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7 Women

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7 Women
1966 theatrical poster byReynold Brown
Directed byJohn Ford
Written byJanet Green
John McCormick
Based on"Chinese Finale"
1935 short story
byNorah Lofts
Produced byBernard Smith
John Ford
StarringAnne Bancroft
Margaret Leighton
Flora Robson
Sue Lyon
CinematographyJoseph LaShelle
Edited byOtho Lovering
Music byElmer Bernstein
Color processMetrocolor(MGM Color)
Distributed byMetro-Goldwyn-Mayer
Release dates
  • January 5, 1966(1966-01-05)(Los Angeles)
  • May 4, 1966(1966-05-04)(New York)
[1]
Running time
87 min.
CountryUnited States
LanguagesEnglish
Mandarin
Budget$2.3 million[2]

7 Women,also known asSeven Women,is a 1966Metro-Goldwyn-MayerPanavisiondrama filmdirected byJohn Fordand starringAnne Bancroft,Sue Lyon,Margaret Leighton,Flora Robson,Mildred Dunnock,Betty Field,Anna Lee,Eddie Albert,Mike MazurkiandWoody Strode.It was produced by Ford and Bernard Smith from a screenplay byJanet GreenandJohn McCormick,based on the short story "Chinese Finale" byNorah Lofts.The musical score was conducted byElmer Bernsteinand the cinematography was handled byJoseph LaShelle.This was the last feature film directed by Ford, ending a career that had spanned 53 years.

Plot

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In ruralChinain 1935, all but one of the white residents of a remote Christian mission post are women. The strict Miss Agatha Andrews is the head of the mission, assisted by the meek Miss Argent. Charles Pether is a mission teacher who always wanted to be apastor;his peevish, panicky, self-centered and domineering middle-aged wife Florrie is pregnant for the first time. Emma Clark is the only young staff member and Miss Andrews treats her Emma as if she were her daughter.

The mission is elated to learn that a much-needed doctor is arriving, but they are shocked to discover that Dr. Cartwright is aChicagowoman who smokes, drinks alcohol, swears, wears pants, has short hair, disdains religion and sits beforegrace.Miss Andrews and Dr. Cartwright are soon at odds. Emma, who has led a very sheltered life, is fascinated by the newcomer, much to Miss Andrews' dismay.

After she has settled in, Dr. Cartwright urges Miss Andrews to provide money to send Florrie to a modern facility to birth her baby, as Florrie's advanced age places her at high risk, but Andrews refuses.

Meanwhile, rumors arise of atrocities committed by the militia ofMongolianwarlordTunga Khan. Miss Andrews is certain that the mission will be safe, as they are American citizens. After a nearby, even poorer British mission is sacked by Tunga Khan, Miss Andrews reluctantly accepts survivors Miss Binns, Mrs. Russell and Miss Ling, but only for a short time, as she is unwilling to harbor those of any other denomination for long.

Immediately after the arrival of the survivors, acholeraoutbreak erupts. Dr. Cartwright quickly takes command, treating all the Chinese of the area. Miss Andrews' initial hostility to her subsides when Emma becomes sick and she implores Dr. Cartwright to save her life. After the emergency has subsided and Emma is well again, the relationship between Andrews and Cartwright begins to soften, but it deteriorates when Cartwright appears in the dining room drunk with a bottle of whiskey and tries to convince all of the pious women to drink as well.

One night, Charles and Cartwright see a fire on the horizon and hear gunfire. The next morning, the Chinese soldiers of the nearby garrison evacuate in a hurry, as Tunga Khan and his men are believed to be approaching. Miss Andrews is still convinced that the mission is untouchable, but Charles is now determined to be assertive. Kim, an English-speaking male Chinese mission staff member, and Charles drive out to investigate the situation, while urging everyone else to be prepared to leave the mission, despite Miss Andrews' opposition. After a while, they hear the car's horn, but once the gate is opened, bandits on horseback charge through, firing their guns, and quickly take command of the mission. Before being executed by the bandits, Kim tells the women that Charles was murdered when he tried to rescue a woman being raped by Tunga Khan's men. Then Miss Ling, coming from a powerfulMandarinfamily, is taken away to act as servant to Tunga Khan's young wife, while the seven white women are herded into a shed.

The women watch as Tunga Khan has every Chinese in the mission executed. Tunga Khan then comes into the shed and tries to take Emma. Realizing that they are mostly American women, he decides to ask for a ransom instead.

With Miss Andrews panicking and Florrie in labor, Dr. Cartwright asks for her desperately neededmedical bag.Tunga Khan offers to exchange it for her sexual submission to him. The doctor agrees, and helps Florrie give birth to a baby boy. After Cartwright goes to fulfill her end of the bargain, Andrews' pathological revulsion for anything to do with sex—even in marriage—causes her to become increasingly deranged. She vilifies her, repeatedly calling her "whore of Babylon."The others understand the sacrifice the doctor has made and why she has done so.

