Black(2005 film)
Black | |
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Directed by | Sanjay Leela Bhansali |
Screenplay by |
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Story by | Adapted Story: Sanjay Leela Bhansali Original Story: Helen Keller |
Based on | The Story of My Life byHelen Keller |
Produced by |
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Starring | |
Narrated by | Rani Mukerji |
Cinematography | Ravi K. Chandran |
Edited by | Bela Segal |
Music by | Monty Sharma |
Production companies | |
Distributed by |
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Release date |
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Running time | 124 minutes[1] |
Country | India |
Languages |
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Budget | ₹20–22 crore[a] |
Box office | ₹66.6 crore |
Blackis a 2005 IndianEnglish- andHindi-languagedrama filmco-written, directed, and co-produced bySanjay Leela Bhansali.It starsAmitabh BachchanandRani Mukerjiin lead roles, withAyesha Kapur,Shernaz PatelandDhritiman Chatterjeein supporting roles. The film narrates the story of Michelle (Mukerji), adeaf-and-blindwoman, and her relationship with her teacher Debraj (Bachchan), an elderly alcoholic teacher who himself later developsAlzheimer's disease.
In 2003, Bhansali announced the production of his new project,Black.Its idea first came up when he met several physically disabled children while shootingKhamoshi: The Musicalin the 1990s. The story was inspired by the activistHelen Keller's life and her 1903 autobiography,The Story of My Life.Principal photographywas done byRavi K. Chandranin 100 days from mid-January to April 2004, taking place inShimlaandFilm City.Omung Kumarwas the production designer, while Sham Kaushal was the action director. After filming, it was edited by Bela Sehgal. The soundtrack and score were composed byMonty Sharma.
Blackreleased worldwide on 4 February 2005, and proved to be a commercial success at the box office with a total gross of₹666 million(US$15.1 million), thus becoming theeighth-highest grossing Bollywood film of 2005.It received widespread critical acclaim upon release, with praise for its direction, story, screenplay, dialogues, cinematography, production design, costumes, and the performances of the cast, with major praise directed towards Bachchan and Mukherji's performances, and Bhansali's direction and screenplay.
A recipient of numerous accolades,Blackwon three awards at the53rd National Film Awards,includingBest Feature Film in HindiandBest Actor(Bachchan). At the51st Filmfare Awards,the film won all its 11 nominations, includingBest Film,Best Film (Critics),Best Director(Bhansali),Best Actor,Best Actor (Critics)(both for Bachchan),Best ActressandBest Actress (Critics)(both for Mukerji), thus becoming the most-awarded film in the history of theFilmfare Awardsat that time. It also became the fifth film to win all 4 major awards at the Filmfare Awards (Best Film, Best Director, Best Actor, and Best Actress). ATurkishremake,Benim Dünyam,was released in 2013.
Plot
[edit]Michelle McNally, a 42-year-old,Anglo-Indianwoman living inShimla,is "special" in more ways than one for beingblind,deafandmute.She inhabits a suffocating world of infinite BLACK -- where she is isolated in the darkness of her own existence, trapped by her inability to see, hear and speak. Michelle, her younger sister, Sara, and their mother, Catherine, find Michelle's long-lost former teacher, Debraj Sahai, near thefountainoutside their house. Debraj is admitted to amental hospital,where the doctordiagnoseshim as thepatientof incurableAlzheimer's disease,who has near-inability to remember his past and even how to speak. However, Michelle denies the statement and vows to help Debraj in regaining his normalmental health,in return for Debraj's kindness to help her discover her identity, which makes her feel human rather than someone inferior with a disability. The film thenflashbacksto the past to Michelle's childhood. Michelle was a girl who tragically lost hereyesight,hearingandspeechafter recovering from an illness at the age of two. On the sheer will of her ferocious rage against destiny, Michelle grows up prone to violentoutburstsfor becoming more and more frustrated by the seamless, endless void in her life, where nothing reaches her and she reaches nothing. As a result, Michelle becomes a violent, uncontrollable 8-year-old child and her parents, Paul and Catherine, are at their wits' end trying to control her, especially after Catherine gives birth to Sara.
