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Brundibár

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Poster for a performance ofBrundibár,Theresienstadt, 1944.

Brundibáris a children'soperabyJewish CzechcomposerHans Krásawith a libretto byAdolf Hoffmeister,made most famous by performances by the children ofTheresienstadt concentration camp(Terezín) in occupied Czechoslovakia. The name comes from aCzechcolloquialismfor abumblebee.

History

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Krása and Hoffmeister wrote the opera in 1938 for a government competition,[1]but the competition was later cancelled due to political developments. Rehearsals started in 1941 at the Jewish orphanage inPrague,which served a temporary educational facility for children separated from their parents by the war. In the winter of 1942 the opera was first performed at the orphanage for a limited audience of 150 people: by this time, composer Krása and set designerFrantišek Zelenkahad already been transported to Theresienstadt.[2]By July 1943, nearly all of the children of the original chorus and the orphanage staff had also been transported to Theresienstadt. Only the librettist Hoffmeister was able to escape Prague in time.

Reunited with the cast in Theresienstadt, Krása reconstructed the full score of the opera, based on memory and the partial piano score that remained in his hands, adapting it to suit the musical instruments available in the camp: flute, clarinet, guitar, accordion, piano, percussion, four violins, a cello and a double bass. A set was once again designed by František Zelenka, formerly a stage manager at the Czech National Theatre: several flats were painted as a background, in the foreground was a fence with drawings of the cat, dog and sparrow and holes for the singers to insert their heads in place of the animals' heads. On 23 September 1943,Brundibárpremiered in Theresienstadt. The production was directed by Zelenka and choreographed by Camilla Rosenbaum, and was shown 55 times in the following year.

A special performance ofBrundibárwas staged in 1944 for representatives of theRed Crosswhocame to inspect living conditions in the camp;much of what they saw during their visit was a show, and that one of the reasons the Theresienstadt camp seemed acceptable was that many of the residents had been deported toAuschwitzin order to reduce crowding during the visit.

Later that year thisBrundibárproduction was filmed for a Nazi propaganda filmTheresienstadt: ein Dokumentarfilm aus dem jüdischen Siedlungsgebiet(Theresienstadt: a documentary film from the Jewish settlement area).In the following months many of those filmed were sent to Auschwitz. Amongst those who were murdered there were the children, the composer Krása, the directorKurt Gerron,and the musicians.

TheBrundibárfootage from the film is included in theEmmy Award-winning documentaryVoices of the Childrendirected byZuzana Justman,a Terezin survivor, who sang in the chorus. Ela Weissberger, who played the part of the cat, appears in the film. The footage appears again inAs Seen Through These Eyes,a 2009 documentary directed by Hilary Helstein. There Weissberger describes the opera in some detail, noting that the only time that the children were permitted to remove their yellow stars was during a performance.

Storyline

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The plot of the opera shares elements with fairytales such asHansel and GretelandThe Town Musicians of Bremen.Aninka [in English Annette] and Pepíček (Little Joe) are a fatherless sister and brother. Their mother is ill, and the doctor tells them she needs milk to recover. But they have no money. They decide to sing in the marketplace to raise the needed money. But the evil organ grinder Brundibár (of this figureIván Fischerhas said, "Everyone knew he represented Hitler"[3]) chases them away. However, with the help of a fearless sparrow, keen cat, and wise dog, and the children of the town, they are able to chase Brundibár away, and sing in the market square.

Symbolism

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The opera contains obvious symbolism in the triumph of the helpless and needy children over the tyrannical organ grinder, but has no overt references to the conditions under which it was written and performed. However, certain phrases were to the audience clearly anti-Nazi. Though Hoffmeister wrote the libretto before Hitler's invasion, at least one line was changed by poet Emil Saudek at Terezin, to emphasize the anti-Nazi message. "While the original said,'He who loves so much his mother and father and his native land is our friend and he can play with us,' Saudek's version reads: 'He who loves justice and will abide by it, and who is not afraid, is our friend and can play with us.'" (Karas, p. 103).

