Ango Sakaguchi

Ango Sakaguchi
Sakaguchi in 1946.
Native name	Bản khẩu an ngô
Born	Heigo Sakaguchi (1906-10-20)20 October 1906 Niigata,Japan
Died	17 February 1955(1955-02-17)(aged 48) Kiryū, Gunma,Japan
Occupation	Writer
Genre	Novels, short stories, essay
Notable works	Darakuron
Spouse	Michiyo Kaji ​ (m.1953⁠–⁠1955)​
Children	Tsunao Sakaguchi

Ango Sakaguchi(Bản khẩu an ngô,Sakaguchi Ango,20 October 1906 – 17 February 1955)was a Japanese writer, who wrote short stories and novels and was anessayist.His real name wasHeigo Sakaguchi(Bản khẩu bỉnh ngũ,Sakaguchi Heigo).

Biography

Born inNiigata,Sakaguchi was part of a group of young Japanese writers to rise and prominence in the years immediately following Japan's defeat inWorld War II.Ango Sakaguchi was associated with theBuraihaor "Decadent School" ( vô lại phái buraiha, the school of irresponsibility and decadence), which designated a group of dissolute writers who expressed their perceived aimlessness and identity crisis of post-World War II Japan.

In 1946, he wrote his most famous essay, "Darakuron" ( "Discourse on Decadence" ), which examined the role ofbushidoduring the war.It is widely argued that he saw postwar Japan as decadent, yet more truthful than a wartime Japan built on illusions like bushido. (The work itself does not make any claims about the meaning of decadence.)

Ango was born in 1906 and was the 12th child of 13. He was born in the middle of a Japan perpetually at war. His father was the president of the Niigata Shimbun newspaper, a politician, and a poet.

Ango wanted to be a writer at 16. He moved to Tokyo at 17, after hitting a teacher who caught himtruanting.His father died from brain cancer the following year, leaving his family in massive debt. At 20, Ango taught for a year as a substitute teacher following secondary school. He became heavily involved in Buddhism and attendedToyo Universityto study Indian philosophy, graduating at the age of 25. Throughout his career as a student, Ango was very outspoken about his opinions.

He wrote various works of literature after graduating, receiving praise from writers such as Makino Shin'ichi. His literary career started around the same time as Japan's expansion into Manchuria. At 27, he met and became friends with Yada Tsuneko. His mother died when he was 37, in the middle of World War II. He struggled for recognition as a writer for years before finally finding it with "A Personal View of Japanese Culture" in 1942, and again with "On Decadence" in 1946.

In 1947, Ango Sakaguchi wrote an ironical murder mystery,Furenzoku satsujin jiken( "The Non-serial Murder Incident", translated and published in French asMeurtres sans série), for which he received theMystery Writers of Japan Awardin 1948. Ango had a child at 42 with his wife, Michiyo Kaji. Ango later died from a brainaneurysmat age 48 in 1955, inKiryū, Gunma.

Works in English translation

• Literary Mischief: Sakaguchi Ango, Culture, and the War,edited by James Dorsey and Doug Slaymaker, with translations by James Dorsey. Lanham, MA: Lexington Books, 2010. (Critical essays by Doug Slaymaker, James Dorsey, Robert Steen, Karatani Kojin, and Ogino Anna.)
  • Short story
    • "Pearls" (Shinju, 1942)
  • Essays
    • "A Personal View of Japanese Culture" (Nihon bunka shikan, 1942)
    • "Discourse on Decadence" (Darakuron, 1946)
    • "Discourse on Decadence, Part II" (Zoku darakuron, 1946)