However, the light shines through the end of the tunnel one day. Debraj, an elderlyalcoholicteacher for theblind and deafinDehradun,enters their lives and becomes a ray of hope for Michelle. Debraj sees himself as amagicianand is a disillusionedeccentricman. He takes it upon himself to bring the young Michelle into the light and build her into someone who can express and communicate. Debraj even gives upsalary,allowanceandalcoholand only requests for time and trust to complete his mission. He uses harsh methods, although always for Michelle's long-term benefit, but Paul initially disapproves of the methods and orders Debraj to leave. Although Paul believes him to be gone, Debraj stays as the teacher while Paul is away on abusiness tripfor 20 days. Catherine grudgingly approves of his continuation, given her fear of Michelle being sent to a mental hospital. By the 20th day, Debraj manages to teach Michelle some words and better manners, but he still has difficulty teaching her the meaning of words. When Paul returns, Debraj packs his bags and begins to leave, but at the very last moment, he gets frustrated with Michelle's continuing insolent behaviour, as he is walking towards the door withsuitcasein hand. As a result, Debraj immediately takes Michelle out in thecourtyardand throws her into a fountain full ofwater.At that moment, Michelle suddenly takes to Debraj's lessons and begins to understand the meaning of water. She is also able to identify her parents and can vocalise the firstsyllablesof small words, causing Paul and Catherine to retain Debraj as Michelle's teacher.
22 years later, 30-year-old Michelle has learned a great deal, becoming a relaxed and expressive woman, who is even able to dance and expertlysign.Debraj convinces theprincipalof auniversityto grant her aninterview,which Michelle successfully passes with assistance from Debraj's friend, Mrs. Nair, and receives admission to pursue adegreeofBachelor of Arts,the first blind-deaf person to do so at that university. Michelle moves away from home and lives with Debraj and one of her servants. Over the next two years, she struggles to gain her degree, failing year after year, but she still maintains her spirit. One reason is that she must rely on Debraj completely for interpretation of the material and studying. This problem is overcome by the principal of the college, who prepares the whole first-year Arts course of study inbraillefor Michelle. Another reason for the continuing failure of Michelle is that hertypingskills are lacking and typing is her only way to write down what she knows duringexams.However, she also soon overcomes this deficiency through another flash of increased competence when Michelle almost quits the university and gets into an argument with Debraj. At the same time as Michelle faces all her challenges with resilience, numerous other changes are also witnessed. Debraj begins to succumb to Alzheimer's disease, first forgetting the way out of the principal's office, and then forgetting Michelle and leaving her stranded during anice-creamcelebration for her improved typing.
Meanwhile, Michelle also reconciles with Sara, who turns out was always jealous of her parents' affection for Michelle throughout her life. After attending Sara's marriage, Michelle begins to wonder about love, which she has never experienced, and she even requests Debraj tokissher on the lips. Debraj reluctantly does so but decides to leave Michelle himself because of this demand and the position she has put him in. In the present, which is twelve years after Michelle's enrollment into the college, she successfully manages to gain her BA degree, and with her proud parents looking on her, Michelle even gives a speech to thegraduatingclass. Wearing no black graduationrobe,she expresses gratitude to everyone and announces that she will only wear the robe so that her teacher may see her first. At the mental hospital, Michelle visits Debraj wearing her robe and glimmers ofmemoryare seen returning as Debraj realises that she has graduated and even performs a victory dance. As thewindowopens to therainoutside, Debraj's hand is seen in Michelle's reaching into the rain, and the teacher-student pair is heard vocalising the first syllable of the word "water", withechoesof the scene in which Michelle first began understanding the meaning of words, when Debraj threw her into her fountain earlier in the film. However, this time, it is Debraj who is beginning to learn to speak and understand. The film ends with a scene of Michelle among a crowd of people, all dressed in black, carryingcandleswhile walking towards achurch.There is avoiceoverof aletterthat Michelle has written to Mrs. Nair, explaining that today was her teacher's first day of school, and that just like hers, hisalphabetbegan with the letters "B L A C K", implying that Debraj had finally succumbed to his illness and died.
