Jump to content

B. C. Binning

Add links
From Wikipedia, the free encyclopedia

B. C. Binning
Born
Bertram Charles Binning

(1909-02-10)February 10, 1909
Medicine Hat,Alberta
DiedMarch 16, 1976(1976-03-16)(aged 67)
EducationVancouver School of Art withF. H. Varleyand C. H. Scott; New York,Art Students League(1939) withYasuo Kuniyoshiand others; London withHenry Moore;New York withAmédée Ozenfant
SpouseJessie Wyllie (married 1936)
AwardsOfficer,Order of Canada(1971); elected member in 1966,Royal Canadian Academy of Arts

Bertram Charles BinningOCRCA(10 February 1909 inMedicine Hat,Alberta– 16 March 1976 inVancouver,British Columbia), popularly known asB. C. Binning,was best known for his drawings until 1946 when he first exhibited his witty semi-abstract paintings.[1]

Career

[edit]

In 1949, when he was teaching at the Vancouver School of Art (today'sEmily Carr University of Art and Design), he was invited by Fred Lasserre, the first director of the School of Architecture atThe University of British Columbia(U.B.C.) to come and teach art to the architecture students.[2]Binning, from a family of architects,[3]believed that art, architecture and life were intimately connected.[4]

Binning invitedRichard Neutra,one of the leading architects in theModernismmovement in California, to lecture in Vancouver in 1949 and 1953.[5]He and his culturally aware wife Jessie (Wyllie) Binning (1906–2007) provided many opportunities in their home for artists, writers and architects to socialize.[6]

Bert and Jessie Binning fostered close ties with the most recognized figures in art in Vancouver. They were friends withLawren S. Harrisand his wife, artistBess Harris.Those in his academic circle of intimates from art school wereGordon A. Smithand his wife Marion Smith, Orville Fisher, Fred Amess, John Koerner,Jack Shadboltand his wifeDoris Shadbolt,Lionel Thomas, and alsoBruno Bobakand his wifeMolly Lamb Bobak.[7]It was an exciting time in the world art scene too. The oppressive constraints of Victorian attitudes toward art and architecture had been thrown off. In Europe and the United States, Modernist architecture and "futuristic" urban and regional design were taking hold and Binning wanted to introduce them to British Columbia.[8]

Plaque in front of the B.C. Binning house in West Vancouver

In Binning's personal artistic practice he revealed his lifestyle. Known as an excellent draughtsman, he recorded his experiences in intricate line drawings: a detailed remembrance of an unusual hotel room, studies of peaceful-looking female figures, or an architectural drawing of a street in Vancouver. The drawings exude humour and love: a friend cutting a dog's hair or a picnic view from a high perch.[9]Innovative and intelligent, his hospitality to students, colleagues and world figures alike made him a well-loved professor.

The paintings, internationally recognized and exhibited regularly, are composed and formal yet saturated with his leisurely weekends sailing the B.C. Coast with his wife. The nautical themes and the layered, regal, simple, ship forms portray a unique architectural style. The celebratory touches are often primary colours. The expanses of painted shapes are purely those of the coast he knew best.[10]

Binning's monumental accomplishments on the scene of Vancouver's art and architecture placed the city on the cultural map internationally. In 1946, he helped to found the Art in Living Group, which in 1949 had a major show,Design for Living,at the Vancouver Art Gallery.[7]In 1954, works by Binning, along with those ofPaul-Émile Borduas,andJean-Paul Riopellerepresented Canada at theVenice Biennale.[11] His visits to Japan and personality made him an important figure in the negotiations for theNitobe Gardenat U.B.C.[12]He founded and presided over the U.B.C. Festival of the Contemporary Arts, a mold-breaking yearly avant-garde celebration spanning the decade of the 1960s in Vancouver, at the peak of whichMarshall McLuhanspoke in 1964.[13]

Eventually he helped found the Department of Fine Art at U.B.C. and headed it.[13]He presented many papers internationally; was on advisory boards; received innumerable grants, awards, fellowships, one-person shows andretrospectiveexhibitions. He became an Officer of the Order of Canada in 1971. He retired in 1974. He died in 1976.

