Jump to content

Berenice Abbott

From Wikipedia, the free encyclopedia

Berenice Abbott
Berenice Abbott (1930s)
Born
Berenice Alice Abbott

July 17, 1898(1898-07-17)
Springfield, Ohio,US
DiedDecember 9, 1991(1991-12-09)(aged 93)
Monson, Maine,US
Resting placeNew Blanchard Cemetery,Blanchard, Maine,U.S.[1]
Known forPhotography

Berenice Alice Abbott(July 17, 1898 – December 9, 1991)[2]was an American photographer best known for her portraits of cultural figures of theinterwar period,New York City photographs of architecture and urban design of the 1930s, and science interpretation of the 1940s to the 1960s.

Early years[edit]

Abbott was born inSpringfield, Ohio[3]and brought up in Ohio by her divorced mother, née Lillian Alice Bunn (m. Charles E. Abbott in Chillicothe OH, 1886).

She attended TheOhio State Universityfor two semesters, but left in early 1918 when her professor was dismissed because he was a German teaching an English class.[4]She moved to New York City, where she studied sculpture and painting. In 1921 she traveled to Paris and studied sculpture with Emile Bourdelle.[5]While in Paris, she became an assistant toMan Ray,who wanted someone with no previous knowledge of photography.[6]Abbott took revealing portraits of Ray's fellow artists.[7]

Trip to Europe, photography, and poetry[edit]

Photograph by Abbott of her friendMargarett Sargenttaken in Paris in 1928

Her university studies included theater and sculpture.[8]She spent two years studying sculpture in Paris and Berlin.[2]She studied at theAcadémie de la Grande Chaumièrein Paris and thePrussian Academy of Artsin Berlin.[9]During this time, she adopted the French spelling of her first name, "Berenice," at the suggestion ofDjuna Barnes.[10]In addition to her work in the visual arts, Abbott published poetry in the experimental literary journaltransition.[11] Abbott first became involved with photography in 1923, whenMan Rayhired her as a darkroom assistant at his portrait studio inMontparnasse.Later, she wrote: "I took to photography like a duck to water. I never wanted to do anything else." Ray was impressed by her darkroom work and allowed her to use his studio to take her own photographs.[12]In 1921 her first major works was in an exhibition in the Parisian gallery Le Sacre du Printemps. After a short time studying photography in Berlin, she returned to Paris in 1927 and started a second studio, on the rue Servandoni.[13]

Abbott's photograph ofJanet Flannerin 1925

Abbott's subjects were people in the artistic and literary worlds, including French nationals (Jean Cocteau), expatriates (James Joyce), and others just passing through the city. According toSylvia Beach,"To be 'done' by Man Ray or Berenice Abbott meant you rated as somebody".[14]Abbott's work was exhibited with that of Man Ray,André Kertész,and others in Paris, in the "Salon de l'Escalier"[15](more formally, the Premier Salon Indépendant de la Photographie), and on the staircase of theThéâtre des Champs-Élysées.Her portraiture was unusual within exhibitions of modernist photography held in 1928–1929 in Brussels and Germany.[16]

In 1925, Man Ray introduced her toEugène Atget's photographs. She became interested in Atget's work,[17]and managed to persuade him to sit for a portrait in 1927.[18]He died shortly thereafter. She acquired the prints and negatives remaining in Eugène Atget's studio at his death in 1927.[19]While the government acquired much of Atget's archive – Atget had sold 2,621 negatives in 1920, and his friend and executor André Calmettes sold 2,000 more immediately after his death[20]— Abbott was able to buy the remainder in June 1928, and quickly started work on its promotion. An early tangible result was the 1930 bookAtget, photographe de Paris[21],in which she is described as photo editor. Due to a lack of funding, Abbott sold a one-half interest in the collection to Julien Levy for $1,000.[22]Abbott's work on Atget's behalf would continue until her sale of the archive to theMuseum of Modern Artin 1968. In addition to her bookThe World of Atget(1964), she provided the photographs forA Vision of Paris(1963), published a portfolio,Twenty Photographs,and wrote essays.[23]Her sustained efforts helped Atget gain international recognition.

Changing New York[edit]

Boweryrestaurant photograph forChanging New York,1935.

In early 1929, Abbott visited New York City, ostensibly with the goal of finding an American publisher for Atget's photographs. Upon seeing the city again, Abbott recognized its photographic potential. She went back to Paris, closed up her studio, and returned to New York in September. There, over the next decade, she focused on documentary photography and on portraying the city as it underwent a transformation into a modern metropolis.[24] During this period, Abbott became a central figure and important bridge between the photographic hubs and circles of Paris and New York City.[25]

Her first photographs of New York were taken with a hand-held Kurt-Bentzin camera, but soon she acquired a Century Universal camera, which produced 8 × 10-inch negatives.[26]Using thislarge format camera,Abbott photographed the city with the diligence and attention to detail she had so admired in Eugène Atget. After Atget's death in 1927, she and Julien Levy had acquired a large portion of his negatives and glass slides, which she then brought over to New York in 1929.[25]Her subsequent work provides a historical chronicle of many now-destroyed buildings and neighborhoods in Manhattan. Abbott had her first exhibition in New York in 1937 entitled "Changing New York" at theMuseum of the City of New York.A book under the same title was also published, depicting the city's physical transformation, including changes to its neighborhoods and the replacing of low rise buildings with skyscrapers.[27]