Cast
[edit]The cast is listed below:[6][7]
- Amitabh Bachchanas Debraj Sahai
- Rani Mukerjias Michelle McNally
- Ayesha Kapuras young Michelle
- Shernaz Patelas Catherine "Kathy" McNally
- Dhritiman Chatterjeeas Paul McNally
- Nandana Senas Sarah McNally
- Sillo Mahava as Mrs. Gomes
- Mahabanoo Mody-Kotwal as Mrs. Nair
- Kenny Desai as Dr. Mehta
- Khursheed Khurody as a pianist at Sarah's wedding
- Shehnaz Anand as a teacher
- Zul Vellani and Kamal Adip as trustees
Production
[edit]Development
[edit]The production ofBlackstarted whenSanjay Leela Bhansalicame up with the idea for the film while the shooting of his directorial debut, the musicalKhamoshi: The Musical,between 1993 and 1994 when he interacted with physically disabled children.[2]After the successes of the romanceHum Dil De Chuke Sanam(1999) and the historical epicDevdas(2002)—one of the most expensive Hindi films ever made at the time—he had made a plan to make another film in the romantic genre.[8][9]Still, the actressJaya Bachchancriticized his work fromDevdasand encouraged him to "attempt something different"; in later years, he would say that it motivated him to makeBlack.[10]Bhansali chose to address a subject that no other directors had done before: "I didn't want to stop making a film straight from my heart because of the fear of losing my audiences."[11]He described it as "a step towards a more complex kind of film than what we get in mainstream cinema", adding, "It is an uplifting tale on the triumph of the human spirit."[11][12]He announced the film in July 2003, along with his other project,Bajirao Mastani,which would be released in 2015.[12]The media declared it as his "most personal film".[13]
Bhansali revealed that he was inspired by American activistHelen Keller's life story. However, he stated that he only used it as a reference and the film was "a completely original piece of work".[14]Additionally, Bhansali also read Keller's autobiographyThe Story of My Lifeand other related books, includingGeraldine Lawhorn'sOn the Crossroads(about adeaf-and-blindmusician). In an interview withThe Hindu,he said, "I was fascinated by the ways in which teachers and parents struggled to reach out to the hearing-impaired children. How do you start the communication? How do you keep it going? What takes other children a year to learn takes 10 years for them to absorb."[11]In addition, some sources claimed that it served as a remake forArthur Penn'sThe Miracle Worker(1962), but Bhansali denied the reports.[15]Others claimed that the film was based on Prakash Kapadia's Gujarati playAatam Vinjhe Paankh,which was inspired byThe Miracle Worker.[16]
Bhansali chose the wordblackfor the film's title; according to him, black is his favorite color and he felt it has a "universal resonance".[12]He explained how the color's monotones and shades were "very attractive if used intelligently", and it was "the best element... that... doesn't overshadow the characters or narrative".[17]He added that it was "a powerful striking colour which describes the film's sensitivities", and defined his mood and temperament.[12][18]"I wear black clothes most of the time. The colour calms me. When I decided to make a film about the world of the sightless,Blackwas the title that came to mind immediately ", he said when interviewed bySify.[19]The same title had been registered by the actorKumar Gauravbefore, and Bhansali asked him to relinquish and gave the title for his next project. According to an article published byScreenin November 2005, Gaurav saw that the film was "bold and path-breaking"; consequently, he finally gave up the title. As gratitude, Bhansali credited Gaurav's name in the opening credits ofBlack.[16]
Bhansali toldThe Telegraphthat Keller's life was an "exemplary to all of us", believing that he had "personally learned so much from her"; he stated that he learned "the value of a teacher in any student's life".[15]Journalists asserted that his involvement in bothBlackandBajirao Mastani(a period film about thePeshwaBaji Rao Iand his second wifeMastani) proved his ability in two opposite film genres; he expressed: "It is a conscious process of rejuvenation as a filmmaker. I have to reinvent myself as a creative person."[12]He then described the former film as "an uplifting tale on the triumph of the human spirit",[20]and it was "about feeling, not speaking".[15]Furthermore, he added, "Blackis about the love between a girl and her teacher. They teach each other the dignity of living. To callBlacka love story is a true compliment.Blackis a pure love story. "[15]
Casting
[edit]On the same day of the film's announcement, Amitabh Bachchan and Rani Mukerji were officially cast in the lead roles.[12]Bachchan featured as Debraj Sahai, a role which he described as a "brilliant teacher but an alcoholic", and he took it as an attempt to avoidtypecasting.[21]Bhansali, who is a "diehard fan" of him, said that he actually wanted to cast him (and his wifeJaya) inKhamoshi: The Musical.However, that was the time when Bachchan took a hiatus from his acting career. Bhansali eventually cast Bachchan inBlack,after the actor watch his previous work,Hum Dil De Chuke Sanam(1999).[20]Bachchan had big expectations withBlack,as he said in an interview to theDeccan Herald,"I feel the Indian audience should like this film."[21]He praised the "fascinating" and "unusual" screenplay of the film, stating, "To be very frank, I would have said 'Yes' even without listening to the script."[21][22]