Reconstruction inWar and Remembrance

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In the American miniseriesWar and Remembrance,in episode 10, an excerpt from the opera Brundibar can be seen being staged on the day of the visit by Red Cross representatives. The set design has been reconstructed (painted houses, fences, ice cream cart). As the inspectors look into the theatre, the children act out the ending of the 6th scene from the Act 1.

Mecklenburgh Opera Production UK 1992

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Mecklenburgh Opera Production: UK 1992. Mecklenburgh Opera broughtBrundibarto the UK in 1992. The company's Artistic director John Abulafia created an English performing version. This was staged at London's Queen Elizabeth Hall in a double bill with another Terezin opera,The Emperor of Atlantisby Viktor Ullmann. John Abulafia directed, Anne Manson conducted, the cast was drawn from the New London Children's Choir. This production was filmed by the BBC, the TV director was Simon Broughton: it was shown on VE Day 1995.

Mecklenburgh Opera then revived the production at Stirling Arts Centre in 1995, the Janáček Festival at Hukvaldy in 1996. John Abulafia revived the production in 2002 with the Halle Orchestra. The cast was drawn from schools in Salford and the Halle conducted by Edward Gardner. It was staged as part of the opening celebrations of the Imperial War Museum North.

The Kushner version

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In 2003, the opera was adapted into a children's picture book byTony Kushnerwith illustrations byMaurice Sendak.Sendak emphasized the symbolism of the opera by drawing the character of Brundibár with aHitler moustache.The book was named one of theNew York Times Book Review's 10 Best Illustrated Books of 2003. The book was named aSydney Taylor Book AwardNotable book for Older Readers in 2003.[4]

The opera was performed in 2003 at Chicago Opera Theater; directed and designed by Sendak, with Tony Kushner's libretto.

In 2005, the book was turned into a full production of the opera, with libretto by Tony Kushner adapted from Hoffmeister's. Sendak andKris Stonedesigned the sets and Robin I. Shane designed the costumes for the new production. The opera premiered at theBerkeley Repertory Theatrewhere it was performed along with another short Czech opera,Comedy on the Bridge,with music byBohuslav Martinůand libretto by Tony Kushner adapted fromVáclav Kliment Klicpera.The opera then moved to theNew Victory Theaterfor itsOff-BroadwayNew York premiere, andComedy on the Bridgewas replaced with a new Kushner play,But the Giraffe.But the Giraffewas about a young girl who was faced with the difficult decision of taking her beloved stuffed giraffe or her uncle'sBrundibárscore. It served as a curtain raiser forBrundibár.In 2005 and 2011, the children's opera was performed at theVictory TheatreinEvansville, Indiana.

In 2006,BrundibárandComedy on the Bridgewere staged by theYale Repertory Theaterin New Haven, CT.[5]

Performance history

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The opera has enjoyed increasing popularity in recent years, and has been performed in different versions inEngland,Czech Republic,Israel,Australiaand across theUnited States.In 1995 inGermanyand inAustriathe opera was performed as a part of a school and memory project in cooperation with survivors from Terezín, such as Herbert Thomas Mandl or Eva Hermannová. The American premiere ofBrundibar(in Czech) took place in West Hartford, CT on April 8, 1975; the world premiere of the English version, in the translation of Milada Javora and Joža Karas, was held in Ottawa, Canada on November 14, 1977.

Cherub Company London presented a fully professional UK production at the Riverside Studios, London, in 2001. The production was unusual inasmuch as the children's characters were played by adult actors (Samuel Dutton and Kathryn Fray). The remaining characters, including Brundibár himself (William Wollen), were played by actors on stilts, creating a nightmarish world for the children. The production was directed by Andrew Visnevski and was presented in a double bill withKafka's The Trialunder the titleDegenerate! A double-fare to commemorate the victims of the Holocaust.[6][7][8]

In 2006, students from theUniversity of Texas at San AntonioperformedBrundibárin Terezin itself, becoming the first American production to return the show to the site where it was originally performed.[9]