Short stories

• "The Idiot" (Hakuchi, 1946). Transl. by George Saitо̄ inModern Japanese Stories,ed. by Ivan Morris. Rutland and Tokyo: Charles E. Tuttle Company, 1962, pp. 383–410.
• "I Want to Be Holding the Sea" ( hải を bão きしめていたい), Transl. by Shogo Oketani and Leza Lowitz inTowards a Literature of the Periphery:Manoa (Honolulu, Hawaii: 1995), 7, no. 1.
• "One Woman and the War" (Zoku Sensо̄ to hitori no onna, 1946). Transl. by Lane Dunlop inAutumn Wind and Other Stories.Rutland and Tokyo: Charles E. Tuttle Company, 1994, pp. 140–160.
• "In the Forest, Under Cherries in Full Bloom" (Sakura no mori no mankai no shita, 1947). Trans. by Jay Rubin inThe Oxford Book of Japanese Short Stories,ed. by Theodore W. Goossen. Oxford and New York: Oxford University Press, 1997, pp. 187–205.
• "The War and a Woman" (Sensо̄ to hitori no onna, 1946). Transl. by Robert Zetzsche inSakiko Nomura: Ango.Tokyo: Match and Company, 2017.
• Wind, Light, and the Twenty-Year-Old-Me( phong と quang と nhị thập の tư と) (abridged), translated by Reiko Seri and Doc Kane. Kobe: Maplopo, 2020.

Essay

• "A Personal View of Japanese Culture" (Nihon bunka shikan, 1942) (abridged). Transl. by James Dorsey inThe Columbia Anthology of Modern Japanese Literature, Volume 1,ed. by Thomas Rimer and Van Gessel. New York: Columbia University Press, 2002, pp. 823–835.

Further reading

For more on Sakaguchi's role in postwar Japan, see John Dower's bookEmbracing Defeat,pp. 155–157.

• Dorsey, James. “Culture, Nationalism, and Sakaguchi Ango,”Journal of Japanese Studiesvol. 27, no. 2 (Summer 2001), pp. 347~379.
• Dorsey, James. “Sakaguchi Ango,” inModern Japanese Writers,ed. Jay Rubin (New York: Charles Scribner's Sons, 2000), pp. 31~48.
• Ikoma, Albert Ryue. 1979. Sakaguchi Ango: His Life and Work. Thesis (Ph. D.)--University of Hawaii, 1979.
• Nishikawa Nagao. “Two Interpretations of Japanese Culture.” Transl. by Mikiko Murata and Gavan McCormack. InMulticultural Japan: Palaeolithic to Postmodern,ed. by Donald Denoon, Mark Hudson, Gavan McCormack, and Tessa Morris-Suzuki, 245-64. London: Cambridge University Press, 1996.
• Rubin, Jay. “From Wholesomeness to Decadence: The Censorship of Literature under the Allied Occupation.”Journal of Japanese Studies,vol. 1, no. 1 (Spring 1985), 71-103.
• Steen, Robert. 1995. To Live and Fall: Sakaguchi Ango and the Question of Literature. Thesis (Ph. D.)--Cornell, 1995.
• Ed. James Dorsey and Doug Slaymaker, with translations by James Dorsey,Literary Mischief: Sakaguchi Ango, Culture, and the War.Lantham, MD: Lexington Books, 2010. Critical essays by Doug Slaymaker, James Dorsey, Ogino Anna, Karatani Kojin, and Robert Steen. Annotated English translations of "A Personal View of Japanese Culture" ( “Nhật bổn văn hóa tư quan”, 1942), "Pearls" ( “Chân châu”, 1942), and "Discourse on Decadence" ( “Đọa lạc luận” parts 1 and 2, 1946).
• Yongfei Yi, 'Sakaguchi Ango's Conceptualizations of the Function of Literature in the Postwar Era', Graduate Program in East Asian Studies, The Ohio State University, 2011[1]
• James Shield, 'Smashing the Mirror of Yamato: Sakaguchi Ango, Decadence and a (Post-metaphysical) Buddhist Critique of Culture', Journal of the International Research Center for Japanese Studies, Volume 23, Pages 225-246, September 2011,[2]

See also

• Un-Go- a 2011animeseries based on Ango's works
• Aoi Bungaku- episodes 5 and 6 are based on Ango's "In the Forest, Under Cherries in Full Bloom".
• The animeBungo Stray Dogswhere a character is named after him

External links

• Maplopo | Ango Sakaguchi, "Wind, Light, and the Twenty-Year-Old-Me(In English)
• Ango Sakaguchi's Discourse on DecadenceSpanish translation by Juan Agustín Onís Conde
• Youyou Studio - Ango styleArchived2012-08-23 at theWayback Machine- A Japanese-language site with information about Ango Sakaguchi and his works(in Japanese)
• Ango Sakaguchi's grave,archived from theoriginalon 4 March 2016 via theWayback Machine