To prepare for his part, Bachchan underwent special training before the shooting. He visited schools for physically disabled children and learnedhaptic communication,which he found to be "very weird because we can not see, hear or talk", from them for six to seven months; he read some books related on it.[21][23]Also, he did extensive research about Alzheimer's disease and what happens after a person being affected by it.[21]He thought that it "was the most-challenging role... It is a first-time experience because there is not even a single scene in this film that I felt I have done before."[24]
Meanwhile, Mukerji got the role of Michelle McNally (which Bhansali wrote specifically for her) and confirmed her involvement in the film in July 2003.[25][26]She spoke positively of her rapport with Bachchan, and stated that she felt "humbled" with the actor, describing him as "a very modest person, very sweet, a father figure".[27]Same as Bachchan, she accepted it to avoid the typecasting in romantic roles.[28]Mukerji revealed that she was initially reluctant to play the part, when Bhansali read the storyBlackto her in June that year, because of the "challenging" subject and she had no reference to do it.[25][29][30]She confessed, "I was scared when I heard the script. I wondered how I will play this character."[25]In preparation, she also met children with physical disabilities, this time, at the Helen Keller Institute inMumbaiand practicedsign languagethere for six months.[30]According to Mukerji, her interaction with them helped her to "gain sensitivity towards their reactions, aspirations and hopes".[28]Moreover, she had to learnbrailleand found the experience was "like speaking with my hands and my fingers."[31]In spite of that, she said that the film "has made me realize that those who are physically or mentally challenged are actually much stronger than normal, successful human beings."[30]
The child artist Ayesha Kapur made her debut withBlack,playing the version of Michelle. She learned sign language for prepared her brief role as well as Mukerji. Media reports stated that it was "the most difficult character ever written for a child", but Kapur refused that by saying, "I don't know how I played Michelle. I just did it. It wasn't that difficult, really."[32]Shernaz Patel, who had only one film experience inMahesh Bhatt's dramaJanam(1985), portrayed Michelle's mother Catherine "Kathy"; she was cast by casting director Amita Sehgal on the basis of her work as a theatre actress. Nandana Sen played Michelle's younger sister Sarah, a role she described as "an emotional experience".[33]She observed of her part, "... she's a typical 16 year old... You see her evolving in the film, from this oversensitive, moody teenager who is constantly hungry for more affection to a nurturing, loving, caregiver who deals with her sister's circumstances with a lot of love and understanding."[34]She foundBlackto be "a pathbreaking film, both in terms of content and style", and called her role "abreakthrough"in her acting career. For it, she learned how to communicate with sign language, four months before the shooting.[34]
Pre-production
[edit]"Here the look was so intense and understated that I couldn't bring anything that I usually do. It was never the play of colours and that special juxtaposition and rhythm that colours bring. It was particularly fascinating for me because the look was so monochromatic, so minimalist. It was pure... and I seriously feel that I evolved to a new plane while doing that look."
—Costume designerSabyasachi Mukherjeeon his work inBlackin 2005[35]
Bhansali—with his production companySLB Films—produced, financed, and distributed the film alongside Anshuman Swami of Applause Entertainment;[36][37]another company,Yash Raj Films,also served as a distributor.[38]Bhansali wrote the screenplay in three months, and the story withBhavani Iyerand Kapadia;[3][6]the latter two also wrote the dialogues inEnglishandHindi,respectively.[39]When asked byRediff.com'sSubhash K. Jha,Bhansali found the English dialogues to be "too lucid to be left behind in translation".[12]Omung Kumarwas the art director forBlack.In a party sequence featuring all of the lead cast from the film, he used 200 lamps on the ceiling. According toIndia Today,Bhansali was not sure about it, but he allowed Kumar to do that as an "experiment".[40]He used black as the main color to be in tune with the film's themes.[41]
Clothes for all actors fromBlackwere done by the costume designerSabyasachi Mukherjeefor eight months.[42]He spoke of excitement involved in the project: "Blackwas a brilliant experience, literally a once in a lifetime experience. "[35]He added that "the film is about you and me and, therefore, it called for serious clothes."[42]In preparation, Mukherjee saw manyblack-and-whitephotographs. He used a lot ofmonochromatic colors—includingbeige,black, brown, gray,khaki,andindigo—for the film, as it is set between the 1950s and 1960s.[42][43]For her role, Mukerji (who has green eyes) was required to use dark-tintedcontact lenses.[16]She did not use make-up, and she would only take fifteen minutes to prepared before filming.[44]After the release ofBlack,Sabyasachi Mukherjee talked about his experiment with the film's two leads; he found working with Bachchan to be "amazing", as the latter "is so down-to-earth", and similarly to Mukerji, saying that she was the "girl-next-door"and" effortlessly brilliant ".[42]