Other performances

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TheAustralianpremiere[10]of the opera was staged in 2000 inCanberra,in conjunction with the exhibition "Behind the Walls: The Theresienstadt Ghetto 1941-1945". It was also staged by the Windmill Theatre Company inAdelaidein 2003, in what was described as "a highly politicised" production.[10][11]Both these productions were conducted byRichard Gill.[10]

In October 2000, Cincinnati Opera presentedBrundibárat theAronoff Center,withJohn Morris Russellconducting and stage direction by Brian Robertson. In attendance wasEla Stein-Weissberger,who sang the role of the Cat in Theresienstadt and was one of the few children who survived. During the final moments of the production, Ms. Weissberger emerged from the wings to sing the Victory Song alongside the cast. The opera's prologue also featured local survivors who appeared on stage while young actors told their stories.[12]

In December 2003 and 2004 respectively,Santa Monica College's Madison Project in conjunction withLos Angeles Operarun children's camp performed Brundibár at Miles Memorial Playhouse, theMuseum of Tolerance,and the Santa Monica College 11th street campus, whereThe Broad Stagehas since been built.[13]Survivors of Terezin were in attendance and spoke at all performances about their experiences.[14][15]

In November 2004,Brundibarwas performed by OzOpera, the touring arm ofOpera Australia,as part of the Gandel Festival of Jewish Music.[11]The firstMelbourneperformance was attended by Peter Gaspar, who had performed in the original Terezin performances as a child of 7. He survived the war and migrated with his family to Australia.[16]

In May 2014,Nieuw Vocaal Amsterdamperformed Brundibár as part of the yearly Dutch commemoration of World War II. The performance was attended byEla Weissberger.Adocumentarywas shot in Theresienstadt by Dutch national television, in which Caro Kindt, director of Nieuw Vocaal Amsterdam, spoke with one of the Theresienstadt survivors.

In August 2014,Brundibárwas staged in Sydney (Australia) by Opera Prometheus and Joseph Toltz in association with the Sydney Jewish Museum. The production featured a reproduction of artwork by the child survivor Kitty Passerová Levy, with consultation from Theresienstadt survivors living in Australia, including Jaroslav (Jerry) Rind, who helped with the original construction of the set in Theresienstadt, as well as Edith Druckerová Sheldon and Joe Neustatl, both of whom had seen the production in the ghetto.[11]

On February 8–9, 2019, Project Opera, the youth opera training program of theMinnesota Opera,[17]performedBrundibar(Kushner translation) at the Lab Theatre in DowntownMinneapolis.[18]

In 2019,Brundibárwas performed byWNO Youth Operain theWales Millennium Centre,Cardiff.

On November 4-7, 2021, theVirginia Children's Chorus Concert ChoirperformedBrundibarproceeded byElie Wiesel'splay,The Trial of God,at Christopher Newport University'sFerguson Center for the Artsin Newport News, Virginia. The performance was shown as part of the University'sReflections on the Holocaustexhibition, where the two theatrical works were performed together for the first time.[19]

Recordings

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In 2007 there were seven CD recordings ofBrundibáravailable:

