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Black Rain(1989 Japanese film)

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For the American film, seeBlack Rain (1989 American film).
Black Rain
Film poster
Directed byShōhei Imamura
Written by
  • Shōhei Imamura
  • Toshirō Ishido
Based onBlack Rain
byMasuji Ibuse
Produced byHisashi Iino
Starring
CinematographyTakashi Kawamata
Edited byHajime Okayasu
Music byTōru Takemitsu
Production
companies
  • Hayashibara Group
  • Imamura Productions
Distributed byToei
Release date
  • 13 May 1989(1989-05-13)(Japan)
[1][2]
Running time
123 minutes[1][2]
CountryJapan
LanguageJapanese

Black Rain(Hắc い vũ,Kuroi ame)is a 1989 Japanesedrama filmby directorShōhei Imamura,based on thenovel of the same namebyMasuji Ibuse.The story centers on the aftermath of theatomic bombing of Hiroshimaand its effect on a surviving family.[2][3]

Plot

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Half-orphan Yasuko, who lives with her uncle Shigematsu and his wife Shigeko in Hiroshima, is in the middle of moving family belongings to the house of an acquaintance in the vicinity, when the atomic bomb is dropped. She returns to the city by boat and gets into a black rain, afalloutresulting from the bombing. After Yasuko is re-united with her uncle and aunt, the trio heads for the factory where her uncle works to escape the spreading fires. Their route is marked by ruins, scattered corpses, and severely burnt survivors.

5 years later, Yasuko lives with her uncle, aunt and her uncle's mother inFukuyama.As she has long reached the age when a woman should get married by tradition, Shigematsu and Shigeko try to find a husband for her. Yet all prospects' families withdraw their proposal when they hear of Yasuko's presence in Hiroshima on the day of the bombing, fearing that she might become ill or be unable to give birth to healthy children. Yasuko eventually accepts her situation and decides to stay with her uncle's family, even when her father, who remarried, offers her to live in his house.

Shigematsu witnesses his friends, allhibakushasuffering fromradiation sickness,die one after another, while also his, his wife's and niece's health is slowly deteriorating. Yasuko starts feeling close to Yuichi, a young man from the neighbourhood who is suffering from a war trauma. When Yuichi's mother asks for Shigematsu's approval of her son marrying Yasuko, he is indignant at first because of Yuichi's mental illness, but later agrees. Shortly after, Yasuko, already suffering from a tumor, starts losing her hair and is sent to the hospital. Shigematsu watches the departing ambulance, hoping for a rainbow to appear which would indicate that she will recover.

Throughout the film, the story of the consequences of the bombing of Hiroshima are portrayed in graphic detail, with journals and firsthand accounts of the victims of the Hiroshima atomic bombing in order to shed light on how terrible nuclear weapons can be for innocent civilians. One of these victims recollected that he “was three years old at the time of the bombing. {He couldn’t} remember much, but {he did} recall that {his} surroundings turned blindingly white…Then, pitch darkness. {He} was buried alive under the house. {His} face was misshapen. {He} was certain that {he} was dead.” This is reflected in a scene where bodies were engulfed by a blinding light followed by the insurmountable suffering of the masses. There is another story of a woman's father who was in the blast and suffered from many of the same long-term effects of the bomb. In both the account and in the movie, hair falls out of the victims’ heads and they slowly die of radiation poisoning from the bomb.

Some of the accounts described the horrors of the surroundings and the conditions of the bodies after the bombing. Yoshiro Yamawaki and his brothers were going to check on their father who was working in a factory. The air quality is described in both the witness’ story and the movie as being horrible, smelling of rotten flesh. They passed many misshapen bodies and some who had their “” skin peeling off just like that of an over - ripe peach, exposing the white fat underneath.’” When the uncle of the main character exits the train station, there are black skinned bodies everywhere and countless others who are so disfigured that their own family could not even recognize them, which ultimately reveals in dramatic detail the lifelong negative effects of nuclear weapons on a population.

Cast

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Reception

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Black Rainmet with mostly positive reviews.Roger Ebertof theChicago Sun-Timesgave it 3½ of 4 stars, praising its "beautifully textured" black-and-white photography and pointing out that its purpose was not an anti-nuclear message movie but "a film about how the survivors of that terrible day internalized their experiences".[4]Geoff Andrew,writing forTime Out,stated that "despite the largely sensitive depiction of waste, suffering and despair, the often ponderous pacing and the script's solemnity tend to work against emotional involvement".[5]Film scholar Alexander Jacoby discovered an "almostOzu-like quietism ", citingBlack Rainas an example of the "mellowed" Imamura in his later years.[6]Film historianDonald Richiepointed out the film's "warmth, sincerity and compassion".[7]

Awards

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References

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  1. ^ab"Hắc い vũ (Black Rain) "(in Japanese).Japanese Movie Database.Retrieved8 July2021.
  2. ^abc"Hắc い vũ (Black Rain)"(in Japanese).Kinema Junpo.Retrieved8 July2021.
  3. ^"Hắc い vũ (Black Rain)"(in Japanese). kotobank.Retrieved8 July2021.
  4. ^"Reviews: Black Rain".rogerebert.com.24 September 1990.Retrieved8 July2021.
  5. ^Pym, John, ed. (1998).Time Out Film Guide. Seventh Edition 1999.London: Penguin Books.
  6. ^Jacoby, Alexander (2008).Critical Handbook of Japanese Film Directors: From the Silent Era to the Present Day.Berkeley: Stone Bridge Press. p. 67.ISBN978-1-933330-53-2.
  7. ^Richie, Donald (2005).A Hundred Years of Japanese Film(Revised ed.). Tokyo, New York, London: Kodansha International. p. 266.ISBN978-4-7700-2995-9.
  8. ^"Festival de Cannes: Black Rain".festival-cannes.com.Retrieved2009-08-01.

Further reading

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  • Ima-Izumi, Yoko (2007). "Nuclear Bomb Films in Japan and America: TwoBlack RainFilms ". In Narita, Tatsushi (ed.).Essays on British and American Literature and Culture: From Perspectives of Transpacific American Studies.Nagoya: Kougaku Shuppan.
  • Tachibana, Reiko (November 8, 1998)."Seeing Between the Lines: Imamura Shohei's Kuroi Ame (Black Rain)".Literature Film Quarterly. Archived fromthe originalon 2008-06-18.Retrieved8 July2021.{{cite journal}}:Cite journal requires|journal=(help)
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