Ranbir KapoorandSonam Ahujawere chosen as assistant directors for Bhansali; the newcomers confessed that their motives were to get Bhansali to offer them acting jobs.[45][46]They later made their debut as actors in Bhansali's next directorial venture,Saawariya(2007), an adaptation ofFyodor Dostoevsky's 1848 short story "White Nights",[47]which was commercially and critically failed.[48][49]Kapoor would go on to become one of the highest-paid actors in Bollywood while establishing himself as a leading actor of Indian cinema.[50]Ahuja has a good career in Bollywood as well.[51][52]
Filming
[edit]Blackwas filmed in 100 days byRavi K. Chandran.[12][41]In an interview with Rediff.com, Chandran called it one of the most "important" films in his career and considered it as his favorite project; this also marked the first time he shot a film without songs. He revealed that he had previously rejected Bhansali's offers to shootsDevdasas he had busy schedules at that time. However, Chandran promised to collaborate with Bhansali in his next venture, which would beBlack.When Bhansali narrated the film's story to him, Chandran decided to use the cinematography style same with that ofGuru Dutt's 1959 dramaKaagaz Ke Phool.[41]Sham Kaushal was the action director.[6]Kapoor served as abody-doublefor Bachchan in several scenes.[53]
In mid-January 2004, the entire cast and crew ofBlackwent toShimlato begin the first schedule.[16]The first sequence filmed was the film's opening scene, featuring Mukerji stretching out her hand when snow begins to fall.[54]Shimla was very cold at the time, but it did not show any signs that snow would fall. Therefore, the crew bought kilos of salt andsnow-makingmachines fromMumbai's local markets. The media reported that the shooting would end at 04:00.[16]
Filming moved to the film studio complexFilm Citythe next month andIndia Todaysaid that seventy percent ofBlackwas shot there.[55]The studio, which has a 15,000-square-foot (1,400 m2) area, was rented by Bhansali in January 2004 for 45 days, but on 18 February, a fire burned most of the set, resulting in a shooting delay.[55]Bhansali recalled, "It was a torturous exercise and I couldn't sleep, but we needed continuity. I would not shoot if the cottage looked different."[3]In June 2005, the Maharashtra Film, Stage and Cultural Development Corporation fined Bhansali₹60 million(US$1.36 million), with₹20 million(US$453,514.74) for its reconstruction and₹40 million(US$907,029.48) for its rental cost.[55]A month later, the art dealer Farida Hoosenwally also accused him for not return 390 artifacts she lent, and she sent a complaint letter to theDeputy Chief Minister of MaharashtraR. R. Patil.[56]According to the media reports, the incidents made the initial budget of the film—estimated₹135 million(US$3.06 million)—increased to more than₹200 million(US$4.54 million).[4]The schedule was continued on 28 February 2004.[57]The filming was done two months later,[12]and Bhansali's sister Bela Sehgal edited it.[6][58]Canadian composerMychael Dannacompleted its background score.[13]
Soundtrack
[edit]In October 2003, an article written by Savita Gautham ofThe Hindureported thatA. R. Rahmanwould work as the composer forBlack.[59]However,Monty Sharma(who previously collaborated with Bhansali inDevdas) replaced him for an unknown reason.[60]Unlike Bhansali's previous ventures, it has only one lyrics-contained song, titled "Haan Maine Chukar Dekha Hai", written byPrasoon Joshiand performed byGayatri Iyer.[61][62]
The entire soundtrack album, which has thirty-three songs, was released oniTuneson 10 February 2005 by Yash Raj Films' subsidiary YRF Music.[63][64]The music was positively reviewed by several critics.[65][61]For his work, Monty Sharma won theBest Background Scoretrophy at the51st Filmfare Awards.[66]Additionally, he also wonIIFA Award,[67]Screen Award,[68]andZee Cine Awardin the same category.[69]
Release
[edit]Blackgarnered attention before its release.[3]InThe HinduInternet poll of "The Most Awaited Movie of 2005", the film peaked the first position with 66 percent.[70]The trade analystAmod Mehrafelt that the film had goodword-of-mouthpublicity, though he believed that it would attract a restricted audience: "It might be difficult for such a subject to click in the B and C centres. One thing which could go against the film is that 60 percent of the film is in English."[71]A similar sentiment was shared by the exhibitor Manoj Desai, saying that the film's subject was "very sensitive" and its first show would "decide the final outcome".[71]The critic and journalistTaran Adarsh,however, stated: "It will be a great film. I am eagerly awaiting the premiere. Considering the technical brilliance of Bhansali, I pray thatBlackbreaks the 2005 jinx. No film has succeeded this year so far. "[71]
"It was an experience I'll never forget... not only because it was my first retrospective at any festival, but also because of the interaction that I had to undergo with the audience after my film was screened. A lot of them were cinema students and their curiosity about our films and culture and their insightful questions made me very proud to represent our country and cinema."