In 1997, theBauhaus-influenced Binning Residence Binning designed for himself in 1941 inWest Vancouver[14]was declared aNational Historic Site of Canada.[15]His widow, Jessie, surviving him by three decades, had lived and managed his legacy there until then. When Jessie died in 2007 at the age of 101, the ownership and management of the house transferred to TLC The Land Conservancy of British Columbia. In 2013 TLC ran into financial difficulties and attempted to sell the house. After a protracted legal battle, TLC was ordered by the Supreme Court of British Columbia to return the house to the Estate of Jessie Binning.[16]In 2015, the house was purchased by Jesse Saniuk, a local philanthropist and president of Four Sails Realty Inc. The house is currently being restored by its owner.[17]Binning's work continues to be shown regularly in Metro Vancouver - lately at theVancouver Art Gallery,Burnaby Art Galleryand West Vancouver Museum; and is part of The Artists4Kids Trust.

Education

[edit]

Binning started his studies in 1927 at the Vancouver School of Decorative and Applied Arts (shortly to become the Vancouver School of Art) underFrederick Varleyand later taught at the school.[18]In 1938–39, he took a year's leave of his teaching duties to study in London, England underMark Gertler,Bernard Meninskyand, most significantly,Henry Moore.[19]Upon his return to North America, he spent a brief period studying in New York at theArt Students League.[20]

Selected commissions

[edit]
  • 1952: painted murals, O'Brien Advertising Centre, Vancouver
  • 1952/53: interior architectural composition, B.C. Electric (Dal Grauer Substation, Vancouver)
  • 1956: mosaic wall tile and facade colour scheme, B.C. Electric Building, Vancouver
  • 1958: mosaic mural, Imperial Bank of Commerce, Vancouver
  • 1963: colour design of Port Mann Bridge over Fraser River, B.C.

Selected collections

[edit]

References

[edit]
  1. ^abBradfield 1970,p. 31.
  2. ^Rogatnick 2006,pp. 12.
  3. ^Rogatnick 2006,pp. 3.
  4. ^Rogatnick 2006,pp. 2.
  5. ^Rogatnick 2006,pp. 16.
  6. ^Rogatnick 2006,pp. 18.
  7. ^abRogatnick 2006,pp. 11.
  8. ^Rogatnick 2006,pp. 8–9.
  9. ^Thom 2006,pp. 84–116.
  10. ^Thom 2006,pp. 118–159.
  11. ^"Past Canadian Exhibitions".National Gallery of Canada at the Venice Biennale.National Gallery of Canada. Archived fromthe originalon October 13, 2013.RetrievedOctober 12,2013.
  12. ^Rogatnick 2006,pp. 20.
  13. ^abNasgaard 2008,p. 128.
  14. ^Weder 2006,p. 42-68.
  15. ^Binning Residence.Canadian Register of Historic Places.Retrieved 23 October 2011.
  16. ^"Binning House goes back to estate".
  17. ^"Binning House sold, to be restored".
  18. ^Rogatnick 2006,pp. 6.
  19. ^Thom 2006,pp. 82–83.
  20. ^Thom 2006,pp. 89.
  21. ^Binning, B.C."The Collection".ago.ca.Art Gallery of Ontario.RetrievedAugust 3,2020.
  22. ^"Bertram Charles Binning".National Gallery of Canada.RetrievedAugust 3,2020.
  23. ^Binning, Bertram Charles."works in the collection".rmg.minisisinc.com.Robert McLaughlin Gallery, Oshawa.RetrievedAugust 3,2020.
  24. ^"The Permanent Collection"(PDF).RetrievedMarch 20,2017.
  25. ^"Vancouver Art Gallery".www.vanartgallery.bc.ca.RetrievedMarch 20,2017.

Bibliography

[edit]
[edit]
Retrieved from "https://en.wikipedia.org/w/index.php?title=B._C._Binning&oldid=1177352788"