Abbott worked on her New York project independently for six years, unable to get financial support from organizations (such as theMuseum of the City of New York), foundations (such as theGuggenheim Foundation), or individuals. She supported herself with commercial work and with teaching gigs at theNew School of Social Researchbeginning in 1933.[28]

In 1935, Abbott was hired by theFederal Art Project(FAP)[2]as a project supervisor for her "Changing New York" project. While she continued to take photographs of the city, she hired assistants to help her in the field and in the office. This arrangement allowed Abbott to devote all her time to producing, printing, and exhibiting her photographs. By the time she resigned from the FAP in 1939, she had produced 305 photographs that were then deposited at the Museum of the City of New York.[26]

Abbott's project was primarily a sociological study embedded within modernist aesthetic practices. She sought to create a broadly inclusive collection of photographs that together suggest a vital interaction between three aspects of urban life: the diverse people of the city; the places they live, work and play; and their daily activities. It was intended to empower people by making them realize that their environment was a consequence of their collective behavior (and vice versa). Moreover, she avoided the merely pretty in favor of what she described as "fantastic" contrasts between the old and the new, and chose her camera angles and lenses to create compositions that either stabilized a subject (if she approved of it), or destabilized it (if she scorned it).[29]

Abbott's ideas about New York were highly influenced byLewis Mumford's historical writings from the early 1930s, which divided American history into a series of technological eras. Abbott, like Mumford, was particularly critical of America's "paleotechnic era", which, as he described it, emerged at the end of theAmerican Civil War,a development other historians have dubbed theSecond Industrial Revolution.Like Mumford, Abbott was hopeful that, throughurban planningefforts (aided by her photographs), Americans would be able to wrest control of their cities away from paleotechnic forces and bring about what Mumford described as a more humane and human-scaled, "neotechnic era". Abbott's agreement with Mumford can be seen especially in the ways that she photographed buildings that had been constructed in the paleotechnic era – before the advent of urban planning. Most often, buildings from this era appeared in Abbott's photographs in compositions that made them look downright menacing.[29]

In 1935, Abbott moved into aGreenwich Villageloft with art criticElizabeth McCausland,with whom she lived until McCausland's death in 1965. McCausland was an ardent supporter of Abbott, writing several articles for theSpringfield Daily Republican,as well as forTrendandNew Masses(the latter under the pseudonym Elizabeth Noble). In addition, McCausland contributed the captions forChanging New York[30]which was published in 1939. Although well-received, the final book showed important differences from the one initially envisioned by Abbott and McCausland, especially with respect to captions and sequencing.[31]In 1949, her photography bookGreenwich Village Today and Yesterdaywas published byHarper & Brothers.[32]

Ralph Steinerwrote inPMthat Abbott's work was "the greatest collection of photographs of New York City ever made."[33]

As the city and architecture are two main themes in Abbott's photographs, her work has been commented on and reviewed together with the work ofEugène AtgetandAmanda Bouchenoire,in the bookArchitecture and Cities. Three Photographic Gazes,where author Jerome Saltz analyzes historicist perspectives and considers their aesthetic implications: "(...) the three authors coincide in the search for and exaltation of intrinsic beauty in their objectives, regardless of quality and clarity of their references."[34]

Gallery[edit]

Beyond New York City[edit]

Abbott byHank O'Nealin 1979

In 1934,Henry-Russell Hitchcockasked Abbott to photograph two subjects:antebellum architectureand the architecture ofH. H. Richardson.Two decades later, Abbott and McCausland traveledUS 1from Florida to Maine, where Abbott photographed small towns and growing automobile-related architecture.[2]The project resulted in more than 2,500negatives.

Shortly after the trip, Abbott underwent alungoperation. She was told she should move from New York City due to air pollution. She purchased a rundown home inBlanchard, Mainealong the banks of thePiscataquis Riverfor US$1,000. Later, she moved to nearbyMonsonand remained in Maine until her death in 1991. Most of her work is shown in the United States, but a number of photographs are shown in Europe.

Abbott's last book wasA Portrait of Maine(1968).