—Mukerji, Casablanca Film Festival, 2005[72]
On 24 January 2005, Bhansali organized a special screening ofBlackto Bachchan's and Mukerji's family, his mother and himself, and his close friends. Bachchan's wife Jaya was amazed with the film. She stated that it was "something we've never experience before.Blackjust ends all discussion ", describing it as" the kind of movie experience that raises the scale of our cinema so high that you cannot classify its merits ".[73]The film's theatrical release was originally scheduled on 10 December 2004, but Bhansali decided to postpone it, as the date coincided with thenew moonweek, which he considered to be "inauspicious".[13]It was opened in 170 different towns in India on 4 February 2005, the same day as the release ofLeena Yadav'sShabdand Irfan Khan'sBullet: Ek Dhamaka.[16][74]The film was released in South Korea on 28 August 2009 on 180 screens, a big number for a non-Korean film, with its distribution handled by Yash Raj Films.[75][76]It clashed with two other Korean films, includingTake OffandTidal Wave.[76]
Blackhas been screened at a number of events. On 21 January 2005, the film and a retrospective of Mukerji's films—Saathiya(2002),Chalte Chalte(2003),Hum Tum(2004) andVeer-Zaara(2004)—were screened withArabicsubtitles at the Casablanca Film Festival.[72]It was showcased at theIndian Film Festival of Los Angeleson 20 April.[77]The next month, the film was screened in the section ofMarché du Filmat the2005 Cannes Film Festival.[78][79]It was selected for the Indian Panorama section of the36th International Film Festival of Indiain November.[80]In 2012, the film was screened at theLondon Asian Film Festival.[81][82]The latest was at the Seoul International Film Festival in 2017.[83]
The world television premiere of the film took place on 25 September 2005 onStar Gold.[16]Distributed by Dancing Dolphin, it was released onDVDon 20 November 2007 in all regions in a single-disc pack.[84]AVCDversion was released at the same time.[85]The film was available for streaming onAmazon Prime Videoin May 2017.[86][87]
Critical reception
[edit]Blackreceived positive reviews, with most critics praising its story, Bhansali's direction, and the performances—mostly that from Bachchan and Mukerji.[16][88]It received a rating of 87 percent on the review aggregator websiteRotten Tomatoesbased on six reviews, with an average rating of 8.5 out of 10.[86]
The entertainment portalBollywood Hungamagave the film two stars, finding it to be "relies heavily on performances".[89]The critic observed of Mukerji, "With no dialogues in her lap, the actress conveys through expressions solely and what a terrific impact she makes! Here's a performance that should act as a reference guide for all aspiring actors. And yes, she's bound to walk away with all major awards next year as well!"[89]Baradwaj RanganofThe New Sunday Expressfelt that the actress was "outstanding" in the part,[90]which Rediff.com'sSita Menondescribed as "a pure, performance-driven role".[91]Ziya Us Salamhailed her for "[pleasing] the [audience] eyes" despite her "minimal make-up".[92]Khalid MohammedofMid-Dayadded, "Rani Mukherjee is a revelation, belting out a multi-nuanced performance which compels you to reach out for that hyperbolic adjective, awesome. Lock up all the awards already, they're hers."[93]Devesh Sharma fromScreensaid that Bachchan and Mukerji have given "the performance of a lifetime", noting that with the film, "Bhansali has proved that we don't lack raw materials or the talent—all it takes is guts and a determined belief in oneself to make a world class film."[94]
Jaspreet Pandohar ofBBCopined that "Bhansali proves that neither he, nor the never better Bachchan, need a Hollywood film to produce anOscar-worthy film [withBlack]. "[95]She also took note of its production aspects; she lauded that the screenplay and cinematography were "carefully crafted" and "beautiful", respectively.[95]InThe Hindu,Gautaman Bhaskaran claimed that the film was the best among Bhansali's other directorial ventures.[96]Namrata JoshiofOutlookwrote of how it "provides a redefining moment in commercialHindi cinema,pushing its frontiers of narration and style ".[97]Sunny Dua ofThe Telegraphsaid, "Blackis beautiful, for it is real. What is unreal is the way multicoloured, multilateral mainstream Hindi cinema has been suddenly rendered colourless. It will be hard to rate staple Bollywood fare from now, for the bar has been set way too bright by a stark, dark colour. "[98]Hindustan Times'sreviewerVinayak ChakravortyratedBlackthree out of five stars, appreciating Kapur's portrayal of young Michelle and described her as "the anchor of the film's first half".[99]Similar thoughts was given byNikhat Kazmi,who felt that Kapur was "absolutely brilliant".[100]