In the evening, the Mongols gather in a circle and take part in wrestling matches for entertainment. Dr. Cartwright watches the spectacle at Tunga Khan's side as his new concubine. When the lean warrior, who has been ogling Cartwright all evening, steps into the ring to face the winner of a bout, Tunga Khan insists on accepting the challenge himself and breaks the man's neck.

Cartwright convinces Tunga Khan to free the other women. Now dressed in embroidered silk robes, she comes to tell them. Miss Argent sees Dr. Cartwright hide a bottle that she had earlier called poison. She says “It's a sin.” Cartwright replies, “Then pray for me.” With the others safely away, Cartwright, goes to Tunga Khan's room and secretly poisons two drinks. Bowing, she offers a cup to Tunga Khan saying, "So long, ya bastard." Tunga Khan drinks and immediately falls dead. Cartwright drinks from her cup.

Cast

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Production

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The original story, "Chinese Finale," was presented as an episode ofAlcoa Theatrein March 1960 withHilda Plowrightas Miss Andrews andJan Sterlingas Dr. Mary Cartwright.[3]

John Ford considered bothKatharine HepburnandJennifer Jonesfor the role of Dr. Cartwright, andRosalind Russelllobbied for the part, but eventuallyPatricia Nealwas cast. Ford began the film on February 8, 1965, on the MGM backlot, but Neal suffered a stroke after three days of filming. Anne Bancroft took the role of Dr. Cartwright, but Ford was unhappy with her and called her "the mistress of monotone."[4]Ford originally consideredCarol Lynleyfor the role of Emma Clark but MGM insisted on contract starSue Lyon.[5]Shooting finished on April 12, six days behind schedule.[2]

To edit the film, Ford choseOtho Lovering,[6]with whom he had worked onStagecoach(1939).[7]Lovering edited most of Ford's feature films in the 1960s.[8]

Reception

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In a contemporary review forThe New York Times,criticHoward Thompsonwrote: "Mr. Ford's picture, which gets off to a graphic, arresting start (with some ripeElmer Bernsteinmusic) tapers off to a stark, bony melodrama of female hysteria and mayhem.... What steadies the film and almost severs it, in fact, is a sizzling. earthy performance by Miss Bancroft, as a profane hard-bitten doctor whose arrival tilts the mission even before the barbarians roar into view. Miss Bancroft, a little mannered heretofore, is simply wonderful, from her first bleak appraisal of the premises to the obvious, tragic fadeout, by which time the mission seems like an OrientalEast Lynne."[1]

Los Angeles Timescritic Philip K. Scheuer wrote: "It is possible (though less probable) that in the scene-by-scene shooting everything may have looked and sounded all right. But as it plays today consecutively on the screen, the sequence of events just doesn't add up to anything convincing."[9]

Awards

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The film has appeared in numerous lists:

Cahiers du cinémavoted the film the sixth-best of 1966[10]andAndrew Sarrisrated it the third-best of the year (behindBlow-upandGertrud).[11]

The film is currently ranked number 784 on theThey Shoot Pictures, Don't They?list of the 1,000 greatest films of all time. The list is based on a poll of 1,825film critics,scholars and cinephiles, as well as a culling of over 900 existing "greatest film" lists.[citation needed].

See also

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References

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  1. ^abThompson, Howard (1966-05-05). "Screen: 2 That Just Miss".The New York Times.p. 59.
  2. ^abNat Segaloff,Final Cuts: The Last Films of 50 Great Directors,Bear Manor Media, 2013, p.103-105,ISBN978-1593932336
  3. ^"Alcoa Theatre (1957–1960): Chinese Finale".IMDb.com.Retrieved2016-07-18.
  4. ^p. 332 Davis,Ronald L.John Ford: Hollywood's Old MasterUniversity of Oklahoma Press, 1997
  5. ^"ROLES THAT COULDA, SHOULDA BEEN: CAROL LYNLEY".Sixties Cinema.September 11, 2011.Retrieved1 August2017.
  6. ^"AFI|Catalog".catalog.afi.com.Retrieved2023-05-17.
  7. ^"AFI|Catalog".catalog.afi.com.Retrieved2023-05-17.
  8. ^"AFI|Catalog".catalog.afi.com.Retrieved2023-05-17.
  9. ^Scheuer, Philip K. (1966-01-06). "'7 Women' Unlucky Choice of Film for Feminine Cast ".Los Angeles Times.p. 10, Part VI.
  10. ^"Cahiers du Cinema Top 10's - 1966".Alumnus.caltech.eduaccessdate =12 October 2015.Archived fromthe originalon 5 March 2012.Retrieved18 April2009.
  11. ^"Andrew Sarris Top 10's - 1966".Alumnue.caltech.edu.Archived fromthe originalon 10 February 2001.Retrieved12 October2015.
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