In 1943, Abbott was commissioned by Hudson D. Walker to photograph operations at the Red River Lumber Company inWestwood, California.Selections from her work in Westwood became part of a touring exhibition, "Lumbering and Logging in the Pine Forest of California."[35]

Approach to photography[edit]

Abbott was part of thestraight photographymovement,[36]which stressed the importance of photographs being unmanipulated in both subject matter and developing processes.[37]She also disliked the work ofpictorialistswho had become popular during a substantial span of her career, leaving her work without support from this school of photographers. Most of Abbott's work was influenced by what she described as her unhappy and lonely childhood. This gave her the strength and determination to follow her dreams.[38]

Throughout her career, Abbott's photography was very much a reflection of the rise in development oftechnology and society.Her works documented and extolled the New York landscape. This was guided by her belief that a modern-day invention such as the camera deserved to document the 20th century.[39]

Scientific work[edit]

In addition to her photography, Abbott co-founded a company, the "House of Photography," which developed, promoted and sold photographic equipment and devices from 1947 to 1959.[40]Abbott's inventions included a distortion enlarging easel, which created unusual effects on images, and the telescopic lighting pole, known today by many studio photographers as an "autopole", to which lights can be attached at any level. Owing to poor marketing, the House of Photography quickly lost money, and with the deaths of two designers, the company closed.[41]

Abbott's style of straight photography helped her make important contributions to scientific photography. She once stated, "We live in a world made by science. There needs to be a friendly interpreter between science and the layman. I believe photography can be this spokesman, as no other form of expression can be."[42]

From 1958 to 1960, she produced a series of photographs for a high-school physics textbook, developed by thePhysical Science Study Committeeproject based atMITto improve secondary school physics teaching. Her work included images of wave patterns in water and stroboscopic images of moving objects, such asBouncing ball in diminishing arcs,which was featured on the cover of the textbook.[43]She contributed to the understanding of physical laws and properties of solids and liquids though her studies of light and motion.[44]

Between 1958 and 1961, she made a series of photographs for Educational Services Inc., which were later published. They were subsequently presented by theSmithsonian Institutionin an exhibition titledImage of Physics.[44]In 2012, some of her work from this era was displayed at theMIT Museumin Cambridge, Massachusetts.[45]

Personal life[edit]

The filmBerenice Abbott: A View of the 20th Century,which showed 200 of her black and white photographs, suggests that she was a "proud proto-feminist"; someone who was ahead of her time in feminist theory. Before the film was completed she questioned, "The world doesn't like independent women, why, I don't know, but I don't care." She identified publicly as a lesbian.[46]

She lived with her partner, art criticElizabeth McCausland,for 30 years.[37]

Abbott's life and work are the subject of the 2017 novelThe Realist: A Novel of Berenice Abbott,by Sarah Coleman.[47]

The first comprehensive biography was published in 2018,Berenice Abbott: A Life in Photographyby Julia Van Haaften (W. W. Norton);[48]it was nominated for a PEN America award and a Lammy in biography, and excerpted inThe Paris ReviewApril 10, 2018.[49]

Works, exhibitions and collections[edit]

Notable photographs[edit]

  • Under the El at the Battery,1932.[50]
  • New York at Night,1932.[51]
  • Tempo of the City I,1938.[52]
  • James Joyce,1928.[53]
  • Jay Street #115,New York, c.1936.[54]
  • Automat, 977 Eighth Avenue, New York,1936.[55]
  • Radio Row, Cortland Street, Manhattan,c. 1936.[56]
  • Marie Laurencin, Paris,c.1925.[57]
  • Triboro Barber School,New York, 1935.[58]
  • The Hands of Jean Cocteau,1927.[59]
  • Fifth Avenue Coach Company, New York,1932.[60]
  • Edward Hopper in His Studio,1949.[61]
  • Fifth Avenue, Nos. 4,6,8,1936.[62]
  • Flatiron Building, Broadway and Fifth Avenue, New York City,1938.[63]
  • Father Duffy, Times Square,1937.[64]
  • Gunsmith and Police Department Headquarters,1937.[65]
  • Church of God,1936.[66]
  • Eugene Atget,1927.[67]
  • Edna St. Vincent Millay,c.1929.[68]
  • Wall Street and Stock Exchange,1933.[69]
  • Esso Gasoline Station, Tenth Avenue, New York,1935.[70]

Books[edit]