India Todaycalled the film "a world-class Hindi film" and "a landmark", and found both Bachchan and Mukerji to be "brutally unattractive but always heart wrenching"; Shruti Gupta ofNDTVadded that they "score yet again with their performance".[101][102]Writing for anotherTelegraphreview, Anil Grover complimented the "fantastic" chemistry between the two actors.[103]Shubhra Gupta ofThe Indian Express,also positively reviewed the chemistry, hailing it was "mesmeric". Gupta, however, believed that Mukerji "who really lights up" the film, concluding, "The tilt of the head, the face, alternating between animation and vacuousness, the slightly open mouth, the bewildered lost look, the jerky gait—any or all of it could have turned Michelle into a caricature. But Rani overcomes the handicap of being 'normal', and nails all of it down with an unsparing, unsentimental starkness."[104]The Times of India'scritic Jhoomur Bose Malik praised Mukerji's costume, elaborating that "she did cut a diminutive yet striking picture with the cap, the structured black outfits and of course the no make-up look."[105]Reviewing Bachchan's role, Subhash K. Jha saw that it resembled "Shakespeareantragic-hero "character.[106]
Sushma Mohan of theDeccan Heraldcompared the film's story withKhamoshi: The Musical,and argued that it was "more complex and sensitive" but "better and finer" than the latter.[107]The director and criticRaja Senfrom Rediff.com also did a comparative review ofBlackwithPaheli(2005), also starring Bachchan (in a guest appearance) and Mukerji (in a lead role oppositeShah Rukh Khan). He termed the former "a half-baked, often derivative and crucially flawed film", while called the latter "leads to a languorously unhurried fairytale, a unique love story told without fuss". InBlack,Sen felt that its script "keeps [Mukerji's performance] from being an immortal [one]". Conversely, inPaheli,he believed that she had delivered "a powerful, sensuous, emotive performance".[108]Derek ElleyofVarietycalled Mukerji "seems to be hitting her stride as a serious actress".[109]A reviewer ofEmpiresaid that Bhansali "expertly draws engaging, convincing [p]erformances" from the leads ofBlackdespite his "unsentimental" direction.[110]Pakistani magazineNewslineconcluded, "[It] is an inspirational film and a must-see, even if only for its beautiful direction and acting."[111]
Box office
[edit]Blackwas successful at the box office in India and overseas; trade analysts believed that it was influenced by its positive critical reviews.[112]In India, the film had a theatrical run of nine weeks.[113][114]It earned₹10.3 million(US$233,560.09) on its opening day.[112]It collected₹34.3 million(US$410,000) on its first weekend and₹64.7 million(US$1.47 million) at the end of its first week.[112]The film earned₹330 million(US$7.48 million) in India, making it the year's ninth highest-grossing film in the country.[115]In North America,Blackgrossed $560,000 in four weeks.[116]In the United Kingdom, it grossed $600,000 in four weeks.[116]The film-trade websiteBox Office Indiaestimated theHindilanguage version's total collections to be₹409.4 million(US$9.28 million), concluding its commercial performance to be "average".[112]
In South Korea, theKorean languageversion was a major success upon release there in 2009. The newspaperKyunghyang Shinmunreported that it sold 560,000 tickets and collected ₩3.8 billion ($2.98 million) within two weeks of its release.[117]It went on to sell 877,408 tickets and gross ₩6,241,612,000,[118]equivalent toUS$5.88 million(₹256.6 million).[119]It became thehighest-grossing 2005 Indian film in overseas marketswith$7.7 million[120](₹335.8 million), and the second highest-grossing 2005 Indian film worldwide with₹666 million(US$15.1 million).[121]