  • 1991 in Czech. Koch International. rereleased Romantic Robot (RR1991) 2 CD-set:Terezín: The Music 1941-44by FISYO (Filmový symfonický orchestr) Prague conducted byMario Klemensand Bambini di Praga led by Bohumil Kulínský; this was the first available recording in Czech from a two-CD set produced by Alexander Goldscheider and released in 1991, which further contains Krása's string trio Tanec together with music from other leading Terezín composers, namelyViktor Ullmann,Pavel HaasandGideon Klein
  • 1993 in Czech:Channel Classics(CCS 5193) CD titled:Composers from Theresienstadt, 1941-1945:Hans Krása's Brundibár andFrantišek Domažlický's Czech Songs; Disman Radio Children's Ensemble, Prague, conducted byJoža Karas- in Czech; no texts 1993.
  • 1995 in German: Live recording of the Austrian Broadcasting Corporation ORF of the Austrian Premiere by ARBOS-Company for Music and Theatre in 1995.
  • 1996 in English:Arabesque RecordingsZ6680:Brundibar and Hebrew and Yiddish Folk Songs;Essex Children's Choir and members of the Vermont Symphony, conducted by Robert DeCormier; 1996 - in English, translation by Joža Karas.
  • 1999 in German: EDA Edition Abseits, www.eda-records.com: Brundibar - Eine Oper fur Kinder; collegium iuvenum, Knabenchor Stuttgart, Madchenkantorei St. Eberhard, conducted by Friedemann Keck; 1999 - two-CD set, in German; the second CD is "Brundibar and the Children of Theresienstadt", a feature with Hannelore Wondschick.
  • 2006 in English: Naxos 8.570119; Brundibar andLori Laitman's "I Never Saw Another Butterfly", under the title Music of Remembrance. Also includes Hans Krása's Overture for Small Orchestra. Northwest Boy Choir, conducted byGerard Schwarz;2006 - this recording is in English and is the Tony Kushner version.
  • 2007 in Italiano: Hans Krása: Brundibár. Opera per Bambini in 2 Atti, Director: Volfango Dami. EMA Vinci records.

References

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  1. ^Pearce, JoeBrundibár at Theresienstadt: A People's Struggle to Maintain a Level of Musical Culture in the Face of Imminent PerilOpera Quarterly (1994) 10 (4): 39-50
  2. ^Brown, Kellie D. (2020).The sound of hope: Music as solace, resistance and salvation during the holocaust and world war II.McFarland. p. 105.
  3. ^"Hans Krása: Brundibár - children's opera".YouTube.
  4. ^"Sydney Taylor Book Award Winners"(PDF).Association of Jewish Libraries.Archived fromthe original(PDF)on 7 November 2021.Retrieved25 September2021.
  5. ^"Yale Bulletin and Calendar".Yale.edu. 2006-02-03. Archived fromthe originalon 2013-06-12.Retrieved2013-08-25.
  6. ^"Andrew Visnevski - Brundibár".
  7. ^"Archive for Brundibar - Degenerate! At Riverside Studios, London. 2001. [LONDON]".
  8. ^Pantouvaki, Sofia."Repetition and Performance: The Case of Children's Opera Brundibár Today".Retrieved2016-09-08.
  9. ^"UTSA presents children's opera 'Brundibar' March 31".UTSA Today.2006-03-28.Retrieved2016-09-08.
  10. ^abcVincent Plush, "Holocaust Music",Weekend Australian,9-10 August 2014, Review, p. 12
  11. ^abcDr Joseph Toltz, "Opera against the odds",Limelight,August 2014, p. 22
  12. ^Gelfand, Janelle (October 24, 2000). "Opera Review: 'Brundibar' a Powerful Reminder".The Cincinnati Enquirer.pp. C2.
  13. ^"Past Performances".Archived fromthe originalon 2016-03-04.Retrieved2015-04-13.
  14. ^"News - Upcoming Events".Archived fromthe originalon 2016-03-04.Retrieved2015-04-13.
  15. ^"Corsair 20 October 2004 — California Digital Newspaper Collection".
  16. ^Barney Zwartz, "For a boy interned in a Nazi concentration camp, joining the opera proved a gift of life",The Age,3 November 2004, p. 3
  17. ^"Project Opera".MN Opera.Minnesota Opera.Retrieved17 March2021.
  18. ^Blain, Terry."Minnesota teens tackle a children's opera with tragic Holocaust history".StarTribune.Retrieved17 March2021.
  19. ^"Brundibár, and the Trial of God".19 November 2021.

Sources

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  • Karas, JožaMusic in Terezin, 1941-1945(1985), New York: Beaufort Books.
  • Speeches by Ela Weissberger, Tucson, AZ, March #1, April 1, and April 2

"Hear My Voice" sources

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  • Gassen, Sarah Garecht. (2006) "Brundibar Written to Inspire Hope", Arizona Daily Star
  • Reel, James. (2006) "Whoever Loves Justice", Tucson Weekly
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