Books of photographs by Abbott
  • 1939Changing New York.New York: Dutton, 1939. With text by Elizabeth McCausland.[2]
    • Reprint:New York in the Thirties, as Photographed by Berenice Abbott(New York: Dover, 1973).[2]
    • Catalograisonnéedition: augmented, annotated by Bonnie Yochelson, ed.,Berenice Abbott: Changing New York(New York: New Press and the Museum of the City of New York, 1997)ISBN1-56584-377-0/.
    • Critical edition:Miller, Sarah M. (2020).Documentary in Dispute: The Original Manuscript ofChanging New Yorkby Berenice Abbott and Elizabeth McCausland.Cambridge, MA: The MIT Press.ISBN9780262044172.OCLC1140683187.
  • 1949Greenwich Village: Yesterday and Today.New York: Harper, 1949. With text by Henry Wysham Lanier.
  • 1968A Portrait of Maine.New York: Macmillan, 1968. With text by Chenoweth Hall.
Other books by, or with major contributions from, Abbott
  • 1930Atget, photographe de Paris.Paris: Henri Jonquières; New York: E. Weyhe, 1930. (As photograph editor.)[71]
  • 1941A Guide to Better Photography.New York: Crown, 1941[72]Revised edition:New Guide to Better Photography(New York: Crown, 1953)[73]
  • 1948The View Camera Made Simple.Chicago: Ziff-Davis, 1948[74]
  • 1956Twenty Photographs by Eugène Atget 1856–1927(portfolio of silver prints by Abbott from original Atget negatives in her possession)[75]
  • 1963A Vision of Paris: The Photographs of Eugène Atget, the Words of Marcel Proust.New York: Macmillan, 1963. Edited by Arthur D. Trottenberg[76]
  • 1964The World of Atget.New York: Horizon, 1964.[77](And later editions.)
  • 1964Magnet.Cleveland: World, 1964. With text by Evans G. Valens.[78]
  • 1965Motion.London: Longman Young, 1965. With text by Evans G. Valens[79]
  • 1968A Portrait of Maine.NY: Macmillan, 1968. With text by Chenoweth Hall[80]
  • 1969The Attractive Universe: Gravity and the Shape of Space.Cleveland: World, 1969. With text by Evans G. Valens[81]
  • 2008Berenice Abbott.Germany/New York: Steidl, 2008. 2v. Edited by Hank O'Neal and Ron Kurtz.[82]ISBN3-86521-592-0
  • 2010 Berenice Abbott ". London: Thames & Hudson, 2010,[83]Introduction by Hank O'Neal
  • 2012Berenice Abbott: Documenting Science.Göttingen: Steidl, 2012.[84]Edited by Ron Kurtz, with introduction by Julia Van Haaften.
  • 2014The Unknown Berenice Abbott.Göttingen: Steidl, 2014. 5v. Edited by Ron Kurtz and Hank O'Neal[85]
  • 2015Berenice Abbott: Paris Portraits.Göttingen, Germany: Steidl; New York: Commerce Graphics, 2016. Edited by Hank O'Neal[86]
Anthologies of and/or about Abbott's works
  • 1970Berenice Abbott: Photographs.New York: Horizon, 1970; reprinted, Washington, D.C.: Smithsonian Institution Press, 1990[87]
  • 1982 O'Neal, Hank.Berenice Abbott: American Photographer.New York: McGraw-Hill, 1982.[88]British title:Berenice Abbott: Sixty Years of Photography.London: Thames & Hudson, 1982[89]
  • 1986Berenice Abbott, fotografie / Berenice Abbott: Photographs.Venice: Ikona, 1986[90]
  • 1989 Van Haaften, Julia, ed.Berenice Abbott, Photographer: A Modern Vision.New York: New York Public Library, 1989. [Winner, American Association of Museums' exhibition catalog design award][91]ISBN0-87104-420-X
  • 2009 Shimizu, Meredith Ann TeGrotenhuis. "Photography in Urban Disclosure: Berenice Abbott's Changing New York and the 1930s," Ph.D. dissertation, Northwestern University, 2009[92]
  • 2012 Morel, Gaëlle.Berenice Abbott.Paris: Éditions Hazan, 2012[93]
  • 2015Berenice Abbott.Aperture Masters of Photography 9, by Julia Van Haaften. New York: Aperture, 1988; trilingual edition, 1997;[94]completely revised edition, with new photos and text, 2015.[95][Chinese translation 2015[96]

