Cavetto

Cavetto moulding

Illustrations of various examples of ancient Egyptiancornices,all of them having cavettos

Acavettois aconcavemouldingwith a regular curved profile that is part of a circle, widely used inarchitectureas well asfurniture,picture frames,metalwork and otherdecorative arts.In describing vessels and similar shapes inpottery,metalwork and related fields, "cavetto" may be used of a variety of concave curves running round objects. The word comes from Italian, as a diminutive ofcave,from the Latin for "hollow" (it is the same root ascave).A vernacular alternative is "cove", most often used where interior walls curve at the top to make a transition to the roof, or for "upside down" cavettos at the bases of elements.

The cavetto moulding is the opposite of theconvex,bulging,ovolo,which is equally common in the tradition of Westernclassical architecture.Both bring the surface forward, and are often combined with other elements of moulding. Usually they include a curve through about a quarter-circle (90°).A concave moulding of about a full semi-circle is known as a "scotia".

Only a minor element of decoration inclassical architecture,the prominentcavetto corniceis a common feature of the ancient architecture of Egypt and theAncient Near East.

Architecture

Ancient Egyptian architecturemade special use of large cavetto mouldings as acornice,with only a short fillet (plain vertical face) above, and atorusmoulding (convex semi-circle) below. This cavetto cornice is sometimes also known as an "Egyptian cornice", "hollow and roll" or "gorge cornice", and has been suggested to be a reminiscence in stone architecture of the primitive use of bound bunches of reeds as supports for buildings, the weight of the roof bending their tops out.

TheEgyptian Building(1845) inRichmond, Virginia,with massive cavetto cornice and bell capitals

Many types of Egyptian capitals for columns are essentially cavettos running round the shaft, often with added decoration. These include the types known as "bell capitals" or "papyruscapitals ". These features are often reproduced inEgyptian Revival architecture,as in theEgyptian Building(1845) inRichmond, Virginia.

The cavetto cornice, often forming less than a quarter-circle, influenced Egypt's neighbours and as well as appearing in early Greek architecture, it is seen in Syria andancient Iran,for example at theTacharapalace ofDarius IatPersepolis,completed in 486 BC. Inspired by this precedent, it was then revived byArdashir I(r. 224–41 AD), the founder of theSasanian dynasty.

The cavetto took the place of the Greekcymatiumin manyEtruscantemples,often painted with vertical "tongue" patterns, and combined with the distinctive "Etruscan round moulding", often painted with scales.

TheTacharapalace ofDarius IatPersepolis,completed in 486 BC

This emphasis on the cavetto was very different from its role in matureAncient Greek architecture,where cavetto elements were relatively small and subordinated to essentially vertical elements, setting the style for the subsequent Western classical tradition.Often an essentially cavetto section is heavily decorated, inGothic architectureoften smothering the shape beneath.

In general the Greeks made much more use of the cyma moulding, where a cavetto and ovolo were placed one above the other to produce a "S" shape; thecymatiumusing this was a standard part of the cornice in the classicalIonic order,and often used elsewhere. There are two forms, depending on which curve is uppermost: in thecyma rectathe cavetto is on top, in thecyma reversathe ovolo. A cavetto alone was sometimes employed in the place of the cymatium of a cornice, as in theDoric orderof theTheatre of Marcellusin Rome,one of the standard models for revivedclassical architecturefrom the Renaissance onwards.But small cavetto mouldings were normal at various places, including integrated ones, not distinguished as a distinct zone by lines or borders, at the bottom of the shaft of columns, beginning the transition to the wider base. These are called anapophyge,or "concave sweep".

Claude Perrault,one of the architects ofLouis XIV's rebuilding of theLouvre Palace,especially theLouvre Colonnade,explained in his architectural textbookOrdonnance for the five kinds of columns after the method of the Ancients(1683) why he had replaced a cavetto with a cyma in his illustration of the Doric capital: "a cavetto is not as strong and is more readily broken than the other molding".

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  Ovolo moulding and resulting shadow pattern
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  Cyma recta, with cavetto above ovolo
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  Cyma reversa, with ovolo above cavetto
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  TheDoric orderof theTheatre of Marcellusin Rome, etched byGiovanni Battista Piranesi.

Vessels

Ming dynastydish inblue and white porcelain.The cavetto is demarcated by pairs of thin blue lines, and hasrunning scrolldecoration, different to that on either side of it in the flat middle and rim.

In plates and other flattish shapes,cavettois used for the curving area linking the base and the rim. This is the case whether the rim is a broad flat surface (typical 20th-century Western plate), or merely the edge of the cavetto (typical modern cereal bowl). Normally the term refers to the top surface of the vessel; if the underside is meant (where the curve is now convex), that may be described as "under the cavetto", "under-cavetto" and so forth.

The cavetto is very often left undecorated, but may have decoration of a different sort from the middle or a flat rim, and the term is typically used when it is necessary to describe this. In complicated pottery shapes, where the normal vocabulary of mouldings is appropriate, cavetto may be used in that sense for any concave curving section.

In the terminology ofarchaeology,especially relating to pottery (and generally not used of pottery after antiquity, or outside archaeology), a cavetto zone or cavetto is a "sharp concavity encircling the body of a vessel", and also a "deep but narrow neck", both used in relation to mainly upright vessels for storing or cooking food.

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  Pair of bowls with cavettos and no distinct rim. The decorated under-cavetto can be seen at right.
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  Here the main decoration continues over the cavetto
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  Here the cavetto is left plain, apart from an inscription.
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  Completely plain cavetto
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  Upturned Japanese bowl with a decorated under-cavetto.
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  Waster bowls; the profile of the cavetto can be seen at lower left.
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  Cavetto zone, with three rows of indentations in the upper part, on a Neolithic German pot.
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  Bronze Age cremation urn, with cavetto, British

See also

• Cymatium

References

• This article incorporates text from a publication now in thepublic domain:Chisholm, Hugh,ed. (1911). "Cavetto".Encyclopædia Britannica.Vol. 5 (11th ed.). Cambridge University Press. p. 582.
• Gibson, Alex M.,Prehistoric Pottery for the Archaeologist,1997, A&C Black,ISBN071851954X,9780718519544,google books
• Perrault, Claude,Ordonnance for the Five Kinds of Columns after the Method of the Ancients,translated by Indra Kagis McEwenand and edited by Alberto Perez-Gomez, 1996, Getty Publications,ISBN0892362324,9780892362325,google books
• Summerson, John,The Classical Language of Architecture,1980 edition,Thames and HudsonWorld of Artseries,ISBN0500201773
• Winter, Nancy A., "Monumentalization of the Etruscan Round Moulding in Sixth Century BCE Central Italy", inMonumentality in Etruscan and Early Roman Architecture: Ideology and Innovation,edited by Michael Thomas, Gretchen E. Meyers, 2012, University of Texas Press,ISBN0292749821,9780292749825,google books