Accolades
[edit]Blackwas the fifth film to win all 4 major awards (Best Film,Best Director,Best Actor,andBest Actress) at theFilmfare Awards,afterGuide(1965),Dilwale Dulhania Le Jayenge(1995),Kuch Kuch Hota Hai(1998) andDevdas.[66][122]The film won a total of 11 awards at the ceremony, setting a record at the time for the most trophies for a single film.[123]However, when the65th Filmfare Awardswas held in 2019,Gully Boybroke the record with 13 awards.[124]Blackwon 3 awards at the53rd National Film Awards,including those forBest Feature Film in HindiandBest Actor(Bachchan).[125]It also received 2Anandalok Puraskar,[126]5Bollywood Movie Awards,[127]9International Indian Film Academy Awards,[67][128]11Producers Guild Film Awards,[129]10Screen Awards,[68]6Stardust Awards,[130]and 10Zee Cine Awards.[69]
Legacy
[edit]Blackhas featured in several listings. In 2005,Richard CorlissofTimeincluded it in "Best Movies of 2005", peaking at #5. He wrote, "In so many Indian films the deepest searches are for romantic ecstasy and for reconciliation with the father figure. By addressing both these needs,Blackis more than a noble weepie; it is the ultimate Bollywood love story. "[131]The same year, it ranked #1 in Rachna Kanwar ofThe Times of India's"25 Must See Bollywood Movies", stating that it was "made with astounding sensitivity and enthralling quest for perfection".[132]In 2017, cultural professorRachel Dwyerfeatured it in "70 Iconic Movies of Independent India", and in 2018, Lata Jha ofMintfeatured it in "10 Unusual Indian Film Takes on Disability".[133][134]Time Outplaced the film at 80th position in its "The 100 best Bollywood movies" list.[135]
Mukerji's performance has been noted as one of her notable works, and it was referenced in several films.[136][137]InGolmaal: Fun Unlimited,a 2006 comedy byRohit Shetty,actorArshad Warsidressed up as Mukerji's character.[138]In 2010,Filmfareincluded her work in their listing of Indian cinema's "80 Iconic Performances", and wrote, "... Mukerji sure filled the silences with her stupendous presence and how. Mukerji has left an indelible mark with this role that usually comes once in a lifetime for most."[139]In its March 2016 issue,New Womanmagazine asserted: "It is hard to forget Mukerji... essaying the role of a speech-impaired, deaf and blind girl with little or no make-up... This was once when her action spoke louder than words."[140]
Blackwas remade inTurkishasBenim Dünyam(2013), which generated controversy in the media. On 5 September, when TMC Films released its trailer, Bhansali sent e-mails to the production company as no remake rights had been purchased, but they did not provide any response.[141]The remake opened on 25 October 2013 to positive reviews from critics.[142][143]
In February 2024,Blackwas made available for streaming onNetflix,to mark its 19th anniversary.[144]
See also
[edit]Notes
[edit]- ^Sources inconsistently reported the total budget ofBlack;Lata Khubchandani ofOutlookwrote₹200 million(US$4.54 million),[2]Surajeet Das Gupta ofBusiness Standardsaid₹210 million(US$4.76 million),[3]Kaveree Bamzai ofIndia Todaymentioned₹215 million(US$4.88 million)[4]andThe Financial Expressstated that the number was₹220 million(US$4.99 million).[5]
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External links
[edit]- 2005 films
- 2000s Hindi-language films
- Best Hindi Feature Film National Film Award winners
- English-language Indian films
- Films about blind people in India
- Films about disability in India
- Films about deaf people
- Films directed by Sanjay Leela Bhansali
- Films distributed by Yash Raj Films
- Films featuring a Best Actor National Award-winning performance
- Films shot in Himachal Pradesh
- Films shot in Mumbai
- Films that won the Best Costume Design National Film Award
- Hindi films remade in other languages
- Indian biographical drama films
- Indian films about Alzheimer's disease
- Indian Sign Language films
- Films about educators
- The Miracle Worker
- Cultural depictions of Helen Keller
- Films set in Shimla
- Films based on non-fiction books
- Films about Alzheimer's disease
- English-language biographical drama films