Solo exhibitions[edit]

  • Weyhe Gallery, New York, NY, November 1930[97]
  • Photographs by Berenice AbbottatJulien Levy Gallery,New York, NY, September 26 – October 15, 1932
  • New York Photographs by Berenice AbbottatMuseum of the City of New York,New York, NY, October 1934 – January 1935
  • New York Photographs by Berenice AbbottatMuseum of Fine Arts, Springfield,MA, March 1935
  • New York Photographs by Berenice Abbottat Jerome Stavola Gallery, Hartford, CT, April 1935
  • New York Photographs by Berenice Abbottat Fine Arts Guild, Cambridge, MA, April 10–15, 1935
  • Changing New York,Washington Circuit, Federal Art Project, traveling exhibition, 1936
  • Changing New Yorkat Museum of the City of New York City, NY, October 20, 1937 – January 3, 1938
  • Changing New Yorkat Teachers College Library, New York, NY, November 1937
  • Solo exhibition at Hudson D. Walker Gallery, New York, NY, April 1938
  • Changing New YorkatNew York State Museum,Albany, NY, July 1938
  • Changing New Yorkat Federal Art Gallery, New York, NY, April 11–22, 1939
  • Solo exhibition atArchitectural League,New York, NY, April 1939
  • Changing New Yorkat Lawrenceville School, Lawrence Township, NJ, May 1939
  • Changing New Yorkat Photo League Gallery, New York, NY, July 1939
  • Changing New Yorkat New York State Employment Service, New York, NY, November–December 1939
  • Changing New Yorkat Walton High School, New York, NY, December 1939
  • Photographs of New York by Berenice AbbottatThe Cooper UnionLibrary, New York, NY, November–December 1940
  • Berenice Abbott,The Museum of Modern Art,New York, NY, December 1970 – February 1971
  • Berenice Abbott: The Red River Photographsat Hudson D. Walker Gallery at theFine Arts Work Center,Provincetown, Massachusetts, August–September 1979[98]
  • Berenice Abbott: The 20s and the 30s,International Center of Photography,New York City, November 22, 1981 – January 10, 1982
  • Beauty of PhysicsatNew York Academy of Sciences,New York, NY, January–April 1987[99]
  • Berenice Abbott, Photographer: A Modern Vision,The New York Public Library,New York NY, October 1989 – January 1990 (Traveled to Metropolitan Museum of Photography [Tokyo, Japan], Toledo [Ohio] Museum of Art, Corcoran Gallery of Art [Washington DC], and Portland [ME] Museum of Art, 1990–1992)
  • Documenting New York: Photographs by Berenice Abbott,Dallas Museum of Art,Dallas, Texas,1992
  • Berenice Abbott: Portraits, New York Views, and Science Photographs from the Permanent Collection,International Center of Photography,New York, NY, 1996
  • Berenice Abbott's Changing New York,National Museum of Women in the Arts,Washington D.C.,1935–1939,1998–99
  • Berenice Abbott: Vintage Photographs of New York from the 1930s,Lee Gallery, Winchester, MA, September 1999
  • Berenice Abbott: Science Photographs,The New York Public Library,New York NY, October 1999 – January 2000
  • Berenice Abbott: All About Abbott,Howard Greenberg Gallery, New York, NY, September–November 2006
  • Making Science Visible: The Photography of Berenice Abbott,The Fralin Museum of Art,Virginia, 2012
  • Berenice Abbott (1898–1991), Photographs,Jeu de Paume,Paris, France, February–April 2012
  • Berenice Abbott: Photography and Science: An Essential Unity,MIT Museum,Cambridge, Massachusetts, May–December 2012
  • Berenice Abbott,Beetles & Huxley Gallery, London, England, October–November 2015
  • Berenice Abbott – Photographs,Martin-Gropius-Bau,Berlin, Germany, January–March 2016
  • Berenice Abbott's New York Album, 1929.Metropolitan Museum of Art,New York, March 2–September 2023[100][101]

