidushak (Dr.Jabbar Patel) | Aapli Maanasa (Sanjay Surkar) | Wajwaa Re Wajwaa (Girish Ghanekar) |
1992 | Vajir (Sanjay Rawal) | Sawat Maazi Laadki (Smita Talwalkar) | Lapandaaw (Shravani Devdhar) |
1993 | Muktaa (Dr.Jabbar Patel) | Waarsaa Lakshmichaa (Madhukar Pathak) | Maazaa Chhakulaa (Mahesh Kothare) |
1994 | Doghi (Sumitra Bhave) | Baangarwaadi (Amol Palekar) | Abolee (Amol Shedge) |
1995 | Raosaaheb (Sanjay Surkar) | Putrawati (Bhaskar Jadhav) | Sunaa Yeti Gharaa (A. Radhaswani) |
1999 | Gaabhaaraa (N.F.D) | Gharaabaaher (Suyog Chitra) | Bindhaast (Devyani Movies--) |
1999 | Gaabhaaraa (N.F.D) | Gharaabaaher (Suyog Chitra) | Bindhaast (Devyani Movies--) |
Nowadays, Marathi movies have been listed at many international film festivals, which provides a platform for such movies and the filmmakers to know big in the world film industry. All Lights Film Services[52]provided platform for Marathi films such as Pinky – Ek Sathyakatha,Kapus Kondyachi Goshta,Hou De Jarasa Ushir, Sopanchi Aye Bahina Bhai, Touring Talkies, Langar to almost all leading international festivals across the world.
Further reading
[edit]- Marathi Cinema: In Retrospect,by Sanjit Narwekar. Maharashtra Film, Stage & Cultural Development Corp., 1995.
See also
[edit]References
[edit]- ^"STATEWISE NUMBER OF SINGLE SCREENS".Film Federation of India.Retrieved21 April2014.
- ^"List of featurefilms Certified in 2022"(PDF).
- ^"Box Office 2023: Punjabi films grossed Rs. 235 crores, Marathi films grossed Rs. 201 crores, Bengali films grossed Rs. 66 crores in 2023".Bollywood Hungama.Hungama Digital Media Entertainment. 2 February 2023.Retrieved2 February2023.
- ^abcGoldsmith, Melissa U. D.; Willson, Paige A.; Fonseca, Anthony J. (7 October 2016).The Encyclopedia of Musicians and Bands on Film.Lanham, Maryland: Rowman & Littlefield. pp. XXVI.ISBN978-1-4422-6987-3.
- ^Raghavendara, MK (5 May 2012)."What a journey".
- ^abKadam, Kumar (24 April 2012)."दादासाहेब तोरणेंचे विस्मरण नको!".Archived fromthe originalon 8 October 2013.
- ^ab"Dadasaheb Torne, not Dadasaheb Phalke, was pioneer of Indian Cinema".DNA India.
- ^"Films of Prabhat Film Company".Archived fromthe originalon 22 July 2012.Retrieved12 June2007.
- ^ab"Why Marathi..."Outlook.23 May 2022.
- ^"Did you know Adoor Gopalakrishnan was once conferred with the Dadasaheb Phalke Award?".Times of India.1 April 2021.
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