Collections[edit]

Abbott's work is held in the following permanent collections:

References and sources[edit]

References[edit]

  1. ^Donald V. Brown, Christine Brown (comp.).Blanchard Cemetery, Abbot, Piscataquis, Maine, 1829 – 1990.
  2. ^abcdef"Abbott, Berenice".Encyclopædia Britannica.Vol. I: A-Ak – Bayes (15th ed.). Chicago, Illinois: Encyclopædia Britannica, Inc. 2010. pp.12–13.ISBN978-1-59339-837-8.
  3. ^"Abbott, Berenice".Who Was Who in America, with World Notables, v. 10: 1989–1993.New Providence, NJ: Marquis Who's Who. 1993. p. 1.ISBN0837902207.
  4. ^Yochelson,pp. 9–10.
  5. ^Rosenblum, Naomi (2000).A history of women photographers(Second edition, updated and expanded ed.). New York. p. 305.ISBN0-7892-0658-7.OCLC43729073.{{cite book}}:CS1 maint: location missing publisher (link)
  6. ^"Berenice Abbott".Biography.Archived fromthe originalon July 5, 2018.RetrievedApril 4,2018.
  7. ^Norwich, John Julius (1990).Oxford Illustrated Encyclopedia of the Arts.USA: Oxford University Press. pp.1.ISBN978-0198691372.
  8. ^Sculpture, Ray, Hartmann: Julia Van Haaften, "Portraits",Berenice Abbott, Photographer: A Modern Vision(New York: New York Public Library, 1989), p. 11.
  9. ^Marter, Joan M. (2011).The Grove Encyclopedia of American Art, Volume I.Oxford University Press. pp. 9–10.
  10. ^Herring, Phillip (1995).Djuna:The Life and Work of Djuna Barnes.New York: Penguin Books.ISBN0-14-017842-2.
  11. ^Benstock, Shari(1986).Women of the Left Bank: Paris, 1900–1940.Texas: University of Texas Press.ISBN0-292-79040-6.
  12. ^Yochelson,p. 10. Abbott quotation: Abbott, untitled text dated December 1975,Berenice Abbott, Photographer: A Modern Vision,p. 8.
  13. ^Solo exhibition, studios: Van Haaften, "Portraits",Berenice Abbott, Photographer,p. 11.
  14. ^Beach quotation: Van Haaften, "Portraits",Berenice Abbott, Photographer,p. 11.
  15. ^"Image: 1293890.jpg, (1240 × 827 px)".img-3.journaldesfemmes.com.RetrievedMay 31,2019.
  16. ^Salon de l'Escalier, Belgian and German exhibitions: Van Haaften, "Portraits",Berenice Abbott, Photographer,p. 11.
  17. ^"Berenice Abbott – Bio".phillipscollection.org.Archived fromthe originalon April 8, 2019.RetrievedFebruary 1,2014.
  18. ^O'Neal, Hank (2010).Berenice Abbott.New York, N.Y.: Thames & Hudson. pp. [p. 3].ISBN9780500411001.
  19. ^Lee., Morgan, Ann (2007).The Oxford dictionary of American art and artists.Oxford University Press. (1st ed.). Oxford: Oxford University Press.ISBN9780199891504.OCLC181102756.{{cite book}}:CS1 maint: multiple names: authors list (link)
  20. ^Harris, David (2000)Eugène Atget: Unknown Paris.New York: New Press.ISBN1-56584-854-3.pp. 13, 15.
  21. ^Mac-Orlan, Pierre (1930).Atget: Photographe de Paris.New York, N. Y.: E. Weyhe.
  22. ^O'Neal, Hank (2010).Berenice Abbott.New York, N. Y.: Thames & Hudson. pp. [p. 5].ISBN9780500411001.
  23. ^Harris, David (2000)Eugène Atget: Unknown Paris.New York: New Press.ISBN1-56584-854-3.pp. 8, 188.
  24. ^"Berenice Abbott – Bio".phillipscollection.org.Archived fromthe originalon April 8, 2019.RetrievedApril 5,2018.
  25. ^ab"Berenice Abbott | MoMA".The Museum of Modern Art.RetrievedApril 4,2018.
  26. ^abYochelson,introduction.
  27. ^"Berenice Abbott – Bio".phillipscollection.org.Archived fromthe originalon April 8, 2019.RetrievedApril 4,2018.
  28. ^O'Neal, Hank and Berenice Abbott. Berenice Abbott: American Photographer. Introduction by John Canaday. New York: McGraw Hill Book Company, 1982.
  29. ^abBarr, Peter (1997)Becoming Documentary: Berenice Abbott's Photographs 1925–1939.Ph.D. dissertation. Boston University.
  30. ^McCausland, Elizabeth (1939).Changing New York.New York, N.Y.: E. P. Dutton & Company, Inc.
  31. ^Miller, Sarah M. (2020).Documentary in Dispute: The Original Manuscript ofChanging New Yorkby Berenice Abbott and Elizabeth McCausland.Cambridge, MA: The MIT Press.ISBN9780262044172.OCLC1140683187.
  32. ^Lanier, Henry Wysham; Abbott, Berenice; Harper & Brothers (1949).Greenwich Village, today & yesterday.OCLC34989459.
  33. ^Current Biography,1942, 1.
  34. ^Saltz, Jerome (2020).Architecture and Cities. Three Photographic Gazes: Eugène Atget, Berenice Abbott, Amanda Bouchenoire.México: Greka Editions. p. 42.
  35. ^"The 'Ace Photographer' and Paul Bunyan: Berenice Abbott's Red River Lumber Company Photos".Forest History Society. April 13, 2022.RetrievedApril 13,2022.
  36. ^Morrill, Rebecca; et al. (2019).Great Women Artists.Phaidon Press. p. 17.ISBN978-0714878775.
  37. ^abGeyer, Andrea."Revolt, They Said".andreageyer.info.RetrievedJune 5,2017.
  38. ^"Berenice Abbott | International Photography Hall of Fame".International Photography Hall of Fame.RetrievedApril 4,2018.
  39. ^Yochelson,Berenice Abbott.
  40. ^"Berenice Abbott - Bio".www.phillipscollection.org.Archived fromthe originalon January 22, 2010.
  41. ^"Berenice Abbott".International Photography Hall of Fame.
  42. ^O'Hagan, Sean (March 10, 2015)."Berenice Abbott: the photography trailblazer who had supersight".The Guardian.RetrievedApril 5,2018.
  43. ^Crisis in US Science Education? Better Call in Avant-Garde Photographer Berenice AbbottForbes
  44. ^abGaze, Delia (1997).Dictionary of Women Artists, Volume I.Chicago, Illinois, USA: Fitzroy Dearborn Publishers. p.167.ISBN1-884964-21-4.
  45. ^"MIT Museum: Exhibitions – Berenice Abbott: Photography and Science: An Essential Unity".Web.mit.edu.RetrievedJune 15,2013.
  46. ^"An American from Paris".Vanity Fair.February 2012.RetrievedNovember 2,2017.
  47. ^Zoffness, Courtney (March 20, 2018)."Art Lives: Sarah Coleman's" The Realist: A Novel of Berenice Abbott "".Los Angeles Review of Books.RetrievedApril 8,2018.
  48. ^"Berenice Abbott".
  49. ^"Not a Nice Girl: On Berenice Abbott".April 10, 2018.
  50. ^"Under the El at the Battery, Manhattan, Berenice Abbott; Publisher: Parasol Press Ltd., New York ^ Minneapolis Institute of Art".collections.artsmia.org.RetrievedApril 8,2019.
  51. ^Morel, Gaelle; Miller, Sarah; Weissman, Terri (2012).Berenice Abbott.Editions Hazan. p. 55.ISBN9780300182002.
  52. ^"Brooklyn Museum".brooklynmuseum.org.RetrievedApril 8,2019.
  53. ^Morel, Gaelle; Miller, Sarah; Weissman, Terri (2012).Berenice Abbott.Editions Hazan. p. 29.ISBN9780300182002.
  54. ^"Berenice Abbott | American photographer".Encyclopædia Britannica.RetrievedApril 8,2019.
  55. ^"Automat, 977 Eighth Avenue, Manhattan".metmuseum.org.RetrievedApril 8,2019.
  56. ^"Brooklyn Museum".brooklynmuseum.org.RetrievedApril 8,2019.
  57. ^Morel, Gaelle; Miller, Sarah; Weissman, Terri (2012).Berenice Abbott.Paris: Editions Hazan. p. 33.ISBN9780300182002.
  58. ^"Brooklyn Museum".brooklynmuseum.org.RetrievedApril 8,2019.
  59. ^Morel, Gaelle; Miller, Sarah; Weissman, Terri (2012).Berenice Abbott.Paris: Editions Hazan. pp. 48–49.ISBN9780300182002.
  60. ^"Fifth Avenue Coach Company | RISD Museum".risdmuseum.org.RetrievedApril 8,2019.
  61. ^"Edward Hopper".International Center of Photography.February 29, 2016.RetrievedApril 8,2019.
  62. ^Morel, Gaelle; Miller, Sarah; Weissman, Terri (2012).Berenice Abbott.Paris: Editions Hazan. p. 98.ISBN9780300182002.
  63. ^Morel, Gaelle; Miller, Sarah; Weissman, Terri (2012).Berenice Abbott.Paris: Editions Hazan. p. 101.ISBN9780300182002.
  64. ^"Berenice Abbott. Father Duffy, Times Square. April 14, 1937 | MoMA".The Museum of Modern Art.RetrievedApril 8,2019.
  65. ^"Museum of the City of New York – Gunsmith and Police Department Headquarters".collections.mcny.org.RetrievedApril 8,2019.
  66. ^"Museum of the City of New York – Church of God".collections.mcny.org.RetrievedApril 8,2019.
  67. ^"Berenice Abbott. Eugene Atget. 1927 | MoMA".The Museum of Modern Art.RetrievedApril 8,2019.
  68. ^"Edna St. Vincent Millay_National Portrait Gallery".National Portrait Gallery.Archivedfrom the original on February 27, 2020.RetrievedJune 15,2021.
  69. ^ab"Berenice Abbott | Wall Street and Stock Exchange (1933) | Artsy".www.artsy.net.RetrievedAugust 18,2023.
  70. ^"Berenice Abbott | Esso Gasoline Station, Tenth Avenue, New York (1935) | Available for Sale | Artsy".www.artsy.net.RetrievedAugust 18,2023.
  71. ^Atget, Eugène; MacOrlan, Pierre; Abbott, Berenice; Jonquières, Henri; Henri Jonquières et cie; Marcel Seheur (Firm); Vigier et Brunissen (April 6, 2018).Atget: photographe de Paris.Henri Jonquières, éditeur.OCLC1872687.
  72. ^Abbott, Berenice (April 6, 2018).A guide to better photography.Crown Publishers.OCLC518801.
  73. ^Abbott, Berenice (April 6, 2018).New guide to better photography.Crown.OCLC835058432.
  74. ^Abbott, Berenice (April 6, 2018).The view camera made simple.Ziff-Davis Pub. Co.OCLC4368846.
  75. ^Atget, Eugène (April 6, 2018).20 photographs.Abbott.OCLC11914621.
  76. ^Atget, Eugène; TROTTENBERG, Arthur D; Proust, Marcel (April 6, 1963).A Vision of Paris. The photographs of Eugène Atget. The words of Marcel Proust (reprinted from "Remembrance of Things Past" ). Edited, with an introduction, by Arthur D. Trottenberg, etc. [With portraits of Atget and Proust.]New York; Lausanne printed.OCLC557242301.
  77. ^Atget, Eugène; Abbott, Berenice (April 6, 1964).The world of Atget.Horizon Press.OCLC284940.
  78. ^Valens, Evans G; Abbott, Berenice (April 6, 1964).Magnet.World Pub. Co.OCLC1410372.
  79. ^Abbott, Berenice (April 6, 1965).Motion.World Publishing Co.OCLC145016564.
  80. ^Abbott, Berenice; Hall, Chenoweth (April 6, 1968).A portrait of Maine.MacMillan; Collier-Macmillan.OCLC930436579.
  81. ^Valens, Evans G; Abbott, Berenice (April 6, 1969).The attractive universe: gravity and the shape of space.World Pub. Co.OCLC21343.
  82. ^Abbott, Berenice (April 6, 2018).Berenice Abbott.Steidl.OCLC793504487.
  83. ^Abbott, Berenice; O'Neal, Hank (April 6, 2018).Berenice Abbott.Thames & Hudson.OCLC601098796.
  84. ^Abbott, Berenice; Kurtz, Ron; Van Haaften, Julia; Durant, John (April 6, 2018).Documenting science.Steidl.OCLC772114259.
  85. ^Abbott, Berenice; Kurtz, Ron; O'Neal, Hank (April 6, 2018).The unknown Abbott.OCLC861603531.
  86. ^Abbott, Berenice; Kurtz, Ron; O'Neal, Hank (April 6, 2018).Berenice Abbott Paris Portraits 1925–1930.Steidl / Commerce Graphics.OCLC957979316.
  87. ^Abbott, Berenice (April 6, 1990).Berenice Abbott photographs.Smithsonian Institution Press.OCLC60099696.
  88. ^O'Neal, Hank; Abbott, Berenice (April 6, 1982).Berenice Abbott, American photographer.McGraw-Hill.OCLC9000984.
  89. ^O'Neal, Hank; Abbott, Berenice; Canaday, John (April 6, 1982).Berenice Abbott 60 years of photography.Thames and Hudson.OCLC252383149.
  90. ^Abbott, Berenice; Scuola grande di San Giovanni Evangelista (Venice, Italy); Ikona Gallery (April 6, 1986).Berenice Abbott, fotografie: Scuola grande San Giovanni Evangelista, 26 giugno-27 luglio 1986.Ikona Gallery.OCLC20775848.
  91. ^Abbott, Berenice; Van Haaften, Julia (April 6, 1989).Berenice Abbott, photographer: a modern vision: a selection of photographs and essays.New York Public Library.ISBN9780871044204– via Open WorldCat.
  92. ^Shimizu, Meredith Ann TeGrotenhuis; Abbott, Berenice; Northwestern University (Evanston, Ill.) (January 16, 2019).Photography in urban discourse: Berenice Abbott's changing New York and the 1930s.OCLC880967643.
  93. ^Morel, Gaëlle (April 6, 2018).Berenice Abbott.Éditions Hazan.OCLC794263975.
  94. ^Abbott, Berenice; Van Haaften, Julia (April 6, 1997).Berenice Abbott.Könemann.OCLC423407786.
  95. ^Van Haaften, Julia; Abbott, Berenice (April 6, 2018).Berenice Abbott.OCLC903002204.
  96. ^Cáp phất đằng; đường tiểu giai (April 6, 2018).Quang quyển thế giới nhiếp ảnh đại sư = Aperture masters of photography.Trung quốc nhiếp ảnh xuất bản xã.OCLC953262656.
  97. ^This list of exhibitions comes from Meredith TeGrotenhuis Shimizu's dissertation, "Photography and Urban Discourse: Berenice Abbott'sChanging New Yorkand the 1930s, "2008
  98. ^Artforum, Summer 1979
  99. ^Levin, Helen (Summer 1987). "The Beauty of Physics".Women Artists News.12:29 – via EBSCOhost.
  100. ^Rosenberg, Karen (August 16, 2023)."Berenice Abbott Captured Manhattan in the Throes of Heady Change".The New York Times.RetrievedAugust 18,2023.
  101. ^"The Metropolitan Museum of Art".The Metropolitan Museum of Art.RetrievedAugust 18,2023.
  102. ^"Berenice Abbott".National Gallery of Art, Washington, DC.
  103. ^Berenice Abbott papersatManuscripts and Archives Divisionat theNew York Public Library
  104. ^Manuscripts and Archives Division, The New York Public Library (January 5, 2009)."Guide to the Berenice Abbott Papers"(PDF).RetrievedMay 31,2019.
  105. ^"Berenice Abbott: Changing New York"New York Public Library
  106. ^"Berenice Abbott"Museum of the City of New York
  107. ^"Berenice Abbott"The Jewish Museum (New York)
  108. ^"Berenice Abbott"Smithsonian American Art Museum
  109. ^"Berenice Abbott (1898–1991)ArchivedApril 8, 2019, at theWayback Machine"The Phillips Collection
  110. ^"Works by Berenice Abbott at the Minneapolis Museum of Art".Minneapolis Institute of Art.RetrievedFebruary 17,2018.
  111. ^"Berenice Abbott".Walker Art Center.RetrievedNovember 25,2019.
  112. ^"Works by Berenice Abbott at the Weisman Art Museum".weisman.emuseum.com.RetrievedJanuary 4,2023.
  113. ^"Search the Collections".Cleveland Museum of Art.
  114. ^"Works – Berenice Abbott – People – Searchable Art Museum".sam.nmartmuseum.org.
  115. ^"Berenice Abbott".International Photography Hall of Fame.RetrievedFebruary 19,2020.
  116. ^"Spotlighting the Photography Collections: Berenice Abbott".Archivedfrom the original on July 6, 2021.
  117. ^"Berenice Abbott".National Portrait Gallery, London.RetrievedMarch 20,2020.
  118. ^"Who made the Conway Library?".Digital Media.June 30, 2020.RetrievedJanuary 22,2022.
  119. ^"Berenice Abbott"Canadian Centre for Architecture
  120. ^"Berenice Abbott - MoMA".The Museum of Modern Art.RetrievedAugust 28,2023.

Cited sources[edit]

  • Bonnie Yochelson (1997).Berenice Abbott: Changing New York.New York: New Press.ISBN1565845560.

Further reading[edit]

External links[edit]

Wikimedia Commons has media related toBerenice Abbott.
Wikiquote has quotations related toBerenice Abbott.
Retrieved from "https://en.wikipedia.org/w/index.php?title=Berenice_Abbott&oldid=1227494733"